-
1 frank-law
Юридический термин: статус свободного человека -
2 frank-law
-
3 frank-law
истор. -
4 frank
1) щирий, відкритий; вільний ( від сплати)2) звільняти ( від сплати); франкувати ( лист)•- frank-law
- frank-pledge
- frank-tenant
- frank-tenement
- frank-tenure -
5 frank pledge
1) Юридический термин: круговая порука (ответственность общины за преступление, совершенное её членом), община, солидарная ответственность членов десятины2) юр.Н.П. круговая порука (old English law), франк-пледж (old English law) -
6 Hillyer, Lambert
1889-1969Enormemente fecundo, este especialista del western (rodo un centenar, entre mudos y sonoros) no desdeno acercarse a otros generos. El resultado es un centenar y medio sobrado de peliculas, en las que no faltan detalles de buen hacer, aunque el ex ceso sumerge el todo en la atonia. Se hizo director con Thomas Ince y logro algun western mudo de buen nivel, como The Narrow Trail (1917), con Wil liam S. Hart, para quien siempre fue su director favorito, co mo protagonista. Trabajo basicamente para Colum bia y Monogram, y hay quien afirma que si Hil lyer hu biera dispuesto de presupuestos holgados, su nombre se incluiria hoy entre los grandes del western.Beau Bandit. 1930. 68 minutos. Blanco y Negro. RKO. Rod LaRocque, Doris Kenyon.The Deadline (Reo ante la ley). 1931. 65 minutos. Blanco y Negro. Columbia. Buck Jones, Loretta Sayers.One Man Law (Fraude legal). 1932. 63 minutos. Blanco y Negro. Columbia. Buck Jones, Shirley Grey.The Fighting Fool. 1932. 58 minutos. Blanco y Negro. Columbia. Tim McCoy, Marceline Day.South of the Rio Grande (El terror de la sierra). 1932. 61 minutos. Blanco y Negro. Columbia. Buck Jones, Mona Maris.Hello Trouble. 1932. 67 minutos. Blanco y Negro. Columbia. Buck Jones, Lina Basquette.White Eagle (El aguila blanca). 1932. 67 minutos. Blanco y Negro. Columbia. Buck Jones, Barbara Weeks.Forbidden Trail. 1932. 71 minutos. Blanco y Negro. Columbia. Buck Jones, Barbara Weeks.The California Trail. 1933. 67 minutos. Blanco y Negro. Columbia. Buck Jones, Helen Mack.Unknown Valley. 1933. 69 minutos. Blanco y Negro. Columbia. Buck Jones, Cecilia Parker.The Fighting Code. 1933. 65 minutos. Blanco y Negro. Columbia. Buck Jones, Diane Sinclair.Sundown Rider (El jinete del ocaso). 1933. 65 minutos. Blanco y Negro. Columbia. Buck Jones, Barbara Weeks.The Man Trailer. 1934. 59 minutos. Blanco y Negro. Columbia. Buck Jones, Cecilia Parker.The Durango Kid. 1940. 60 minutos. Blanco y Negro. Columbia. Charles Starrett, Luana Walters, Bob Nolan.Beyond the Sacramento. 1940. 58 minutos. Blanco y Negro. Columbia. Bill Elliott, Dub Taylor, Evelyn Kayes.The Wildcat of Tucson. 1940. 59 minutos. Blanco y Negro. Columbia. Bill Elliott, Evelyn Young, Dub Taylor.The Pinto Kid. 1941. 61 minutos. Blanco y Negro. Columbia. Charles Starrett, Bob Nolan, Louise Currie.North from the Lone Star. 1941. 58 minutos. Blanco y Negro. Columbia. Bill Elliott, Dorothy Fay, Dub Taylor.The Return of Daniel Boone. 1941. 61 minutos. Blanco y Negro. Columbia. Bill Elliott, Betty Miles, Dub Taylor.Hands Across the Rockies. 1941. 58 minutos. Blanco y Negro. Columbia. Bill Elliott, Mary Daily, Dub Taylor.The Medico of Painted Springs. 1941. 58 minutos. Blanco y Negro. Columbia. Charles Starrett, Terry Walker.The Son of Davy Crockett. 1941. 59 minutos. Blanco y Negro. Columbia. Bill Elliott, Iris Meredith, Dub Tayor.Thunder Over the Prairie. 1941. 61 minutos. Blanco y Negro. Columbia. Charles Starrett, Eileen O’Hearn, Cliff Edwards.King of Dodge City. 1941. 63 minutos. Blanco y Negro. Columbia. Bill Elliott, Tex Ritter, Judith Linden, Dub Taylor.Prairie Stranger. 1941. 68 minutos. Blanco y Negro. Columbia. Charles Starrett, Patti McCarty.Roaring Frontiers. 1941. 60 minutos. Blanco y Negro. Columbia. Bill Elliott, Tex Ritter, Ruth Ford, Frank Mitchell.The Royal Mounted Patrol. 1941. 59 minutos. Blanco y Negro. Columbia. Charles Starrett, Wanda McKay, Russell Hayden.North of the Rockies. 1942. 60 minutos. Blanco y Negro. Columbia. Bill Elliott, Tex Ritter, Shirley Patterson,Frank Mitchell.Devil’s Trail. 1942. 61 minutos. Blanco y Negro. Columbia. Bill Elliott, Tex Ritter, Eileen O’Hearn, Frank Mitchell.Prairie Gunsmoke. 1942. 56 minutos. Blanco y Negro. Columbia. Bill Elliott, Tex Ritter, Virginia Carroll, Frank Mitchell.Vengeance of the West. 1942. 60 minutos. Blanco y Negro. Columbia. Bill Elliott, Tex Ritter, Adele Mara, Frank Mitchell.Fighting Frontier. 1943. 57 minutos. Blanco y Negro. RKO. Tim Holt, Ann Summers, Cliff Edwards.The Stranger from Pecos. 1943. 55 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Raymond Hatton, Christine McIntyre.Six Gun Gospel. 1943. 59 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Raymond Hatton, Inna Gest.The Texas Kid. 1943. 59 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Raymond Hatton, Shirley Patterson.Partners of the Trail. 1944. 57 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Raymond Hatton, Christine McIntyre.Law Men. 1944. 58 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Raymond Hatton, Jan Wiley.Range Law. 1944. 57 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Raymond Hatton, Ellen Hall.West of the Rio Grande. 1944. 57 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Raymond Hatton, Christine McIntyre.Outlaw Brand. 1944. 56 minutos. Blanco y negro. Monogram. Johnny Mack Brown, Raymond Hatton, Nan Holliday.Ghost Guns. 1944. 60 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Raymond Hatton, Evelyn Finley.Stranger from Santa Fe. 1945. 57 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Raymond Hatton, Beatrice Gray.Beyond the Pecos. 1945. 58 minutos. Blanco y Negro. Universal. Robert Cameron, Eddie Dew, Fuzzy Knight, Jennifer Holt.Flame of the West. 1945. 70 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Raymond Hatton, Joan Woodbury.South of the Rio Grande. 1945. 62 minutos. Blanco y Negro. Monogram. Duncan Renaldo, Martin Galarraga, Armida, Lillian Molieri.The Lost Trail. 1945. 53 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Raymond Hatton, Jennifer Holt.Frontier Feud. 1945. 54 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Raymond Hatton, Christine McIntyre.Border Bandits. 1946. 58 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Raymond Hatton, Rosa del Rosario.Under Arizona Skies. 1946. 59 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Raymond Hatton, Reno Browne.The Gentleman from Texas. 1946. 55 min. Blanco y Negro. Monogram. Johnny Mack Brown, Raymond Hatton, Claudia Drake, Reno Browne, Christine McIntyre.Trigger Fingers. 1946. 56 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Raymond Hatton, Jennifer Holt.Shadows on the Range. 1946. 58 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Raymond Hatton, Jan Bryant.Silver Range. 1946. 53 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Raymond Hatton, Jan Bryant.Raiders of the South. 1947. 55 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Raymond Hatton, Evelyn Brent, Reno Browne.Valley of Fear. 1947. 54 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Raymond Hatton, Christine McIntyre.Trailing Danger. 1947. 58 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Raymond Hatton, Peggy Wynne.Land of the Lawless. 1947. 54 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Raymond Hatton, Christine McIntyre, June Harrison.The Law Comes to Gunsight. 1947. 56 minutos. Blanco y Negro. Mono gram. Johnny Mack Brown, Raymond Hatton, Reno Browne.Flashing Guns. 1947. 59 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Raymond Hatton, Jan Bryant.Prairie Express. 1947. 55 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Raymond Hatton, Virginia Belmont.Gun Talk. 1947. 57 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Raymond Hatton, Christine McIntyre, Geneva Gray.Song of the Drifter. 1948. 53 minutos. Blanco y Negro. Monogram. Jimmy Wakely, Dub Taylor, Mildred Coles.Overland Trails. 1948. 58 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Raymond Hatton, Virginia Belmont.Oklahoma Blues. 1948. 56 minutos. Blanco y Negro. Monogram. Jimmy Wakely, Dub Taylor, Virginia Belmont.Crossed Trails. 1948. 53 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Raymond Hatton, Lynne Carver.Sundown Riders. 1948. 65 minutos. Color (Kodachrome). Film Enter prises. Russell Wade, Jay Kirby, Andy Clyde, Evelyn Finley.Frontier Agent. 1948. 56 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Reno Browne, Raymond Hatton.Range Renegades. 1948. 54 minutos. Blanco y Negro. Monogram. Jimmy Wakely, Dub Taylor, Jennifer Holt.The Fighting Ranger. 1948. 57 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Raymond Hatton, Christine Larson.Partners of the Sunset. 1948. 53 minutos. Blanco y Negro. Monogram. Jimmy Wakely, Dub Taylor, Christine Larsen.The Sheriff of Medicine Bow. 1948. 55 minutos. Blanco y Negro. Mono gram. Johnny Mack Brown, Raymond Hatton, Max Terhune, Evelyn Finley.Outlawd Brand. 1948. 58 minutos. Blanco y Negro. Monogram. Jimmy Wakely, Dub Taylor, Kay Morley.Gun Runner. 1949. 54 minutos. Blanco y Negro. Monogram. Jimmy Wakely, Dub Taylor, Noel Neill.Gun Law Justice. 1949. 55 minutos. Blanco y Negro. Monogram. Jimmy Wakely, Dub Taylor, Jane Adams.Trail’s End. 1949. 57 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Max Terhune, Kay Morley.Haunted Trails. 1949. 58 minutos. Blanco y Negro. Monogram. Whip Wilson, Andy Clyde, Reno Browne.Riders of the Dusk. 1949. 57 minutos. Blanco y Negro. Monogram. Whip Wilson, Andy Clyde, Reno Browne.Range Land. 1949. 56 minutos. Blanco y Negro. Monogram. Whip Wilson, Andy Clyde, Reno Browne.English-Spanish dictionary of western films > Hillyer, Lambert
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7 direct
1. transitive verb1) (turn) richten (to[wards] auf + Akk.)the remark was directed at you — die Bemerkung galt dir
the bomb/missile was directed at — die Bombe/das Geschoss galt (+ Dat.)
direct somebody to a place — jemandem den Weg zu einem Ort weisen od. sagen
2) (control) leiten; beaufsichtigen [Arbeitskräfte, Arbeitsablauf]; regeln, dirigieren [Verkehr]3) (order) anweisendirect somebody to do something — jemanden anweisen, etwas zu tun
as directed [by the doctor] — wie [vom Arzt] verordnet
4) (Theatre, Cinemat., Telev., Radio) Regie führen bei2. adjective1) direkt; durchgehend [Zug]; unmittelbar [Ursache, Gefahr, Auswirkung]; (immediate) unmittelbar, persönlich [Erfahrung, Verantwortung, Beteiligung]2) (diametrical) genau [Gegenteil]; direkt [Widerspruch]; diametral [Gegensatz]3) (frank) direkt; offen; glatt [Absage]3. adverb* * *[di'rekt] 1. adjective2) ((of manner etc) straightforward and honest: a direct answer.) direkt3) (occurring as an immediate result: His dismissal was a direct result of his rudeness to the manager.) unmittelbar4) (exact; complete: Her opinions are the direct opposite of his.) gerade5) (in an unbroken line of descent from father to son etc: He is a direct descendant of Napoleon.) unmittelbar2. verb1) (to point, aim or turn in a particular direction: He directed my attention towards the notice.) lenken2) (to show the way to: She directed him to the station.) den Weg zeigen3) (to order or instruct: We will do as you direct.) befehlen•- academic.ru/20671/direction">direction- directional
- directive
- directly
- directness
- director
- directory* * *di·rect[dɪˈrekt]I. adj1. (without interruption) direkt\direct flight Direktflug ma \direct train ein durchgehender Zug; (without detour)\direct route kürzester Weg2. (without intervention) unmittelbar, direkt\direct link Direktverbindung f\direct negotiations Direktverhandlungen pl3. (frank) offen, direktI'll be \direct with you... wenn ich ehrlich bin,...\direct manner direkte Art\direct question direkte [o unverblümte] Frage4. (lineal) direktshe is a \direct descendant of Queen Victoria sie stammt in direkter Linie von Königin Victoria abthe \direct opposite of sth das genaue [o komplette] Gegenteil von etw dat6. ASTRON rechtläufig7. LAW\direct evidence unmittelbarer Beweis\direct examination Befragung f eines Zeugen durch die benennende ParteiII. adv1. (with no intermediary) direktto dial \direct selbst wählen, durchwählen2. (via direct route) direkt, geradewegsthis train goes \direct to Rome dieser Zug fährt ohne Halt bis nach Rom durchto fly \direct to a city ohne Zwischenlandung nach einer Stadt fliegenIII. vt1. (control)▪ to \direct sth etw leiten [o führen]to \direct the traffic den Verkehr regeln [o dirigieren2. (order)▪ to \direct sb to do sth jdn anweisen, etw zu tun3. (aim)▪ to \direct sth against sb etw gegen jdn richten▪ to \direct sth at/to sb etw an jdn richtenwas that remark \directed at me? galt diese Bemerkung mir?their efforts were \directed towards helping the homeless mit ihrem Engagement wollten sie den Obdachlosen helfento \direct sb's attention at sth jds Aufmerksamkeit auf etw akk lenkento \direct a blow at sb nach jdm schlagento \direct a letter to sb einen Brief an jdn adressieren4. (threaten with weapon)▪ to \direct sth at sth/sb etw auf etw/jdn richten5. (give directions)could you please \direct me to the train station? könnten Sie mir bitte den Weg zum Bahnhof zeigen?6. THEAT, FILM* * *[daɪ'rekt]1. adj1) direkt; link, result, heir, contact direkt, unmittelbar; responsibility, cause, danger unmittelbar; train durchgehend; opposite genauas a direct result of — als eine unmittelbare Folge von
direct line of descent — Abstammung f in direkter Linie
to be a direct descendant of sb — von jdm in direkter Linie abstammen, ein direkter Nachkomme von jdm sein
or deposit (US) — per Einzugsauftrag bezahlen
to impose direct rule ( on the Irish/from London) — (Irland/von London aus) direkt regieren
they are willing to hold direct talks with the government — sie sind bereit, mit der Regierung direkt zu verhandeln
3) (GRAM)or discourse (US) — direkte Rede
2. vt1) (= address, aim) remark, letter richten (to an +acc); efforts, look richten (towards auf +acc); anger auslassen (towards an +acc); money zufließen lassen (to +dat)the violence was directed against the police — die Gewalttätigkeiten richteten sich gegen die Polizei
to direct sb's attention to sb/sth — jds Aufmerksamkeit auf jdn/etw lenken
to direct that sth ( should) be done — anordnen, dass etw getan wird
the judge directed the jury to... — der Richter belehrte die Schöffen darüber, dass...
3. advdirekt* * *direct [dıˈrekt; daı-]A v/tto, toward[s] auf akk):a method directed to doing sth ein Verfahren, das darauf abzielt, etwas zu tun;be directed against sich richten gegen;2. ein Fahrzeug lenken3. einen Betrieb etc führen, leiten, lenkenthis remark was directed at you diese Bemerkung war an deine Adresse gerichtetto an akk)to do zu tun):direct the jury as to the law JUR den Geschworenen Rechtsbelehrung erteilen7. anordnen, verfügen, bestimmen:direct sth to be done etwas anordnen; anordnen, dass etwas geschieht;as directed laut Verfügung, nach Vorschriftb) fig jemanden verweisen (to an akk)9. a) ein Orchester dirigierenb) Regie bei einem Film oder Stück führen:directed by unter der Regie vonB v/i1. befehlen, bestimmen2. a) MUS besonders US dirigierenb) THEAT etc Regie führen:directing debut Regiedebüt n1. direkt, gerade2. direkt, unmittelbar (Steuern etc):direct descent geradlinige Abstammung;direct flight Direktflug m;direct labo(u)r Fertigungslöhne pl;direct train BAHN durchgehender Zug;3. unmittelbar, persönlich (Verantwortung etc)4. WIRTSCH spezifisch, direkt:direct costs direkte Kosten, Einzelkosten5. a) klar, unzwei-, eindeutigb) offen, ehrlich (Antwort etc)6. direkt, genau:the direct contrary das genaue Gegenteil7. LING direkt:direct object Akkusativobjekt n8. ASTRON rechtläufig9. ELEKa) Gleichstrom…b) Gleich…D adv direkt, unmittelbar:I wrote to him direct ich schrieb ihm direkt;* * *1. transitive verb1) (turn) richten (to[wards] auf + Akk.)the bomb/missile was directed at — die Bombe/das Geschoss galt (+ Dat.)
2) (control) leiten; beaufsichtigen [Arbeitskräfte, Arbeitsablauf]; regeln, dirigieren [Verkehr]3) (order) anweisendirect somebody to do something — jemanden anweisen, etwas zu tun
as directed [by the doctor] — wie [vom Arzt] verordnet
4) (Theatre, Cinemat., Telev., Radio) Regie führen bei2. adjective1) direkt; durchgehend [Zug]; unmittelbar [Ursache, Gefahr, Auswirkung]; (immediate) unmittelbar, persönlich [Erfahrung, Verantwortung, Beteiligung]2) (diametrical) genau [Gegenteil]; direkt [Widerspruch]; diametral [Gegensatz]3) (frank) direkt; offen; glatt [Absage]3. adverb* * *adj.direkt adj.gerade adj.lenken adj.unmittelbar adj. (something) v.Regie führen (bei etwas) ausdr. (to, at) v.anweisen (auf) v.regeln v.richten (nach, auf) v. -
8 CULTURE, LITERATURE, AND LANGUAGE
■ Bell, Aubrey F. G. The Oxford Book of Portuguese Verse: XIIth Century-XXth Century. Oxford: Oxford University Press, 1925, 1952 (2nd edition, B. Vi-digal, ed.).■. Portuguese Literature. Oxford: Oxford University Press, 1922, 1970 (2nd edition, B. Vidigal, ed.).■ Bleiberg, German, Maureen Ihrie, and Janet Pérez, eds. Dictionary of the Literature of the Iberian Peninsula, 2 vols. Westport, Conn.: Greenwood, 1993.■ Castro, Francisco Lyon de, ed. História da literatura portuguesa, 7 vols. Lisbon: Alfa, 2001-02.■ Cidade, Hernani. Lições de Cultura e Literatura Portuguesa, 3 vols. Lisbon, 1960-62.■ Cook, Manuela. Portuguese: A Complete Course for Beginners. London: Hodder and Stoughton, 1996. Figueiredo, Fidelino. História literária de Portugal. Coimbra, 1944. Gentile, Georges Le. La Littérature Portugaise. Rev. ed. Paris, 1951. Kunoff, Hugo. Portuguese Literature from Its Origins to 1990: A Bibliography Based on the Collections at Indiana University. Metuchen, N.J.: Scarecrow Press, 1994.■ Longland, Jean. Contemporary Portuguese Poetry. A Bilingual Selection. Irvington-on-Hudson: Harvey House, 1966. Prado Coelho, Jacinto do. Dicionário das Literaturas Portuguesas, Galega e Brasileira, 3rd ed. Oporto, 1978. Rossi, Giuseppe C. Storia della letteratura portoghesa. Florence, 1953.■ Santos, João Camilo dos. "Portuguese Contemporary Literature." In Antônio Costa Pinto, ed., Modern Portugal, 218-42. Palo Alto, Calif.: SPOSS, 1998.■ Saraiva, Antônio José. História da cultura em Portugal, 3 vols. Lisbon, 1950-60.■. História da Literatura Portuguesa. Lisbon, 1990 ed.■, and Oscar Lopes. História da Literatura Portuguesa. Oporto and Coimbra, 1992 ed.■ Seguier, Jaime de, ed. Dicionário Prático Ilustrado. Oporto: Lello, 1961 and later eds.■ Simões, João Gaspar. História da poesia portuguesa, 2 vols. Lisbon, 1955-56 and later eds.■. História da poesia portuguesa do século XX. Lisbon, 1959 and later eds.■ Stern, Irwin, ed.-in-chief. Dictionary of Brazilian Literature. Westport, Conn.: Greenwood, 1988.■ TRAVEL AND TOURIST GUIDES ON PORTUGAL■ Ballard, Sam, and Jane Ballard. Pousadas of Portugal: Unique Lodgings in State-owned Castles, Palaces, Mansions and Hotels. Boston: Harvard Common, 1986.■ Bridge, Ann, and Susan Lowndes Marques. The Selective Traveller in Portugal. London: Chatto & Windus, 1968.■ Ellingham, Mark, et al. Portugal: The Rough Guide. London: Rough Guides, 2008 ed.■ Hogg, Anthony. Travellers' Portugal. London: Solo Mio, 1983.■ Kite, Cynthia, and Ralph Kite. Portuguese Country Inns & Pousadas. New York: Warner Books; Karen Brown's Country Inn Series, 1988.■ Lowndes, Susan, ed. Fodor's Portugal 1991. New York: Fodor's, 1990.■ Proença Raúl, and Sant'anna Dionísio, eds. Guía De Portugal. I. Generalidades. Lisboa E, Arredores. Lisbon: Fundação Calouste Gulbenkian, 1924; 1983.■ Robertson, Ian. Portugal: Blue Guide. London: Benn; New York: Norton, 2000 and later eds.■ Stoop, Anne de. Living in Portugal. Paris and New York: Flammarion, 1995. Wright, David, and Patrick Swift. Minho and North Portugal: A Portrait and Guide. New York: Scribners, 1968.■. Lisbon: A Portrait and Guide. New York: Scribners, 1971.■. Algarve: A Portrait and Guide. New York: Scribners, 1973.■ HISTORY OF PORTUGAL Ancient and Medieval (2000 BCE-1415 CE)■ Alarção, Jorge de. Roman Portugal. Volume I: Introduction. Warminster, U.K., 1988.■ Almeida, Fortunato de. História de Portugal. Vol. I. Coimbra, 1922. Arnaut, Salvador Dias. A Crise Nacional dos fins do século XVI. Vol. 1. Coimbra, 1960.■ Baião, Antônio, Hernani Cidade, and Manuel Múrias, eds. História de Expansão Portuguesa no Mundo, 3 vols. Lisbon, 1937-40. Caetano, Marcello. Lições de História do Direito Português. Coimbra, 1962. Cortesão, Jaime. Os Factores Democráticos no Formação de Portugal. Lisbon, 1960.■ David, Pierre. Etudes Historiques sur la Galice et le Portugal du VI au XII siécle. Paris, 1947.■ Dias, Eduardo Mayone. Portugal's Secret Jews: The End of an Era. Rumford, R.I.: Peregrinação Publications, 1999. Diffie, Bailey W. Prelude to Empire: Portugal Overseas before Henry the Navigator. Lincoln: University of Nebraska Press, 1960. Dutra, Francis A. "Portugal: To 1279." Dictionary of the Middle Ages. Vol. X: 35-48. New York: Scribners, 1987.■. "Portugal: 1279-1481." Dictionary of the Middle Ages. Vol. X: 48-56. New York: Scribners, 1987. Gama Barros, Henrique de. História de Administração Pública em Portugal nos séculos XII à XV, 11 vols. Lisbon, 1945-51. Godinho, Vitorino Magalhães. A Economia dos Descobrimentos Henriquinos. Lisbon, 1962.■ Gonzaga de Azevedo, Luís. História de Portugal, 6 vols. Lisbon, 1939-44.■ Herculano, Alexandre. História de Portugal, 8 vols., 9th ed. Lisbon, 1940.■ Kennedy, Hugh. Muslim Spain and Portugal: A Political History of al-Anda-lus. London: Longman, 1996.■ Lencastre e Tavora, Luía Gonzaga. O Estudo da Sigilografia Medieval Portuguesa. Lisbon, 1990.■ Livermore, H. V. The Origins of Spain and Portugal. London: Allen & Unwin, 1971.■ Lopes, David. "Os Árabes nas obras de Alexandre Herculano." Boletim da Segunda Classe. Lisbon: Academia Real das Sciéncias, III (1909-10). MacKendrick, Paul. The Iberian Stones Speak. New York: Funk & Wagnalls, 1969.■ Martinez, Pedro Soares. História Diplomática De Portugal [chapter I, 114315]. Lisbon, 1986.■ Mattoso, José, ed. A Nobreza Medieval Portuguesa: A Família e o Poder. Lisbon: Estampa, 1981.■. Religião e cultura na Idade Média Portuguesa. Lisbon: Imprensa Nacional, 1982.■. Identificaçao de um país ( ensaio sobre as orígens de Portugal), 2 vols. Lisbon: Estampa, 1985.■. Novos Ensaios de História Medieval Portuguesa. Lisbon: Edit. Presença, 1988.■. Historia de Portugal. Vol. 2: A Monarquia Feudal ( 1096-1480). Lisbon: Estampa, 1993.■ Oliveira Marques, A. H. de. Hansa e Portugal na Idade Média. Lisbon, 1959.■. Introduçao à História da Agricultura em Portugal. Lisbon, 1968.■. Daily Life in Portugal in the Middle Ages. Madison: University of Wisconsin Press, 1971.■. Ensaios de História Medieval Portuguesa. Lisbon, 1980.■. "Introduçao à História da Cidade Medieval Portuguesa." Bracara Augusta XXV, 92-93 (January-December 1981): 367-87.■. Guía do Estudante de História Medieval Portuguesa, 3rd ed. Lisbon, 1985.■. Portugal Na Crise Dos Séculos XIV e XV-Vol. IV of Serrão and Oliveira Marques, Nova História de Portugal. Lisbon, 1987.■ Peres, Damião de, ed. História de Portugal. Vols. I, II. Barcelos, 1928-29.■ Rau, Virginia. Subsídios para o estudo das Feiras Medievais Portuguesas. Lisbon, 1943.■. Sesma'rias Medievais Portuguesas. Lisbon, 1946.■ Ribeiro, Orlando. "Portugal, formação de." Dicionário da História de Portugal. Vol. III, 432-51. Lisbon, 1966.■ Rogers, Francis M. The Travels of the Infante Dom Pedro of Portugal. Cambridge, Mass.: Harvard University Press, 1961.■ Russell, P. E. 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The New York Review of Books (April 17, 1975).■. "The Thorns of the Portuguese Revolution." Foreign Affairs 54, 2 (Jan. 1976): 250-70.■. "The Communists and the Portuguese Revolution." Dissent 27, 2 (Spring 1980): 194-206.■. Portugal in the 1980s: Dilemmas of Democratic Consolidation. Westport, Conn.: Greenwood, 1986.■. The Making of Portuguese Democracy. Cambridge: Cambridge University Press, 1995.■, ed. "Portugal: Toward the Twenty-First Century." Camoes Center Quarterly 5, 3-4 (Fall 1995): 6-55.■, ed. The Press and the Rebirth of Iberian Democracy. Westport, Conn.: Greenwood, 1983.■. Portugal Ten Years after the Revolution: Reports of Three Columbia University-Gulbenkian Workshops. New York: Research Institute on International Change, Columbia University, 1984.■ Maxwell, Kenneth, and Michael H. Haltzel, eds. Portugal: Ancient Country, Young Democracy. Washington, D.C.: Wilson Center Press, 1990.■ Medeiros Ferreira, José. Ensaio Histórico sobre a revolução do 25 de Abril. Lisbon, 1983.■ Medina, João, ed. Portugal De Abril: Do 25 Aos Nossos Dias. In Medina, ed., História Contemporãnea De Portugal. Lisbon, 1985. Merten, Peter. Anarchismus ünd Arbeiterkãmpf in Portugal. Hamburg: Libertare, 1981.■ Miranda, Jorge. Constituição e Democracia. Lisbon, 1976.■. A Constituição de 1976. Lisbon, 1978.■ Morrison, Rodney J. Portugal: Revolutionary Change in an Open Economy. Boston: Auburn House, 1981.■ Mujal-Leôn, Eusebio. "The PCP [Portuguese Communist Party] and the Portuguese Revolution." Problems of Communism 26 (Jan.- Feb. 1977): 21-41.■ Neves, Mário. Missão em Moscovo. Lisbon, 1986.■ Oliveira, César. M. F. A. e Revolução Socialista. Lisbon, 1975.■. Os Anos Decisivos: Portugal 1962-1985. Um testemunho. Lisbon: Presença, 1993.■ Opello, Waiter C., Jr. Portugal's Political Development: A Comparative Approach. Boulder, Colo.: Westview, 1985.■. Portugal: From Monarchy to Pluralist Democracy. Boulder, Colo.: Westview, 1991.■ Pell, Senator Claiborne H. Portugal ( Including the Azores and Spain) in Search of New Directions: Report to the Committee on Foreign Relations, U.S. Senate. Washington, D.C.: Government Printing Office, 1976.■ Pereira, J. Pacheco. "A Case of Orthodoxy: The Communist Party of Portugal." In Waller and Fenema, eds., Communist Parties in Western Europe: Adaptation or Decline? Oxford: Basil Blackwell, 1988.■ Pilmott, Ben. "Socialism in Portugal: Was It a Revolution?" Government and Opposition 7 (Summer 1977).■. "Were the Soldiers Revolutionary? The Armed Forces Movement in Portugal, 1973-1976." Iberian Studies 7, 1 (1978): 13-21.■, and Jean Seaton. "Political Power and the Portuguese Media." In L. S. Graham and D. L. Wheeler, eds., In Search of Modern Portugal, 43-57. Madison: University of Wisconsin Press, 1983.■ Porch, Douglas. The Portuguese Armed Forces and the Revolution. London: Croom Helm and Stanford, Calif.: Hoover Institution Press, 1977.■ Pouchin, Dominique. Portugal, quelle révolution? Paris, 1976.■ Pulido Valente, Vasco. "E Viva Otelo." In Pulido Valente, V., ed., O País das Maravilhas, 451-54. Lisbon, 1979 [anthology of articles from weekly Lisbon paper, Expresso].■. Estudos Sobre a Crise Nacional. Lisbon, 1980.■ Rebelo de Sousa, Marcelo. O Sistema de Governo Português antes e depois da Revisão Constitucional, 3rd ed. Lisbon, 1981. Rêgo, Raúl. Militares, Clérigos e Paisanos. Lisbon, 1981. Robinson, Richard A. H. Contemporary Portugal: A History. London: Allen & Unwin, 1979.■ Rodrigues, Avelino, Cesário Borga, and Mário Cardoso. O Movemento dos Capitães e o 25 de Abril. Lisbon, 1974.■. Portugal Depois De Abril. Lisbon, 1976.■ Ruas, H. B., ed. A Revolução das Flores. Lisbon, 1975.■ Rudel, Christian. La Liberte couleur d'oeillet. Paris: Fayard, 1980.■ Sa, Tiago Moreira de. Os Americanos na Revolucao Portuguesa ( 1974-1976). Lisbon: Edit. Noticias, 2004.■ Sá Carneiro, Francisco. Por Uma Social-Democracia Portuguesa. Lisbon, 1975.■ Sanches Osôrio, Helena. Um Só Rosto. Uma Só Fé. Conversas Com Adelino Da Palma Carlos. Lisbon, 1988. Sanches Osôrio, J. The Betrayal of the 25th of April in Portugal. Madrid: Sedmay, 1975.■ Schmitter, Philippe C. "Liberation by Golpe: Retrospective Thoughts on the Demise of Authoritarian Rule in Portugal." Armed Forces and Society 2 (1974): 5-33.■. "An Introduction to Southern European Transitions from Authoritarian Rule: Italy, Greece, Portugal, Spain and Turkey." In G. O'Donnell,■ P. C. Schmitter, and L. Whitehead, eds., Transitions from Authoritarian Rule, 3-10. Baltimore, Md.: Johns Hopkins University Press, 1986.■ Silva, Fernando Dioga da. "Uma Administração Envelhecido." Revista da Ad-ministraçao Pública 2 (Oct.-Dec. 1979).■ Simões, Martinho, ed. Relatório Do 25 De Novembro: Texto Integral, 2 vols. Lisbon, 1976.■ Soares, Isabel, ed. Mário Soares: O homem e o político. Lisbon, 1976. Soares, Mário. Democratização e Descolonização: Dez meses no Governo Provisório. Lisbon, 1975. Sobel, Lester A., ed. Portuguese Revolution, 1974-1976. New York: Facts on File, Inc., 1976.■ Spínola, Antônio de. Portugal e o Futuro. Lisbon, 1974.■. País Sem Rumo: Contributo para a História de uma Revolução. Lisbon, 1978.■ Story, Jonathan. "Portugal's Revolution of Carnations: Patterns of Change and Continuity." International Affairs 52 (July 1976): 417-34. Sweezey, Paul. "Class Struggles in Portugal." Monthly Review 27, 4 (Sept. 1975): 1-26.■ Szulc, Tad. "Lisbon and Washington: Behind Portugal's Revolution." Foreign Policy 21 (Winter 1975-76): 3-62. Tavares de Almeida, Antônio. Balsemão: O retrato. Lisbon, 1981. "Vasco." Desenhos Políticos. Lisbon, 1974.■ Vasconcelos, Alvaro. "Portugal in Atlantic-Mediterranean Security." In Douglas T. Stuart, ed., Politics and Security in the Southern Region of the Atlantic Alliance, 117-36. London: Macmillan, 1988.■ Wheeler, Douglas L. "Golpes militares e golpes literários. A literatura do golpe de 25 de Abril de 1974 em contexto histôrico." Penélope. Fazer E Desfazer A História, 19-20 (1998): 191-212.■. "Tributo ao Historiador dos Historiadores. Memorias de A.H.de Oliveira Marques (1933-2007)," Historia XXIX, 95, III series (March 2007), 18-22.■ Wiarda, Howard J. Transcending Corporatism? The Portuguese Corporative System and the Revolution of 1974. Columbia: Institute of International Studies, University of South Carolina, 1976.■. The Transition to Democracy in Spain and Portugal. Washington, D.C.: American Enterprise Institute for Public Policy Research, 1989. Wise, Audrey. Eyewitness in Revolutionary Portugal. With a Preface by Judith Hart, MP. London: Spokesman, 1975.■ PHYSICAL FEATURES: GEOGRAPHY, GEOLOGY, FAUNA, AND FLORA■ Birot, Pierre. Le Portugal: Étude de géographie régionale. Paris, 1950.■ Embleton, Clifford. Geomorphology of Europe. London: Macmillan, 1984.■ Girão, Aristides de Amorim. Divisão regional, divisão agrícola e divisão administrativa. Coimbra, 1932.■. Condições geográficos e históricas de autonomia política de Portugal. Coimbra, 1935.■. Atlas de Portugal, 2nd ed. Coimbra, 1958.■ Ribeiro, Orlando. Portugal, O Mediterrâneo e o Altântico. Coimbra, 1945 and later eds.■. Portugal. Volume V of Geografia de Espana y Portugal. Barcelona, 1955.■. Ensaios de Geografia Humana e regio nal. Lisbon, 1970.■. A geografia e a divisão regional do país. Lisbon, 1970.■ Stanislawski, Dan. The Individuality of Portugal. Austin: The University of Texas Press, 1959.■. Portugal's Other Kingdom: The Algarve. Austin: University of Texas Press, 1963.■ Taylor, Albert William. Wild Flowers of Spain and Portugal. London: Chatto & Windus, 1972.■ Way, Ruth, and Margaret Simmons. A Geography of Spain and Portugal. London: Methuen, 1962.■ ARCHAEOLOGY AND PREHISTORY■ "Actas do Colóquio Inter-Universitário do Noroeste Peninsular (Porto-Baião, 1988), vol. II, Proto-História, romanização e Idade Média." In Trabalhos de antropologia e etnologia. 28, 3-4 (1988).■ Alarcão, Jorge de, ed. "Do Paleolítico va arte visigótica." Vol. 1, História da■ Arte em Portugal. Lisbon: Alfa, 1986.■. Roman Portugal, 3 vols. Warminister, U.K.: Aris & Phillips, 1988.■. Portugal Das Orígens A Romanização. Vol. I. In J. Serrão and A. H. de Oliveira Marques, eds. Nova História de Portugal. Lisbon: Presença, 1990. Anderson, James M., and M. S. Lea. Portugal 1001 Sights: An Archaeological and Historical Guide. Calgary, Alberta: University of Calgary and Robert Hale, 1994.■ Balmuth, Miriam S., Antonio Gilman, and Lourdes Prados-Torreira, eds. Encounters and Transformations: The Archaeology of Iberia in Transition. Monographs in Mediterranean Archaeology, no. 7. Sheffield, U.K.: Sheffield Academic Press, 1997.■ Beirão, C. M. M. Une civilization protohistorique du Sud au Portugal ( 1er Age du Fer). Paris: D. Boccard, 1986.■ Cardoso, João Luís, Santinho A. Cunha, and Delberto Aguiar. O Homem Pre-Histórico no Concelho de Oeiras. Oeiras, Portugal: Estudos Arquelógicos de Oeiras, 1991.■ Harrison, Richard J. The Bell Beaker Cultures of Spain and Portugal. Cambridge, Mass.: Harvard University Press, 1977.■ Mangas, Júlio, ed. Hispania epigraphica. Madrid, 1989.■ Maloney, Stephanie J. "The Villa of Toerre de Palma, Portugal: Archaeology and Preservation." Portuguese Studies Review VIII, 1 (Fall-Winter, 1999-2000): 14-28.■ Savory, H. N. Spain and Portugal: The Prehistory of the Iberian Peninsula. London, 1968.■ Silva, A. C. F. A cultura castreja no Noroeste de Portugal. Paços de Ferreira:■ Museu da Citânia de Sanfins, 1986. Straus, L. G. Iberia before the Iberians. Albuquerque, N.M., 1992.■ FOREIGN TRAVELERS AND RESIDENTS' ACCOUNTS■ Andersen, Hans Christian. A Visit to Portugal 1866. London: Peter Owen, 1972.■ Beckford, William. Italy, with Sketches of Spain and Portugal. Paris: Baudry's European Library, 1834.■ Boyd Alexander, ed. London: Hart-Davies, 1954.■. Recollections of an Excursion to the Monasteries of Alcoboca and Batalha. Fontwell, U.K.: Centaur Press, 1972.■ Bell, Aubrey F. G. In Portugal. London: Bodley Head, 1912.■ Borrow, George. The Bible in Spain, 2 vols. London: Constable, 1923 ed.■ Chaves, Castelo Branco. Os livros de viagens em Portugal no século XVIII e a sua projecção europeia. Lisbon, 1977.■ Costigan, Arthur William. Sketches of Society and Manners in Portugal. London: T. Vernon, 1787.■ Crawfurd, Oswald. Portugal Old and New. London: Kegan, Paul, 1880.■. Round the Calendar in Portugal. London: Chapman & Hall, 1890.■ Darymple, William. Travels through Spain and Portugal in 1774. London: J. Almon, 1777.■ Dumouriez, Charles Francois Duperrier. An Account of Portugal as It Appeared in 1766. London: C. Law, 1797.■ Fielding, Henry. Jonathan Wild and the Journal of a Voyage to Lisbon. London: J. M. Dent, 1932.■ Fullerton, Alice. To Portugal for Pleasure. London: Grafton, 1945.■ Gibbons, John. I Gathered No Moss. London: Robert Hale, 1939.■ Gordon, Jan, and Cora Gordon. Portuguese Somersault. London: Harrap, 1934.■ Hewitt, Richard. A Cottage in Portugal. New York: Simon & Schuster, 1996.■ Huggett, Frank. South of Lisbon: Winter Travels in Southern Portugal. London: Gollancz, 1960.■ Hume, Martin. Through Portugal. London: Richards, 1907.■ Hyland, Paul. Backwards Out of the Big World: A Voyage into Portugal. Hammersmith, U.K.: HarperCollins, 1996.■ Jackson, Catherine Charlotte, Lady. Fair Lusitania. London: Bentley, 1874.■ Kelly, Marie Node. This Delicious Land Portugal. London: Hutchinson, 1956.■ Kempner, Mary Jean. Invitation to Portugal. New York: Athenaeum, 1969.■ Kingston, William H. G. Lusitanian Sketches of the Pen and Pencil. 2 vol. London: Parker, 1845.■ Landmann, George. Historical, Military and Picturesque Observations on Portugal. 2 vol. London: Cadell and Davies, 1818.■ Latouche, John [Pseudonym of Oswald Crawfurd]. Travels in Portugal. London: Ward, Lock & Taylor, ca. 1874.■ Link, Henry Frederick. Travels in Portugal and France and Spain. London: Longman & Rees, 1801.■ Macauley, Rose. They Went to Portugal. London: Jonathan Cape, 1946.■. They Went to Portugal, Too. Manchester: Carcanet Books, 1990.■ Merle, Iris. Portuguese Panorama. London: Ouzel, 1958.■ Murphy, J. C. Travels in Portugal. London: 1795.■ Proper, Datus C. The Last Old Place: A Search through Portugal. New York: Simon & Schuster, 1992.■ Quillinan, Dorothy [Wordsworth]. Journal of a Few Months in Portugal with Glimpses of the South of Spain. 2 vol. London: Moxon, 1847. Sitwell, Sacheverell. Portugal and Madeira. London: Batsford, 1954. Smith, Karine R. Until Tomorrow: Azores and Portugal. Snohomish, Wash.: Snohomish Publishing, 1978. Southey, Robert. Journals of a Residence in Portugal, 1800-1801 and a Visit to France, 1838. London and New York: Oxford Univ. Press, 1912. Thomas, Gordon Kent. Lord Byron's Iberian Pilgrimage. Provo, Utah: Brigham Young University Press, 1983. Twiss, Richard. Travels through Portugal and Spain in 1772-1773. London, 1775.■ Watson, Gilbert. Sunshine and Sentiment in Portugal. London: Arnold, 1904. Wheeler, Douglas L. "A[n American] Fulbrighter in Lisbon, Portugal, 196162." Portuguese Studies Review 1 (1991): 9-16.■ PORTUGUESE CARTOGRAPHY, DISCOVERIES, AND NAVIGATION■ Albuquerque, Luís de. Curso de História de Naútica. Coimbra, 1972.■. Introdução a história dos descobrimentos, 3rd ed. Mem Martins, 1983.■. Os Descobrimentos Portugueses. Lisbon: Alfa, 1983.■. Portuguese Books on Nautical Science from Pedro Nunes to 1650. Lisbon, 1984.■. Os Descobrimentos Portugueses. Lisbon, 1985.■ Boorstin, Daniel. The Discoverers. New York: Random House, 1983. Boxer, C. R. The Portuguese Seaborne Empire, 1415-1825. London: Hutchinson, 1969.■ Brazão, Eduardo. La découverte de Terre-Neuve. Montreal: Les Presses de l'Université, 1964.■. "Les Corte-Real et le Nouveau Monde." Revue d'histoire d'Amérique Française 19, 1 (1965): 335-49. Cortesão, Armando, and Avelino Teixeira de Mota. Cartografia Portuguesa Antiga. Lisbon, 1960.■. Portugalia Monumenta Cartográfica, 6 vols. Lisbon, 1960-62.■. História da Cartografia Portuguesa, 2 vols. Coimbra, 1969-70.■ Cortesão, Jaime. L'expansion des portugais dans l'historie de la civilisation. Brussels, 1930.■. Os descobrimentos portugueses, 2 vols. V. Magalhães Godinho and Joel Serrão, eds. Lisbon, 1960.■. A expansão dos Portugueses no período henriquinho. Lisbon, 1965.■. Descobrimentos precolombanos dos portugueses. Lisbon, 1966.■ Costa, Abel Fontoura da. A Marinharia dos Descobrimentos, 3rd ed. Lisbon, 1960.■ Costa Brochado, Idalino F. Descobrimento do Atlântico. Lisbon, 1958. English ed., 1959-60.■ Coutinho, Admiral Gago. A naútica dos descobrimentos, 2 vols. Lisbon, 1951-52.■ Crone, G. R. Maps and Their Makers. New York: Capricorn Books, 1966.■ Dias, José S. da Silva. Os descobrimentos e a problemática cultural do Século XVI, 2nd ed. Lisbon, 1982.■ Disney, Anthony, and Emily Booth, eds. Vasco Da Gama and the Linking of Europe and Asia. New Delhi: Oxford University Press, 2000.■ Godinho, Vitorino Magalhães, ed. Documentos sobre a expansão portuguesa [ to 1460], 3 vols. Lisbon, 1945-54.■ Guedes, Max, and Gerald Lombardi, eds. Portugal. Brazil: The Age of Atlantic Discoveries. Lisbon: Bertrand; Milan: Ricci; Brazilian Culture Foundation, 1990. [Catalogue of New York Public Library Exhibit, Summer 1990]■ Harley, J. B., and David Woodward. The History of Cartography. Volume 1: Cartography in Prehistoric, Ancient and Medieval Europe and Mediterranean. Chicago: University of Chicago Press, 1987.■ Leite, Duarte. História dos Descobrimentos: Colectânea de esparsos, 2 vols. Lisbon, 1958-61.■ Ley, Charles. Portuguese Voyages, 1498-1663. London: Dent, 1953.■ Marques, J. Martins da Silva. Descobrimentos portugueses, 2 vols. Lisbon, 1944-71.■ Martyn, John R. C., ed. Pedro Nunes ( 1502-1578): His Lost Algebra and Other Discoveries. John R. C. Martyn, trans. New York: Peter Lang, 1996.■ Morison, Samuel Eliot. The European Discovery of America: The Northern Voyages, A. D. 500-1600. New York: Oxford University Press, 1971.■. Portuguese Voyages to America in the Fifteenth Century. Cambridge: Harvard University Press, 1974.■ Mota, Avelino Teixeira da. Mar, Além-Mar-Estudos e Ensaios de História e Geografia. Lisbon, 1972.■ Nemésio, Vitorino. Vida e Obra do Infante D. Henrique. Lisbon, 1959.■ Parry, J. H. The Discovery of the Sea. New York: Dial, 1974.■ Penrose, Boies. Travel and Discovery in the Renaissance, 1420-1620. Cambridge, Mass.: Harvard University Press, 1952.■ Peres, Damião. História dos Descobrimentos Portugueses. Oporto, 1943.■ Prestage, Edgar. The Portuguese Pioneers. London, 1933; New York: Barnes & Noble, 1967.■ Rogers, Francis M. Precision Astrolabe: Portuguese Navigators and Transoceanic Aviation. Lisbon, 1971.■ Seary, E. R. "The Portuguese Element in the Place Names of Newfoundland." In Luís Albuquerque, ed., Vice-Almirante A. Teixeira da Mota: In Memo-riam. Vol. II, 359-64. Lisbon: Academia da Marinha, 1989.■ Subrahmanyam, Sanjay. The Career and Legend of Vasco Da Gama. Cambridge: Cambridge University Press, 1997.■ Velho, Alvaro. Roteiro ( Navigator's Route) da Primeira Viagem de Vasco da Gama ( 1497-1499). Lisbon, 1960.■ Winius, George, ed. Portugal, the Pathfinder: Journeys from the Medieval toward the Modern World 1300-ca. 1600. Madison, Wisc.: Hispanic Seminary of Medieval Studies, 1995.■ PORTUGAL AND HER OVERSEAS EMPIRES (1415-1975)■ Abshire, David M., and Michael A. Samuels, eds. Portuguese Africa: A Handbook. New York: Praeger, 1969.■ Afonso, Aniceto, and Carlos de Matos Gomes. Guerra Colonial. Lisbon: Noticias, 2001.■ Albuquerque, J. Moushino de. Moçambique. Lisbon, 1898.■ Alden, Dauril. The Making of an Enterprise: The Society of Jesus in Portugal, Its Empire & Beyond. Stanford, Calif.: Stanford University Press, 1995.■ Alexandre, Valentim. Orígens do Colonialismo Português Moderno ( 18221891). Lisbon: Sá da Costa, 1979.■, and Jill Dias, eds. "O Império Africano 1825-1890. Volume X." In J.■ Serrão and A. H. de Oliveira Marques, eds., Nova História Da Expansão Portuguesa. Lisbon: Estampa, 1998.■ Ames, Glen J. "The Carreira da India, 1668-1682: Maritime Enterprise and the Quest for Stability in Portugal's Asian Empire." Journal of European Economic History 20, 1 (1991): 7-28.■. Renascent Empire? The House of Braganza and the Quest for Stability in Portuguese Monsoon Asia, ca. 1640-1683. Amsterdam: Amsterdam Univ.Press, 2000.■. Vasco da Gama. Renaissance Crusader. New York: Pearson/Longman, 2005.■ Antunes, José Freire. O Império com Pés de Barro: Colonizaçao e Descolonização: As Ideologias em Portugal. Lisbon: D. Quixote, 1980.■. O Factor Africano 1890-1990. Lisbon: Bertrand, 1990.■. A Guerra De Africa 1961-1974, 2 vols. Lisbon: Círculo de Leitores, 1995-96.■. Jorge Jardim: Agente Secreto 1919-1982. Lisbon: Bertrand, 1996.■ Axelson, Eric A. South-East Africa, 1488-1530. London: Longmans, 1940.■. "Prince Henry and the Discovery of the Sea Route to India." Geographical Journal (U.K.) 127, 2 (June 1961): 145-58.■. Portugal and the Scramble for Africa, 1875-1891. Johannesburg: Witwaterstrand University Press, 1967.■. Portuguese in South-East Africa, 1488-1699. Cape Town: Struik, 1973.■. Congo to Cape: Early Portuguese Explorers. New York: Harper & Row, 1974.■ Azevedo, Mário. Historical Dictionary of Mozambique, 2nd ed. Lanham, Md.: Scarecrow Press, 2003.■ Baião, António, Hernãni Cidade, and Manuel Murias, eds. História da Expansão Portuguesa no Mundo, 4 vols. Lisbon, 1937-40.■ Bender, Gerald J. "The Limits of Counterinsurgency [in the Angolan War, 1961-72]." Comparative Politics (1972): 331-60.■. Angola under the Portuguese: The Myth Versus Reality. Berkeley: University of California Press, 1978.■ Bhíla, H. H. K. Trade and Politics in a Shona Kingdom: The Manyika and Their Portuguese and African Neighbours, 1875-1902. Harlow, U.K.: Longman, 1990.■ Birmingham, David. The Portuguese Conquest of Angola. Oxford: Clarendon Press, 1965.■. Trade and Conflict in Angola. Oxford: Clarendon Press, 1966.■. Frontline Nationalism in Angola & Mozambique. London: James Currey, 1992.■. Portugal and Africa. New York: St. Martins, 1999.■ Bottineau, Yves. Le Portugal Et Sa Vocation Maritime. Paris: Boccard, 1977. Boxer, C. R. Fidalgos in the Far East— Fact and Fancy in the History of Macau. Berkeley: University of California Press, 1948. ———. The Christian Century in Japan. Berkeley: University of California Press, 1951.■ ———. Salvador de Sá and the Struggle for Brazil and Angola, 1602-1688. London, 1952.■ ———. Four Centuries of Portuguese Expansion, 1415-1825: A Succinct Survey. Johannesburg: Witwaterstrand University Press, 1961.■ ———. The Golden Age of Brazil, 1695-1750. Berkeley: University of California Press, 1962.■ ———. Race Relations in the Portuguese Colonial Empire, 1415-1825. Oxford:■ Clarendon Press, 1963. ———. Portuguese Society in the Tropics. Madison: University of Wisconsin Press, 1965.■ ———. The Portuguese Seaborne Empire 1415-1825. London: Hutchi nson, 1969.■ ———, and Carlos de Azevedo, eds. Fort Jesus and the Portuguese in Mombasa. London: Hollis and Carter, 1960.■ Broadhead, Susan H. Historical Dictionary of Angola, 2nd ed. Metuchen, N.J.: Scarecrow Press, 1992.■ Burton, Richard. Goa and the Blue Mountains. London: Bentley, 1851.■ Cabral, Luís. Crónica da Libertação. Lisbon, 1984.■ Caetano, Marcello. Colonizing Traditions, Principles and Methods of the Portuguese. Lisbon, 1951.■ ———. Portugal E A Internacionalização Dos Problemas Africanos, 3rd ed. Lisbon, 1965.■ Cann, John P. Counterinsurgency in Africa: The Portuguese Way of War, 1961-1974. Westport, Conn.: Greenwood, 1997. Castelo, Claudia. " O modo portugues de estar no mundo." O luso-tropicalismo e a ideologia colonial portuguesa ( 1931-1961). Oporto: Afrontamento, 1998. Castro, Armando. O Sistema Colonial Português em Africa ( meados do Século XX). Lisbon, 1978.■ Chaliand, Gerard. "The Independence of Guinea-Bissau and the Heritage of [Amilcar] Cabral." In Revolution in the Third World. Harmondsworth, U.K.: Penguin, 1978.■ Chilcote, Ronald H. Portuguese Africa. Englewood Cliffs, N.J.: Prentice-Hall, 1967.■ Clarence-Smith, Gervase. Slaves, Peasants and Capitalists in Southern Angola 1840-1926. Cambridge: Cambridge University Press, 1979.■ ———. The Third Portuguese Empire 1825-1975: A Study in Economic Imperialism. Manchester, U.K.: Manchester University Press, 1985.■ Coates, Timothy J. Convicts and Orphans: Forced and State-Sponsored Colonizers in the Portuguese Empire, 1550-1720. Stanford, Calif.: Stanford University Press, 2001.■ Davies, Shann. Macau. Singapore: Times Editions, 1986.■ Dias, C. Malheiro, ed. 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Brother Luiz de Sousa [play]. Edgar Prestage, trans. London: Elkin Mathess, 1909.■. Travels in My Homeland. John M. Parker, trans. London: Peter Owen and UNESCO, 1987. Griffin, Jonathan. Camões: Some Poems Translated from the Portuguese by Jonathan Griffin. London: Menard Press, 1976. Jorge, Lídia. The Murmuring Coast. Minneapolis: University of Minnesota Press, 1995.■ Lisboa, Eugénio, ed. Portuguese Short Fiction. Manchester, U.K.: Carcanet, 1997.■ Lopes, Fernão. The English in Portugal 1367-87: Extracts from the Chronicles of Dom Fernando and Dom João. Derek W. Lomax and R. J. Oakley, eds. and trans. Warminster, U.K.: Aris & Phillips, 1988.■ Macedo, Helder, ed. Contemporary Portuguese Poetry: An Anthology in English. Helder Macedo, et al., trans. Manchester, U.K.: Carcanet New Press, 1978.■ Martins, J. P. De Oliveira. A History of Iberian Civilization. Aubrey F. G. Bell, trans.; preface by Salvador de Madariaga. New York: Cooper Square, 1969.■ Mendes Pinto, Fernão. The Travels of Mendes Pinto [Orig. title: Peregrinação].■ Rebecca D. Catz, trans., with introduction and notes. Chicago: University of Chicago Press, 1989. Miguéis, José Rodrigues. A Man Smiles at Death with Half a Face. George■ Monteiro, trans. Hanover, N.H.: University Press of New England, 1991.■. Happy Easter. John Byrne, trans. Manchester, U.K.: Carcanet, 1995.■. Steerage and Ten Other Stories. George Monteiro, ed. Providence, R.I.: Gávea-Brown, 1998. Monteiro, Luís De Sttau. The Rules of the Game. Ann Stevens, trans. London: Hamilton, 1965.■ Mourão-Ferreira, David. Lucky in Love. Christine Robinson, trans. Manchester, U.K.: Carcanet, 1999. Namora, Fernando. Field of Fate. Dorothy Ball, trans. London: Macmillan, 1970.■. Mountain Doctor. Dorothy Ball, trans. London: Macmillan, 1956.■ Nemésio, Vitorino. Inclement Weather over the Channel. Francisco Cota Fagundes, trans. Providence, R.I.: Gávea-Brown, 1993.■. Stormy Isles: An Azorean Tale. Francisco C. Fagundes, trans. 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Anderson, trans. London, 1882.■ Portuguese and Portuguese-American Cooking: Cuisine■ Anderson, Jean. Food of Portugal. New York: Hearst, 1994. Asselin, E. Donald. A Portuguese-American Cookbook. Rutland, Vt.: Charles E. Tuttle, 1966.■ Bourne, Ursula. Portuguese Cookery. Harmondsworth, U.K.: Penguin, 1973. Crato, Maria Helena Tavares. Cozinha Portuguesa I, II. Lisbon: Editorial Presença, 1978.■ Dienhart, Miriam, and Anne Emerson, ed. Cooking in Portugal. Cascais: American Women of Lisbon, 1978.■ Feibleman, Peter S. The Cooking of Spain and Portugal. New York: Time-Life Books; Foods of the World, 1969.■ Koehler, Margaret H. Recipes from the Portuguese of Provincetown. Riverside, Conn.: Chatham Press, 1973. Manjny, Maite. The Home Book of Portuguese Cookery. London: Faber & Faber, 1974.■ Marques, Susan Lowndes. Good Food from Spain and Portugal. London: Muller, 1956.■ Modesto, Maria de Lourdes. Cozinha Tradicional Portuguesa. Lisbon: Verbo, 1982.■ Ortiz, Elisabeth Lambert. 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"On the Edge of Europe: A Survey of Portugal." (June 30, 1981): 3-27.■. "Coming Home: A Survey of Portugal." (May 28, 1988).■. 'The New Iberia: Not Quite Kissing Cousins" [Spain and Portugal]. (May 5, 1990): 21-24.■ Fundação Calouste Gulbenkian and German Marshall Fund of the U.S., eds. II Conferência Internacional sobre e Economia Portuguesa, 2 vols. Lisbon, 1979.■ Hudson, Mark. Portugal to 1993: Investing in a European Future. London: The Economist Intelligence Unit/Special Report No. 11 57/EIU Economic Prospects Series, 1989.■ International Labour Office (ILO). Employment and Basic Needs in Portugal. Geneva: ILO, 1979.■ Kavalsky, Basil, and Surendra Agarwal. Portugal: Current and Prospective Economic Trends. Washington, D.C.: World Bank, 1978.■ Krugman, Paul, and Jorge Braga de Macedo. "The Economic Consequences of the April 25th Revolution." Economia III (1979): 455-83.■ Lewis, John R., and Alan M. Williams. "The Sines Project: Portugal's Growth Centre or White Elephant?" Town Planning Review 56, 3 (1985): 339-66.■ Makler, Harry M. "The Consequences of the Survival and Revival of the Industrial Bourgeoisie." In L. S. Graham and D. L. Wheeler, eds., In Search of Modern Portugal, 251-83. Madison: University of Wisconsin Press, 1983.■ Marques, A. La Politique Economique Portugaise dans la Période de la Dictature ( 1926-1974). Doctoral thesis, 3rd cycle, University of Grenoble, France, 1980.■ Martins, B. Sociedades e grupos em Portugal. Lisbon, 1973.■ Mata, Eugenia, and Nuno Valério. História Econômica De Portugal: Uma Perspectiva Global. Lisbon: Edit. Presença, 1994. Murteira, Mário. "The Present Economic Situation: Its Origins and Prospects." In L. S. Graham and H. M. Makler, eds., Contemporary Portugal, 331-42. Austin: University of Texas Press, 1979. OCED. Economic Survey: Portugal: 1988. Paris: OCED, 1988 [see also this series since 1978].■ Pasquier, Albert. L'Economie du Portugal: Données et Problémes de Son Expansion. Paris: Librarie Generale de Droit, 1961. Pereira da Moura, Francisco. Para onde vai e economia portuguesa? Lisbon, 1973.■ Pintado, V. Xavier. Structure and Growth of the Portuguese Economy. Geneva: EFTA, 1964.■ Pitta e Cunha, Paulo. "Portugal and the European Economic Community." In L. S. Graham and D. L. Wheeler, eds., In Search of Modern Portugal, 321-38. Madison: University of Wisconsin Press, 1983.■. "The Portuguese Economic System and Accession to the European Community." In E. Sousa Ferreira and W. C. Opello, Jr., eds., Conflict and Change in Portugal, 1974-1984, 281-300. Lisbon, 1985. Porto, Manuel. "Portugal: Twenty Years of Change." In Alan Williams, ed., Southern Europe Transformed, 84-112. London: Harper & Row, 1984. Quarterly Economic Review. London: The Economist Intelligence Unit, 1974-present.■ Salgado de Matos, Luís. Investimentos Estrangeiros em Portugal. Lisbon, 1973 and later eds.■ Schmitt, Hans O. Economic Stabilisation and Growth in Portugal. Washington, D.C.: International Monetary Fund, 1981.■ Smith, Diana. Portugal and the Challenge of 1992. New York: Camões Center, RIIC, Columbia University, 1989.■ Tillotson, John. The Portuguese Bank Note Case [ 1920s]: Legal, Economic and Financial Approaches to the Measure of Damages in Contract. Manchester, U.K.: Faculty of Law, University of Manchester, 1992.■ Tovias, Alfred. Foreign Economic Relations of the Economic Community: The Impact of Spain and Portugal. Boulder, Colo.: Rienner, 1990.■ Valério, Nuno. A moeda em Portugal, 1913-1947. Lisbon: Sá da Costa, 1984.■. As Finanças Públicas Portuguesas Entre As Duas Guerras Mundiais. Lisbon: Cosmos, 1994.■ World Bank. Portugal: Current and Prospective Economic Trends. Washington, D.C.: World Bank, 1978 and to the present.■ PHOTOGRAPHY ON PORTUGAL■ Alves, Afonso Manuel, Antônio Sacchetti, and Moura Machado. Lisboa. Lisbon, 1991.■ Antunes, José. Lisboa do nosso olhar; A look on Lisbon. Lisbon: Câmara Municipal de Lisboa, 1991. Beaton, Cecil. Near East. London: Batsford, 1943.■. Lisboa 1942: Cecil Beaton, Lisbon 1942. Lisbon: British Historical Society of Portugal/Fundação Calouste Gulbenkian, 1995.■ Bottineau, Yves. Portugal. London: Thames & Hudson, 1957.■ Câmara Municipal de Lisboa. 7 Olhares ( Seven Viewpoints). Lisbon: Câmara Municipal de Lisboa, 1998.■ Capital, A. Lisboa: Imagens d'A Capital. Lisbon: Edit. Notícias, 1984.■ Dias, Marina Tavares. Photographias de Lisboa, 1900 ( Photographs of Lisbon, 1900). Lisbon: Quimera, 1991.■. Os melhores postais antigos de Lisboa ( The best old postcards of Lisbon). Lisbon: Químera, 1995.■ Finlayson, Graham, and Frank Tuohy. Portugal. London: Thames & Hudson, 1970.■ Glassner, Helga. Portugal. Berlin-Zurich: Atlantis-Verlag, 1942. Hopkinson, Amanda, ed. Reflections by Ten Portuguese photographers. Bark-way, U.K.: Frontline/Portugal 600, 1996.■ Lima, Luís Leiria, and Isabel Salema. Lisboa de Pedra e Bronze. Lisbon, 1990.■ Martins, Miguel Gomes. Lisboa ribeirinha ( Riverside Lisbon). Lisbon: Arquivo Municipal, Câmara Municipal de Lisboa, Livros Horizonte, 1994. Vieira, Alice. Esta Lisboa ( This Lisbon). Lisbon: Caminho, 1994. Wohl, Hellmut, and Alice Wohl. Portugal. London: Frederick Muller, 1983.■ EQUESTRIANISM■ Andrade, Manoel Carlos de, Luz da Liberal e Nobre Arte da Cavallaria. Lisbon, 1790.■ Graciosa, Filipe. Escola Portuguesa de Arte Equestre. Lisbon, 2004.■ Horsetalk Magazine. Published in New Zealand.■ Oliveira, Nuno. Reflections on the Equestrian Art. London, 2000.■ Russell, Eleanor, ed. The Truth in the Teaching of Nuno Oliveira. Stanhope,■ Queensland, Australia, 2003. Vilaca, Luis V., and Pedro Yglesias d'Oliveira, eds. LUSITANO. Coudelarias De Portugal. O Cavalo ancestral do Sudoeste da Europa. Lisbon: ICONOM, 2005.■ Websites of interest: www.equestrian.pt portugalweb.comHistorical dictionary of Portugal > CULTURE, LITERATURE, AND LANGUAGE
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9 Tansey, Robert Emmett
1897-1951Director, guionista, productor y, en ocasiones, compositor y montador de sus peliculas, el antiguo actor Robert Emmett Tansey, de familia vinculada al medio artistico, rodo a lo largo de su vida casi cincuenta westerns, la practica totalidad de su filmografia, con los nombres de Robert Tansey, Robert Emmett, Criag Hutchison, o con su nombre completo. No es un realizador distinguido, tiene poco que ofrecer como creador de universos peculiares, y se limita a una labor rutinaria de plasmacion de historias, las mas de las veces banales, interpretadas por estrellas del western de primer o segundo orden. Como actor, debuto en 1911, pero, a diferencia de su hermano, sus atractivos en la pantalla fueron escasos debido a que era cuatro anos mayor, lo que le convertia, en un actor adolescente y no en un actor infantil.Romance of the West (co-d.: John Tansey). 1930. 55 minutos. Blanco y Negro. Capitol. Jack Perrin, Edna Marion, Tom London, Ben Corbett.Riders of the Rio. 1931. 55 minutos. Blanco y Negro. Round-Up Pictures. Lane Chandler, Karla Cowan, Sheldon Lewis.The Galloping Kid. 1932. 55 minutos. Blanco y Negro. Imperial. Al Lane (Robert Emmett Tansey), Karla Cowan, Fred Parker.The Way of the West. 1934. 55 minutos. Blanco y Negro. Empire. Wally Wales, Bobby Nelson, Myrla Bratton.Courage of the North. 1935. 54 minutos. Blanco y Negro. Stage and Screen. John Preston, Tom London, June Love.Timber Terrors. 1935. 59 minutos. Blanco y Negro. Stage and Screen. John Preston, Tom London, Myrla Bratton.Dynamite Canyon. 1941. 58 minutos. Blanco y Negro. Monogram. Tom Keene, Slim Andrews, Sugar Dawn, Evelyn Finley.The Driftin’ Kid. 1941. 57 minutos. Blanco y Negro. Monogram. Tom Keene, Frank Yaconelli, Betty Miles.Riding the Sunset Trail. 1941. 56 minutos. Blanco y Negro. Monogram. Tom Keene, Frank Yaconelli, Betty Miles.Lone Star Law Men. 1941. 61 minutos. Blanco y Negro. Monogram. Tom Keene, Frank Yaconelli, Betty Miles.Western Mail. 1942. 54 minutos. Blanco y Negro. Monogram. Tom Keene, Frank Yaconelli, Jean Trent.Arizona Roundup. 1942. 56 minutos. Blanco y Negro. Monogram. Tom Keene, Frank Yaconelli, Sugar Dawn.Where Trails End. 1942. 58 minutos. Blanco y Negro. Monogram. Tom Keene, Frank Yaconelli, Joan Curtis.Texas to Bataan. 1942. 56 minutos. Blanco y Negro. Monogram. John King, David Sharpe, Max Terhune, Marjorie Manners.Trail Riders. 1942. 55 minutos. Blanco y Negro. Monogram. John King, David Sharpe, Max Terhune, Evelyn Finley.Two Fisted Justice. 1943. 61 minutos. Blanco y Negro. Monogram. John King, David Sharpe, Max Terhune, Gwen Gaze.Haunted Ranch. 1943. 57 minutos. Blanco y Negro. Monogram. John King, David Sharpe, Max Terhune, Julie Duncan.Blazing Guns. 1943. 55 minutos. Blanco y Negro. Monogram. Ken Maynard, Hoot Gibson, Kay Forrester.Death Valley Rangers. 1943. 59 minutos. Blanco y Negro. Monogram. Ken Maynard, Hoot Gibson, Bob Steele, Linda Brent.Westward Bound. 1944. 59 minutos. Blanco y Negro. Monogram. Ken Maynard, Hoot Gibson, Bob Steele, Betty Miles.Arizona Whirlwind. 1944. 59 minutos. Blanco y Negro. Monogram. Ken Maynard, Hoot Gibson, Bob Steele, Myrna Dell.Outlaw Trail. 1944. 53 minutos. Blanco y Negro. Monogram. Hoot Gibson, Bob Steele, Cy Kendall, Jennifer Holt.Sonora Stagecoach. 1944. 61 minutos. Blanco y Negro. Monogram. Hoot Gibson, Bob Steele, Betty Miles.Harmony Trail/White Stallion. 1944 (1947). Mattox (Astor). Ken Maynard, Eddie Dean, Ruth Roman, Max Terhune.Wildfire. 1945. 57 minutos. Cinecolor. Screen Guild. Bob Steele, Sterling Holloway, Virginia Maples.Song of Old Wyoming. 1945. 65 minutos. Cinecolor. PRC. Eddie Dean, Lash LaRue, Jennifer Holt, Sarah Padden.Romance of the West. 1946. 58 minutos. Cinecolor. PRC. Eddie Dean, Joan Barton, Emmett Lynn.God’s Country. 1946. 64 minutos. Cinecolor. Screen Guild. Robert Lowery, Buster Keaton, Helen Gilbert.The Caravan Trail. 1946. 57 minutos. Cinecolor. PRC. Eddie Dean, Emmett Lynn, Jean Carlin, Lash LaRue.Colorado Serenade. 1946. 70 minutos. Cinecolor. PRC. Eddie Dean, Roscoe Ates, Mary Kenyon.Driftin’ River. 1946. 59 minutos. Blanco y Negro. PRC. Eddie Dean, Roscoe Ates, Shirley Patterson.The Tumbleweed Trail. 1946. 57 minutos. Blanco y Negro. PRC. Eddie Dean, Roscoe Ates, Shirley Patterson.Stars Over Texas. 1946. 57 minutos. Blanco y Negro. PRC. Eddie Dean, Roscoe Ates, Shirley Patterson.Wild West. 1946. 73 minutos. Cinecolor. PRC. Eddie Dean, Roscoe Ates, Sarah Padden, Lash LaRue.The Fighting Stallion. 1950. 63 minutos. Cinecolor. Eagle Lion. Bill Edwards, Forrest Taylor, Doris Merrick.Cattle Queen. 1951. 69 minutos. Blanco y Negro. Jack Schwarz (UA). Maria Hart, Drake Smith, William Fawcett.Badman’s Gold. 1951. 56 minutos. Blanco y Negro. Eagle Lion. Johnny Carpenter, Emmett Lynn, Alyn Lockwood, Troy Tarrell.Adventures of the Texas Kid. 1954. 60 minutos. Color. Timeless. Hugh Hooker, John Laurentz, Pamela Blake.English-Spanish dictionary of western films > Tansey, Robert Emmett
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10 Collins, Lewis D.
1899-1954Entre 1927 y 1954, ano de su prematura muerte debida a un ataque cardiaco, realiza un total aproximado de 120 peliculas, de las que unas veinte son cortometrajes. Se dedica, especialmente, al western, sobre todo para Universal y Monogram. Es un director modesto, sin estilo visible que, como tantos otros, trabaja para las sucesivas estrellas de la epoca.Guns for Hire. 1932. 58 minutos. Blanco y Negro. Willis Kent. Lane Chandler, Sally Darling.Via Pony Express. 1933. 60 minutos. Blanco y Negro. Majestic. Jack Hoxie, Marceline Day.Gun Law. 1933. 59 min. Blanco y Negro. Majestic. Jack Hoxie, Paula Fix.Trouble Busters. 1933. 55 minutos. Blanco y Negro. Majestic. Jack Hoxie, Lane Chandler, Kaye Edwards.The Man from Hell. 1934. 58 minutos. Blanco y Negro. Willis Kent. Reb Russell, Fred Kohler, Ann Darcy.Brand of Hate. 1934. 63 minutos. Blanco y Negro. Supreme. Bob Steele, William Farnum, Lucille Browne.The Desert Trail. 1935. 54 minutos. Blanco y Negro. Monogram/Lone Star. John Wayne, Mary Kornman.Little Joe, the Wrangler. 1942. 64 minutos. Blanco y Negro. Universal. Johnny Mack Brown, Tex Ritter, Fuzzy Knight, Jennifer Holt.Tenting Tonight on the Old Camp Ground. 1943. 59 minutos. Blanco y Negro. Universal. Johnny Mack Brown, Tex Ritter, Fuzzy Knight, Jennifer Holt.Raiders of San Joaquin. 1943. 60 minutos. Blanco y Negro. Universal. Johnny Mack Brown, Tex Ritter, Fuzzy Knight, Jennifer Holt.Oklahoma Raiders. 1944. 57 minutos. Blanco y Negro. Universal. Tex Ritter, Fuzzy Knight, Jennifer Holt.Trigger Trail. 1944. 59 minutos. Blanco y Negro. Universal. Rod Cameron, Eddie Dew, Fuzzy Knight, Vivian Austin.Raiders of Ghost City (co-d.: Ray Taylor). 1944. 225 minutos. 13 capitulos. Blanco y Negro. Universal. Dennis Moore, Wanda McKay, Lionel Atwill.The Old Texas Trail. 1944. 60 minutos. Blanco y Negro. Universal. Rod Cameron, Fuzzy Knight, Marjorie Clements.The Royal Mounted Rides Again (co-d.: Ray Taylor). 1945. 221 minutos. 13 capitulos. Blanco y Negro. Universal. George Dolenz, Bill Kennedy, Milburn Stone.The Scarlet Horseman (co-d.: Ray Taylor). 1946. 248 minutos. 13 capitulos. Blanco y Negro. Universal. Peter Cookson, Janet Shaw.Ride, Ryder, Ride! 1949. 60 minutos. Cinecolor. Equity/Eagle Lion. Jim Bannon, Peggy Stewart, Emmett Lynn.Roll, Thunder, Roll! 1949. 60 minutos. Cinecolor. Equity/Eagle Lion. Jim Bannon, I. Stanford Jolley, Don Kay Reynolds, Nancy Gates.The Fighting Redhead. 1949. 55 minutos. Cinecolor. Equity/Eagle Lion. Jim Bannon, Peggy Stewart, Don Kay Reynolds.Cowboy and the Prizefighter. 1949. 59 minutos. Cinecolor. Equity/Eagle Lion. Jim Bannon, Emmett Lynn, Don Kay Reynolds, Karen Randle.Law of the Panhandle. 1950. 55 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Jane Adams, Milburn Morante.Cherokee Uprising. 1950. 55 minutos. Blanco y Negro. Monogram. Whip Wilson, Andy Clyde, Lois Hall.Colorado Ambush. 1951. 51 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Lois Hall, Myron Healey.Abilene Trail. 1951. 54 minutos. Blanco y Negro. Monogram. Whip Wilson, Andy Clyde, Noel Neill.Man from Sonora. 1951. 54 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Phyllis Coates, House Peters, Jr.Canyon Raiders. 1951. 54 minutos. Blanco y Negro. Monogram. Whip Wilson, Fuzzy Knight, Phyllis Coates.Nevada Badmen. 1951. 58 minutos. Blanco y Negro. Monogram. Whip Wilson, Fuzzy Knight, Phyllis Coates.Stagecoach Driver. 1951. 52 minutos. Blanco y Negro. Monogram. Whip Wilson, Fuzzy Knight, Gloria Winters.Oklahoma Justice. 1951. 51 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Phyllis Coates, Jimmy Ellison.Lawless Cowboys. 1951. 58 minutos. Blanco y Negro. Monogram. Whip Wilson, Fuzzy Knight, Pamela Duncan.The Longhorn. 1951. 70 minutos. Blanco y Negro. Monogram. Bill Elliot, Phyllis Coates, Myron Healey.Texas Lawmen. 1951. 54 minutos. Blanco y Negro. Frontier Pictures - /Monogram. Johnny Mack Brown, Jimmy Ellison, Lee Roberts.Stage to Blue River. 1951. 55 minutos. Blanco y Negro. Monogram. Whip Wilson, Fuzzy Knight, Phyllis Coates.Texas City (Misterio en Texas). 1952. 54 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Lois Hall, Jimmy Ellison.Waco. 1952. 68 minutos. Blanco y Negro. Monogram. Bill Elliott, Pamela Blake, I. Stanford Jolley.The Gunman. 1952. 52 minutos. Blanco y Negro. Monogram. Whip Wilson, Fuzzy Knight, Phyllis Coates.Wild Stallion. 1952. 70 minutos. Cinecolor. Monogram. Ben Johnson, Edgar Buchanan, Martha Hyer.Kansas Territory. 1952. 65 minutos. Blanco y Negro. Monogram. Bill Elliott, Peggy Stewart, Fuzzy Knight.Dead Man’s Trail. 1952. 59 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Barbara Allen, Jimmy Ellison.Montana Incident. 1952. 54 minutos. Blanco y Negro. Monogram. Whip Wilson, Peggy Stewart, Noel Neill.Fargo (Los atracadores de Fargo). 1952. 69 minutos. Blanco y Negro. Monogram. Bill Elliott, Phyllis Coates, Fuzzy Knight.Canyon Ambush. 1952. 53 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Phyllis Coates, Lee Roberts.The Homesteaders. 1953. 62 minutos. Blanco y Negro. Allied. Bill Elliott, Emmett Lynn, Robert Lowery.The Marksman. 1953. 62 minutos. Blanco y Negro. Allied. Wayne Morris, Elena Verdugo, Frank Ferguson.Vigilante Terror. 1953. 70 minutos. Blanco y Negro. Allied. Bill Elliott, Fuzzy Knight, Mary Ellen Kay.Texas Bad Man. 1953. 62 minutos. Blanco y Negro. Allied. Wayne Morris, Elaine Riley, Frank Ferguson.Two Guns and a Badge (Dos pistolas y una insignia). 1954. 60 minutos. Blanco y Negro. Allied. Wayne Morris, Beverly Garland, Morris Ankrum.English-Spanish dictionary of western films > Collins, Lewis D.
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11 Blunt
I [blʌnt]1) [knife, scissors] smussato, non affilato; [pencil, needle] spuntato2) (frank) [person, manner] schietto; [ refusal] netto, categorico; [ reply] brusco; [ criticism] esplicitoII [blʌnt]verbo transitivo smussare [knife, scissors]; spuntare [pencil, needle]; calmare [ appetite]; ottundere [ intelligence]; smorzare [ enthusiasm]* * *1. adjective1) ((of objects) having no point or sharp edge: a blunt knife.) smussato2) ((of people) (sometimes unpleasantly) straightforward or frank in speech: She was very blunt, and said that she did not like him.) brusco; schietto2. verb(to make less sharp: This knife has been blunted by years of use.) smussare- bluntly- bluntness* * *[blʌnt]1. adj2) (outspoken) brutale, (manners) brusco (-a)2. vt* * *(Surnames) Blunt /blʌnt/* * *I [blʌnt]1) [knife, scissors] smussato, non affilato; [pencil, needle] spuntato2) (frank) [person, manner] schietto; [ refusal] netto, categorico; [ reply] brusco; [ criticism] esplicitoII [blʌnt]verbo transitivo smussare [knife, scissors]; spuntare [pencil, needle]; calmare [ appetite]; ottundere [ intelligence]; smorzare [ enthusiasm] -
12 blunt
I [blʌnt]1) [knife, scissors] smussato, non affilato; [pencil, needle] spuntato2) (frank) [person, manner] schietto; [ refusal] netto, categorico; [ reply] brusco; [ criticism] esplicitoII [blʌnt]verbo transitivo smussare [knife, scissors]; spuntare [pencil, needle]; calmare [ appetite]; ottundere [ intelligence]; smorzare [ enthusiasm]* * *1. adjective1) ((of objects) having no point or sharp edge: a blunt knife.) smussato2) ((of people) (sometimes unpleasantly) straightforward or frank in speech: She was very blunt, and said that she did not like him.) brusco; schietto2. verb(to make less sharp: This knife has been blunted by years of use.) smussare- bluntly- bluntness* * *[blʌnt]1. adj2) (outspoken) brutale, (manners) brusco (-a)2. vt* * *blunt /blʌnt/A a.4 franco; schietto; bruscamente sincero: blunt words, parole schiette; I'm going to be blunt, sarò franco; parlerò fuori dai dentiB n.● blunt instrument, corpo contundente; (fig.) sistema rozzobluntlyavv.con franchezza; con schiettezza; recisamente; fuori dai denti: to put it bluntly, per dire le cose come stanno; per dirla schiettabluntnessn. [u]1 mancanza di punta o taglio; smussatura2 (fig.) franchezza; schiettezza.(to) blunt /blʌnt/A v. t.1 spuntare; smussare2 attutire; smorzareB v. i.spuntarsi; smussarsi.* * *I [blʌnt]1) [knife, scissors] smussato, non affilato; [pencil, needle] spuntato2) (frank) [person, manner] schietto; [ refusal] netto, categorico; [ reply] brusco; [ criticism] esplicitoII [blʌnt]verbo transitivo smussare [knife, scissors]; spuntare [pencil, needle]; calmare [ appetite]; ottundere [ intelligence]; smorzare [ enthusiasm] -
13 James, Alan
1890-1952 (o Alvin J. Neitz)Realizador y guionista, Alan James, que popularizo su seudonimo, Alvin J. Neitz, repartio sus casi 80 realizaciones entre el cine mudo y el sonoro, a partes iguales. Curiosamente, y a pesar de que ambas funciones, la de director y la de guionista, las simultaneo, no es excesiva la cifra de las peliculas en que de sempeno ambos cometidos. Fue todo lo prolifico que las circunstancias –peliculas de una hora de duracion en productos baratos de consumo inmediato– aconsejaban. Casi la tercera parte de sus westerns sonoros los protagonizo el actor Ken Maynard.Firebrand Jordan. 1930. 55 minutos. Blanco y Negro. National Players/Big 4. Lane Chandler, Aline Goodwin, Yakima Canutt.Canyon Hawks (co-d.: J.P. McGowan). 1930. 60 minutos. Blanco y Negro. Big 4. Yakima Canutt, Rene Borden, Wally Wales.Trails of Peril. 1930. 63 minutos. Blanco y Negro. Big 4. Wally Wales, Virginia Brown Faire.Breed of the West. 1930. 59 minutos. Blanco y Negro. Big 4. Wally Wales, Virginia Brown Faire, Buzz Barton.Red Fork Range. 1931. 59 minutos. Blanco y Negro. Big 4. Wally Wales, Ruth Mix.Hell’s Valley. 1931. 55 minutos. Blanco y Negro. Big 4. Wally Wales, Virginia Brown Faire.Pueblo Terror. 1931. 59 minutos. Blanco y Negro. Cosmos. Jay Wilsey, Jack Harvey, Wanda Hawley.Flying Lariats (co-d.: David Kirkland). 1931. 60 minutos. Blanco y Negro. Big 4. Wally Wales, Sam Garrett, Buzz Barton, Bonnie Gray.Lariats and Sixshooters. 1931. 55 minutos. Blanco y Negro. Cosmos. Jack Perrin, Ann Lee.Come On, Tarzan (Con Tarzan me basta/Tarzan, potro salvaje). 1932. 61 minutos. Blanco y Negro. World Wide. Ken Maynard, Merna Kennedy, Kate Campbell.Tex Takes a Holiday. 1932. 60 minutos. Naturalcolor. Argosy. Wallace MacDonald, Virginia Brown Faire, James Dillon.Tombstone Canyon. 1932. 62 minutos. Blanco y Negro. KBS Productions. Ken Maynard, Cecilia Parker.Phantom Thunderbolt. 1933. 63 minutos. Blanco y Negro. World Wide. Ken Maynard, Frances Lee, Frank Rice.The Lone Avenger (El vengador solitario). 1933. 61 minutos. Blanco y Negro. World Wide. Ken Maynard, Muriel Gordon.King of the Arena. 1933. 59 minutos. Blanco y Negro. Universal. Ken Maynard, Lucile Browne.The Trail Drive. 1933. 60 minutos. Blanco y Negro. Universal. Ken Maynard, Cecilia Parker, Frank Rice.Strawberry Roan (El potro indomable). 1933. 59 minutos. Blanco y Negro. Universal. Ken Maynard, Ruth Hall, Frank Yaconelli.Fargo Express (El incorregible). 1933. 61 minutos. Blanco y Negro. KBS Productions. Ken Maynard, Helen Mack.Gun Justice (Un mal paso). 1933. 59 minutos. Blanco y Negro. Universal. Ken Maynard, Cecilia Parker.Wheels of Destiny (Tierra de promision). 1934. 64 minutos. Blanco y Negro. Universal. Ken Maynard, Dorothy Dix.Honor of the Range (Deuda de honor). 1934. 61 minutos. Blanco y Negro. Universal. Ken Maynard, Cecilia Parker.Smoking Guns (La vuelta del perseguido). 1934. 62 minutos. Blanco y Negro. Universal. Ken Maynard, Gloria Shea.When a Man Sees Red. 1934. 60 minutos. Blanco y Negro. Universal. Buck Jones, Peggy Campbell, LeRoy Mason, Dorothy Revier.Valley of Wanted Men. 1935. 62 minutos. Blanco y Negro. Ambassador. Frankie Darro, LeRoy Mason.Swifty. 1935. 58 minutos. Blanco y Negro. Diversion. Hoot Gibson, June Gale.Lucky Terror. 1936. 61 minutos. Blanco y Negro. Grand National. Hoot Gibson, Lona Andre.Wild Horse Round-Up. 1936. 58 minutos. Blanco y Negro. Ambassador. Kermit Maynard, Beth Marion.The Painted Stallion (co-d.: Ray Taylor, William Witney). 1937. 212 minu tos. 12 capitulos. Blanco y Negro. Republic. Ray Corrigan, Hoot Gibson, LeRoy Mason, Duncan Renaldo, Julia Thayer.West of Rainbow’s End. 1938. 57 minutos. Blanco y Negro. Monogram. Tim McCoy, Kathleen Eliot.The Painted Stallion (co-d.: Ray Taylor, William Witney). 1938. 67 minutos. Blanco y Negro. Republic. Ray Corrigan, Hoot Gibson, Jean Carmen.Land of Fighting Men. 1938. 53 minutos. Blanco y Negro. Monogram. Jack Randall, Bruce Bennett, Louise Stanley.Call of the Rockies. 1938. 54 minutos. Blanco y Negro. Columbia. Charles Starrett, Donald Grayson, Iris Meredith, Bob Nolan.Two Gun Justice. 1938. 57 minutos. Blanco y Negro. Monogram. Tim McCoy, Betty Compson.Flaming Frontiers (co-d.: Ray Taylor). 1938. 15 capitulos. Blanco y Negro. Universal. Johnny Mack Brown, Eleanor Hansen.Trigger Smith. 1939. 59 minutos. Blanco y Negro. Monogram. Jack Randall, Joyce Bryant.Wild Horse Stampede. 1943. 59 minutos. Blanco y Negro. Monogram. Ken Maynard, Hoot Gibson, Betty Miles.The Law Rides Again. 1943. 58 minutos. Blanco y Negro. Monogram. Ken Maynard, Hoot Gibson, Betty Miles. -
14 Nigh, William
1881-1955Excelente profesional de la serie B, realiza un punado de peliculas de genero de factura sumamente correcta, especialmente thrillers y filmes de accion. Trabajo siempre para pequenas productoras. En el western, retoma al celebre personaje creado por O Henry, el Cisco Kid, ahora interpretado por Gilbert Roland, el penultimo actor que lo encarno.Fighting Thru (El heroe de la pradera). 1930. 61 minutos. B y N. Tiffany. Ken Maynard, Jeannette Loff, Wallace MacDonald, Carmelita Geraghty.Without Honors. 1932. 66 minutos. Blanco y Negro. Artclass. Harry Carey, Mae Busch, George Hayes, Gibson Gowland.Border Devils. 1932. 65 minutos. Blanco y Negro. Artclass. Harry Carey, Kathleen Collins, Al Smith, George Hayes.The Night Rider. 1932. 72 minutos. Blanco y Negro. Artclass. Harry Carey, Eleanor Fair, George Hayes, Bob Kartman.The Old Homestead. 1935. 73 minutos. Blanco y Negro. Liberty. Mary Carlisle, Lawrence Gray, Dorothy Lee, Willard Robertson.North of Nome. 1936. 63 minutos. Blanco y Negro. Columbia. Jack Holt, Evelyn Venable, Guinn Williams.The Law Commands. 1937. 58 minutos. Blanco y Negro. Crescent. Tom Keene, Budd Buster, Lorraine Hayes.Rose of the Rio Grande (El nuevo Zorro). 1938. 60 minutos. Blanco y Negro. Monogram. John Carroll, Movita, Lina Basquette, Antonio Moreno.The Gay Cavalier. 1946. 65 minutos. Blanco y Negro. Monogram. Gilbert Roland, Nacho Galindo, Ramsay Ames, Martin Galarraga.South of Monterrey. 1946. 63 minutos. Blanco y Negro. Monogram. Gilbert Roland, Marjorie Riordan, Iris Flores, Frank Yaconelli, Martin Galarraga.Beauty and the Bandit. 1946. 77 minutos. Blanco y Negro. Monogram. Gilbert Roland, Ramsay Ames, Frank Yaconelli, Vida Aldana, Martin Galarraga.Riding the California Trail. 1947. 59 minutos. Blanco y Negro. Monogram. Gilbert Roland, Teala Loring, Frank Yaconelli, Inez Cooper, Martin Galarraga. -
15 Ray, Bernard B.
1895-1964B.B. Ray, Franklyn Shamray, Ray Bernard, Raymond Samuels y Raymond K. Johnson son seudonimos utilizados por este prolifico director, que fue tambien productor, guionista y hasta director de fotografia en alguna ocasion; Bernard B. Ray es uno de los fun dadores de Re liable Pictures, para quien dirigio un buen punado de peliculas y, en particular, un buen punado de westerns. En su filmografia aparecen Jack Perrin, Tom Tyler, Bob Custer, Rex Lease, Addison o Jack Randall, Fred Scott, es decir, algunos de los mas importantes heroes del western de los anos 30. Las peliculas de Ray no son hermosas ni importantes, pero tampoco destacan negativamente de sus hermanas de genero, con los mismos actores, dirigidas por otros mu chos realizadores intercambiables con el.West of the Rockies (Raymond Johnson). 1931. 60 minutos. Blanco y Negro. Syndicate. Ben Lyon, Marie Prevost, Gladys Johnston.Mystery Ranch (El rancho del misterio). 1934. 56 minutos. Blanco y Negro. Reliable. Tom Tyler, Roberta Gale, Jack Perrin, Louise Gabo.Rawhide Mail. 1934. 59 minutos. Blanco y Negro. Reliable. Jack Perrin, Nelson McDowell, Lillian Gilmore, Lafe McKee.Loser’s End. 1934. 58 minutos. Blanco y Negro. Reliable. Jack Perrin, Tina Menard, Frank Rice.Coyote Trails. 1935. 60 minutos. Blanco y Negro. Reliable. Tom Tyler, Alice Dahl, Ben Corbett.Silent Valley. 1935. 60 minutos. Blanco y Negro. Reliable. Tom Tyler, Nancy Deshon, Al Bridge, Wally Wales.The Silver Bullet. 1935. 58 minutos. Blanco y Negro. Reliable. Tom Tyler, Jayne Regan, Charles King, Lafe McKee.The Test. 1935. 60 minutos. Blanco y Negro. Reliable. Monte Blue, Grace Ford, Grant Whiters.Rio Rattler (Franklin Shamray). 1935. 55 minutos. Blanco y Negro. Reliable. Tom Tyler, Marion Shilling, Eddie Gribbon.Texas Jack. 1935. 52 minutos. Blanco y Negro. Reliable. Jack Perrin, Jayne Regan, Nelson McDowell, Budd Buster.Ridin’ On. 1936. 56 minutos. Blanco y Negro. Reliable. Tom Tyler, Joan Barclay, Rex Lease.Caryl of the Mounties. 1936. 68 minutos. Blanco y Negro. Reliable. Francis X. Bushman, Lois Wilde.Roamin’ Wild. 1936. 58 minutos. Blanco y Negro. Reliable. Tom Tyler, Carol Wyndham, Max Davidson, Al Ferguson.Ambush Valley (Franklin Shamray). 1936. 57 minutos. Blanco y Negro. Reliable. Bob Custer, Victoria Vinton, Wally Wales.Vengeance of Rannah (Raymond Samuels). 1936. 59 minutos. Blanco y Negro. Reliable. Bob Custer, Victoria Vinton, John Elliott.Santa Fe Rides (Raymond Samuels). 1937. 58 minutos. Blanco y Negro. Reliable. Bob Custer, Eleanor Stewart, Ed Cassidy.The Silver Trail (Raymond Samuels). 1937. 58 minutos. Blanco y Negro. Reliable. Rex Lease, Mary Russell, Ed Cassidy.Code of the Fearless (Raymond K. Johnson). 1939. 56 minutos. Blanco y Negro. Spectrum. Fred Scott, Claire Rochelle, John Merton.In Old Montana (Raymond K. Johnson). 1939. 61 minutos. Blanco y Negro. Spectrum. Fred Scott, Jean Carmen, John Merton.Smoky Trails. 1939. 57 minutos. Blanco y Negro. Metropolitan. Bob Steele, Jean Carmen, Ted Adams.Two Gun Troubador (Raymond K. Johnson). 1939. 58 minutos. Blanco y Negro. Spectrum. Fred Scott, Claire Rochelle, John Merton.The Cheyenne Kid (Raymond K. Johnson). 1940. 56 minutos. Blanco y Negro. Monogram. Addison Randall, Louise Stanley, Frank Yaconelli.Covered Wagon Trails (Raymond K. Jonson). 1940. 52 minutos. Blanco y Negro. Monogram. Jack Randall, Sally Cairns, Budd Buster.Pinto Canyon (Raymond K. Johnson). 1940. 55 minutos. Blanco y Negro. Metropolitan. Bob Steele, Louise Stanley, Ted Adams.Land of the Six Guns (Raymond K. Johnson). 1940. 54 minutos. Blanco y Negro. Monogram. Jack Randall, Louise Stanley, Glenn Strange.The Kid from Santa Fe (Raymond K. Johnson). 1940. 57 minutos. Blanco y Negro. Monogram. Jack Randall, Clarene Curtis, Jimmy Aubrey.Riders from Nowhere (Raymond K. Johnson). 1940. 55 minutos. Blanco y Negro. Monogram. Jack Randall, Margaret Roach, Ernie Adams.Wild Horse Range (Raymond K. Johnson). 1940. 58 minutos. Blanco y Negro. Monogram. Jack Randall, Phyllis Ruth, Frank Yaconelli.Ridin’ the Trail (Raymond K. Johnson). 1940. 57 minutos. Blanco y Negro. Spectrum. Fred Scott, Iris Lancaster, Harry Harvey.Law of the Wolf (Raymond K. Johnson). 1941. 55 min. Blanco y Ne gro. Metropolitan. Dennis Moore, Luana Walters, Jack Ingram, Robert Frazer.Buffalo Bill Rides Again. 1947. 70 minutos. Blanco y Negro. Screen Guild. Richard Arlen, Jennifer Holt, John Dexter, Ted Adams.Hollywood Barn Dance. 1947. 72 minutos. Blanco y Negro. Screen Guild. Ernest Tubb, Lori Nelson, Helen Boyce, Earle Hodgins.Timber Fury. 1950. 63 minutos. Blanco y Negro. Eagle Lion. David Bruce, Laura Lee, George Slocum.Buffalo Bill in Tomahawk Territory. 1952. 66 minutos. Blanco y Negro. Jack Schwarz (UA). Clayton Moore, Slim Andrews, Sharon Dexter, Tom Hubbard.English-Spanish dictionary of western films > Ray, Bernard B.
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16 Taylor, Ray
1888-1952Actor y empresario teatral antes de la Primera Gue rra Mundial, despues se convierte en ayudante de direccion para Fox, trabajando con John Ford. En los anos 20 pasa a Universal, donde empieza a dirigir primero cortometrajes y despues peliculas de serie B, sobre todo thrillers y seriales diversos. En el sonoro, al que se adapta aceptablemente, trabaja con intensidad. Es, sin duda, uno de los realizadores mas prolificos del genero; mas de 80 westerns avalan su trayectoria, ni mas ni menos destacada que la de otros muchos, aunque no le falta buen pulso narrativo las mas de las veces. Trabaja, inevitablemente, con actores populares, y tambien prolificos, de los anos 30 y, en menor medida, 40. Peliculas de una hora de duracion, aproximadamente, con argumentos poco elaborados, y algun serial, dirigido en solitario a comienzos del sonoro, y ya en colaboracion unos diez anos despues, constituyen la inmensa mayoria de una filmografia inabarcable.The One Way Trail (La senda de la venganza). 1931. 60 minutos. Blanco y Negro. Columbia. Tim McCoy, Doris Hill, Polly Ann Young, Carroll Nye.Battling with Buffalo Bill. 1931. 217 minutos. 12 capitulos. Blanco y Negro. Universal. Tom Tyler, Lucille Browne, Rex Bell, William Desmond.Heroes of the West. 1932. 210 minutos. 12 capitulos. Blanco y Negro. Universal. Noah Beery, Jr., Julie Bishop, William Desmond, Onslow Stevens.Clancy of the Mounted. 1933. 225 minutos. 12 capitulos. Blanco y Negro. Universal. Tom Tyler, Jacqueline Wells, William Desmond.Gordon of Ghost City. 1933. 220 minutos. 12 capitulos. Blanco y Negro. Universal. Buck Jones, Madge Bellamy, Walter Miller.The Fighting Trooper. 1934. 61 minutos. Blanco y Negro. Ambassador. Kermit Maynard, Barbara Worth, LeRoy Mason.Outlawed Guns. 1935. 62 minutos. Blanco y Negro. Universal. Buck Jones, Ruth Channing, Roy D’Arcy, Joan Gale.The Roaring West. 1935. 255 minutos. 15 capitulos. Blanco y Negro. Universal. Buck Jones, Muriel Evans, Walter Miller, Frank McGlynn.The Throwback (El hijo del cuatrero). 1935. 60 minutos. Blanco y Negro. Universal. Buck Jones, Muriel Evans, George Hayes.The Ivory-Handled Gun (Exterminio). 1935. 58 minutos. Blanco y Negro. Universal. Buck Jones, Charlotte Wynters, Walter Miller.Sunset of Power (El ocaso del poder). 1936. 66 minutos. Blanco y Negro. Universal. Buck Jones, Dorothy Dix, Charles B. Middleton.Silver Spurs (El desfiladero perdido). 1936. 60 minutos. Blanco y Negro. Universal. Buck Jones, Muriel Evans, George Hayes.The Cowboy and the Kid (El vaquero y el huerfano). 1936. 58 minutos. Blanco y Negro. Universal. Buck Jones, Dorothy Revier, Billy Burrud.The Phantom Rider. 1936. 258 minutos. 15 capitulos. Blanco y Negro. Universal. Buck Jones, Marla Shelton, Diana Gibson, Harry Woods.The Three Mesquiteers. 1936. 61 minutos. Blanco y Negro. Republic. Robert Livingston, Ray Corrigan, Syd Saylor, Kay Hugues.The Vigilantes Are Coming (co-d.: Mack V. Wright). 1936. 229 minutos. 12 capitulos. Blanco y Negro. Republic. Robert Livingston, Kay Hugues, Guinn Williams, Raymond Hatton.The Painted Stallion (co-d.: Alan James, William Witney). 1937. 212 minutos. 12 capitulos. Blanco y Negro. Republic. Ray Corrigan, Hoot Gibson, LeRoy Mason, Duncan Renaldo, Julia Thayer.Drums of Destiny. 1937. 62 minutos. Blanco y Negro. Crescent. Tom Keene, Edna Lawrence, Robert Fiske.Raw Timber. 1937. 63 minutos. Blanco y Negro. Crescent. Tom Keene, Peggy Keys, Robert Fiske.The Mystery of the Hooded Horsemen (Jinetes enmascarados). 1937. 60 minutos. Blanco y Negro. Grand National. Tex Ritter, Irish Meredith, Horace Murphy.Sudden Bill Dorn. 1937. 60 minutos. Blanco y Negro. Universal. Buck Jones, Noel Francis, Evelyn Brent.Boss of Lonely Valley. 1937. 59 minutos. Blanco y Negro. Universal. Buck Jones, Muriel Evans, Walter Miller.Tex Ritter with the Boy Scouts. 1938. 57 minutos. Blanco y Negro. Grand National. Tex Ritter, Marjorie Reynolds, Snub Pollard.Hawaiian Buckaroo (La ultima emboscada). 1938. 62 minutos. Blanco y Negro. Principal/Fox. Smith Ballew, Evalyn Knapp, Benny Burt, Pat O’Brien.The Painted Stallion (co-d.: Alan James, William Witney). 1938. 67 minutos. Blanco y Negro. Republic. Ray Corrigan, Hoot Gibson, Jean Carmen.Frontier Town. 1938. 59 minutos. Blanco y Negro. Grand National. Tex Ritter, Ann Evers, Snub Pollard.Rawhide. 1938. 58 minutos. Blanco y Negro. Principal/Fox. Smith Ballew, Lou Gehrig, Evalyn Knapp.Flaming Frontiers (co-d.: Alan James). 1938. 15 capitulos. Blanco y Negro. Universal. Johnny Mack Brown, Eleanor Hansen.Panamint’s Bad Man (Jugandose la vida). 1938. 60 minutos. Blanco y Negro. Principal/Fox. Smith Ballew, Evelyn Daw, Noah Beery.Riders of Pasco Basin. 1940. 56 minutos. Blanco y Negro. Universal. John ny Mack Brown, Frances Robinson, Bob Baker, Fuzzy Knight.West of Carson City. 1940. 56 minutos. Blanco y Negro. Universal. Johnny Mack Brown, Peggy Moran, Bob Baker, Fuzzy Knight.Bad Man from Red Butte. 1940. 58 minutos. Blanco y Negro. Universal. Johnny Mack Brown, Anne Gwynne, Bob Baker, Fuzzy Knight.Winners of the West (co-d.: Ford Beebe). 1940. 247 minutos. 13 capitulos. Blanco y Negro. Universal. Dick Foran, Anne Nagel.Ragtime Cowboy Joe. 1940. 58 minutos. Blanco y Negro. Universal. Johnny Mack Brown, Nell O’Day, Lynn Merrick, Fuzzy Knight.Law and Order. 1940. 57 minutos. Blanco y Negro. Universal. Johnny Mack Brown, Nell O’Day, Fuzzy Knight.Pony Post. 1940. 59 minutos. Blanco y Negro. Universal. Johnny Mack Brown, Nell O’Day, Dorothy Short, Fuzzy Knight.Boss of Bullion City. 1941. 61 minutos. Blanco y Negro. Universal. Johnny Mack Brown, Nell O’Day, Maria Montez, Fuzzy Knight.Bury Me Not on the Lone Prairie. 1941. 61 minutos. Blanco y Negro. Universal. Johnny Mack Brown, Nell O’Day, Kathryn Adams, Fuzzy Knight.Law of the Range. 1941. 59 minutos. Blanco y Negro. Universal. Johnny Mack Brown, Nell O’Day, Elaine Morley, Fuzzy Knight.Riders of Death Valley (Los jinetes de la muerte) (co-d.: Ford Beebe). 1941. 283 minutos. 15 capitulos. Blanco y Negro. Universal. Dick Foran, Leo Carrillo, Jeannie Kelly.Rawhide Rangers. 1941. 56 minutos. Blanco y Negro. Universal. Johnny Mack Brown, Nell O’Day, Kathryn Adams, Fuzzy Knight.Man from Montana. 1941. 59 minutos. Blanco y Negro. Universal. Johnny Mack Brown, Nell O’Day, Jeanne Kelly, Fuzzy Knight.Fighting Bill Fargo. 1941. 57 minutos. Blanco y Negro. Universal. Johnny Mack Brown, Nell O’Day, Jeanne Kelly, Fuzzy Knight.Stagecoach Buckaroo. 1942. 58 minutos. Blanco y Negro. Universal. Johnny Mack Brown, Nell O’Day, Anne Nagel, Fuzzy Knight.Cheyenne Roundup. 1943. 59 minutos. Blanco y Negro. Universal. Johnny Mack Brown, Jennifer Holt, Tex Ritter, Fuzzy Knight.The Lone Star Trail. 1943. 58 minutos. Blanco y Negro. Universal. Johnny Mack Brown, Jennifer Holt, Tex Ritter, Fuzzy Knight.Boss of Boomtown. 1944. 58 minutos. Blanco y Negro. Universal. Rod Cameron, Tom Tyler, Vivian Austin, Fuzzy Knight.Raiders of Ghost City (co-d.: Lewis D. Collins). 1944. 225 minutos. 13 capitulos. Blanco y negro. Universal. Dennis Moore, Wanda McKay.The Royal Mounted Rides Again (co-d.: Lewis D. Collins). 1945. 221 minutos. 13 capitulos. Blanco y Negro. Universal. George Dolenz, Bill Kennedy, Milburn Stone.The Daltons Ride Again (Casta indomable). 1945. 70 minutos. Blanco y Negro. Universal. Alan Curtis, Kent Taylor, Martha O’Driscoll.The Scarlet Horseman (co-d.: Lewis D. Collins). 1946. 248 minutos. 13 capitulos. Blanco y negro. Universal. Peter Cookson, Janet Shaw.Wild Country. 1947. 55 minutos. Blanco y Negro. PRC. Eddie Dean, Roscoe Ates, Peggy Wynne.Law of the Lash. 1947. 53 minutos. Blanco y Negro. PRC. Lash LaRue, Al St. John, Mary ScottRange Beyond the Blue. 1947. 53 minutos. Blanco y Negro. PRC. Eddie Dean, Roscoe Ates, Helen Mowery.The Michigan Kid (El chico de Michigan/Ninguno como el). 1947. 69 minutos. Cinecolor. Universal. Jon Hall, Rita Johnson, Victor McLaglen.West to Glory. 1947. 56 minutos. Blanco y Negro. PRC. Eddie Dean, Roscoe Ates, Dolores Castle.Border Feud. 1947. 55 minutos. Blanco y Negro. PRC. Lash LaRue, Al St. John, Gloria Marlen.Pioneer Justice. 1947. 56 minutos. Blanco y Negro. PRC. Lash LaRue, Al St. John, Jennifer Holt.Ghost Town Renegades. 1947. 58 minutos. Blanco y Negro. PRC. Lash LaRue, Al St. John, Jennifer Holt.The Vigilantes Return. 1947. 67 minutos. Cinecolor. Universal. Jon Hall, Margaret Lindsay, Paula Drew.Stage to Mesa City. 1947. 56 min. B y N. PRC. Lash LaRue, Al St. John.Black Hills. 1947. 60 minutos. Blanco y Negro. PRC. Eddie Dean, Roscoe Ates, Shirley Patterson.Return of the Lash. 1947. 55 minutos. Blanco y Negro. PRC. Lash LaRue, Al St. John, Mary Maynard.The Fighting Vigilantes. 1947. 61 minutos. Blanco y Negro. PRC. Lash LaRue, Al St. John, Jennifer Holt.Shadow Valley. 1947. 59 minutos. Blanco y Negro. PRC-Eagle Lion. Eddie Dean, Roscoe Ates, Jennifer Holt.Cheyenne Takes Over. 1947. 56 minutos. Blanco y Negro. PRC. Lash LaRue, Al St. John, Nancy Gates.Check Your Guns. 1948. 55 minutos. Blanco y Negro. PRC-Eagle Lion. Eddie Dean, Roscoe Ates, Nancy Gates.Tornado Range. 1948. 56 minutos. Blanco y Negro. PRC-Eagle Lion. Eddie Dean, Roscoe Ates, Jennifer Holt.The Westward Trail. 1948. 56 minutos. Blanco y Negro. PRC-Eagle Lion. Eddie Dean, Roscoe Ates, Phyllis Planchard.The Hawk of Powder River. 1948. 54 minutos. Blanco y Negro. PRC-Eagle Lion. Eddie Dean, Roscoe Ates, Jennifer Holt.The Tioga Kid. 1948. 54 minutos. Blanco y Negro. PRC-Eagle Lion. Eddie Dean, Roscoe Ates, Jennifer Holt.Range Justice. 1948. 57 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Felice Ingersall, Max Terhune.The Return of Wildfire (Tierra de heroes). 1948. 83 minutos. Blanco y Negro. Screen Guild. Richard Arlen, Patricia Morison, Mary Beth Hugues.Dead Man’s Gold. 1948. 60 minutos. Blanco y Negro. Screen Guild. Lash LaRue, Al St. John, Peggy Stewart.Mark of the Lash. 1948. 60 minutos. Blanco y Negro. Screen Guild. Lash LaRue, Al St. John, Suzi Crandall.Gunning for Justice. 1948. 55 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Evelyn Finley, Max Terhune, Raymond Hatton.Hidden Danger. 1948. 55 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Christine Larsen, Max Terhune, Raymond Hatton.Frontier Revenge. 1948. 56 minutos. Blanco y Negro. Screen Guild. Lash LaRue, Al St. John, Peggy Stewart.Outlaw Country. 1949. 66 minutos. Blanco y Negro. Screen Guild. Lash LaRue, Al St. John, Nancy Saunders.Crashing Thru. 1949. 57 minutos. Blanco y Negro. Monogram. Whip Wilson, Christine Larsen, Andy Clyde.Shadows of the West. 1949. 59 minutos. Blanco y Negro. Monogram. Whip Wilson, Reno Browne, Andy Clyde.Law of the West. 1949. 54 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Gerry Patterson, Max Terhune.Son of Billy the Kid. 1949. 65 minutos. Blanco y Negro. Screen Guild. Lash LaRue, Al St. John, Marion Colby.Son of a Badman. 1949. 64 minutos. Blanco y Negro. Screen Guild. Lash LaRue, Al St. John, Noel Neill.West of El Dorado. 1949. 58 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Reno Browne, Max Terhune. -
17 Webb, Harry S.
1892-1959Un hombre muy activo como director y productor de westerns hasta el ano 40, el principio de su carrera se situa en 1917, en Universal. Utilizo algun seudonimo, como el de Henri Samuels. Como tantos otros realizadores al mismo tiempo que el, Webb se limita a dirigir peliculas de una hora de duracion, con razonable buen pulso, protagonizadas por alguno, o al gunos, de los heroes del genero en la decada de los treinta, sin mas ambiciones que la de proporcionar entretenimiento barato a un publico lo mas amplio posible. Sus actores favoritos son, sin duda, Jay Wil sey, acreditado como Buffalo Bill, Jr., Jack Perrin, Tom Tyler y Bob Steele. Creador, en su momento, de Mas cot Pictures (1927) y Reliable Pictures (1933). Su mujer, Rose Gordon, fue guionista en la empresa familiar.Beyond the Rio Grande. 1930. 60 minutos. Blanco y Negro. Big 4. Jack Perrin, Jay Wilsey, Charlene Burt.Bar L Ranch. 1930. 60 minutos. Blanco y negro. Big 4. Jay Wilsey, Betty Baker, Wally Wales.Ridin’ Law. 1930. 63 minutos. Blanco y Negro. Big 4. Jack Perrin, Rene Borden, Ben Corbett.Phantom of the Desert. 1930. 58 minutos. Blanco y Negro. Syndicate. Jack Perrin, Eve Novak, Ben Corbett.Westward Bound. 1931. 60 minutos. Blanco y Negro. Syndicate. Jay Wilsey, Arlene Ray, Ben Corbett.West of Cheyenne. 1931. 56 minutos. Blanco y Negro. Syndicate. Tom Tyler, Josephine Hill, Harry Woods, Ben Corbett.The Mystery Trooper (co-d.: Stuart Paton). 1931. 195 minutos. 10 capitulos. Blanco y Negro. Syndicate. Robert Frazer, Blanche Mehaffey.The Sign of the Wolf (co-d.: Forrest Sheldon). 1931. 194 min. 10 capitulos. Blanco y N. Metropolitan. Rex Lease, Virginia Brown Faire, Harry Todd.The Lone Trail (co-d.: Forrest Sheldon). 1932. 61 minutos. Blanco y Negro. Syndicate. Rex Lease, Virginia Brown Faire, Harry Todd.Fighting Hero. 1934. 59 minutos. Blanco y Negro. Reliable. Tom Tyler, Renee Borden.Terror of the Plains. 1934. 57 minutos. Blanco y Negro. Reliable. Tom Tyler, Roberta Gale.The Cactus Kid. 1934. 58 minutos. Blanco y Negro. Reliable. Jack Perrin, Jayne Regan, Tom London.The Unconquered Bandit. 1935. 59 minutos. Blanco y Negro. Reliable. Tom Tyler, Lilian Gilmore, Slim Whitaker.North of Arizona. 1935. 60 minutos. Blanco y Negro. Reliable. Jack Perrin, Blanche Mehaffey, Lane Chandler.Wolf Riders. 1935. 56 minutos. Blanco y Negro. Reliable. Jack Perrin, Lilian Gilmore, Lafe McKee.Tracy Rides. 1935. 60 minutos. Blanco y Negro. Reliable. Tom Tyler, Virginia Brown Faire, Edmund Cobb.Ridin’ Thru. 1935. 55 minutos. Blanco y Negro. Reliable. Tom Tyler, Ruth Hiatt, Lafe McKee.Born to Battle. 1935. 63 minutos. Blanco y Negro. Reliable. Tom Tyler, Jean Carmen, Earl Dwire.The Laramie Kid. 1935. 57 minutos. Blanco y Negro. Reliable. Tom Tyler, Alberta Vaughn, Al Ferguson.Trigger Tom (Henri Samuels). 1935. 57 minutos. Blanco y Negro. Reliable. Tom Tyler, Bernadine Hayes, Al St. John.Fast Bullets (Henri Samuels). 1936. 57 minutos. Blanco y Negro. Reliable. Tom Tyler, Rex Lease, Margaret Nearing, Slim Whitaker.Pinto Rustlers (Henri Samuels). 1936. 56 minutos. Blanco y Negro. Reliable. Tom Tyler, Catherine Cotter (Marie Burton), Al St. John.Santa Fe Bound (Henri Samuels). 1936. 58 minutos. Blanco y Negro. Reliable. Tom Tyler, Jeanne Martel, Richard Cramer.Feud of the Range. 1939. 56 minutos. Blanco y Negro. Metropolitan. Bob Steele, Gertrude Messinger, Frank LaRue.Mesquite Buckaroo. 1939. 55 minutos. Blanco y Negro. Metropolitan. Bob Steele, Carolyn Curtis, Frank LaRue.Riders of the Sage. 1939. 57 minutos. Blanco y Negro. Metropolitan. Bob Steele, Claire Rochelle, Ralph Hoopes.The Pal from Texas. 1939. 56 minutos. Blanco y Negro. Metropolitan. Bob Steele, Claire Rochelle, Jack Perrin.Pioneer Days. 1940. 51 minutos. Blanco y Negro. Monogram. Jack Randall, June Wilkins, Frank Yaconelli.English-Spanish dictionary of western films > Webb, Harry S.
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18 honest
'onist
1. adjective1) ((of people or their behaviour, statements etc) truthful; not cheating, stealing etc: My secretary is absolutely honest; Give me an honest opinion.) honesto2) ((of a person's appearance) suggesting that he is honest: an honest face.) honesto3) ((of wealth etc) not gained by cheating, stealing etc: to earn an honest living.) honesto•- honestly
2. interjection(used to express mild anger etc: Honestly! That was a stupid thing to do!) hay que ver- honestyhonest adj1. honesto / honradohe's honest, he never lies nor steals es honesto, nunca miente ni roba2. sincerotr['ɒnɪst]1 (trustworthy) honrado,-a, honesto,-a2 (frank) sincero,-a, franco,-a3 (fair) justo,-a, equitativo,-a, decente1 familiar de verdad■ I didn't take it, honest! te juro que no lo cogí yo\SMALLIDIOMATIC EXPRESSION/SMALLthe honest truth la pura verdadhonest ['ɑnəst] adj: honesto, honrado♦ honestly advadj.• bien adquirido adj.• entero, -a adj.• fiel adj.• genuino, -a adj.• honesto, -a adj.• honrado, -a adj.• probo, -a adj.• recto, -a adj.• sincero, -a adj.'ɑːnəst, 'ɒnɪsta) (trustworthy, upright) <person/action> honrado, honesto; < face> de persona honrada or honestahe made an honest woman of her — (hum) cumplió y se casó con ella
to be honest with you... — si quieres que te diga la verdad or que te sea sincero...
c) (as interj) (colloq) de veras['ɒnɪst]1. ADJ1) (=frank) sinceroto be (perfectly) honest... — para ser (totalmente) sincero or franco...
•
to be honest about sth — ser sincero or franco con respecto a algo•
to be (perfectly) honest with you — para serle sincero or franco, si quiere que le diga la verdadto make an honest woman of sb —
he finally made an honest woman of her — hum al final hizo lo que Dios manda y se casó con ella
2) (=trustworthy, law-abiding) [person] honrado, honestohe's very honest in money matters — es muy honrado or honesto en lo que respecta al dinero
- earn an honest penny or crust3) (=genuine) sencillogood, honest country cooking — cocina rústica buena y sencilla
2.ADV * de verdadI didn't know about it, honest — no lo sabía, de verdad, de verdad que no lo sabía
honest to God or goodness — palabra (de honor), te lo juro
honest injun * — † palabra, ¡por estas!
3.CPDhonest broker N — (Brit) (esp Pol) mediador(a) m / f
- honestly* * *['ɑːnəst, 'ɒnɪst]a) (trustworthy, upright) <person/action> honrado, honesto; < face> de persona honrada or honestahe made an honest woman of her — (hum) cumplió y se casó con ella
to be honest with you... — si quieres que te diga la verdad or que te sea sincero...
c) (as interj) (colloq) de veras -
19 Bennet, Spencer Gordon
1893-1987Debuta en el cine como especialista para Edison en los anos 10 del pasado siglo, antes de convertirse en ayudante de direccion de George Seitz y, despues, en realizador de seriales. En el ano 35 empieza a trabajar para Columbia, dirigiendo westerns, uno detras de otro, a un ritmo frenetico. Durante las decadas de los 40 y 50 se convierte en el gran especialista de Hollywood en seriales, para Republic y para Columbia, llegando a dirigir para esta el que historicamente se considera el ultimo de ellos, Blazing the Overland Trail, en 1956. Como tantos otros, termino dando con sus huesos en la television. La ultima frontera (The Black Ghost) es una version reducida, para un unico largometraje, del serial The Last Frontier.Rogue of the Rio Grande. 1930. 57 minutos. Blanco y Negro. World Wide. Jose Bohr, Myrna Loy.The Last Frontier (co-d.: Thomas L. Storey). 1932. 213 minutos. 12 capitu los. Blanco y Negro. RKO. Lon Chaney, Jr., Dorothy Gulliver.The Black Ghost (La ultima frontera) (co-d.: Thomas L. Storey). 1932. 70 minutos. Blanco y Negro. RKO. Lon Chaney, Jr., Dorothy Gulliver.Jaws of Justice. 1933. 58 minutos. Blanco y Negro. Principal Pictures. Jack Perrin, Ruth Sullivan.Ferocious Pal. 1934. 55 minutos. Blanco y Negro. Principal Pictures. Ruth Sullivan, Tom London.Western Courage. 1935. 61 minutos. Blanco y Negro. Columbia. Ken Maynard, Geneva Mitchell, Charles K. French.Lawless Riders. 1935. 57 minutos. Blanco y Negro. Columbia. Ken Maynard, Geneva Mitchell, Harry Woods, Frank Yaconelli.Heir to Trouble. 1935. 59 minutos. Blanco y Negro. Columbia. Ken Maynard, Joan Perry, Harry Woods.The Cattle Thief (El cuatrero). 1936. 50 minutos. Blanco y Negro. Columbia. Ken Maynard, Geneva Mitchell, Ward Bond.Avenging Waters (El torrente vengador). 1936. 57 minutos. Blanco y Negro. Columbia. Ken Maynard, Beth Marion, Ward Bond.Heroes of the Range. 1936. 58 minutos. Blanco y Negro. Columbia. Ken Maynard, June Gale, Harry Woods.The Fugitive Sheriff (El sheriff vindicado). 1936. 58 minutos. Blanco y Negro. Columbia. Ken Maynard, Beth Marion, Walter Miller.The Unknown Ranger. 1936. 57 minutos. Blanco y Negro. Larry Darmour (Columbia). Bob Allen, Martha Tibbetts.Rio Grande Ranger. 1936. 54 minutos. Blanco y Negro. Larry Darmour (Columbia). Bob Allen, Iris Meredith.Ranger Courage. 1937. 58 minutos. Blanco y Negro. Larry Darmour (Columbia). Bob Allen, Martha Tibbetts.Law of the Ranger. 1937. 57 minutos. Blanco y Negro. Larry Darmour (Columbia). Bob Allen, Elaine Shepard.Reckless Ranger. 1937. 56 minutos. Blanco y Negro. Larry Darmour (Columbia). Bob Allen, Louise Small, Jack Perrin.The Rangers Step In. 1937. 58 minutos. Blanco y Negro. Larry Darmour (Columbia). Bob Allen, Eleanor Stewart.Across the Plains. 1939. 59 minutos. Blanco y Negro. Monogram. Jack Randall, Joyce Bryant, Frank Yaconelli.Riders of the Frontier. 1939. 58 minutos. Blanco y Negro. Monogram. Tex Ritter, Jean Joyce, Jack Rutherford.Oklahoma Terror. 1939. 50 minutos. Blanco y Negro. Monogram. Jack Randall, Virginia Carroll, Al St John.Westbound Stage. 1939. 56 minutos. Blanco y Negro. Monogram. Tex Ritter, Muriel Evans.Cowboy from Sundown. 1940. 58 minutos. Blanco y Negro. Monogram. Tex Ritter, Pauline Haddon, Roscoe Ates.Ridin’ the Cherokee Trail. 1941. 62 minutos. Blanco y Negro. Monogram. Tex Ritter, Betty Miles, Slim Andrews.Arizona Bound. 1941. 55 minutos. Blanco y Negro. Monogram. Buck Jones, Tim McCoy, Luana Walters, Raymond Hatton.The Gunman from Bodie. 1941. 62 minutos. Blanco y Negro. Monogram. Buck Jones, Tim McCoy, Christine McIntyre, Raymond Hatton.The Valley of Vanishing Men. 1942. 280 minutos. 15 capitulos. Blanco y Negro. Columbia. Bill Elliott, Carmen Morales, Slim Summerville.Calling Wild Bill Elliott. 1943. 55 minutos. Blanco y Negro. Republic. Bill Elliott, Ann Jeffreys, George Hayes.Canyon City. 1943. 57 minutos. Blanco y Negro. Republic. Don Barry, Helen Talbot, Wally Vernon.California Joe. 1943. 55 minutos. Blanco y Negro. Republic. Don Barry, Helen Talbot, Wally Vernon.Beneath Western Skies. 1944. 56 minutos. Blanco y Negro. Republic. Robert Livingston, Smiley Burnette, Effie Laird.Mojave Firebrand. 1944. 55 minutos. Blanco y Negro. Republic. Bill Elliott, Anne Jeffreys, George Hayes.Tucson Raiders. 1944. 55 minutos. Blanco y Negro. Republic. Bill Elliott, Peggy Stewart, George Hayes, Bob Blake.Code of the Prairie. 1944. 56 minutos. Blanco y Negro. Republic. Smiley Burnette, Sunset Carson, Peggy Stewart.Zorro’ Black Whip (Latigo negro) (co-d.: Wallace Grissell). 1944. 211 minutos. 12 capitulos. Blanco y Negro. Republic. George J. Lewis, Linda Stirling.The Lone Texas Ranger. 1945. 56 minutos. Blanco y Negro. Republic. Bill Elliott, Helen Talbot, Bob Blake.The Phantom Rider (co-d.: Fred C. Brannon). 1946. 167 minutos. 12 capitulos. Blanco y Negro. Republic. Robert Kent, Peggy Stewart.King of the Forest Rangers (co-d.: Fred Brannon). 1946. 167 minutos. 12 capitulos. Blanco y Negro. Republic. Larry Thompson, Helen Talbot.Son of Zorro (co-d.: Fred C. Brannon). 1947. 180 minutos. 13 capitulos. Blanco y Negro. Republic. George Turner, Peggy Stewart.Cody of the Pony Express. 1950. 15 capitulos. Blanco y Negro. Columbia. Jock O’Mahoney, Peggy Stewart, Dickie Moore.Roar of the Iron Horse, Rail-Blazer of the Apache Trail (co-d.: Thomas Carr). 1950. 260 minutos. 15 capitulos. Blanco y Negro. Columbia. Jock O’Mahoney, Virginia Herrick.Brave Warrior. 1952. 73 minutos. Technicolor. Columbia. Jon Hall, Christine Larson.Son of Geronimo: Apache Avenger. 1952. 240 minutos. 15 capitulos. Blanco y Negro. Columbia. Clayton Moore, Rodd Redwing, Eileen Rowe.Gunfighters of the Northwest. 1954. 15 capitulos. Blanco y Negro. Columbia. Jock O’Mahoney, Phyllis Coates, Clayton Moore.Riding with Buffalo Bill. 1954. 15 capitulos. Blanco y Negro. Columbia. Marshall Reed, Rick Vallin, Joanne Rio.Perils of the Wilderness. 1956. 15 capitulos. Blanco y Negro. Columbia. Dennis Moore, Richard Emory, Eve Anderson (Evelyn Finley).Blazing the Overland Trail. 1956. 15 capitulos. Blanco y Negro. Columbia. Lee Roberts, Dennis Moore, Norma Brooks.Requiem for a Gunfighter. 1965. 91 minutos. Technicolor. Techniscope. Embassy. Rod Cameron, Stephen McNally, Olive Sturgess.The Bounty Killer. 1965. 92 minutos. Technicolor. Techniscope. Embassy. Dan Duryea, Audrey Dalton, Rod Cameron.English-Spanish dictionary of western films > Bennet, Spencer Gordon
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20 Hill, Robert F.
1886-1966Actor, guionista y director de origen canadiense, rueda mas de cien peliculas, entre mudas y sonoras. Una parte importante de su produccion, hasta un total de 33 titulos en diez anos, la constituyen peliculas del oeste de una hora de duracion, protagonizadas por algunos de los heroes del genero de los anos 30. Ninguna de ellas tiene la menor trascendencia en la historia del western. Hill tenia fama de acabar sus peliculas en el tiempo previsto y por debajo del presupuesto asignado.Heroes of the Flames. 1931. 240 minutos. 12 capitulos. Blanco y Negro. Universal. Tim McCoy, Marion Shockley.Sundown Trail (El centauro de Cheyenne). 1931. 56 minutos. Blanco y Negro. RKO-Pathe. Tom Keene, Marion Shilling.Come on Danger! (A mi los valientes). 1932. 60 minutos. Blanco y Negro. RKO. Tom Keene, Julie Haydon.The Cheyenne Kid. 1933. 61 minutos. Blanco y Negro. RKO. Tom Keene, Mary Mason.The Crimson Paradise. 1933. 50 minutos. Blanco y Negro. Northern. Nick Stuart, Lucille Browne.A Demon for Trouble. 1934. 58 minutos. Blanco y Negro. Supreme. Bob Steele, Gloria Shea.Outlaw’s Highway. 1934. 61 minutos. Blanco y Negro. Trop. Jack King, Del Morgan, Bonita Baker.Frontier Days. 1934. 61 minutos. Blanco y Negro. Spectrum. Bill Cody, Ada Ince.Cowboy Holiday. 1934. 56 minutos. Blanco y Negro. Beacon/Alexander. Guinn Williams, Janet Chandler.Six Gun Justice. 1935. 57 minutos. Blanco y Negro. Spectrum. Bill Cody, Ethel Jackson.Cyclone Ranger. 1935. 60 minutos. Blanco y Negro. Spectrum. Bill Cody, Nina Quartero.The Texas Rambler. 1935. 59 minutos. Blanco y Negro. Spectrum. Bill Cody, Catherine Cotter (Marie Burton).Vanishing Riders. 1935. 58 minutos. Blanco y Negro. Spectrum. Bill Cody, Ethel Jackson.Danger Trails. 1935. 62 minutos. Blanco y Negro. Beacon/Alexander. Guinn Williams, Marjorie Gordon.Rio Grande Romance. 1936. 69 minutos. Blanco y Negro. Victory. Edward J. Nugent, Maxine Doyle.Too Much Beef. 1936. 60 minutos. Blanco y Negro. Colony. Rex Bell, Constante Bergen, Horace Murphy.West of Nevada. 1936. 57 minutos. Blanco y Negro. Colony. Rex Bell, Joan Barclay, Al St. John.The Idaho Kid. 1936. 69 minutos. Blanco y Negro. Colony. Rex Bell, Marion Shilling.Men of the Plains. 1936. 62 minutos. Blanco y Negro. Colony. Rex Bell, Joan Barclay.Rip Roarin’ Buckaroo. 1936. 57 minutos. Blanco y Negro. Victory. Tom Tyler, Beth Marion.Law and Lead. 1936. 60 minutos. Blanco y Negro. Colony. Rex Bell, Harley Wood.The Phantom of the Range. 1936. 57 minutos. Blanco y Negro. Victory. Tom Tyler, Beth Marion.Cheyenne Rides Again. 1937. 56 minutos. Blanco y Negro. Victory. Tom Tyler, Lucille Browne.The Roaming Cowboy (A tiro limpio). 1937. 56 minutos. Blanco y Negro. Spectrum. Fred Scott, Lois January, Al St. John.The Feud of the Trail. 1937. 56 minutos. Blanco y Negro. Victory. Tom Tyler, Harley Wood.Mystery Range. 1937. 55 minutos. Blanco y Negro. Victory. Tom Tyler, Jerry Bergh.The Painted Trail. 1938. 50 minutos. Blanco y Negro. Monogram. Tom Keene, Elaine Stewart.Whirlwind Horseman. 1938. 57 minutos. Blanco y Negro. Grand National. Ken Maynard, Joan Barclay.Man’s Country. 1938. 53 minutos. Blanco y Negro. Monogram. Jack Randall, Marjorie Reynolds, Ralph Peters.Wild Horse Canyon. 1938. 57 minutos. Blanco y Negro. Monogram. Jack Randall, Dorothy Short, Frank Yaconelli.Drifting Westward. 1939. 58 minutos. Blanco y Negro. Monogram. Jack Randall, Edna Duran, Frank Yaconelli.Overland Mail. 1939. 51 minutos. Blanco y Negro. Monogram. Jack Randall, Jean Joyce, Vince Barnett.Wanderers of the West. 1941. 58 minutos. Blanco y Negro. Monogram. Tom Keene, Sugar Dawn, Betty Miles.English-Spanish dictionary of western films > Hill, Robert F.
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