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41 Hall, Joseph
SUBJECT AREA: Metallurgy[br]b. 1789d. 1862[br]English ironmaker who invented the wet puddling process.[br]Hall was a practical man with no theoretical background: his active years were spent at Bloomfield Ironworks, Tipton, Staffordshire. Around 1816 he began experimenting in the production of wrought iron. At that time, blast-furnace or cast iron was converted to wrought iron by the dry puddling process invented by Henry Cort in 1784. In this process, the iron was decarburized (i.e. had its carbon removed) by heating it in a current of air in a furnace with a sand bed. Some of the iron combined with the silica in the sand to form a slag, however, so that no less than 2 tons of cast iron were needed to produce 1 ton of wrought. Hall found that if bosh cinder was charged into the furnace, a vigorous reaction occurred in which the cast iron was converted much more quickly than before, to produce better quality wrought iron, a ton of which could be formed by no more than 21 cwt (1,067 kg) of cast iron. Because of the boiling action, the process came to be known as pig boiling. Bosh cinder, essentially iron oxide, was formed in the water troughs or boshes in which workers cooled their tools used in puddling and reacted with the carbon in the cast iron. The advantages of pig boiling over dry puddling were striking enough for the process to be widely used by the late 1820s. By mid-century it was virtually the only process used for producing wrought iron, an essential material for mechanical and civil engineering during the Industrial Revolution. Hall reckoned that if he had patented his invention he would have "made a million". As luck would have it, the process that he did patent in 1838 left his finances unchanged: this was for the roasting of cinder for use as the base of the puddling furnace, providing better protection than the bosh cinder for the iron plates that formed the base.[br]Bibliography1857, The Iron Question Considered in Connection with Theory, Practice and Experience with Special Reference to the Bessemer Process, London.Further ReadingJ.Percy, 1864, Metallurgy. Iron and Steel, London, pp. 670 ff. W.K.V.Gale, Iron and Steel, London: Longmans, pp. 46–50.LRD -
42 Mees, Charles Edward Kenneth
SUBJECT AREA: Photography, film and optics[br]b. 1882 Wellingborough, Englandd. 1960 USA[br]Anglo-American photographic scientist and Director of Research at the Kodak Research Laboratory.[br]The son of a Wesleyan minister, Mees was interested in chemistry from an early age and studied at St Dunstan's College in Catford, where he met Samuel E.Sheppard, with whom he went on to University College London in 1900. They worked together on a thesis for BSc degrees in 1903, developing the work begun by Hurter and Driffield on photographic sensitometry. This and other research papers were published in 1907 in the book Investigations on the Theory of the Photographic Process, which became a standard reference work. After obtaining a doctorate in 1906, Mees joined the firm of Wratten \& Wainwright (see F.C.L.Wratten), manufacturers of dry plates in Croydon; he started work on 1 April 1906, first tackling the problem of manufacturing colour-sensitive emulsions and enabling the company to market the first fully panchromatic plates from the end of that year.During the next few years Mees ran the commercial operation of the company as Managing Director and carried out research into new products, including filters for use with the new emulsions. In January 1912 he was visited by George Eastman, the American photographic manufacturer, who asked him to go to Rochester, New York, and set up a photographic research laboratory in the Kodak factory there. Wratten was prepared to release Mees on condition that Eastman bought the company; thus, Wratten and Wainwright became part of Kodak Ltd, and Mees left for America. He supervised the construction of a building in the heart of Kodak Park, and the building was fully equipped not only as a research laboratory, but also with facilities for coating and packing sensitized materials. It also had the most comprehensive library of photographic books in the world. Work at the laboratory started at the beginning of 1913, with a staff of twenty recruited from America and England, including Mees's collaborator of earlier years, Sheppard. Under Mees's direction there flowed from the Kodak research Laboratory a constant stream of discoveries, many of them leading to new products. Among these were the 16 mm amateur film-making system launched in 1923; the first amateur colour-movie system, Kodacolor, in 1928; and 8 mm home movies, in 1932. His support for the young experimenters Mannes and Godowsky, who were working on colour photography, led to their joining the Research Laboratory and to the introduction of the first multi-layer colour film, Kodachrome, in 1935. Eastman had agreed from the beginning that as much of the laboratory's work as possible should be published, and Mees himself wrote prolifically, publishing over 200 articles and ten books. While he made significant contributions to the understanding of the photographic process, particularly through his early research, it is his creation and organization of the Kodak Research Laboratory that is his lasting memorial. His interests were many and varied, including Egyptology, astronomy, marine biology and history. He was a Fellow of the Royal Society.[br]Principal Honours and DistinctionsFRS.Bibliography1961, From Dry Plates to Ektachrome Film, New York (partly autobiographical).BCBiographical history of technology > Mees, Charles Edward Kenneth
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43 LANGUAGE
quetil (tongue, talk), lambë (tongue). The latter was "the usual word, in non-technical use, for 'language'." (WJ:394) Only the Loremasters used the technical term tengwesta "system or code of signs" instead; this word is also glossed "grammar". Notice that lambë is also used for "dialect" (VT39:15). LANGUAGE (as an abstract, the ability to speak or the "art" of making speech) tengwestië. LANGUAGE with especial reference to phonology: Lambelë. LANGUAGE OF THE VALAR Lambë Valarinwa (lit. *"Valarin language"), LANGUAGE OF THE ELDAR Eldarissa (the latter may not be a valid word in LotR-style Quenya), LANGUAGE OF THE HANDS mátengwië –KWET/VT45:25, WJ:394, 397, VT39:15, LT2:339, VT47:9
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