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61 Armed forces
Although armed force has been a major factor in the development of the Portuguese nation-state, a standing army did not exist until after the War of Restoration (1641-48). During the 18th century, Portugal's small army was drawn into many European wars. In 1811, a combined Anglo-Portuguese army drove the French army of Napoleon out of the country. After Germany declared war on Portugal in March 1916, two Portuguese divisions were conscripted and sent to France, where they sustained heavy casualties at the Battle of Lys in April 1918. As Portugal and Spain were neutral in World War II, the Portuguese Army cooperated with the Spanish army to defend Iberian neutrality. In 1949, Portugal became a founding member of the North Atlantic Treaty Organization (NATO). When the nationalist quest for independence began in Portugal's colonies in Africa ( Angola, Mozambique, and Guinea- Bissau) in the 1960s, the military effort (1961-74) to suppress the nationalists resulted in an expansion of the Portuguese armed forces to about 250,000.Since the Revolution of 25 April 1974, the number of personnel on active duty in the army, navy, and air force has been greatly reduced (43,200 in 2007) and given a more direct role in NATO. New NATO commitments led to the organization of the Brigada Mista Independente (Independent Composite Brigade), later converted into the Brigada Aero-Transportada. (Air-Transported Brigade) to be used in the defense of Europe's southern flank. The Portuguese air force and navy are responsible for the defense of the Azores-Madeira-Portugal strategic triangle.Chronic military intervention in Portuguese political life began in the 19th century. These interventions usually began with revolts of the military ( pronunciamentos) in order to get rid of what were considered by the armed forces corrupt or incompetent civilian governments. The army overthrew the monarchy on the 5 October 1910 and established Portugal's First Republic. It overthrew the First Republic on 28 May 1926 and established a military dictatorship. The army returned to the barracks during the Estado Novo of Antônio de Oliveira Salazar. The armed forces once again returned to politics when the Armed Forces Movement (MFA) overthrew the Estado Novo on 25 April 1974. After the Revolution of 25 April 1974, the armed forces again played a major role in Portuguese politics through the Council of the Revolution, which was composed of the president of the Republic, Chiefs of the general staff, three service chiefs, and 14 MFA officers. The Council of the Revolution advised the president on the selection of the prime minister and could veto legislation.The subordination of the Portuguese armed forces to civilian authority began in 1982, when revisions to the Constitution abolished the Council of the Revolution and redefined the mission of the armed forces to that of safeguarding and defending the national territory. By the early 1990s, the political influence of Portugal armed force had waned and civilian control was reinforced with the National Defense Laws of 1991, which made the chief of the general staff of the armed forces directly responsible to the minister of defense, not the president of the republic, as had been the case previously. As the end of the Cold War had eliminated the threat of a Soviet invasion of western Europe, Portuguese armed forces continues to be scaled back and reorganized. Currently, the focus is on modernization to achieve high operational efficiency in certain areas such as air defense, naval patrols, and rapid-response capability in case of terrorist attack. Compulsory military service was ended in 2004. The Portuguese armed forces have been employed as United Nations peacekeepers in East Timor, Bosnia, Kosovo, Afghanistan, Iraq, and Lebanon. -
62 Art
Portugal did not produce an artist of sufficient ability to gain recognition outside the country until the 19th century. Domingos Antônio Segueira (1768-1837) became well known in Europe for his allegorical religious and historical paintings in a neoclassical style. Portuguese painting during the 19th century emphasized naturalism and did not keep abreast of artistic innovations being made in other European countries. Portugal's best painters lived abroad especially in France. The most successful was Amadeo Souza- Cardoso who, while living in Paris, worked with the modernists Modigliani, Georges Braque, and Juan Gris. Souza-Cardoso introduced modernism into Portuguese painting in the early 20th century. A sustained modernist movement did not develop in Portugal, however. Naturalism remained the dominant school, and Portugal remained isolated from international artistic trends, owing to Portugal's conservative artistic climate, which prevented new forms of art from taking root, and the lack of support from an artistically sophisticated, art-buying elite supported by a system of galleries and foundations.Interestingly, it was during the conservative Estado Novo that modernism began to take root in Portugal. As Prime Minister Antônio de Oliveira Salazar's secretary for national propaganda, Antônio Ferro, a writer, journalist, and cultural leader who admired Mussolini, encouraged the government to allow modern artists to create the heroic imagery of the Estado Novo following the Italian model that linked fascism with futurism. The most important Portuguese artist of this period was Almada Negreiros, who did the murals on the walls of the legendary café A Brasileira in the Chiado district of Lisbon, the paintings at the Exposition of the Portuguese World (1940), and murals at the Lisbon docks. Other artists of note during this period included Mário Eloy (1900-51), who was trained in Germany and influenced by George Grosz and Otto Dix; Domingos Alvarez (1906-42); and Antônio Pedro (1909-66).During the 1950s, the Estado Novo ceased to encourage artists to collaborate, as Portuguese artists became more critical of the regime. The return to Portugal of Antônio Pedro in 1947 led to the emergence of a school of geometric abstract painting in Oporto and the reawakening of surrealism. The art deco styles of the 1930s gave way to surrealism and abstract expression.In the 1960s, links between Portugal's artistic community and the international art world strengthened. Conscription for the wars against the nationalist insurgencies in Angola, Mozambique, and Guinea- Bissau (1961-75) resulted in a massive exodus of Portugal's avante-garde artists to Europe to avoid military service. While abroad, artists such as Joaquin Rodrigo (1912-93), Paula Rego (1935-), João Cutileiro (1947-), and others forged links with British, French, Italian, and Spanish artistic communities.The Revolution of 25 April 1974 created a crisis for Portugal's artists. The market for works of art collapsed as left-wing governments, claiming that they had more important things to do (eliminate poverty, improve education), withdrew support for the arts. Artists declared their talents to be at the "service of the people," and a brief period of socialist realism prevailed. With the return of political stability and moderate governments during the 1980s, Portugal's commercial art scene revived, and a new period of creativity began. Disenchantment with the socialist realism (utopianism) of the Revolution and a deepening of individualism began to be expressed by Portuguese artists. Investment in the arts became a means of demonstrating one's wealth and social status, and an unprecedented number of art galleries opened, art auctions were held, and a new generation of artists became internationally recognized. In 1984, a museum of modern art was built by the Gulbenkian Foundation adjacent to its offices on the Avenida de Berna in Lisbon. A national museum of modern art was finally built in Oporto in 1988.In the 1980s, Portugal's new generation of painters blended post-conceptualism and subjectivism, as well as a tendency toward decon-structionism/reconstructionism, in their work. Artists such as Cabrita Reis (1956-), Pedro Calapez (1953-), José Pedro Croft (1957-), Rui Sanches (1955-), and José de Guimarães (1949-) gained international recognition during this period. Guimarães crosses African art themes with Western art; Sarmento invokes images of film, culture, photography, American erotica, and pulp fiction toward sex, violence, and pleasure; Reis evolved from a painter to a maker of installation artist using chipboard, plaster, cloth, glass, and electrical and plumbing materials.From the end of the 20th century and during the early years of the 21st century, Portugal's art scene has been in a state of crisis brought on by a declining art trade and a withdrawal of financial support by conservative governments. Although not as serious as the collapse of the 1970s, the current situation has divided the Portuguese artistic community between those, such as Cerveira Pito and Leonel Moura, who advocate a return to using primitive, strongly textured techniques and others such as João Paulo Feliciano (1963-), who paint constructivist works that poke fun at the relationship between art, money, society, and the creative process. Thus, at the beginning of the 21st century, the factors that have prevented Portuguese art from achieving and sustaining international recognition (the absence of a strong art market, depending too much on official state support, and the individualistic nature of Portuguese art production) are still to be overcome. -
63 Breguet, Abraham-Louis
SUBJECT AREA: Horology[br]baptized 10 January 1747 Neuchâtel, Switzerlandd. 17 September 1823 Paris, France[br]Swiss clock-and watchmaker who made many important contributions to horology.[br]When Breguet was 11 years old his father died and his mother married a Swiss watchmaker who had Paris connections. His stepfather introduced him to horology and this led to an apprenticeship in Paris, during which he also attended evening classes in mathematics at the Collège Mazarin. In 1775 he married and set up a workshop in Paris, initially in collaboration with Xavier Gide. There he established a reputation among the aristocracy for elegant and innovative timepieces which included a perpétuelle, or self-winding watch, which he developed from the ideas of Perrelet. He also enjoyed the patronage of Marie Antoinette and Louis XVI. During the French Revolution his life was in danger and in 1793 he fled to Neuchâtel. The two years he spent there comprised what was intellectually one of his most productive periods and provided many of the ideas that he was able to exploit after he had returned to Paris in 1795. By the time of his death he had become the most prestigious watchmaker in Europe: he supplied timepieces to Napoleon and, after the fall of the Empire, to Louis XVIII, as well as to most of the crowned heads of Europe.Breguet divided his contributions to horology into three categories: improvements in appearance and functionality; improvements in durability; and improvements in timekeeping. His pendule sympathique was in the first category and consisted of a clock which during the night set a watch to time, regulated it and wound it. His parachute, a spring-loaded bearing, made a significant contribution to the durability of a watch by preventing damage to its movement if it was dropped. Among the many improvements that Breguet made to timekeeping, two important ones were the introduction of the overcoil balance spring and the tourbillon. By bending the outside end of the balance spring over the top of the coils Breguet was able to make the oscillations of the balance isochronous, thus achieving for the flat spring what Arnold had already accomplished for the cylindrical balance spring. The timekeeping of a balance is also dependent on its position, and the tourbillon was an attempt to average-out positional errors by placing the balance wheel and the escapement in a cage that rotated once every minute. This principle was revived in a simplified form in the karussel at the end of the nineteenth century.[br]Principal Honours and DistinctionsHorloger de la marine 1815. Chevalier de la Légion d'honneur 1815.BibliographyBreguet gathered information for a treatise on horology that was never published but which was later plagiarized by Louis Moinet in his Traité d'horlogerie, 1848.Further ReadingG.Daniels, 1974, The An of Breguet, London (an account of his life with a good technical assessment of his work).DV -
64 Siemens, Sir Charles William
[br]b. 4 April 1823 Lenthe, Germanyd. 19 November 1883 London, England[br]German/British metallurgist and inventory pioneer of the regenerative principle and open-hearth steelmaking.[br]Born Carl Wilhelm, he attended craft schools in Lübeck and Magdeburg, followed by an intensive course in natural science at Göttingen as a pupil of Weber. At the age of 19 Siemens travelled to England and sold an electroplating process developed by his brother Werner Siemens to Richard Elkington, who was already established in the plating business. From 1843 to 1844 he obtained practical experience in the Magdeburg works of Count Stolburg. He settled in England in 1844 and later assumed British nationality, but maintained close contact with his brother Werner, who in 1847 had co-founded the firm Siemens \& Halske in Berlin to manufacture telegraphic equipment. William began to develop his regenerative principle of waste-heat recovery and in 1856 his brother Frederick (1826–1904) took out a British patent for heat regeneration, by which hot waste gases were passed through a honeycomb of fire-bricks. When they became hot, the gases were switched to a second mass of fire-bricks and incoming air and fuel gas were led through the hot bricks. By alternating the two gas flows, high temperatures could be reached and considerable fuel economies achieved. By 1861 the two brothers had incorporated producer gas fuel, made by gasifying low-grade coal.Heat regeneration was first applied in ironmaking by Cowper in 1857 for heating the air blast in blast furnaces. The first regenerative furnace was set up in Birmingham in 1860 for glassmaking. The first such furnace for making steel was developed in France by Pierre Martin and his father, Emile, in 1863. Siemens found British steelmakers reluctant to adopt the principle so in 1866 he rented a small works in Birmingham to develop his open-hearth steelmaking furnace, which he patented the following year. The process gradually made headway; as well as achieving high temperatures and saving fuel, it was slower than Bessemer's process, permitting greater control over the content of the steel. By 1900 the tonnage of open-hearth steel exceeded that produced by the Bessemer process.In 1872 Siemens played a major part in founding the Society of Telegraph Engineers (from which the Institution of Electrical Engineers evolved), serving as its first President. He became President for the second time in 1878. He built a cable works at Charlton, London, where the cable could be loaded directly into the holds of ships moored on the Thames. In 1873, together with William Froude, a British shipbuilder, he designed the Faraday, the first specialized vessel for Atlantic cable laying. The successful laying of a cable from Europe to the United States was completed in 1875, and a further five transatlantic cables were laid by the Faraday over the following decade.The Siemens factory in Charlton also supplied equipment for some of the earliest electric-lighting installations in London, including the British Museum in 1879 and the Savoy Theatre in 1882, the first theatre in Britain to be fully illuminated by electricity. The pioneer electric-tramway system of 1883 at Portrush, Northern Ireland, was an opportunity for the Siemens company to demonstrate its equipment.[br]Principal Honours and DistinctionsKnighted 1883. FRS 1862. Institution of Civil Engineers Telford Medal 1853. President, Institution of Mechanical Engineers 1872. President, Society of Telegraph Engineers 1872 and 1878. President, British Association 1882.Bibliography27 May 1879, British patent no. 2,110 (electricarc furnace).1889, The Scientific Works of C.William Siemens, ed. E.F.Bamber, 3 vols, London.Further ReadingW.Poles, 1888, Life of Sir William Siemens, London; repub. 1986 (compiled from material supplied by the family).S.von Weiher, 1972–3, "The Siemens brothers. Pioneers of the electrical age in Europe", Transactions of the Newcomen Society 45:1–11 (a short, authoritative biography). S.von Weihr and H.Goetler, 1983, The Siemens Company. Its Historical Role in theProgress of Electrical Engineering 1847–1980, English edn, Berlin (a scholarly account with emphasis on technology).GWBiographical history of technology > Siemens, Sir Charles William
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65 Westen
m; -s, kein Pl. west; (westlicher Landesteil) West; der Westen GEOG. UND POL. the West (auch in USA); nach Westen west- (-ward[s]); Verkehr, Straße etc.: westbound; „Im Westen nichts Neues“ von E. M. Remarque: All Quiet on the Western Front* * *der WestenOccident; west* * *Wẹs|ten ['vɛstn]m -s, no plwest; (von Land) Westder Westen (Pol) — the West; (im Gegensatz zum Orient auch) the Occident
aus dem Westen, von Westen (her) — from the west
or nach Westen — west(wards), to the west
im Westen der Stadt/des Landes — in the west of the town/country
im Westen Frankreichs — in the west of France, in Western France
See:→ wild* * *der1) (the direction in which the sun sets or any part of the earth lying in that direction: They travelled towards the west; The wind is blowing from the west; in the west of Britain.) west2) ((often with capital: also W) one of the four main points of the compass.) west3) (Europe and North and South America.) the West* * *Wes·ten<-s>[ˈvɛstn̩]m kein indef art, kein pl2. (westliche Gegend) westder Wilde \Westen the Wild West; s.a. Norden 2▪ der \Westen the West* * *der; Westens1) (Richtung) westnach Westen — westwards; to the west
im/aus od. von od. vom Westen — in/from the west
2) (Gegend) West3) (Geogr., Politik)der Westen — the West; s. auch Osten, Norden
* * *nach Westen west-(-ward[s]); Verkehr, Straße etc: westbound;„Im Westen nichts Neues“ von E. M. Remarque: All Quiet on the Western Front* * *der; Westens1) (Richtung) westnach Westen — westwards; to the west
im/aus od. von od. vom Westen — in/from the west
2) (Gegend) West3) (Geogr., Politik)der Westen — the West; s. auch Osten, Norden
* * *m.west n. -
66 aéropostal
aeʀopɔstal, o aéropostal, -e aéropostaux mpl1. adjairmail modif2. nf* * *airmail (modificateur)————————Aéropostale nom propre fémininb. [filiale d'Air France] subsidiary of Air France -
67 comme
comme [kɔm]━━━━━━━━━1. conjunction2. adverb━━━━━━━━━1. <• comme il pleuvait, j'ai pris la voiture as it was raining I took the carc. ( = en tant que) as━━━━━━━━━━━━━━━━━► Avec un nom, on utilise like ; avec un verbe, as et the way sont plus corrects que like, mais like est couramment utilisé.━━━━━━━━━━━━━━━━━e. ( = tel que) like• bête comme il est... stupid as he is...f. (locutions)• il est comme ça ! he's like that!• il a pêché un saumon comme ça ! he caught a salmon this big!• je l'ai enfermé, comme ça il ne peut pas nous suivre I locked him in - that way he can't follow us• si c'est comme ça, je m'en vais ! if that's the way it is, I'm leaving!• alors, comme ça, vous nous quittez ? so you're leaving us just like that?• le docteur m'a dit comme ça, prenez des calmants (inf) the doctor just told me to take tranquillizers► comme quoi• comme quoi tout le monde peut se tromper which just goes to show that anybody can make a mistake► comme ci comme ça so-so (inf)• comme si nous ne le savions pas ! as if we didn't know!• tu n'es pas content mais tu peux faire comme si (inf) you're not happy but you can pretend to be► comme tout2. <• comme ils sont bruyants ! they're so noisy!• comme il fait beau ! isn't it a lovely day!• écoute comme elle chante bien ! isn't she a wonderful singer!* * *kɔm
1.
adverbe how
2.
1) ( de même que)ils sont bêtes, lui comme elle — he's as stupid as she is
il est paresseux, comme sa sœur d'ailleurs — he's lazy, just like his sister
jolie comme tout — ever so pretty GB, really pretty
2) ( dans une comparaison)c'est tout comme — (colloq) it comes to the same thing
elle me traite comme un enfant — she treats me like a child, she treats me as if I were a child
3) ( dans une explication)des pays industrialisés comme les États-Unis et le Japon — industrialized countries such as ou like the United States and Japan
puisque c'est comme ça — if that's the way it is, if that's how it is
4) (colloq) ( dans une approximation)elle a eu comme un évanouissement — she sort of fainted, she had a kind of fainting fit
5) ( indiquant l'intensité)avare comme il est, il ne te donnera rien — he's so mean, he won't give you anything
6) ( indiquant une fonction) as7) ( puisque) as, sincecomme elle était seule — as ou since she was alone
8) ( au moment où) as••comme ci comme ça — (colloq) so-so (colloq)
* * *kɔm1. prép1) (comparaison) likeIl est comme son père. — He's like his father.
Je voudrais un manteau comme celui de la photo. — I'd like a coat like the one in the picture.
2) (manière) likeFaites comme lui. — Do as he does., Do it like him.
Ça se plie comme ça. — You fold it like this.
Faites-le comme ça. — Do it like this., Do it this way.
C'était un poisson grand comme ça. — The fish was this big.
comme ça,...; Comme ça on n'aura pas d'ennuis. — That way we won't have any problems.
comme cela,...; Comme cela nous n'aurons pas d'ennuis. — That way we won't have any problems.
comme ci, comme ça — so-so
"Comment est-ce que tu as trouvé le film?" - - "Comme ci comme ça." — "What did you think of the film?" - - "So-so."
"comment ça va?" - - "comme ça" — "how are things?" - - "ok"
3) (= en tant que) asse donner comme objectif de faire qch — to set o.s. the goal of doing sth
J'ai travaillé comme serveuse cet été. — I worked as a waitress this summer.
comme tout; joli comme tout — ever so pretty
comme c'est pas permis; Il est malin comme c'est pas permis. — He's as smart as they come.
comme quoi (ce qui prouve que) — which just goes to show that, (selon quoi) saying that
Il s'en est tiré sain et sauf, comme quoi il y a un dieu pour les inconscients. — He escaped unharmed, which just goes to show there is a god for the reckless.
Il a écrit une lettre comme quoi il... — He wrote a letter saying that he...
comme il faut adv — properly
Mets le couvert comme il faut! — Set the table properly!, adjproper
Ce sont des gens comme il faut. — They're very proper people.
2. conj1) (= ainsi que) asElle écrit comme elle parle. — She writes as she talks.
Faites comme vous voulez. — Do as you like.
2) (= au moment où) asIl est parti comme j'arrivais. — He left as I arrived.
3) (= puisque) as, sinceComme il était en retard, il... — As he was late, he...
3. advRegarde comme c'est beau! — Look, isn't it lovely!, Look how lovely it is!
* * *A adv how; comme tu es malin! how clever you are!; comme il a raison! how right he is!; comme j'aime lire! how I love reading!; comme tu as grandi, je ne t'ai pas reconnu how you've grown, I didn't recognize you.B conj1 ( de même que) ici comme en Italie ( exclusivement) here as in Italy; ( inclusivement) both here and in Italy; ils sont bêtes, lui comme elle they are both as stupid as each other, he's as stupid as she is; en France et en Angleterre, comme dans les autres pays d'Europe in France and in England as (well as) in the other European countries; contente-toi de dire comme moi just say the same thing as me; il est paresseux, comme sa sœur d'ailleurs he's lazy, just like his sister; il mange comme eux he eats the same things as they do; elle est sage-femme comme sa mère et sa grand-mère she's a midwife, like her mother and grandmother (before her); fais comme moi do as I do; nous avons fêté Noël chez nous, comme tous les ans we spent Christmas at home, as we do every year; été comme hiver all year round, summer and winter alike; comme toujours as always; j'y étais allé comme chaque matin I'd gone there as I did every morning; jolie/légère comme tout ever so pretty/light GB, really pretty/light;2 ( dans une comparaison) il est grand comme sa sœur he's as tall as his sister; les cheveux du bébé sont lisses comme de la soie the baby's hair is as smooth as silk; c'est tout comme○ it comes to the same thing; rouge comme une pivoine as red as a beetroot GB ou beet US; je leur ai parlé tout comme je te parle I spoke to them just like○ I'm speaking to you now; c'est quelqu'un de comme ça○! he's/she's great!; il est bête/courageux comme pas un he's as stupid/brave as they come; il boit/travaille comme pas un he drinks/works like anything; comme tu y vas! that's going a bit far!; elle me traite comme un enfant she treats me like a child, she treats me as if I were a child;3 ( dans une équivalence) c'est comme une brioche avec des raisins à l'intérieur it's like a brioche with currants in it; un chapeau comme celui-là a hat like that one; je voudrais un manteau comme le tien I'd like a coat like yours; comme pour faire as if to do; et comme pour bien marquer leur refus, ils sont sortis de la salle and as if to make a point of their refusal, they left the room; elle a fait un geste comme pour se protéger she made a movement as if to protect herself;4 (dans une illustration, une explication) des pays industrialisés comme les États-Unis et le Japon industrialized countries such as ou like the United States and Japan; qu'est-ce que vous avez comme couleurs? what colours do you have?; qu'est-ce qu'il y a comme vaisselle? what is there in the way of crockery?; comme ça like that; alors comme ça tu vas travailler à l'étranger? so you're going to work abroad then?; puisque c'est comme ça if that's the way it is, if that's how it is; on va faire comme si we're going to pretend that; il a fait comme s'il ne me voyait pas he pretended (that) he hadn't seen me; c'est comme si it's as if; comme s'il dormait as if ou as though he was sleeping; comme si je n'avais que ça à faire! as if I had nothing better to do!; comme si j'avais besoin de ça! that's the last thing I needed!; ‘je ne trouve pas ça joli’-‘fais comme si’ ‘I don't think it's pretty’-‘just pretend you do’; elle m'a dit, comme si de rien n'était, que… she told me, just like that, that…; se comporter comme si de rien n'était to act as if nothing were wrong;5 ○( dans une approximation) elle a eu comme un évanouissement she sort of fainted, she had a kind of fainting fit; elle semblait comme gênée she seemed somewhat embarrassed;6 ( indiquant l'intensité) avare comme il est, il ne te donnera rien he's so mean, he won't give you anything; maigre comme elle est she's so thin;7 ( indiquant une fonction) as; travailler comme jardinier to work as a gardener; il a été recruté comme traducteur he was taken on as a translator; la phrase est donnée comme exemple the sentence is given as an example; que veux-tu comme cadeau? what would you like for ou as a present?;8 ( puisque) as, since; comme elle était seule as ou since she was alone; comme il l'aime, il lui pardonnera as ou since he loves him/her, he'll forgive him/her;9 ( au moment où) as; juste comme just as; comme il traversait la rue as he was crossing the road; elle arrivait comme je partais she was coming in as I was going out.comme quoi! which just shows!; comme ci comme ça○ so-so○.[kɔm] conjonctionil a fait un signe, comme pour appeler he made a sign, as if to call outc'est comme ta sœur, elle ne téléphone jamais your sister's the same, she never phonesje suis comme toi, j'ai horreur de ça I'm like you, I hate that kind of thingfais comme moi, ne lui réponds pas do as I do, don't answer himil ne m'a pas injurié, mais c'était tout comme he didn't actually insult me, but it was close ou as good as2. [exprimant la manière] asfais comme il te plaira do as you like ou pleasecomme on pouvait s'y attendre, nos actions ont baissé as could be expected, our shares have gone downla connaissant comme je la connais knowing her as well as ou like I docomme dirait l'autre (familier) , comme dit l'autre (familier) as the saying goes, to coin a phrase, as they saycomme il se doit en pareilles circonstances as befits the circumstances, as is fitting in such circumstancescomme ci comme ça (familier) : tu t'entends bien avec lui? — comme ci comme ça do you get on with him? — sort of ou so-somince comme elle est, elle peut porter n'importe quoi being as slim as she is everything suits her, she is so slim that everything suits herles arbres comme le marronnier... trees like ou such as the chestnut...4. [en tant que] as5. [pour ainsi dire]il restait sur le seuil, comme paralysé he was standing on the doorstep, (as if he was) rooted to the spot6. [et]le règlement s'applique à tous, à vous comme aux autres the rules apply to everybody, you includedun spectacle que les parents, comme les enfants, apprécieront a show which will delight parents and children alike[pendant que] while————————[kɔm] adverbe1. [emploi exclamatif] howcomme c'est triste! how sad (it is)!, it's so sad!comme tu es grande! what a big girl you are now!, how big you've grown!2. [indiquant la manière]tu sais comme il est you know what he's like ou how he iscomme ça locution adjectivale1. [ainsi] like thatil est comme ça, on ne le changera pas! that's the way he is, you won't change him!2. [admirable] greatcomme ça locution adverbiale1. [de cette manière] like this ou thatc'est comme ça, que ça te plaise ou non! that's how ou the way it is, whether you like it or not!2. [en intensif]alors comme ça, tu te maries? (oh) so you're getting married?————————comme il faut locution adjectivale————————comme il faut locution adverbiale1. [correctement] properly2. (familier) [emploi exclamatif]il s'est fait battre, et comme il faut (encore)! he got well and truly thrashed!comme quoi locution conjonctive1. [ce qui prouve que] which shows ou (just) goes to show that2. (familier) [selon quoi]j'ai reçu des ordres comme quoi personne ne devait avoir accès au dossier I've been instructed not to allow anybody access to that filecomme si locution conjonctive1. [exprimant la comparaison] as ifelle faisait comme si de rien n'était she pretended (that) there was nothing wrong, she pretended (that) nothing had happenedcomme s'il ne savait pas ce qu'il faisait! as if ou as though he didn't know what he was doing!comme tout locution adverbiale -
68 pays
pays [pei]1. masculine nouna. ( = contrée, habitants) countryb. ( = région) region• il a vu du pays he's been round a bit or seen the world• être en pays de connaissance (dans une réunion) to be among friends ; (sur un sujet, dans un lieu) to be on home ground2. compounds► pays industrialisé industrialized country or nation• nouveaux pays industrialisés newly industrialized countries ► les pays moins avancés less developed countries* * *peinom masculin1) ( État) countrydans mon pays — where I come from, in my country
2) ( région)gens/produit du pays — local people/product
rentrer au pays — ( vu du point de départ) to go back home; ( vu du point d'arrivée) to come back home
3) ( village) village•Phrasal Verbs:••voir du pays — to do some travelling [BrE]
* * *pei nm1) (= territoire, habitants) country2) (= région) region3) (= village) village* * *B nm1 ( État) country; pays industriel/riche industrial/rich country; les pays lointains distant countries; l'Italie est le pays du soleil Italy is the land of sun; dans mon pays where I come from, in my country; ⇒ conquérir;2 ( région) la Bourgogne est le pays du bon vin Burgundy is the home of good wine; fromage du pays locally-produced cheese; gens/produit du pays local people/product; il n'est pas du pays he is not local; rentrer au pays ( vu du point de départ) to go back home; ( vu du point d'arrivée) to come back home;3 ( village) village; un petit pays des Landes a small village in the Landes.pays d'accueil host country; pays de cocagne Cockaigne; pays hôte host country; pays d'origine country of origin; pays des rêves dreamland; Pays du Soleil levant Land of the Rising Sun; pays en (voie de) développement, PED developing nation.voir du pays to do some travellingGB; être en pays connu or de connaissance ( dans un lieu) to be in familiar surroundings; ( parmi des gens) to be among familiar faces; ( sur un sujet) to be on one's home ground.[pei] nom masculin1. [nation] countryils se conduisent comme en pays conquis they're acting ou behaving as if they own the placeau pays des aveugles, les borgnes sont rois in the land of the blind the one-eyed man is kingpays chaud/sec hot/dry regionen pays de Loire in the Loire area ou valleyau pays des rêves ou des songes in the land of dreamsen pays de connaissance: vous serez en pays de connaissance, Tom fait aussi du piano you'll have something in common because Tom plays the piano tooun petit pays de 2 000 âmes a small town of 2,000 soulstout le pays se demande encore qui est l'assassin the whole country's still wondering who the murderer might be5. [région d'origine]a. [nation] one's countryb. [région] one's home (region)c. [ville] one's home (town)6. (figuré) [berceau, foyer]————————de pays locution adjectivale[produits] localsaucisson de pays traditional ou country-style sausageThis administrative region includes the départements of Loire-Atlantique, Maine-et-Loire, Mayenne, Sarthe and Vendée (capital: Nantes). -
69 rayonnement
rayonnement [ʀεjɔnmɑ̃]masculine nouna. [de culture, civilisation] influence ; [d'astre, personnalité, beauté] radianceb. ( = radiations) [de chaleur, lumière, astre] radiation* * *ʀɛjɔnmɑ̃nom masculin2) ( éclat) radiance3) (influence de pays, personne, pensée) influence* * *ʀɛjɔnmɑ̃ nm1) [chaleur, énergie] radiation2) fig (= éclat) radiance3) (= influence) [pays, culture] influence* * *rayonnement nm1 Phys ( radiation) radiation; rayonnement solaire solar radiation; rayonnement radio-actif radiation, radioactivity; le rayonnement de la Terre the Earth's radiation;2 ( éclat) radiance; un rayonnement de joie/bonheur illuminait son visage his/her face was shining with joy/happiness;3 ( prestige) fig (de pays, civilisation, personne, pensée) influence; le rayonnement mondial/européen d'un pays a country's influence in the world/in Europe.rayonnement thermique thermal radiation.[rɛjɔnmɑ̃] nom masculin1. [influence] influence2. (littéraire) [éclat] radiance3. [lumière - d'une étoile, du feu] radiancerayonnement électromagnétique/optique/visible electromagnetic/optical/visible radiation -
70 Bonaparte, Napoléon Bonaparte
(1769-1821)Ruler of France from 1799 to 1815. Napoleon came to power as a successful military commander in the wake of the French Revolution of 1798, initially as First Consul, then as Emperor. A brilliant military and civil commander, Napoleon established good part of the basis of the modern French state, with its centralised power structure, law, and administration. Through military victories and alliances, he rapidly spread the power of post-revolutionary France across Europe. However, like Hitler in the twentieth century, he overstretched the capacities of his great army, when he tried to conquer Russia. The retreat from Moscow in 1812 was his first great defeat. It was followed however by his final undoing, defeat by the British army at the batle of Waterloo in 1815. Captured by the British, Napoleon was exiled first to Elba, from where he escaped, then to the mid atlantic island of Saint Helena, where he died in exile in 1821.Dictionnaire Français-Anglais. Agriculture Biologique > Bonaparte, Napoléon Bonaparte
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71 Conflits sociaux
This is the expression used to describe industrial unrest, or tensions between employers and employees in the workplace. Generally speaking, les conflits sociaux include all kinds of industrial unrest, in particular strikes ( les grèves), working-to-rule ( grève du zèle), or go-slows ( grève perlée). France does not have a permanent Arbitration and Conciliation service, but in the event of a major stoppage, a médiateur can be appointed to try and find a solution to the conflict. France has a reputation of being a country of strikers, but this is not really the case. Conflits sociaux are relatively unusual in the private sector, but do tend to be more common in a number of high-profile public-sector areas, such as the state education system, and the SNCF, where they can have a massive impact on everyday life.Dictionnaire Français-Anglais. Agriculture Biologique > Conflits sociaux
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72 Droite, la
Generic term used to refer to the political right, or conservatives. French conservatism has in recent decades been rather different from conservatism in the UK and most other parts of Europe. Anchored in a patrician, nationalistic and litterally 'conservative' mode, France's political right has long had a very ambivalent attitude to economic liberalism. Following in the tradition of General de Gaulle, who remains the point of reference for right-wing politicians in France to this day, la Droite, which has been in power for all but thirteen of the last fifty years, has stressed an attachment to existing traditions and institutions, and in so doing failed (along with left-wing counterparts) to modernise the nation and its economy.Most significantly, many French conservatives have frequently taken pains to distance themselves from economic liberalism (See libéralisme). As recently as 2007, Jacques Chirac wrote, 'Liberalism will lead to the same failures and to the same excesses as Communism'Dictionnaire Français-Anglais. Agriculture Biologique > Droite, la
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73 Ibis, Hôtels
one of the major hotel chains, belonging to the Accor Group. Ibis hotels can be found all over France, and in many other countries of Europe. They are mid-range hotels, generally two-star or three-star. Seehotels in France.Dictionnaire Français-Anglais. Agriculture Biologique > Ibis, Hôtels
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74 Peugeot
One of France's major automobile manufacturers. Peugeot, whose roots are in Montbéliard, in the Franche Comté region of eastern France, is today part of the PSA Peugeot-Citroën group, and is one of the biggest car manufacturers in Europe.Dictionnaire Français-Anglais. Agriculture Biologique > Peugeot
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75 Mendes, Aristides de Sousa
(1885-1954)Career Portuguese diplomat whose extraordinary assistance to Jewish and other refugees in 1940 France led to his career's ruin, but posthumous fame and recognition. A conventional member of Portugal's governing elite and devoutly Catholic, Aristides de Sousa Mendes was educated like his twin brother, who was also a diplomat, at Coimbra University. He entered Portugal's foreign service, consular track, in 1910 and served in a variety of posts in Europe, Africa, Latin America, and the United States. Less successful as a diplomat than his brother César, who briefly served as foreign minister and attained the rank of ambassador, Aristides de Sousa Mendes was assigned to be Portuguese consul in Bordeaux, France, in 1938. When thousands of desperate refugees fleeing the German armies poured into Sousa Mendes's consulate in June 1940, Lisbon ordered him to cease signing visas to enter Portugal.Defying his superiors' orders, Sousa Mendes signed perhaps as many as 20,000-30,000 visas, after deciding not to charge fees to applicants. Because of his action in Bordeaux and at the Franco-Spanish frontier, where he also assisted refugees to escape the Nazi terror, Sousa Mendes was dismissed from his post and recalled to Lisbon. Following his suspension from service and the granting of a minuscule pension, the former diplomat and his family fell into poverty and obscurity. Through the efforts of his family and helpful foreign diplomats, Israel in 1967 declared Sousa Mendes a Hero of Conscience of World War II and a Righteous Gentile. In the 1980s, Portugal's government officially rehabilitated and recognized posthumously this obscure but heroic figure, and his deeds were celebrated in books, journals, newspaper articles, and TV films.Historical dictionary of Portugal > Mendes, Aristides de Sousa
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76 Dassault (Bloch), Marcel
SUBJECT AREA: Aerospace[br]b. 22 January 1892 Paris, Franced. 18 April 1986 Paris, France[br]French aircraft designer and manufacturer, best known for his jet fighters the Mystère and Mirage.[br]During the First World War, Marcel Bloch (he later changed his name to Dassault) worked on French military aircraft and developed a very successful propeller. With his associate, Henri Potez, he set up a company to produce their Eclair wooden propeller in a furniture workshop in Paris. In 1917 they produced a two-seater aircraft which was ordered but then cancelled when the war ended. Potez continued to built aircraft under his own name, but Bloch turned to property speculation, at which he was very successful. In 1930 Bloch returned to the aviation business with an unsuccessful bomber followed by several moderately effective airliners, including the Bloch 220 of 1935, which was similar to the DC-3. He was involved in the design of a four-engined airliner, the SNCASE Languedoc, which flew in September 1939. During the Second World War, Bloch and his brothers became important figures in the French Resistance Movement. Marcel Bloch was eventually captured but survived; however, one of his brothers was executed, and after the war Bloch changed his name to Dassault, which had been his brother's code name in the Resistance. During the 1950s, Avions Marcel Dassault rapidly grew to become Europe's foremost producer of jet fighters. The Ouragon was followed by the Mystère, Etendard and then the outstanding Mirage series. The basic delta-winged Mirage III, with a speed of Mach 2, was soon serving in twenty countries around the world. From this evolved a variable geometry version, a vertical-take-off aircraft, an enlarged light bomber capable of carrying a nuclear bomb, and a swept-wing version for the 1970s. Dassault also produced a successful series of jet airliners starting with the Fan Jet Falcon of 1963. When the Dassault and Breguet companies merged in 1971, Marcel Dassault was still a force to be reckoned with.[br]Principal Honours and DistinctionsGuggenheim Medal. Deputy, Assemblée nationale 1951–5 and 1958–86.Bibliography1971, Le Talisman, Paris: Editions J'ai lu (autobiography).Further Reading1976, "The Mirage Maker", Sunday Times Magazine (1 June).Jane's All the World's Aircraft, London: Jane's (details of Bloch and Dassault aircraft can be found in various years' editions).JDSBiographical history of technology > Dassault (Bloch), Marcel
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77 Dickson, William Kennedy Laurie
SUBJECT AREA: Photography, film and optics[br]b. August 1860 Brittany, Franced. 28 September 1935 Twickenham, England[br]Scottish inventor and photographer.[br]Dickson was born in France of English and Scottish parents. As a young man of almost 19 years, he wrote in 1879 to Thomas Edison in America, asking for a job. Edison replied that he was not taking on new staff at that time, but Dickson, with his mother and sisters, decided to emigrate anyway. In 1883 he contacted Edison again, and was given a job at the Goerk Street laboratory of the Edison Electric Works in New York. He soon assumed a position of responsibility as Superintendent, working on the development of electric light and power systems, and also carried out most of the photography Edison required. In 1888 he moved to the Edison West Orange laboratory, becoming Head of the ore-milling department. When Edison, inspired by Muybridge's sequence photographs of humans and animals in motion, decided to develop a motion picture apparatus, he gave the task to Dickson, whose considerable skills in mechanics, photography and electrical work made him the obvious choice. The first experiments, in 1888, were on a cylinder machine like the phonograph, in which the sequence pictures were to be taken in a spiral. This soon proved to be impractical, and work was delayed for a time while Dickson developed a new ore-milling machine. Little progress with the movie project was made until George Eastman's introduction in July 1889 of celluloid roll film, which was thin, tough, transparent and very flexible. Dickson returned to his experiments in the spring of 1891 and soon had working models of a film camera and viewer, the latter being demonstrated at the West Orange laboratory on 20 May 1891. By the early summer of 1892 the project had advanced sufficiently for commercial exploitation to begin. The Kinetograph camera used perforated 35 mm film (essentially the same as that still in use in the late twentieth century), and the kinetoscope, a peep-show viewer, took fifty feet of film running in an endless loop. Full-scale manufacture of the viewers started in 1893, and they were demonstrated on a number of occasions during that year. On 14 April 1894 the first kinetoscope parlour, with ten viewers, was opened to the public in New York. By the end of that year, the kinetoscope was seen by the public all over America and in Europe. Dickson had created the first commercially successful cinematograph system. Dickson left Edison's employment on 2 April 1895, and for a time worked with Woodville Latham on the development of his Panoptikon projector, a projection version of the kinetoscope. In December 1895 he joined with Herman Casier, Henry N.Marvin and Elias Koopman to form the American Mutoscope Company. Casier had designed the Mutoscope, an animated-picture viewer in which the sequences of pictures were printed on cards fixed radially to a drum and were flipped past the eye as the drum rotated. Dickson designed the Biograph wide-film camera to produce the picture sequences, and also a projector to show the films directly onto a screen. The large-format images gave pictures of high quality for the period; the Biograph went on public show in America in September 1896, and subsequently throughout the world, operating until around 1905. In May 1897 Dickson returned to England and set up as a producer of Biograph films, recording, among other subjects, Queen Victoria's Diamond Jubilee celebrations in 1897, Pope Leo XIII in 1898, and scenes of the Boer War in 1899 and 1900. Many of the Biograph subjects were printed as reels for the Mutoscope to produce the "what the butler saw" machines which were a feature of fairgrounds and seaside arcades until modern times. Dickson's contact with the Biograph Company, and with it his involvement in cinematography, ceased in 1911.[br]Further ReadingGordon Hendricks, 1961, The Edison Motion Picture Myth.—1966, The Kinetoscope.—1964, The Beginnings of the Biograph.BCBiographical history of technology > Dickson, William Kennedy Laurie
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78 Faraday, Michael
SUBJECT AREA: Electricity[br]b. 22 September 1791 Newington, Surrey, Englandd. 25 August 1867 London, England[br]English physicist, discoverer of the principles of the electric motor and dynamo.[br]Faraday's father was a blacksmith recently moved south from Westmorland. The young Faraday's formal education was limited to attendance at "a Common Day School", and then he worked as an errand boy for George Riebau, a bookseller and bookbinder in London's West End. Riebau subsequently took him as an apprentice bookbinder, and Faraday seized every opportunity to read the books that came his way, especially scientific works.A customer in the shop gave Faraday tickets to hear Sir Humphry Davy lecturing at the Royal Institution. He made notes of the lectures, bound them and sent them to Davy, asking for scientific employment. When a vacancy arose for a laboratory assistant at the Royal Institution, Davy remembered Faraday, who he took as his assistant on an 18- month tour of France, Italy and Switzerland (despite the fact that Britain and France were at war!). The tour, and especially Davy's constant company and readiness to explain matters, was a scientific education for Faraday, who returned to the Royal Institution as a competent chemist in his own right. Faraday was interested in electricity, which was then viewed as a branch of chemistry. After Oersted's announcement in 1820 that an electric current could affect a magnet, Faraday devised an arrangement in 1821 for producing continuous motion from an electric current and a magnet. This was the basis of the electric motor. Ten years later, after much thought and experiment, he achieved the converse of Oersted's effect, the production of an electric current from a magnet. This was magneto-electric induction, the basis of the electric generator.Electrical engineers usually regard Faraday as the "father" of their profession, but Faraday himself was not primarily interested in the practical applications of his discoveries. His driving motivation was to understand the forces of nature, such as electricity and magnetism, and the relationship between them. Faraday delighted in telling others about science, and studied what made a good scientific lecturer. At the Royal Institution he introduced the Friday Evening Discourses and also the Christmas Lectures for Young People, now televised in the UK every Christmas.[br]Bibliography1991, Curiosity Perfectly Satisfyed. Faraday's Travels in Europe 1813–1815, ed. B.Bowers and L.Symons, Peter Peregrinus (Faraday's diary of his travels with Humphry Davy).Further ReadingL.Pearce Williams, 1965, Michael Faraday. A Biography, London: Chapman \& Hall; 1987, New York: Da Capo Press (the most comprehensive of the many biographies of Faraday and accounts of his work).For recent short accounts of his life see: B.Bowers, 1991, Michael Faraday and the Modern World, EPA Press. G.Cantor, D.Gooding and F.James, 1991, Faraday, Macmillan.J.Meurig Thomas, 1991, Michael Faraday and the Royal Institution, Adam Hilger.BB -
79 Monier, Joseph
[br]b. 1823 Franced. 1906 Paris, France[br]French gardener and one of the principal inventors of reinforced concrete.[br]Monier was a commercial gardener who in the course of his work was struck with the idea of inserting iron reinforcement in concrete tubs such as were used for growing orange trees. He patented this idea in 1867 and exhibited his invention the same year at the Paris Exposition. It soon occurred to him to apply the same principles to other engineering structures such as railway sleepers, pipes, floors, arches and bridges. In 1878 he took out a French patent for reinforced concrete beams and held numerous other patents for the material. Although he was not the only one to realize the benefits of combining a concrete girder or slab to resist compressive forces with iron or steel wires or rods to resist tensile stresses, "Das System Monier" was known as such by 1887 throughout Europe.[br]Further ReadingJ.W.De Courcy, 1987, "The emergence of reinforced concrete", Structural Engineer 65A: 316.IMcN -
80 Rateau, Auguste Camille-Edmond
[br]b. 13 October 1863 Royan, Franced. 13 January 1930 Neuilly-sur-Seine, France[br]French constructor of turbines, inventor of the turbo compressor and a centrifugal fan for mine ventilation.[br]A don of the Ecole Polytechnique and the Ecole Supérieure des Mines in Paris, Rateau joined the French Corps des Mines in 1887. Between 1888 and 1898 he taught applied mechanics and electro technics at the Ecole des Mines in St-Etienne. Trying to apply the results of his research to practise, he became into contact with commercial firms, before he was appointed Professor of Industrial Electricity at the Ecole Supérieure des Mines in Paris in 1902. He held this position until 1910, although he founded the Société Anonyme Rateau in Paris in 1903 which by the time of his death had subsidiaries in most of the industrial centres of Europe. By the middle of the nineteenth century, when the increasing problems of ventilation in coal mines had become evident and in many countries had led to several unsatisfactory mechanical constructions, Rateau concentrated on this problem soon after he began working in St-Etienne. The result of his research was the design of a centrifugal fan in 1887 with which he established the principles of mechanical ventilation on a general basis that led to future developments and helped, together with the ventilator invented by Capell in England, to pave the way for the use of electricity in mine ventilation.Rateau continued the study of fluid mechanics and the applications of rotating engines, and after he had published widely on this subject he began to construct many steam turbines, centrifugal compressors and centrifugal pumps. The multicellular Rateau turbine of 1901 became the prototype for many others constructors. During the First World War, when he was very active in the French armaments industry, he developed the invention of the automatic supercharger for aircraft engines and later diesel engines.[br]Principal Honours and DistinctionsAcadémie des Sciences, Prix Fourneyron 1899, Prix Poncelet 1911, Member 1918.Bibliography1892, Considérations sur les turbo-machines et en particulier sur les ventilateurs, St- Etienne.1900, Traité des turbo-machines, Paris.1907, Ventilateurs centrifuges à haute pression, Paris.1908. Développement des turbines à vapeur d'échappement, Paris. 1917, Notice sur les travaux scientifiques et techniques, Paris.Further ReadingH.H.Suplee, 1930, obituary, Mechanical Engineering 52:570–1.L.Leprince-Ringuet (ed.), 1951, Les inventeurs célèbres, Geneva: 151–2 (a comprehensive description of his life and the importance of his turbines).WKBiographical history of technology > Rateau, Auguste Camille-Edmond
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