developing+machine

* * *

1. кфт. development

2. горн. manifestation

проявле́ние го́рного давле́ния — rock pressure manifestation

маши́нное проявле́ние — machine development

проявле́ние неиспра́вности — fault [trouble] symptom

* * *

1 to make equal, to equalize (hacer igual).

igualar algo a o con to equate something with

El aparato iguala los tonos The machine equalizes the tones.

2 to be equal to (person).

nadie la iguala en generosidad nobody is as generous as she is

3 to level (terreno).

4 to equal, to equate, to be equal to, to match.

Su energía iguala a su insistencia Her energy equals her insistence.

5 to amount to.

Eso iguala a un millón That amounts to a million.

* * *

► verbo transitivo

1 to make equal

■ ambas delegaciones han logrado finalmente igualar sus posturas the two delegations have managed to iron out their differences

■ tendremos que igualar los precios a los de la competencia we'll have to bring our prices into line with those of our competitors

■ se ha llegado a un nivel de progreso nunca antes igualado progress has reached previously unattained levels

2 (allanar) to level; (pulir) to smooth

3 (comparar) to match

■ no hay nadie que lo iguale nobody can match him, he has no equal

4 DEPORTE (partido) to draw; (tanteo) to equalize

► verbo pronominal igualarse

1 (ser iguales) to be equal

2 (compararse) to be compared

* * *

1) to equal

2) level

3) tie

* * *

1. VT

1) (=hacer igual)

a) [+ cantidades, sueldos] to make equal, make the same; [+ resultado] to equal

b) (Dep) [+ marca, récord] to equal

2) [+ suelo, superficie] to level, level off

3) (=poner al mismo nivel) [+ precios] to match, equal; [+ derechos, fuerzas] to place on an equal footing

4) (Com) [+ venta] to agree upon

2. VI

1) (=ser igual)

2) (Dep) (=empatar) to score the equalizer, equalize

3) (Com) to come to an agreement

4) CAm, Méx * to be too familiar, be cheeky *

igualarse

* * *

verbo transitivo

1)

a) ( nivelar) <superficie/terreno> to level, level off; <flequillo/dobladillo> to even up, make... straight

b) < salarios> to make... equal o the same

2)

a) <éxito/récord> to equal, match

b) (Dep)

igualarse v pron

* * *

= equal, equate (with/to), level, place + Nombre + on the same footing as, equalise [equalize, -USA].

Ex. Wilson charge a flat one-time fee for backfiles of each data base which equals a one-year subscription to that file.

Ex. These new symbols can be equated with the symbols 'x' and 'xx' that are used currently in many authority listings to convey the same meaning.

Ex. Academic librarians have seen their budgets levelled and shrinking and have witnessed serials prices spiralling out of control.

Ex. The programme promotes the true integration of librarians into clinical teams and places them on the same footing as case workers, nutritionists and pharmacists.

Ex. This portal aims to equalize access to education and help people in developing countries improve their chances for a better life.

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* igualar a = bring + Nombre + to a par with.

* igualar las condiciones para todos = level + the playing field.

* * *

verbo transitivo

1)

a) ( nivelar) <superficie/terreno> to level, level off; <flequillo/dobladillo> to even up, make... straight

b) < salarios> to make... equal o the same

2)

a) <éxito/récord> to equal, match

b) (Dep)

igualarse v pron

* * *

* * *

igualar [A1 ]

1 (nivelar) ‹superficie/terreno› to level, level off; ‹flequillo/dobladillo› to even up, make … straight

¿puedes igualarme las puntas? could you tidy up o even up o trim the ends for me?

2 ‹salarios› to make … equal o the same igualar algo CONor A algo to make sth the same AS sth

si igualamos la ecuación a cero if we make the equation equal zero

para igualar fuerzas con sus rivales to put them on an equal footing with their rivals

1 ‹éxito/récord/hazaña› to equal, match

[ S ] nadie puede igualar nuestros precios unbeatable prices!, nobody can match our prices!

2 ( Dep):

a los 30 minutos Pérez igualó el marcador in the 30th minute Pérez scored the equalizer o tied the scores o equalized

Ortiz anotó otro gol igualando el marcador a tres Ortiz scored another goal, taking the score to three all o three each o three-three

igualarron a dos goles they drew/tied two goals each

( Dep):

Roca igualó a los tres minutos Roca tied the scores o scored the equalizer three minutes later

los dos equipos igualaron a tres the two teams drew o tied three all o three each o three-three

no existe otro que se le iguale there is nobody else to equal him o to match him, he has no equal

igualarse Aor CON algo to match o equal sth

intentarán igualarse con or a las empresas de más éxito they will try to equal o match the most successful companies

* * *

a) ‹superficie/terreno› to level, level off;

b) ‹ salarios› to make … equal o the same;

◊ nada se le iguala it has no equal, there's nothing like it;

* * *

♦ vt

1. [hacer igual] to make equal, to equalize;

les han igualado los sueldos they've brought their salaries into line with each other, they've started paying them the same salary;

igualar algo a o [m5] con to equate sth with;

esa acción lo iguala a sus enemigos that act takes him down to his enemies' level;

intentan igualar sus productos a los de la competencia they are trying to match their products to those of their competitors;

todavía no han conseguido igualar su récord her record still hasn't been equalled

2. [persona] to be equal to;

nadie la iguala en generosidad her generosity is unrivalled

3. [terreno] to level;

4. [hierba, cabello] to trim

5. Dep

♦ vi

igualaron en el último minuto they equalized in the last minute;

igualaron a cero they drew Br nil-nil o US zero-zero

♦ See also the pronominal verb igualarse

* * *

I v/t

1 precio, marca equal, match;

igualar algo MAT make sth equal (con, a to)

2 ( nivelar) level off

II v/i DEP tie the game, Br

equalize;

igualar a cero tie o Br draw nil-nil

* * *

igualar vt

1) : to equalize

2) : to tie

igualar el marcador: to even the score

* * *

igualar vb

1. (empatar) to equalize

2. (allanar) to level [pt. & pp. levelled]

- oddał film do wywołania na ekspres he took the film in for express developing

- życzy pan sobie ekspres? would you like it express?

- jeżeli ma to być ekspres, to trzeba nakleić dodatkowy znaczek if it’s express delivery, it’ll need another stamp on it

- międzynarodowy ekspres an international express (train)

- pojechał ekspresem do Krakowa he went by express (train) to Cracow

- ile kosztuje ekspres do Poznania? how much is it to Poznań on the express?, how much is an express ticket to Poznań?

- kawa z ekspresu espresso (coffee)

* * *

* * *

(= list ekspresowy) special delivery, express letter; wysłać ekspresem send sth special delivery.

1. kol. express (train).

2. (= aparat do robienia kawy) ( pod ciśnieniem) espresso machine; ( z filtrem) coffee maker.

SUBJECT AREA: Aerospace

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At the age of 17, Cierva and some of his friends built a successful two-seater biplane, the BCD-1 (C for Cierva). By 1919 he had designed a large three-engined biplane bomber, the C 3, which unfortunately crashed when its wing stalled (list its lift) during a slow-speed turn. Cierva turned all his energies to designing a flying machine which could not stall: his answer was the autogiro. Although an autogiro looks like a helicopter, its rotor blades are not driven by an engine, but free-wheel like a windmill. Forward speed is provided by a conventional engine and propeller, and even if this engine fails, the autogiro's rotors continue to free-wheel and it descends safely. Cierva patented his autogiro design in 1920, but it took him three years to put theory into practice. By 1925, after further improvements, he had produced a practical rotary-winged flying machine.

He moved to England and in 1926 established the Cierva Autogiro Company Ltd. The Air Ministry showed great interest and a year later the British company Avro was commissioned to manufacture the C 6A Autogiro under licence. Probably the most significant of Cierva's autogiros was the C 30A, or Avro Rota, which served in the Royal Air Force from 1935 until 1945. Several other manufacturers in France, Germany, Japan and the USA built Cierva autogiros under licence, but only in small numbers and they never really rivalled fixed-wing aircraft. The death of Cierva in an airliner crash in 1936, together with the emergence of successful helicopters, all but extinguished interest in the autogiro.

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SUBJECT AREA: Photography, film and optics

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The young Eastman was a clerk-bookkeeper in the Rochester Savings Bank when in 1877 he took up photography. Taking lessons in the wet-plate process, he became an enthusiastic amateur photographer. However, the cumbersome equipment and noxious chemicals used in the process proved an obstacle, as he said, "It seemed to be that one ought to be able to carry less than a pack-horse load." Then he came across an account of the new gelatine dry-plate process in the British Journal of Photography of March 1878. He experimented in coating glass plates with the new emulsions, and was soon so successful that he decided to go into commercial manufacture. He devised a machine to simplify the coating of the plates, and travelled to England in July 1879 to patent it. In April 1880 he prepared to begin manufacture in a rented building in Rochester, and contacted the leading American photographic supply house, E. \& H.T.Anthony, offering them an option as agents. A local whip manufacturer, Henry A.Strong, invested $1,000 in the enterprise and the Eastman Dry Plate Company was formed on 1 January 1881. Still working at the Savings Bank, he ran the business in his spare time, and demand grew for the quality product he was producing. The fledgling company survived a near disaster in 1882 when the quality of the emulsions dropped alarmingly. Eastman later discovered this was due to impurities in the gelatine used, and this led him to test all raw materials rigorously for quality. In 1884 the company became a corporation, the Eastman Dry Plate \& Film Company, and a new product was announced. Mindful of his desire to simplify photography, Eastman, with a camera maker, William H.Walker, designed a roll-holder in which the heavy glass plates were replaced by a roll of emulsion-coated paper. The holders were made in sizes suitable for most plate cameras. Eastman designed and patented a coating machine for the large-scale production of the paper film, bringing costs down dramatically, the roll-holders were acclaimed by photographers worldwide, and prizes and medals were awarded, but Eastman was still not satisfied. The next step was to incorporate the roll-holder in a smaller, hand-held camera. His first successful design was launched in June 1888: the Kodak camera. A small box camera, it held enough paper film for 100 circular exposures, and was bought ready-loaded. After the film had been exposed, the camera was returned to Eastman's factory, where the film was removed, processed and printed, and the camera reloaded. This developing and printing service was the most revolutionary part of his invention, since at that time photographers were expected to process their own photographs, which required access to a darkroom and appropriate chemicals. The Kodak camera put photography into the hands of the countless thousands who wanted photographs without complications. Eastman's marketing slogan neatly summed up the advantage: "You Press the Button, We Do the Rest." The Kodak camera was the last product in the design of which Eastman was personally involved. His company was growing rapidly, and he recruited the most talented scientists and technicians available. New products emerged regularly—notably the first commercially produced celluloid roll film for the Kodak cameras in July 1889; this material made possible the introduction of cinematography a few years later. Eastman's philosophy of simplifying photography and reducing its costs continued to influence products: for example, the introduction of the one dollar, or five shilling, Brownie camera in 1900, which put photography in the hands of almost everyone. Over the years the Eastman Kodak Company, as it now was, grew into a giant multinational corporation with manufacturing and marketing organizations throughout the world. Eastman continued to guide the company; he pursued an enlightened policy of employee welfare and profit sharing decades before this was common in industry. He made massive donations to many concerns, notably the Massachusetts Institute of Technology, and supported schemes for the education of black people, dental welfare, calendar reform, music and many other causes, he withdrew from the day-to-day control of the company in 1925, and at last had time for recreation. On 14 March 1932, suffering from a painful terminal cancer and after tidying up his affairs, he shot himself through the heart, leaving a note: "To my friends: My work is done. Why wait?" Although Eastman's technical innovations were made mostly at the beginning of his career, the organization which he founded and guided in its formative years was responsible for many of the major advances in photography over the years.

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SUBJECT AREA: Textiles

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Peter Ewart, the youngest of six sons, was born at Traquair manse, where his father was a clergyman in the Church of Scotland. He was educated at the Free School, Dumfries, and in 1782 spent a year at Edinburgh University. He followed this with an apprenticeship under John Rennie at Musselburgh before moving south in 1785 to help Rennie erect the Albion corn mill in London. This brought him into contact with Boulton \& Watt, and in 1788 he went to Birmingham to erect a waterwheel and other machinery in the Soho Manufactory. In 1789 he was sent to Manchester to install a steam engine for Peter Drinkwater and thus his long connection with the city began. In 1790 Ewart took up residence in Manchester as Boulton \& Watt's representative. Amongst other engines, he installed one for Samuel Oldknow at Stockport. In 1792 he became a partner with Oldknow in his cotton-spinning business, but because of financial difficulties he moved back to Birmingham in 1795 to help erect the machines in the new Soho Foundry. He was soon back in Manchester in partnership with Samuel Greg at Quarry Bank Mill, Styal, where he was responsible for developing the water power, installing a steam engine, and being concerned with the spinning machinery and, later, gas lighting at Greg's other mills.

In 1798, Ewart devised an automatic expansion-gear for steam engines, but steam pressures at the time were too low for such a device to be effective. His grasp of the theory of steam power is shown by his paper to the Manchester Literary and Philosophical Society in 1808, On the Measure of Moving Force. In 1813 he patented a power loom to be worked by the pressure of steam or compressed air. In 1824 Charles Babbage consulted him about automatic looms. His interest in textiles continued until at least 1833, when he obtained a patent for a self-acting spinning mule, which was, however, outclassed by the more successful one invented by Richard Roberts. Ewart gave much help and advice to others. The development of the machine tools at Boulton \& Watt's Soho Foundry has been mentioned already. He also helped James Watt with his machine for copying sculptures. While he continued to run his own textile mill, Ewart was also in partnership with Charles Macintosh, the pioneer of rubber-coated cloth. He was involved with William Fairbairn concerning steam engines for the boats that Fairbairn was building in Manchester, and it was through Ewart that Eaton Hodgkinson was introduced to Fairbairn and so made the tests and calculations for the tubes for the Britannia Railway Bridge across the Menai Straits. Ewart was involved with the launching of the Liverpool \& Manchester Railway as he was a director of the Manchester Chamber of Commerce at the time.

In 1835 he uprooted himself from Manchester and became the first Chief Engineer for the Royal Navy, assuming responsibility for the steamboats, which by 1837 numbered 227 in service. He set up repair facilities and planned workshops for overhauling engines at Woolwich Dockyard, the first establishment of its type. It was here that he was killed in an accident when a chain broke while he was supervising the lifting of a large boiler. Engineering was Ewart's life, and it is possible to give only a brief account of his varied interests and connections here.

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   1) The Basic Idea of Cognitive Science

   The basic idea of cognitive science is that intelligent beings are semantic engines-in other words, automatic formal systems with interpretations under which they consistently make sense.... [P]eople and intelligent computers turn out to be merely different manifestations of the same underlying phenomenon. (Haugeland, 1981b, p. 31)

   2) Experimental Psychology, Theoretical Linguistics, and Computational Simulation of Cognitive Processes Are All Components of Cognitive Science

   I went away from the Symposium with a strong conviction, more intuitive than rational, that human experimental psychology, theoretical linguistics, and computer simulation of cognitive processes were all pieces of a larger whole, and that the future would see progressive elaboration and coordination of their shared concerns.... I have been working toward a cognitive science for about twenty years beginning before I knew what to call it. (G. A. Miller, 1979, p. 9)

   3) The Nature of Cognitive Science

    Cognitive Science studies the nature of cognition in human beings, other animals, and inanimate machines (if such a thing is possible). While computers are helpful within cognitive science, they are not essential to its being. A science of cognition could still be pursued even without these machines.

    Computer Science studies various kinds of problems and the use of computers to solve them, without concern for the means by which we humans might otherwise resolve them. There could be no computer science if there were no machines of this kind, because they are indispensable to its being. Artificial Intelligence is a special branch of computer science that investigates the extent to which the mental powers of human beings can be captured by means of machines.

   There could be cognitive science without artificial intelligence but there could be no artificial intelligence without cognitive science. One final caveat: In the case of an emerging new discipline such as cognitive science there is an almost irresistible temptation to identify the discipline itself (as a field of inquiry) with one of the theories that inspired it (such as the computational conception...). This, however, is a mistake. The field of inquiry (or "domain") stands to specific theories as questions stand to possible answers. The computational conception should properly be viewed as a research program in cognitive science, where "research programs" are answers that continue to attract followers. (Fetzer, 1996, pp. xvi-xvii)

   4) The Nature of Cognitive Science

   What is the nature of knowledge and how is this knowledge used? These questions lie at the core of both psychology and artificial intelligence.

   The psychologist who studies "knowledge systems" wants to know how concepts are structured in the human mind, how such concepts develop, and how they are used in understanding and behavior. The artificial intelligence researcher wants to know how to program a computer so that it can understand and interact with the outside world. The two orientations intersect when the psychologist and the computer scientist agree that the best way to approach the problem of building an intelligent machine is to emulate the human conceptual mechanisms that deal with language.... The name "cognitive science" has been used to refer to this convergence of interests in psychology and artificial intelligence....

   This working partnership in "cognitive science" does not mean that psychologists and computer scientists are developing a single comprehensive theory in which people are no different from machines. Psychology and artificial intelligence have many points of difference in methods and goals.... We simply want to work on an important area of overlapping interest, namely a theory of knowledge systems. As it turns out, this overlap is substantial. For both people and machines, each in their own way, there is a serious problem in common of making sense out of what they hear, see, or are told about the world. The conceptual apparatus necessary to perform even a partial feat of understanding is formidable and fascinating. (Schank & Abelson, 1977, pp. 1-2)

   5) The New Field of Cognitive Science

   Within the last dozen years a general change in scientific outlook has occurred, consonant with the point of view represented here. One can date the change roughly from 1956: in psychology, by the appearance of Bruner, Goodnow, and Austin's Study of Thinking and George Miller's "The Magical Number Seven"; in linguistics, by Noam Chomsky's "Three Models of Language"; and in computer science, by our own paper on the Logic Theory Machine. (Newell & Simon, 1972, p. 4)

1) General subject: development, drill (приёмов и т.п.), drill-machine (приёмов и т.п.), labour-rent, (чего-л.)(например, навыков) practising, labor repayment

2) Military: drill (действий, приёмов), exercise, exercise (напр. порядка действий), workup

3) Engineering: development (напр. конструкции), optimization (напр. конструкции)

4) Law: base service, labor-rent

5) Textile: ravelling courses

6) Oil: debugging

7) Astronautics: developing, development test, workout

8) Geophysics: acquisition

9) Textiles: hand-hold courses, looping courses, raveling courses, waste courses

10) Education: ( compulsory) summer internship

11) Automation: refining (напр. УП), tryout

12) Quality control: final adjustment (аппаратуры)

13) Robots: servoing (напр. заданного движения сервоприводом)

14) Makarov: completion (нормы, времени, срока), control in response to (управляющее воздействие в ответ на какой-л. сигнал), development (доводка; конструкции, технологии), drill (тренировка по выполнению действий), exercise (тренировка по выполнению действий), generation (выдача данных), optimization (оптимизация), refinement (усовершенствование), reproduction (воспроизведение величин), response by reproduction (воспроизведение величин), trial (опробование; конструкции, технологии), try-out (опробование; конструкции, технологии)

15) Gold mining: mining, stoping

16) Karachaganak: flowback (скважин)

1 bud, shoot.

brotes de soja beansprouts

2 sprout, shoot, offshoot, twig.

3 outbreak.

4 skin rash.

3^rd person singular (él/ella/ello) Present Subjunctive of Spanish verb: brotar.

* * *

► nombre masculino

1 (renuevo) shoot, sprout

2 (estallido) outbreak

■ se ha producido un brote de neumonía there has been an outbreak of pneumonia

* * *

1) bud, sprout

2) outbreak

* * *

1) (Bot) shoot

2) (=aparición) [de rebelión] outbreak; [de enfermedad] outbreak

3) (=erupción cutánea) rash

* * *

a) (Bot) shoot

b) (de violencia, enfermedad) outbreak

c) (Col) ( sarpullido) rash

* * *

a) (Bot) shoot

b) (de violencia, enfermedad) outbreak

c) (Col) ( sarpullido) rash

* * *

brote¹

¹ = bud, budding, sprouting, sprout, shoot, green shoot.

brote²

² = outbreak.

* * *

1 ( Bot) shoot

echar brotes to sprout, put out shoots

2 (de rebelión, violencia) outbreak

3 (de una enfermedad) outbreak

4 ( Col) (sarpullido) rash

* * *

1ª persona singular (yo) pretérito indicativo

1ª persona singular (yo) presente subjuntivo

3ª persona singular (él/ella/usted) presente subjuntivo

3ª persona singular (él/ella/usted) imperativo

a) [ planta] to sprout, come up;

b) [sarampión/grano] to appear

a) (Bot) shoot;

◊ echar brotes to sprout, put out shoots

b) (de violencia, enfermedad) outbreak

c) (Col) ( sarpullido) rash

* * *

brote nm

1. [de planta] bud, shoot;

2. [estallido] [de enfermedad] outbreak;

se produjeron varios brotes de violencia there were several outbreaks of violence

* * *

1 BOT shoot

2 MED, fig

outbreak

* * *

brote nm

1) : outbreak

2) : sprout, bud, shoot

* * *

brote n shoot

echar brotes (plantas) to sprout (flores) to come into bud [pt. came; pp. come]

heure [œʀ]

   a. ( = 60 minutes) hour

• les heures passaient lentement the hours passed slowly

• il a parlé des heures he spoke for hours

• heure de cours lesson

• une heure de géographie a geography lesson

• pendant les heures de classe during school hours

• pendant les heures de bureau during office hours

• gagner 30 € de l'heure to earn 30 euros an hour

• faire beaucoup d'heures to put in long hours

• 24 heures sur 24 24 hours a day

• c'est à une heure de Paris it's an hour from Paris

   b. (sur une montre) time

• savez-vous l'heure ? do you know the time?

• quelle heure est-il ? what time is it?

• quelle heure as-tu ? what time do you make it?

• avez-vous l'heure ? have you got the time?

• tu as vu l'heure ? do you realize what time it is?

• il est six heures it's six o'clock

• il est six heures dix it's ten past (Brit) or after (US) six

• il est six heures moins dix it's ten to (Brit) or of (US) six

• il est six heures et demie it's six-thirty

• dix heures du matin ten in the morning

• dix heures du soir ten at night

• à 16 heures 30 at 4.30 pm

• à 4 heures juste at 4 sharp

• les bus passent à l'heure et à la demie there's a bus on the hour and on the half hour

• à une heure avancée de la nuit late at night

• demain, à la première heure first thing in the morning

   c. ( = moment) time

• c'est l'heure ! (de rendre un devoir) time's up!

• c'est l'heure d'aller au lit ! it's time for bed!

• heure de Greenwich Greenwich Mean Time

• il est midi, heure locale it's noon, local time

• nous venons de passer à l'heure d'hiver we have just put the clocks back

• passer à l'heure d'été to put the clocks forward

• l'heure du déjeuner lunchtime

• l'heure d'aller se coucher bedtime

• l'heure du biberon feeding time

• aux heures des repas at mealtimes

• à heures fixes at set times

• heures d'ouverture opening times

• heures de fermeture closing times

• l'heure de la sortie going home time

• avant l'heure early

• un cubiste avant l'heure a cubist before the term was ever invented

• ce doit être Paul, c'est son heure it must be Paul, it's his usual time

• votre heure sera la mienne name a time

• elle a eu son heure de gloire she has had her hour of glory

• la France à l'heure de l'ordinateur France in the computer age

   d. (locutions)

► d'heure en heure hour by hour

• son inquiétude grandissait d'heure en heure as the hours went by he grew more and more anxious► de bonne heure (dans la journée) early

► à l'heure

• être payé à l'heure to be paid by the hour

• faire du 100 à l'heure to do 100 km an hour

• arriver à l'heure to arrive on time

• être à l'heure to be on time

• ma montre n'est pas à l'heure my watch is wrong

• mettre sa montre à l'heure to put one's watch right► à l'heure qu'il est, à cette heure at this moment in time

• à l'heure qu'il est, il devrait être rentré he should be home by now► à toute heure at any time

• repas chauds à toute heure hot meals all day► à la bonne heure ! that's excellent!

► pour l'heure for the time being

* * *

1) ( soixante minutes) hour

2) ( indication) time

3) ( point dans le temps) time

4) (période, époque) time

5) ( ère) era

•

- heure d'affluence

- heure d'été

- heure H

- heure d'hiver

- heure légale

- heure de pointe

- heures supplémentaires

••

* * *

1) (durée) hour

2) (moment) time

3) ÉDUCATION period

4) (autre locution)

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heure ⇒ L'heure, La mesure du temps, La vitesse nf

1 ( soixante minutes) hour; une heure avant or plus tôt an hour before; deux heures après or plus tard two hours later; en une heure in an hour; 24 heures sur 24 lit, fig twenty four hours a day, round the clock; dans l'heure qui a suivi within the hour; dans les 24 heures within 24 hours; d'heure en heure [augmenter, empirer] by the hour; suivre qch heure par heure to follow sth hour by hour; deux heures de repos/d'attente a two-hour rest/wait; toutes les deux heures every two hours; il y a un train toutes les heures there's a train every hour; après trois heures d'avion after three hours on the plane, after a three-hour flight; être à trois heures de train/d'avion de Paris to be three hours away from Paris by train/plane; être à trois heures de marche de Paris to be a three-hour walk from Paris; faire trois heures de bateau/d'avion to be on the boat/plane for three hours; faire du 60 à l'heure○, faire 60 km à l'heure to do 60 km per hour; être payé à l'heure to be paid by the hour; gagner 40 euros de l'heure to earn 40 euros an hour; la semaine de 35 heures the 35-hour week; avoir deux heures de chimie par semaine to have two hours of chemistry per week; une petite heure an hour at the most; une bonne heure a good hour; ça fait une heure que je t'attends! ( par exagération) I've been waiting for an hour!; nous avons parlé du projet pendant des heures we talked about the project for hours on end;

2 ( indication) time; l'heure exacte or juste the exact ou right time; quelle heure est-il? what time is it, what's the time?; tu as l'heure? have you got the time? ; à quelle heure…? (at) what time…?; à 11 heures, heure de Paris at 11, Paris time; il ne sait pas lire l'heure he can't tell the time; se tromper d'heure to get the time wrong; il est 10 heures it's 10 (o'clock); il est 10 heures 20 it's 20 past 10; il est 10 heures moins 20 it's 20 to 10; à 5 heures du matin/de l'après-midi at 5 in the morning/in the afternoon, at 5 am/pm; à 4 heures pile or tapantes○ at 4 o'clock sharp ou on the dot; mettre/remettre sa montre à l'heure to set/reset one's watch; l'heure tourne time is passing;

3 ( point dans le temps) time; l'heure d'un rendez-vous/de la prière the time of an appointment/for prayer; il est or c'est l'heure de faire it's time to do; c'est l'heure, il faut que j'y aille it's time, I must go; l'heure d'arrivée/de départ the arrival/departure time; heures d'ouverture/de fermeture opening/closing times; arriver/être à l'heure to arrive/be on time; à l'heure convenue at the agreed time; ‘sandwiches à toute heure’ ‘sandwiches available at any time’; à une heure indue at an unearthly hour; à une heure avancée (de la nuit) late at night; de bonne heure [se lever, partir] early; il doit être loin à l'heure qu'il est he must be a long way off by now; c'est son heure it's his/her usual time; il ne viendra pas à l'heure qu'il est he won't come this late; mourir avant l'heure to die before one's time; ton heure viendra your time will come; son heure est venue his/her time has come; à l'heure où je te parle while I'm speaking to you, at this very moment; de la première heure [résistant, militant] from the very beginning; à la première heure at first light; de dernière heure [manœuvre, décision] last-minute; un résistant de la dernière heure a late convert to the resistance; ta dernière heure est arrivée your time has come;

4 (période, époque) time; à l'heure actuelle, pour l'heure at the present time; à l'heure où… at a time when…; à l'heure de la restructuration/détente at a time of restructuring/détente; à l'heure de la pause during the break; l'heure du déjeuner/thé/dîner lunchtime/teatime/dinnertime; aux heures des repas at mealtimes; pendant les heures de bureau/de classe during office/school hours; l'heure est à l'entreprise individuelle the current trend is for private enterprise; l'heure n'est pas à la polémique/l'optimisme this is no time for controversy/optimism; l'heure est grave the situation is serious; il est peintre/poète à ses heures he paints/writes poetry in his spare time; c'est la bonne/la mauvaise heure it's the right/a bad time; à la bonne heure! well done!;

5 ( ère) era; vivre à l'heure des satellites/de l'audiovisuel to live in the satellite/audiovisual era.

heure d'affluence Transp peak hour; aux heures d'affluence during peak hours; heure d'été Admin summer time GB, daylight saving(s) time US; heure H Mil, fig zero hour; heure d'hiver Admin winter time GB, daylight saving(s) time US; heure légale Admin standard time; heure locale Admin local time; heure de pointe Transp rush hour; aux heures de pointe during (the) rush hour; heures canoniales Relig canonical hours; heures supplémentaires, heures sup○ Entr overtime; faire des heures supplémentaires to do ou work overtime; ⇒ quatorze.

avant l'heure, c'est pas l'heure, après l'heure, c'est plus l'heure○ there's no time but the right time; vivre à cent à l'heure○ fig to be always on the go○.

[ɶr] nom féminin

1. [unité de temps] hour

2. [durée d'un trajet] hour

3. [unité de travail ou de salaire] hour

4. [point précis de la journée] time

a. [de partir] it's time (to go)!

b. [de rendre sa copie] time's up!

il n'a pas d' heure, avec lui il n'y a pas d'heure (familier) [il n'est pas ponctuel] he just turns up when it suits him

5. [moment] time

a. [sans foule] off-peak period

b. [sans clients] slack period

6. [période d'une vie] hour

7. INFORMATIQUE

8. ASTRONOMIE hour

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heures nom féminin pluriel

à la bonne heure locution adverbiale

à l'heure locution adjectivale

1. [personne] on time

2. [montre]

à l'heure locution adverbiale

à l'heure de locution prépositionnelle

de bonne heure locution adverbiale

[tôt] early

[en avance] in good time

pour l'heure locution adverbiale

sur l'heure locution adverbiale

tout à l'heure locution adverbiale

1. [dans un moment] later, in a (short ou little) while

2. [il y a un moment] earlier (today)

SUBJECT AREA: Photography, film and optics

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Oskar Barnack was an optical engineer, introspective and in poor health, when in 1910 he was invited through the good offices of his friend the mechanical engineer Emil Mechau, who worked for Ernst Leitz, to join the company at Wetzlar to work on research into microscope design. He was engaged after a week's trial, and on 2 January 1911 he was put in charge of microscope research. He was an enthusiastic photographer, but excursions with his large and heavy plate camera equipment taxed his strength. In 1912, Mechau was working on a revolutionary film projector design and needed film to test it. Barnack suggested that it was not necessary to buy an expensive commercial machine— why not make one? Leitz agreed, and Barnack constructed a 35 mm movie camera, which he used to cover events in and around Wetzlar.

The exposure problems he encountered with the variable sensitivity of the cine film led him to consider the design of a still camera in which short lengths of film could be tested before shooting—a kind of exposure-meter camera. Dissatisfied with the poor picture quality of his first model, which took the standard cine frame of 18×24 mm, he built a new model in which the frame size was doubled to 36×24 mm. It used a simple focal-plane shutter adjustable to 1/500 of a second, and a Zeiss Milar lens of 42 mm focal length. This is what is now known as the UR-Leica. Using his new camera, 1/250 of the weight of his plate equipment, Barnack made many photographs around Wetzlar, giving postcard-sized prints of good quality.

Ernst Leitz Junior was lent the camera for his trip in June 1914 to America, where he was urged to put it into production. Visiting George Eastman in Rochester, Leitz passed on Barnack's requests for film of finer grain and better quality. The First World War put an end to the chances of developing the design at that time. As Germany emerged from the postwar chaos, Leitz Junior, then in charge of the firm, took Barnack off microscope work to design prototypes for a commercial model. Leitz's Chief Optician, Max Berek, designed a new lens, the f3.5 Elmax, for the new camera. They settled on the name Leica, and the first production models went on show at the Leipzig Spring Fair in 1925. By the end of the year, 1,000 cameras had been shipped, despite costing about two months' good wages.

The Leica camera established 35 mm still photography as a practical proposition, and film manufacturers began to create the special fine-grain films that Barnack had longed for. He continued to improve the design, and a succession of new Leica models appeared with new features, such as interchangeable lenses, coupled range-finders, 250 exposures. By the time of his sudden death in 1936, Barnack's life's work had forever transformed the nature of photography.

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SUBJECT AREA: Land transport, Railways and locomotives, Telecommunications

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After private education and an engineering apprenticeship, Crampton worked under Marc Brunel, Daniel Gooch and the Rennie brothers before setting up as a civil engineer in 1848. His developing ideas on locomotive design were expressed through a series of five patents taken out between 1842 and 1849, each making a multiplicity of claims. The most typical feature of the Crampton locomotive, however, was a single pair of driving wheels set to the rear of the firebox. This meant they could be of large diameter, while the centre of gravity of the locomotive remained low, for the boiler barrel, though large, had only small carrying-wheels beneath it. The cylinders were approximately midway along the boiler and were outside the frames, as was the valve gear. The result was a steady-riding locomotive which neither pitched about a central driving axle nor hunted from side to side, as did other contemporary locomotives, and its working parts were unusually accessible for maintenance. However, adhesive weight was limited and the long wheelbase tended to damage track. Locomotives of this type were soon superseded on British railways, although they lasted much longer in Germany and France. Locomotives built to the later patents incorporated a long, coupled wheelbase with drive through an intermediate crankshaft, but they mostly had only short lives. In 1851 Crampton, with associates, laid the first successful submarine electric telegraph cable. The previous year the brothers Jacob and John Brett had laid a cable, comprising a copper wire insulated with gutta-percha, beneath the English Channel from Dover to Cap Gris Nez: signals were passed but within a few hours the cable failed. Crampton joined the Bretts' company, put up half the capital needed for another attempt, and designed a much stronger cable. Four gutta-percha-insulated copper wires were twisted together, surrounded by tarred hemp and armoured by galvanized iron wires; this cable was successful.

Crampton was also active in railway civil engineering and in water and gas engineering, and c. 1882 he invented a hydraulic tunnel-boring machine intended for a Channel tunnel.

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SUBJECT AREA: Mechanical, pneumatic and hydraulic engineering, Paper and printing

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It was intended that Bryan Donkin should follow his father's profession of surveyor and land agent, so he spent a year or so in that occupation before he was apprenticed to John Hall, millwright of Dartford, Kent. Donkin remained with the firm after completing his apprenticeship, and when the Fourdrinier brothers in 1802 introduced from France an invention for making paper in continuous lengths they turned to John Hall for help in developing the machine: Donkin was chosen to undertake the work. In 1803 the Fourdriniers established their own works in Bermondsey, with Bryan Donkin in charge. By 1808 Donkin had acquired the works, but he continued to manufacture paper-making machines, paying a royalty to the patentees. He also undertook other engineering work including water-wheels for driving paper and other mills. He was also involved in the development of printing machinery and the preservation of food in airtight containers. Some of these improvements were patented, and he also obtained patents relating to gearing, steel pens, paper-making and railway wheels. Other inventions of Bryan Donkin that were not patented concerned revolution counters and improvements in accurate screw threads for use in graduating mathematical scales. Donkin was elected a member of the Society of Arts in 1803 and was later Chairman of the Society's Committee of Mechanics and a Vice-President of the society. He was also a member of the Royal Astronomical Society. In 1818 a group of eight young men founded the Institution of Civil Engineers; two of them were apprentices of Bryan Donkin and he encouraged their enterprise. After a change in the rules permitted the election of members over the age of 35, he himself became a member in 1821. He served on the Council and became a Vice- President, but he resigned from the Institution in 1848.

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SUBJECT AREA: Architecture and building

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The name of Le Corbusier is synonymous with the International style of modern architecture and city planning, one utilizing functionalist designs carried out in twentieth-century materials with modern methods of construction. Charles-Edouard Jeanneret, born in the watch-making town of La Chaux-de-Fonds in the Jura mountain region, was the son of a watch engraver and dial painter. In the years before 1918 he travelled widely, studying building in many countries. He learned about the use of reinforced concrete in the studio of Auguste Perret and about industrial construction under Peter Behrens. In 1917 he went to live in Paris and spent the rest of his life in France; in 1920 he adopted the name of Le Corbusier, one derived from that of his ancestors (Le Corbesier), and ten years later became a French citizen.

Le Corbusier's long working life spanned a career divided into three distinct parts. Between 1905 and 1916 he designed a number of simple and increasingly modern houses; the years 1921 to 1940 were ones of research and debate; and the twenty years from 1945 saw the blossoming of his genius. After 1917 Le Corbusier gained a reputation in Paris as an architect of advanced originality. He was particularly interested in low-cost housing and in improving accommodation for the poor. In 1923 he published Vers une architecture, in which he planned estates of mass-produced houses where all extraneous and unnecessary features were stripped away and the houses had flat roofs and plain walls: his concept of "a machine for living in". These white boxes were lifted up on stilts, his pilotis, and double-height living space was provided internally, enclosed by large areas of factory glazing. In 1922 Le Corbusier exhibited a city plan, La Ville contemporaine, in which tall blocks made from steel and concrete were set amongst large areas of parkland, replacing the older concept of city slums with the light and air of modern living. In 1925 he published Urbanisme, further developing his socialist ideals. These constituted a major reform of the industrial-city pattern, but the ideas were not taken up at that time. The Depression years of the 1930s severely curtailed architectural activity in France. Le Corbusier designed houses for the wealthy there, but most of his work prior to 1945 was overseas: his Centrosoyus Administration Building in Moscow (1929–36) and the Ministry of Education Building in Rio de Janeiro (1943) are examples. Immediately after the end of the Second World War Le Corbusier won international fame for his Unité d'habitation theme, the first example of which was built in the boulevard Michelet in Marseille in 1947–52. His answer to the problem of accommodating large numbers of people in a small space at low cost was to construct an immense all-purpose block of pre-cast concrete slabs carried on a row of massive central supports. The Marseille Unité contains 350 apartments in eight double storeys, with a storey for shops half-way up and communal facilities on the roof. In 1950 he published Le Modular, which described a system of measurement based upon the human male figure. From this was derived a relationship of human and mathematical proportions; this concept, together with the extensive use of various forms of concrete, was fundamental to Le Corbusier's later work. In the world-famous and highly personal Pilgrimage Church of Notre Dame du Haut at Ronchamp (1950–5), Le Corbusier's work was in Expressionist form, a plastic design in massive rough-cast concrete, its interior brilliantly designed and lit. His other equally famous, though less popular, ecclesiastical commission showed a contrasting theme, of "brutalist" concrete construction with uncompromisingly stark, rectangular forms. This is the Dominican Convent of Sainte Marie de la Tourette at Eveux-sur-l'Arbresle near Lyon, begun in 1956. The interior, in particular, is carefully worked out, and the lighting, from both natural and artificial sources, is indirect, angled in many directions to illuminate vistas and planes. All surfaces are carefully sloped, the angles meticulously calculated to give optimum visual effect. The crypt, below the raised choir, is painted in bright colours and lit from ceiling oculi.

One of Le Corbusier's late works, the Convent is a tour de force.

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SUBJECT AREA: Electronics and information technology

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Kurtz took his first degree in mathematics at the University of California in Los Angeles (UCLA), where he also gained experience in numerical methods as a result of working in the National Bureau of Standards Institute for Numerical Analysis located on the campus. In 1956 he obtained a PhD in statistics at Princeton, after which he took up a post as an instructor at Dartmouth College in Hanover, New Hampshire. There he found a considerable interest in computing was already in existence, and he was soon acting as the Dartmouth contact with the New England Regional Computer Center at Massachusetts Institute of Technology, an initiative partly supported by IBM. With Kemeny, he learned the Share Assembly Language then in use, but they were concerned about the difficulty of programming computers in assembly language and of teaching it to students and colleagues at Dartmouth. In 1959 the college obtained an LGP-30 computer and Kurtz became the first Director of the Dartmouth Computer Center. However, the small memory (4 k) of this 30-bit machine precluded its use with the recently available high-level language Algol 58. Therefore, with Kemeny, he set about developing a simple language and operating system that would use simple English commands and be easy to learn and use. This they called the Beginners All-purpose Symbolic Instruction Code (BASIC). At the same time they jointly supervised the design and development of a time-sharing system suitable for college use, so that by 1964, when Kurtz became an associate professor of mathematics, they had a fully operational BASIC system; by 1969 a sixth version was already in existence. In 1966 Kurtz left Dartmouth to become a Director of the Kiewit Computer Center, and then, in 1975, he became a Director of the Office of Academic Computing; in 1978 he returned to Dartmouth as Professor of Mathematics. He also served on various national committees.

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SUBJECT AREA: Mechanical, pneumatic and hydraulic engineering

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James Nasmyth was the youngest son of Alexander Nasmyth (1758–1840), the portrait and landscape painter. According to his autobiography he was named James Hall after his father's friend, the geologist Sir James Hall (1761–1832), but he seems never to have used his second name in official documents. He received an elementary education at Edinburgh High School, but left at the age of 12. He attended evening classes at the Edinburgh School of Arts for the instruction of Mechanics between 1821 and 1825, and gained experience as a mechanic at an early age in his father's workshop. He shared these early experiences with his brother George, who was only a year or so older, and in the 1820s the brothers built several model steam engines and a steam-carriage capable of carrying eight passengers on the public roads. In 1829 Nasmyth obtained a position in London as personal assistant to Henry Maudslay, and after Maudslay's death in February 1831 he remained with Maudslay's partner, Joshua Field, for a short time. He then returned to Edinburgh, where he and his brother George started in a small way as general engineers. In 1834 they moved to a small workshop in Manchester, and in 1836, with the aid of financial backing from some Manchester businessmen, they established on a site at Patricroft, a few miles from the city, the works which became known as the Bridgewater Foundry. They were soon joined by a third partner, Holbrook Gaskell (1813–1909), who looked after the administration of the business, the firm then being known as Nasmyths Gaskell \& Co. They specialized in making machine tools, and Nasmyth invented many improvements so that they soon became one of the leading manufacturers in this field. They also made steam locomotives for the rapidly developing railways. James Nasmyth's best-known invention was the steam-hammer, which dates from 1839 but was not patented until 1842. The self-acting control gear was probably the work of Robert Wilson and ensured the commercial success of the invention. George Nasmyth resigned from the partnership in 1843 and in 1850 Gaskell also resigned, after which the firm continued as James Nasmyth \& Co. James Nasmyth himself retired at the end of 1856 and went to live at Penshurst, Kent, in a house which he named "Hammerfield" where he devoted his time mainly to his hobby of astronomy. Robert Wilson returned to become Managing Partner of the firm, which later became Nasmyth, Wilson \& Co. and retained that style until its closure in 1940. Nasmyth's claim to be the sole inventor of the steam-hammer has been disputed, but his patent of 1842 was not challenged and the fourteen-year monopoly ensured the prosperity of the business so that he was able to retire at the age of 48. At his death in 1890 he left an estate valued at £243,805.

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SUBJECT AREA: Mining and extraction technology

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While apprenticed at the drilling company of E. Przibilla, Raky already called attention by his reflections towards developing drilling methods and improving tools. Working as a drilling engineer in Alsace, he was extraordinarily successful in applying an entire new hydraulic boring system in which the rod was directly connected to the chisel. This apparatus, driven by steam, allowed extremely rapid percussions with very low lift.

With some improvements, his boring rig drilled deep holes at high speed and at least doubled the efficiency of the methods hitherto used. His machine, which was also more reliable, was secured by a patent in 1895. With borrowed capital, he founded the Internationale Bohrgesellschaft in Strasbourg in the same year, and he began a career in the international exploration business that was unequalled as well as breathtaking. Until 1907 the total depth of the drillings carried out by the company was 1,000 km.

Raky's rapid drilling was unrivalled and predominant until improved rotary drilling took over. His commercial sense in exploiting the technical advantages of his invention by combining drilling with producing the devices in his own factory at Erkelenz, which later became the headquarters of the company, and in speculating on the concessions for the explored deposits made him by far superior to all of his competitors, who were provoked into contests which they generally lost. His flourishing company carried out drilling in many parts of the world; he became the initiator of the Romanian oil industry and his extraordinary activities in exploring potash and coal deposits in different parts of Germany, especially in the Ruhr district, provoked the government in 1905 into stopping granting claims to private companies. Two years later, he was forced to withdraw from his holding company because of his restless and eccentric character. He turned to Russia and, during the First World War, he was responsible for the reconstruction of the destroyed Romanian oilfields. Thereafter, partly financed by mining companies, he continued explorations in several European countries, and in Germany he was pioneering again with exploring oilfields, iron ore and lignite deposits which later grew in economic value. Similar to Glenck a generation before, he was a daring entrepreneur who took many risks and opened new avenues of exploration, and he was constantly having to cope with a weak financial position, selling concessions and shares, most of them to Preussag and Wintershall; however, this could not prevent his business from collapse in 1932. He finally gave up drilling in 1936 and died a poor man.

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SUBJECT AREA: Mechanical, pneumatic and hydraulic engineering

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Richard Edmund Reason was educated at Tonbridge School and the Royal College of Science (Imperial College), where he studied under Professor A.F.C.Pollard, Professor of Technical Optics. After graduating in 1925 he joined Taylor, Taylor and Hobson Ltd, Leicester, manufacturers of optical, electrical and scientific instruments, and remained with that firm throughout his career. One of his first contributions was in the development, with E.F.Fincham, of the Fincham Coincidence Optometer. At this time the firm, under William Taylor, was mainly concerned with optical instruments and lens manufacture, but in the 1930s Reason was also engaged in developing means for measuring the roughness of machined surfaces. The need for establishing standards and methods of measurement of surface finish was called for when the subcontracting of aero-engine components became necessary during the Second World War. This led to the development by Reason of an instrument in which a stylus was moved across the surface and the profile recorded electronically. This was called the Talysurf and was first produced in 1941. Further development followed, and from 1947 Reason tackled the problem of measuring roundness, producing the first Talyrond machine in 1949. The technology developed for these instruments was used in the production of others such as the Talymin Comparator and the Talyvel electronic level. Reason was also associated with the development of optical projection systems to measure the profile of parts such as gear teeth, screw threads and turbine blades. He retired in 1968 but continued as a consultant to the company. He served for many years on committees of the British Standards Institution on surface metrology and was a representative of Britain at the International Standards Organization.

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ὑπερήφανος, ον (φαίνομαι) in our lit. only in an unfavorable sense (as Hes., Pla. et al.; Diod S 6, 7, 1–4 [Salmoneus was ἀσεβής as well as ὑπ. and was punished by Zeus, to whom he claimed to be superior by developing a machine that simulated claps of thunder; cp. 13, 21, 4 τοὺς ὑπερηφανοῦντας παρὰ θεοῖς μισουμένους; 20, 13, 3; 23, 12, 1; 24, 9, 2]; UPZ 144, 50 [164 B.C., of Nemesis, whom Zeus threatens]; POxy 530, 28 [II A.D.]; LXX; PsSol 2:31; TestSol 5:3; JosAs 12:7; 2:1 cod. A [p. 40, 21 Bat.] and Pal. 364; EpArist; Jos., Ant. 4, 224; Tat. 3, 1) arrogant, haughty, proud Lk 1:51 (on the διανοίᾳ καρδίας αὐτῶν s. διάνοια 2; PSchoonheim, NovT 8, ’66, 235–46); Ro 1:30 (w. ἀλαζών as Jos., Bell. 6, 172; in a list of vices as TestLevi 17:11; see also s.v. ὑβριστής); 2 Ti 3:2; D 2:6. Opp. ταπεινός (after Pr 3:34; cp. EpArist 263; Diod S 13, 24, 6 Tyche ταπεινοῖ τοὺς ὑπερηφάνους; Cleobulus of Lindos in Stob. III p. 114, 3f H.; Xenophon of Ephesus 1, 2, 1 the god Eros is inexorable toward the ὑπ.) Js 4:6; 1 Pt 5:5; 1 Cl 30:2; cp. 59:3; IEph 5:3. ὑπ. αὐθάδεια 1 Cl 57:2. οὐδὲν ὑπερήφανον (cp. EpArist 170) 49:5.—B. 1146.—DELG s.v. φαίνω. M-M. TW. Spicq.