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exposure+lens

  • 1 съемочный объектив

    exposure lens, taking lens, scene-shooting objective

    Русско-английский политехнический словарь > съемочный объектив

  • 2 съёмочный объектив

    1) Medicine: taking lens

    Универсальный русско-английский словарь > съёмочный объектив

  • 3 contacto

    m.
    1 contact (entre dos cosas, personas).
    perder el contacto to lose touch
    ponerse en contacto con to get in touch with
    contacto visual eye contact
    2 ignition (automobiles).
    3 verbal contact, communication.
    4 socket, electric socket, power point, outlet.
    pres.indicat.
    1st person singular (yo) present indicative of spanish verb: contactar.
    * * *
    1 contact
    2 AUTOMÓVIL ignition
    \
    entrar en contacto con / ponerse en contact con to get in touch with, get in contact with
    establecer contacto con to make contact with, get in contact with
    mantenerse en contacto con to keep in touch with, keep in contact with
    perder el contacto to lose touch
    contacto sexual sexual contact
    * * *
    noun m.
    * * *
    SM
    1) (=acto de tocar) contact
    2) (=trato) touch

    ponerse en contacto con algn — to get in touch with sb, contact sb

    3) (Aut) ignition
    4) (Elec) contact
    5) Méx (=enchufe) plug
    6) (=encuentro) meeting
    7) (Fot) contact print
    8) pl contactos (=conocidos) contacts

    sección de contactos — [de un periódico] contact section, contacts

    * * *
    1)
    a) ( entre dos cuerpos) contact

    estar/entrar en contacto — to be in/come into contact

    b) ( comunicación) contact

    poner a alguien/algo en contacto con alguien/algo — to put somebody/something in touch with somebody/something

    ponerse en contacto con alguien/algo — to get in touch with somebody/something

    c) (entrevista, reunión) encounter
    2) (persona, conocido) contact
    3) (Auto) ignition
    4) (Méx) (Elec) socket, power point
    * * *
    = contact, exposure.
    Ex. Many large library systems have some contact with shared and centralised cataloguing activities.
    Ex. This article also examines the need for exposure to AI by all students in order to become familiar with capabilities and limitations of AI-based systems.
    ----
    * activación por contacto = constrained spreading activation.
    * agencia de contactos = dating service.
    * con buenos contactos = well-connected.
    * contacto con = exposure to.
    * contacto con el público = public contact.
    * contacto con los blancos = white contact.
    * contacto corporal = body contact.
    * contacto eléctrico = electric contact, electrical contact.
    * contacto estrecho = close contact.
    * contacto físico = physical contact.
    * contacto personal = personal contact, public contact.
    * contactos = network.
    * contactos profesionales = networking, professional networking.
    * contacto visual = eye contact.
    * datos de contacto = contact details.
    * dirección de contacto = contact address.
    * en contacto = in communication.
    * en contacto con la realidad = in touch with + reality.
    * entrar en contacto = come into + contact.
    * entrar en contacto con = get in + touch with.
    * establecer contacto = make + contact.
    * establecer contactos = liaise (with/between).
    * establecer contactos profesionales = networking.
    * estar en contacto (con) = stay in + touch (with), be in touch (with).
    * información de contacto = contact details, contact information.
    * lente de contacto = contact lens.
    * lista de contactos = contact list.
    * lista de personas de contacto = contact list.
    * llave de contacto = ignition key.
    * mantener contacto = maintain + contact.
    * mantenerse en contacto = stay + tuned.
    * mantenerse en contacto (con) = keep in + touch (with), stay in + touch (with).
    * página de contactos = dating service.
    * pegamento de contacto = contact glue, contact adhesive.
    * perder contacto con la realidad = lose + touch with reality.
    * perder el contacto con = lose + touch with.
    * pérdida de contacto con la realidad = loss of touch with reality.
    * persona de contacto = contact, correspondent, contact person, named contact.
    * pinzas de contacto = alligator clip.
    * poner a Alguien en contacto con = put + Nombre + in touch with.
    * poner en contacto = bring into + relationship, contact, provide + an interface, bring into + contact.
    * ponerse en contacto = make + contact.
    * ponerse en contacto con = be in touch (with), interact (with), get in + touch with.
    * presión de contacto = contact pressure.
    * primer punto de contacto = port of first call.
    * primer punto de contacto, el = first port of call, the.
    * punto de contacto = point of contact, interface, contact point.
    * red de contactos personales = referral network.
    * seguir en contacto = stay + tuned.
    * seguir en contacto (con) = stay in + touch (with), keep in + touch (with).
    * sin contacto = non-contact.
    * sin haber contacto = non-contact.
    * teléfono de contacto = contact telephone number.
    * tener contacto = have + contact.
    * tener contactos = liaise (with/between).
    * toma de contacto entre expertos = meeting of (the) minds.
    * * *
    1)
    a) ( entre dos cuerpos) contact

    estar/entrar en contacto — to be in/come into contact

    b) ( comunicación) contact

    poner a alguien/algo en contacto con alguien/algo — to put somebody/something in touch with somebody/something

    ponerse en contacto con alguien/algo — to get in touch with somebody/something

    c) (entrevista, reunión) encounter
    2) (persona, conocido) contact
    3) (Auto) ignition
    4) (Méx) (Elec) socket, power point
    * * *
    = contact, exposure.

    Ex: Many large library systems have some contact with shared and centralised cataloguing activities.

    Ex: This article also examines the need for exposure to AI by all students in order to become familiar with capabilities and limitations of AI-based systems.
    * activación por contacto = constrained spreading activation.
    * agencia de contactos = dating service.
    * con buenos contactos = well-connected.
    * contacto con = exposure to.
    * contacto con el público = public contact.
    * contacto con los blancos = white contact.
    * contacto corporal = body contact.
    * contacto eléctrico = electric contact, electrical contact.
    * contacto estrecho = close contact.
    * contacto físico = physical contact.
    * contacto personal = personal contact, public contact.
    * contactos = network.
    * contactos profesionales = networking, professional networking.
    * contacto visual = eye contact.
    * datos de contacto = contact details.
    * dirección de contacto = contact address.
    * en contacto = in communication.
    * en contacto con la realidad = in touch with + reality.
    * entrar en contacto = come into + contact.
    * entrar en contacto con = get in + touch with.
    * establecer contacto = make + contact.
    * establecer contactos = liaise (with/between).
    * establecer contactos profesionales = networking.
    * estar en contacto (con) = stay in + touch (with), be in touch (with).
    * información de contacto = contact details, contact information.
    * lente de contacto = contact lens.
    * lista de contactos = contact list.
    * lista de personas de contacto = contact list.
    * llave de contacto = ignition key.
    * mantener contacto = maintain + contact.
    * mantenerse en contacto = stay + tuned.
    * mantenerse en contacto (con) = keep in + touch (with), stay in + touch (with).
    * página de contactos = dating service.
    * pegamento de contacto = contact glue, contact adhesive.
    * perder contacto con la realidad = lose + touch with reality.
    * perder el contacto con = lose + touch with.
    * pérdida de contacto con la realidad = loss of touch with reality.
    * persona de contacto = contact, correspondent, contact person, named contact.
    * pinzas de contacto = alligator clip.
    * poner a Alguien en contacto con = put + Nombre + in touch with.
    * poner en contacto = bring into + relationship, contact, provide + an interface, bring into + contact.
    * ponerse en contacto = make + contact.
    * ponerse en contacto con = be in touch (with), interact (with), get in + touch with.
    * presión de contacto = contact pressure.
    * primer punto de contacto = port of first call.
    * primer punto de contacto, el = first port of call, the.
    * punto de contacto = point of contact, interface, contact point.
    * red de contactos personales = referral network.
    * seguir en contacto = stay + tuned.
    * seguir en contacto (con) = stay in + touch (with), keep in + touch (with).
    * sin contacto = non-contact.
    * sin haber contacto = non-contact.
    * teléfono de contacto = contact telephone number.
    * tener contacto = have + contact.
    * tener contactos = liaise (with/between).
    * toma de contacto entre expertos = meeting of (the) minds.

    * * *
    A
    estar/entrar en contacto to be in/come into contact
    los cables no están haciendo contacto the wires are not making contact
    2 (comunicación) contact
    todos nos mantenemos en contacto we all keep in touch o contact, we're all still in touch with each other
    me puso en contacto con un abogado he put me in touch o contact with a lawyer
    póngase en contacto con su agencia de viajes contact your travel agent, get in touch with your travel agent
    3 (entrevista, reunión) encounter
    B (persona, conocido) contact
    C ( Auto) ignition
    D (foto) contact print; (tira de fotos) contact sheet
    E ( Méx) ( Elec) socket, power point
    * * *

     

    Del verbo contactar: ( conjugate contactar)

    contacto es:

    1ª persona singular (yo) presente indicativo

    contactó es:

    3ª persona singular (él/ella/usted) pretérito indicativo

    Multiple Entries:
    con tacto    
    contactar    
    contacto
    contactar ( conjugate contactar) verbo intransitivo contacto CON algn to contact sb, get in touch with sb
    verbo transitivo
    to contact
    contacto sustantivo masculino


    hacer contacto to make contact

    ◊ estar/ponerse en contacto con algn to be/get in touch o contact with sb

    c) (entrevista, reunión) encounter

    d) (persona, conocido) contact

    e) (Auto) ignition

    f) (Méx) (Elec) socket, power point

    contactar verbo intransitivo to contact, get in touch [con, with]
    contacto sustantivo masculino
    1 contact
    pegamento de contacto, contact glue
    2 (amigo, influencia) contact
    3 Auto ignition
    4 (trato) touch
    ponerse en contacto, to get in touch
    ' contacto' also found in these entries:
    Spanish:
    comunicación
    - enlace
    - influencia
    - lente
    - llave
    - tocar
    - tratarse
    - cola
    - comunicar
    - conectar
    - conecte
    - contagioso
    - establecer
    - mantener
    - roce
    - tratar
    English:
    approach
    - call
    - close
    - connection
    - contact
    - contact dermatitis
    - interface
    - keep up
    - push button
    - superglue
    - touch
    - track
    - contact lens
    - get
    - ignition
    - liaise
    - put
    - reach
    * * *
    1. [entre dos cosas, personas] contact;
    entrar en contacto con algo/alguien to come into contact with sth/sb;
    establecer contacto con alguien to make contact with sb;
    mantener el contacto, seguir en contacto to keep in touch o contact;
    perder el contacto to lose touch;
    su primer contacto con la política tuvo lugar en 1978 his first encounter with politics was in 1978;
    ponerse en contacto con to get in touch with
    contacto visual eye contact
    2. [persona] contact
    3. Fam
    contactos [amistades] contacts;
    tiene contactos en el ministerio he has contacts at the ministry
    4. Esp
    contactos [sección en prensa] lonely hearts
    5. Aut ignition;
    dale al contacto switch the engine on
    6. Méx [enchufe] power point, socket
    7. Elec contact;
    hacer o [m5] establecer contacto to make contact;
    el cortocircuito se produjo por un mal contacto the short circuit was caused by a faulty contact
    8. Fot contact (print)
    * * *
    m
    1 tb
    EL contact
    2 AUTO ignition
    3
    :
    ponerse en contacto get in touch ( con with)
    * * *
    : contact
    * * *
    contacto n contact

    Spanish-English dictionary > contacto

  • 4 Sutton, Thomas

    [br]
    b. 1819 England
    d. 1875 Jersey, Channel Islands
    [br]
    English photographer and writer on photography.
    [br]
    In 1841, while studying at Cambridge, Sutton became interested in photography and tried out the current processes, daguerreotype, calotype and cyanotype among them. He subsequently settled in Jersey, where he continued his photographic studies. In 1855 he opened a photographic printing works in Jersey, in partnership with L.-D. Blanquart- Evrard, exploiting the latter's process for producing developed positive prints. He started and edited one of the first photographic periodicals, Photographic Notes, in 1856; until its cessation in 1867, his journal presented a fresher view of the world of photography than that given by its London-based rivals. He also drew up the first dictionary of photography in 1858.
    In 1859 Sutton designed and patented a wideangle lens in which the space between two meniscus lenses, forming parts of a sphere and sealed in a metal rim, was filled with water; the lens so formed could cover an angle of up to 120 degrees at an aperture of f12. Sutton's design was inspired by observing the images produced by the water-filled sphere of a "snowstorm" souvenir brought home from Paris! Sutton commissioned the London camera-maker Frederick Cox to make the Panoramic camera, demonstrating the first model in January 1860; it took panoramic pictures on curved glass plates 152×381 mm in size. Cox later advertised other models in a total of four sizes. In January 1861 Sutton handed over manufacture to Andrew Ross's son Thomas Ross, who produced much-improved lenses and also cameras in three sizes. Sutton then developed the first single-lens reflex camera design, patenting it on 20 August 1961: a pivoted mirror, placed at 45 degrees inside the camera, reflected the image from the lens onto a ground glass-screen set in the top of the camera for framing and focusing. When ready, the mirror was swung up out of the way to allow light to reach the plate at the back of the camera. The design was manufactured for a few years by Thomas Ross and J.H. Dallmeyer.
    In 1861 James Clerk Maxwell asked Sutton to prepare a series of photographs for use in his lecture "On the theory of three primary colours", to be presented at the Royal Institution in London on 17 May 1861. Maxwell required three photographs to be taken through red, green and blue filters, which were to be printed as lantern slides and projected in superimposition through three projectors. If his theory was correct, a colour reproduction of the original subject would be produced. Sutton used liquid filters: ammoniacal copper sulphate for blue, copper chloride for the green and iron sulphocyanide for the red. A fourth exposure was made through lemon-yellow glass, but was not used in the final demonstration. A tartan ribbon in a bow was used as the subject; the wet-collodion process in current use required six seconds for the blue exposure, about twice what would have been needed without the filter. After twelve minutes no trace of image was produced through the green filter, which had to be diluted to a pale green: a twelve-minute exposure then produced a serviceable negative. Eight minutes was enough to record an image through the red filter, although since the process was sensitive only to blue light, nothing at all should have been recorded. In 1961, R.M.Evans of the Kodak Research Laboratory showed that the red liquid transmitted ultraviolet radiation, and by an extraordinary coincidence many natural red dye-stuffs reflect ultraviolet. Thus the red separation was made on the basis of non-visible radiation rather than red, but the net result was correct and the projected images did give an identifiable reproduction of the original. Sutton's photographs enabled Maxwell to establish the validity of his theory and to provide the basis upon which all subsequent methods of colour photography have been founded.
    JW / BC

    Biographical history of technology > Sutton, Thomas

  • 5 Petzval, Josef Max

    [br]
    b. 1807 Spisska-Beila, Hungary
    d. 17 September 1891 Vienna, Austria
    [br]
    Hungarian mathematician and photographic-lens designer, inventor of the first "rapid" portrait lens.
    [br]
    Although born in Hungary, Petzval was the son of German schoolteacher. He studied engineering at the University of Budapest and after graduation was appointed to the staff as a lecturer. In 1835 he became the University's Professor of Higher Mathematics. Within a year he was offered a similar position at the more prestigious University of Vienna, a chair he was to occupy until 1884.
    The earliest photographic cameras were fitted with lenses originally designed for other optical instruments. All were characterized by small apertures, and the long exposures required by the early process were in part due to the "slow" lenses. As early as 1839, Petzval began calculations with the idea of producing a fast achromatic objective for photographic work. For technical advice he turned to the Viennese optician Peter Voigtländer, who went on to make the first Petzval portrait lens in 1840. It had a short focal length but an extremely large aperture for the day, enabling exposure times to be reduced to at least one tenth of that required with other contemporary lenses. The Petzval portrait lens was to become the basic design for years to come and was probably the single most important development in making portrait photography possible; by capturing public imagination, portrait photography was to drive photographic innovation during the early years.
    Petzval later fell out with Voigtländer and severed his connection with the company in 1845. When Petzval was encouraged to design a landscape lens in the 1850s, the work was entrusted to another Viennese optician, Dietzler. Using some early calculations by Petzval, Voigtländer was able to produce a similar lens, which he marketed in competition, and an acrimonious dispute ensued. Petzval, embittered by the quarrel and depressed by a burglary which destroyed years of records of his optical work, abandoned optics completely in 1862 and devoted himself to acoustics. He retired from his professorship on his seventieth birthday, respected by his colleagues but unloved, and lived the life of a recluse until his death.
    [br]
    Principal Honours and Distinctions
    Member of the Hungarian Academy of Science 1873.
    Further Reading
    J.M.Eder, 1945, History of Photography, trans. E. Epstean, New York (provides details of Petzval's life and work; Eder claims he was introduced to Petzval by mutual friends and succeeded in obtaining personal data).
    Rudolf Kingslake, 1989, A History of the Photographic Lens, Boston (brief biographical details).
    L.W.Sipley, 1965, Photography's Great Inventors, Philadelphia (brief biographical details).
    JW

    Biographical history of technology > Petzval, Josef Max

  • 6 Barnack, Oskar

    [br]
    b. 1879 Berlin, Germany
    d. January 1936 Wetzlar, Germany
    [br]
    German camera designer who conceived the first Leica camera and many subsequent models.
    [br]
    Oskar Barnack was an optical engineer, introspective and in poor health, when in 1910 he was invited through the good offices of his friend the mechanical engineer Emil Mechau, who worked for Ernst Leitz, to join the company at Wetzlar to work on research into microscope design. He was engaged after a week's trial, and on 2 January 1911 he was put in charge of microscope research. He was an enthusiastic photographer, but excursions with his large and heavy plate camera equipment taxed his strength. In 1912, Mechau was working on a revolutionary film projector design and needed film to test it. Barnack suggested that it was not necessary to buy an expensive commercial machine— why not make one? Leitz agreed, and Barnack constructed a 35 mm movie camera, which he used to cover events in and around Wetzlar.
    The exposure problems he encountered with the variable sensitivity of the cine film led him to consider the design of a still camera in which short lengths of film could be tested before shooting—a kind of exposure-meter camera. Dissatisfied with the poor picture quality of his first model, which took the standard cine frame of 18×24 mm, he built a new model in which the frame size was doubled to 36×24 mm. It used a simple focal-plane shutter adjustable to 1/500 of a second, and a Zeiss Milar lens of 42 mm focal length. This is what is now known as the UR-Leica. Using his new camera, 1/250 of the weight of his plate equipment, Barnack made many photographs around Wetzlar, giving postcard-sized prints of good quality.
    Ernst Leitz Junior was lent the camera for his trip in June 1914 to America, where he was urged to put it into production. Visiting George Eastman in Rochester, Leitz passed on Barnack's requests for film of finer grain and better quality. The First World War put an end to the chances of developing the design at that time. As Germany emerged from the postwar chaos, Leitz Junior, then in charge of the firm, took Barnack off microscope work to design prototypes for a commercial model. Leitz's Chief Optician, Max Berek, designed a new lens, the f3.5 Elmax, for the new camera. They settled on the name Leica, and the first production models went on show at the Leipzig Spring Fair in 1925. By the end of the year, 1,000 cameras had been shipped, despite costing about two months' good wages.
    The Leica camera established 35 mm still photography as a practical proposition, and film manufacturers began to create the special fine-grain films that Barnack had longed for. He continued to improve the design, and a succession of new Leica models appeared with new features, such as interchangeable lenses, coupled range-finders, 250 exposures. By the time of his sudden death in 1936, Barnack's life's work had forever transformed the nature of photography.
    [br]
    Further Reading
    J.Borgé and G.Borgé, 1977, Prestige de la, photographie.
    BC

    Biographical history of technology > Barnack, Oskar

  • 7 Lippman, Gabriel

    [br]
    b. 16 August 1845 Hallerick, Luxembourg
    d. 14 July 1921 at sea, in the North Atlantic
    [br]
    French physicist who developed interference colour photography.
    [br]
    Born of French parents, Lippman's work began with a distinguished career in classics, philosophy, mathematics and physics at the Ecole Normale in Luxembourg. After further studies in physics at Heidelberg University, he returned to France and the Sorbonne, where he was in 1886 appointed Director of Physics. He was a leading pioneer in France of research into electricity, optics, heat and other branches of physics.
    In 1886 he conceived the idea of recording the existence of standing waves in light when it is reflected back on itself, by photographing the colours so produced. This required the production of a photographic emulsion that was effectively grainless: the individual silver halide crystals had to be smaller than the shortest wavelength of light to be recorded. Lippman succeeded in this and in 1891 demonstrated his process. A glass plate was coated with a grainless emulsion and held in a special plate-holder, glass towards the lens. The back of the holder was filled with mercury, which provided a perfect reflector when in contact with the emulsion. The standing waves produced during the exposure formed laminae in the emulsion, with the number of laminae being determined by the wavelength of the incoming light at each point on the image. When the processed plate was viewed under the correct lighting conditions, a theoretically exact reproduction of the colours of the original subject could be seen. However, the Lippman process remained a beautiful scientific demonstration only, since the ultra-fine-grain emulsion was very slow, requiring exposure times of over 10,000 times that of conventional negative material. Any method of increasing the speed of the emulsion also increased the grain size and destroyed the conditions required for the process to work.
    [br]
    Principal Honours and Distinctions
    Royal Photographic Society Progress Medal 1897. Nobel Prize (for his work in interference colour photography) 1908.
    Further Reading
    J.S.Friedman, 1944, History of Colour Photography, Boston.
    Brian Coe, 1978, Colour Photography: The First Hundred Years, London. Gert Koshofer, 1981, Farbfotografie, Vol. I, Munich.
    BC

    Biographical history of technology > Lippman, Gabriel

  • 8 только

    •

    The absorption of hydrogen atoms alone (or of only hydrogen atoms) is studied.

    •

    No band can be assigned solely to any particular group of atoms.

    •

    The electron's transitions are confined to just one of the ladders in the energy diagram.

    •

    But nineteen other units employ some transistors.

    •

    In plants absorbing carbon dioxide only the stripping problem is more acute.

    •

    The magnitude of the shifts depends solely upon some property of the solvent.

    •

    Such filters have not been used except in experimental manner.

    II
    •

    Maximum viscosity was not reached until September 1.

    •

    Cases are known in which beryliosis did not appear until 15 years following exposure.

    •

    Several of the items listed cannot be adjusted except during manufacture.

    •

    It was not until the early part of this century that the glass container became modernized.

    •

    Only then did we find out that...

    •

    Only when these factors are eliminated can cohesion be considered as...

    Русско-английский научно-технический словарь переводчика > только

См. также в других словарях:

  • Exposure compensation — is a technique for adjusting the exposure indicated by a photographic exposure meter, in consideration of factors that may cause the indicated exposure to result in aless than optimal image. Factors considered may include unusual lighting… …   Wikipedia

  • Lens speed — refers to the maximum aperture diameter, or minimum f number, of a photographic lens. A lens with a larger maximum aperture (that is, a smaller minimum f number) is a fast lens because it delivers more light intensity (illuminance) to the focal… …   Wikipedia

  • exposure — ► NOUN 1) the state of being exposed to something harmful. 2) a physical condition resulting from being exposed to severe weather conditions. 3) the action of exposing a photographic film. 4) the quantity of light reaching a photographic film, as …   English terms dictionary

  • Exposure (photography) — Underexposure redirects here. For the 2005 film by Oday Rasheed, see Underexposure (2005 film). A long exposure showing stars rotating around the southern and northern celestial poles. Credit: European Southern Observatory …   Wikipedia

  • exposure value — (EV)    a unit used in photography to describe relative exposure. EV 0 is assigned to a specific combination of exposure time and lens aperture, such as 1 second at f/1. The difference between two exposure values is equal to the number of stops… …   Dictionary of units of measurement

  • exposure — Synonyms and related words: ASA exposure index, DIN number, PR, acquaintance, airing, apocalypse, apparition, appearance, appearing, arising, aspect, attitude, avatar, azimuth, ballyhoo, baring, bearing, bearings, blurb, bright light, bringing to …   Moby Thesaurus

  • exposure —    The quantity of light allowed to act on a photographic material; a product of the intensity (controlled by the lens opening) and the duration (controlled by the shutter speed or enlarging time) of light striking the film or paper …   Forensic science glossary

  • exposure — noun 1》 the state of being exposed to harm or risk.     ↘a physical condition resulting from being exposed to severe weather conditions. 2》 the revelation of something secret.     ↘the publicizing of information or an event. 3》 the action of… …   English new terms dictionary

  • History of the single-lens reflex camera — The history of the single lens reflex camera predates the invention of photography in 1826/27 by one and a half centuries with the use of a reflex mirror in a camera obscura first described in 1676. Such SLR devices were popular as drawing aids… …   Wikipedia

  • Single-lens reflex camera — The single lens reflex (SLR) camera uses an automatic moving mirror system which permits the photographer to see exactly what will be captured by the film or digital imaging system, as opposed to non SLR cameras where the view through the… …   Wikipedia

  • Digital single-lens reflex camera — Nikon D700 full frame (FX) digital SLR camera …   Wikipedia

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