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  • 81 Jeanneret, Charles-Edouard (Le Corbusier)

    [br]
    b. 6 October 1887 La Chaux-de-Fonds, Switzerland
    d. 27 August 1965 Cap Martin, France
    [br]
    Swiss/French architect.
    [br]
    The name of Le Corbusier is synonymous with the International style of modern architecture and city planning, one utilizing functionalist designs carried out in twentieth-century materials with modern methods of construction. Charles-Edouard Jeanneret, born in the watch-making town of La Chaux-de-Fonds in the Jura mountain region, was the son of a watch engraver and dial painter. In the years before 1918 he travelled widely, studying building in many countries. He learned about the use of reinforced concrete in the studio of Auguste Perret and about industrial construction under Peter Behrens. In 1917 he went to live in Paris and spent the rest of his life in France; in 1920 he adopted the name of Le Corbusier, one derived from that of his ancestors (Le Corbesier), and ten years later became a French citizen.
    Le Corbusier's long working life spanned a career divided into three distinct parts. Between 1905 and 1916 he designed a number of simple and increasingly modern houses; the years 1921 to 1940 were ones of research and debate; and the twenty years from 1945 saw the blossoming of his genius. After 1917 Le Corbusier gained a reputation in Paris as an architect of advanced originality. He was particularly interested in low-cost housing and in improving accommodation for the poor. In 1923 he published Vers une architecture, in which he planned estates of mass-produced houses where all extraneous and unnecessary features were stripped away and the houses had flat roofs and plain walls: his concept of "a machine for living in". These white boxes were lifted up on stilts, his pilotis, and double-height living space was provided internally, enclosed by large areas of factory glazing. In 1922 Le Corbusier exhibited a city plan, La Ville contemporaine, in which tall blocks made from steel and concrete were set amongst large areas of parkland, replacing the older concept of city slums with the light and air of modern living. In 1925 he published Urbanisme, further developing his socialist ideals. These constituted a major reform of the industrial-city pattern, but the ideas were not taken up at that time. The Depression years of the 1930s severely curtailed architectural activity in France. Le Corbusier designed houses for the wealthy there, but most of his work prior to 1945 was overseas: his Centrosoyus Administration Building in Moscow (1929–36) and the Ministry of Education Building in Rio de Janeiro (1943) are examples. Immediately after the end of the Second World War Le Corbusier won international fame for his Unité d'habitation theme, the first example of which was built in the boulevard Michelet in Marseille in 1947–52. His answer to the problem of accommodating large numbers of people in a small space at low cost was to construct an immense all-purpose block of pre-cast concrete slabs carried on a row of massive central supports. The Marseille Unité contains 350 apartments in eight double storeys, with a storey for shops half-way up and communal facilities on the roof. In 1950 he published Le Modular, which described a system of measurement based upon the human male figure. From this was derived a relationship of human and mathematical proportions; this concept, together with the extensive use of various forms of concrete, was fundamental to Le Corbusier's later work. In the world-famous and highly personal Pilgrimage Church of Notre Dame du Haut at Ronchamp (1950–5), Le Corbusier's work was in Expressionist form, a plastic design in massive rough-cast concrete, its interior brilliantly designed and lit. His other equally famous, though less popular, ecclesiastical commission showed a contrasting theme, of "brutalist" concrete construction with uncompromisingly stark, rectangular forms. This is the Dominican Convent of Sainte Marie de la Tourette at Eveux-sur-l'Arbresle near Lyon, begun in 1956. The interior, in particular, is carefully worked out, and the lighting, from both natural and artificial sources, is indirect, angled in many directions to illuminate vistas and planes. All surfaces are carefully sloped, the angles meticulously calculated to give optimum visual effect. The crypt, below the raised choir, is painted in bright colours and lit from ceiling oculi.
    One of Le Corbusier's late works, the Convent is a tour de force.
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    Principal Honours and Distinctions
    Honorary Doctorate Zurich University 1933. Honorary Member RIBA 1937. Chevalier de la Légion d'honneur 1937. American Institute of Architects Gold Medal 1961. Honorary Degree University of Geneva 1964.
    Bibliography
    His chief publications, all of which have been numerously reprinted and translated, are: 1923, Vers une architecture.
    1935, La Ville radieuse.
    1946, Propos d'urbanisme.
    1950, Le Modular.
    Further Reading
    P.Blake, 1963, Le Corbusier: Architecture and Form, Penguin. R.Furneaux-Jordan, 1972, Le Corbusier, Dent.
    W.Boesiger, 1970, Le Corbusier, 8 vols, Thames and Hudson.
    ——1987, Le Corbusier: Architect of the Century, Arts Council of Great Britain.
    DY

    Biographical history of technology > Jeanneret, Charles-Edouard (Le Corbusier)

  • 82 Koepe, Friedrich

    [br]
    b. 1 July 1835 Bergkamen, Westphalia, Germany
    d. 12 September 1922 Bochum, Germany
    [br]
    German mining engineer, inventor of the friction winder for shaft hoisting.
    [br]
    After attending the School of Mines at Bochum, from 1862 he worked as an overseer in the coal-mining district of Ibbenbüren until he joined a mining company in the Ruhr area. There, as head of the machine shop, he was mainly concerned with sinking new shafts. In 1873 he became the Technical Director of the Hannover mine, near Bochum, which belonged to Krupp. When the shaft hoisting was to be extended to a lower level Koepe conceived the idea of applying a friction winder to the hoist instead of a drum, in order to save weight and costs. His method involved the use of an endless rope to which the cages were fixed without a safety catch. The rope passed over pulleys instead of coiling and uncoiling on a drum, and he consequently proposed to have the motor erected on top of the shaft rather than beside it, as had been the practice until then.
    Koepe's innovation turned out to be highly effective for hoisting heavy loads from deep shafts and was still popular in many countries in the 1990s, although the Krupp company did not accept it for a long time. He had severe personal problems with the company, and as Krupp refused to have his system patented he had to take it out in his own name in 1877. However, Krupp did not pay for the extension of the patent, nor did they pass the dossiers over to him, so the patent expired two years later. It was not until 1888 that a hoisting engine equipped with a friction winder was erected for the first time in a head gear, above the new Hannover II shaft. The following year Koepe left the Krupp company and settled as a freelance consulting engineer in Bochum; he was successful in having his system introduced by other mining companies. Ironi-cally, in 1948 the world's first four-rope winding, based on his system, was installed at the Hannover mine.
    [br]
    Further Reading
    For detailed biographical information and an assessment of his technological achievements see: H.Arnold and W.Kroker, 1977, "100 Jahre Schachtförderung nach dem System Koepe", Der Anschnitt 29:235–42.
    F.Lange, 1952, Die Vierseilförderung, Essen.
    WK

    Biographical history of technology > Koepe, Friedrich

  • 83 ikbal

    ",-li 1. good fortune. 2. prosperity, success. 3. liking to eat or drink (something). 4. liking, caring for. 5. favoring, looking with favor upon, smiling on. 6. hist. a highly favored odalisque who ranked as a sort of unofficial wife of the sultan. - düşkünü someone who has seen better days, someone who has fallen on hard times. -den düşmek 1. to fall out of favor; not to be popular. 2. (for things) to go badly for (someone). -i sönmek for (one´s) star to set/be on the wane, for (one´s) fortunes to be on the decline."

    Saja Türkçe - İngilizce Sözlük > ikbal

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