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21 double
1. n двойное количествоto take the double of what is due — взять вдвое больше, чем положено
2. n дубликат; дублет3. n уст. копия4. n прототип, прообраз5. n двойник6. n театр. актёр, исполняющий в пьесе две роли7. n театр. дублёр8. n кино дублёр, заменяющий основного исполнителя в некоторых сценах9. n дупель10. n дуплет; двойной удар11. n охот. дублет, дуплет12. n парная играdouble dummy — игра с двумя «болванами»
play a double game — двурушничать; вести двойную игру
13. n двойка14. n спорт. два выигрыша или два проигрыша подряд15. n беглый шагto advance at the double — продвигаться ускоренным шагом; наступать бегом
16. n увёртка, уловка, хитрость17. n петля, изгиб, поворот18. n складка; сгиб19. n комната на двоихdouble dagger — двойной крестик, знак ‡
double hyphen — знак переноса слов, пишущихся через дефис
20. n астр. двойная звезда21. a двойной, удвоенный; сдвоенный; состоящий из двух частейdouble exposure — кино двойная экспозиция; сочетание двух изображений в одном кинокадре
double consonants — геминаты, удвоенные согласные
double march! — ускоренным шагом марш!, бегом марш!
22. a парный23. a двойной, двоякий24. a двойной; вдвое больший; удвоенный; усиленный25. a двусмысленный26. a двуличный, двойственный; двойнойdouble game — двойная игра; лицемерие
to play a double game — вести двойную игру, лицемерить; двурушничать
double agent — двойной агент, «слуга двух господ»
27. a муз. звучащий на октаву ниже28. a муз. бот. махровый29. adv вдвое, вдвойнеto pay double the meter — заплатить вдвое больше, чем по показаниям счётчика
double up — сгибать, складывать вдвое
30. adv вдвоём; парой, попарно31. v удваивать; увеличивать вдвое32. v удваиваться; возрастать, увеличиваться вдвое33. v воен. сдваивать34. v быть вдвое больше, превосходить вдвое35. v театр. кино36. v исполнять две ролиdouble action door — дверь, открывающаяся в обе стороны
37. v выступать в той же роли, быть дублёромdouble quotes — кавычки в два штриха, двойные кавычки
38. v кино дублировать39. v замещать40. v бить шар дуплетом41. v сгибать, складывать вдвое42. v сгибаться, складываться43. v делать изгиб44. v мор. огибать, обходить45. v подбивать; подшивать или подкладывать ещё один слой; обшивать, делать обшивку46. v разг. вселять второго жильца, уплотнять; помещать второго пассажира в то же купе, в ту же каютуI was doubled with a sick passenger — ко мне поместили больного двигаться беглым шагом; бежать
47. v запутывать след, делать петли; сбивать со следа48. v уст. хитрить, обманывать, вилятьСинонимический ряд:1. insincere (adj.) ambidextrous; double-dealing; double-faced; doublehearted; double-minded; double-tongued; hypocritical; insincere; left-handed; mala fide2. twice (adj.) twice; two-fold3. twice as much (adj.) as much again; coupled; duplicated; paired; redoubled; second; twice as much; twin; two; two times4. twofold (adj.) bifold; binary; double-barreled; doubled; dual; dualistic; duple; duplex; duplicate; twofold5. alternate (noun) alternate; proxy; substitute; understudy6. image (noun) duplicate; image; picture; portrait; ringer; simulacrum; spit; spitting image; twin7. stand in (noun) clone; companion; coordinate; counterpart; doppelganger; fellow; lookalike; match; mate; riciprocal; stand in8. turn (noun) bend; deflection; deviation; shift; tack; turn; yaw9. dualize (verb) dualize; dupe; duplicate; redouble10. dub (verb) dub11. escape (verb) avoid; bilk; duck; elude; escape; eschew; evade; shun; shy12. fold (verb) crease; fold; pleat13. make twice as much (verb) grow; increase; make twice as much; multiply; multiply by two14. reverse (verb) about-face; reverse15. substitute (verb) act for; fill in for; perform the duty of; stand in; substitute; substitute for; take the place ofАнтонимический ряд: -
22 Lace
LACE, Passement, French, also Dentelle, and GuipureLace was originally a heavy texture more like embroidery and of two kinds, Lacis or "darned netting" and Cutwork. Laces, often worked in gold threads and coloured silks was also called " spiderwork." Lace is purely an English word, derived from the Anglo-Norman lacier, to lace, bind, tie or fasten, etc. The word appears to have been first used in 1519. It is a fabric of open mesh or net formed by crossing and intertwining threads. Lace was originally purely a hand craft, but today it is machine made as well. There are three main classes: - Point lace, pillow lace and machine-made lace. Point Lace - When the term " Point " is applied to a lace fabric it should mean that the lace has been made by the needle with a single line of thread, but it is now given to many machine-made laces. There are numerous laces sold as point laces and each has some feature not possessed by any other, many of these laces are known by the town where they are manufactured. Pillow Lace - These laces are made by intertwining threads on pins fixed in a cushion over a pattern fastened on to the cushion. Many pillow laces are part hand and part machine made such as Honiton, Valenciennes, Irish, etc. Machine-made Laces - There are three principal classes which can be placed (1) warp fabrics; (2) plain nets; (3) Levers' laces. Warp Laces - This is the earliest form of lace produced on a machine which was the invention of the Rev. William Lee in 1589, and was an adaption of the stocking frame. A warp lace is a series of upright threads that twist upon each other to form a fabric. There are no crossing threads. They are made in widths up to 10-in. and are the cheapest laces made. Plain Nets - John Heathcote, the inventor of the bobbin-net machine in 1809, laid the foundation of the machine-made lace trade. These are formed by a diagonal bobbin thread intertwining with the upright warp threads so that when the web is taken off the machine the mesh is honeycomb shaped. Other shapes followed, such as the square mesh. Cotton, silk, mohair and rayon are all used in making plain nets. Standard plain nets are as follows: - Brussels Net - Close mesh, specially selected fine yarns, in widths 36-in. to 80-in. The mesh varies up to 20 holes per inch. Both stiff and soft finish. Mosquito Net - Made in many qualities and closeness of mesh and from 54-in. to 108-in. Cable Net - Made up to 300-in. wide and from coarser yarns than other laces. This fabric is used as the ground fabric for curtains, etc. Bretonne Net - A very fine fabric, close mesh and finer yarns than Brussels, very soft and smooth finish. Point d'esprit - Fabrics with spots at regular distances. The yarns are not as good a quality as Brussels. Finished both soft and stiff. Paris Nets - Very stiff finish, used by the millinery trade for foundation work. Illusion Nets - A star-shaped mesh fabric, very fine yarns, used for veils and evening dress purposes. Silk Mechlins, or Tulles - A net more round than square in mesh and made from fine silk yarns. Malines is a tulle made in Belgium. Chantilly, or Silk Brussels - Similar to Brussels, but made from black dyed silk yarns. Chambray Nets - A finer all silk net than Chantilly. Levers' Lace Fabrics - These are various fancy laces and are produced on the lace machine fitted with a jacquard. Samuel Draper of Nottingham combined the jacquard with the lace machine in 1813. John Levers invented the machine. Varieties of these laces are Cluny laces. Torchons, Maltese lace. All-overs and numerous others. -
23 Alexanderson, Ernst Frederik Werner
[br]b. 25 January 1878 Uppsala, Swedend. ? May 1975 Schenectady, New York, USA[br]Swedish-American electrical engineer and prolific radio and television inventor responsible for developing a high-frequency alternator for generating radio waves.[br]After education in Sweden at the High School and University of Lund and the Royal Institution of Technology in Stockholm, Alexanderson took a postgraduate course at the Berlin-Charlottenburg Engineering College. In 1901 he began work for the Swedish C \& C Electric Company, joining the General Electric Company, Schenectady, New York, the following year. There, in 1906, together with Fessenden, he developed a series of high-power, high-frequency alternators, which had a dramatic effect on radio communications and resulted in the first real radio broadcast. His early interest in television led to working demonstrations in his own home in 1925 and at the General Electric laboratories in 1927, and to the first public demonstration of large-screen (7 ft (2.13 m) diagonal) projection TV in 1930. Another invention of significance was the "amplidyne", a sensitive manufacturing-control system subsequently used during the Second World War for controlling anti-aircraft guns. He also contributed to developments in electric propulsion and radio aerials.He retired from General Electric in 1948, but continued television research as a consultant for the Radio Corporation of America (RCA), filing his 321st patent in 1955.[br]Principal Honours and DistinctionsInstitution of Radio Engineers Medal of Honour 1919. President, IERE 1921. Edison Medal 1944.BibliographyPublications relating to his work in the early days of radio include: "Magnetic properties of iron at frequencies up to 200,000 cycles", Transactions of the American Institute of Electrical Engineers (1911) 30: 2,443."Transatlantic radio communication", Transactions of the American Institute of ElectricalEngineers (1919) 38:1,269.The amplidyne is described in E.Alexanderson, M.Edwards and K.Boura, 1940, "Dynamo-electric amplifier for power control", Transactions of the AmericanInstitution of Electrical Engineers 59:937.Further ReadingE.Hawkes, 1927, Pioneers of Wireless, Methuen (provides an account of Alexanderson's work on radio).J.H.Udelson, 1982, The Great Television Race: A History of the American Television Industry 1925–1941, University of Alabama Press (provides further details of his contribution to the development of television).KFBiographical history of technology > Alexanderson, Ernst Frederik Werner
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