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comrades

  • 81 leave smb. to his own resources

    предоставить кого-л. самому себе; см. тж. leave smb. to himself

    On the day following his arrival he dined alone at a military club. He shook hands with a few old comrades... but as one and all had some engagement for the evening, he found himself left entirely to his own resources. (R. L. Stevenson, ‘New Arabian Nights’, ‘The Suicide Club’, ‘The Adventure of the Hansom Cab’) — На следующий день после своего приезда лейтенант Рич обедал один в военном клубе. Он пожал руку нескольким старым товарищам... но так как они все были заняты в этот вечер, то он оказался целиком предоставленным самому себе.

    ...he saw himself abandoned: left entirely to his own resources, on a large sofa, with the charge of three small cushions on his hand. (Ch. Brontë, ‘Shirley’, ch. VII) —...Питер Огест заметно приуныл, увидев себя покинутым; он не знал, что дальше делать: глупо ведь сидеть так на диване в обществе трех маленьких подушек.

    Large English-Russian phrasebook > leave smb. to his own resources

  • 82 place smth. on record

    (place (или put) smth. on record)
    заявить, отметить, констатировать, зафиксировать что-л.

    I would like, here, to mention, two comrades with whom I have been closely associated ever since those days, and to place on record my indebtedness to Bill Gallacher and Thomas Bell. (H. Pollitt, ‘Serving My Time’, ch. 8) — Я хотел бы здесь вспомнить двух товарищей - Билла Галлахера и Томаса Белла. Начиная с тех дней я был тесно связан с ними и не могу не упомянуть, что очень многим обязан им.

    For truth's sake... I now put it on record that I would have made a wretched reporter. (J. B. Priestley, ‘Midnight on the Desert’, ch. 1) — Справедливости ради... я должен признать, что из меня получился бы никчемный репортер.

    Goya emerges as a great artist and, let it be put on record, as a man of the people. — Гойя был великим художником, при этом не надо забывать, что он был выходцем из народа.

    Large English-Russian phrasebook > place smth. on record

  • 83 Selander, Lesley

    1900-1979
       Sus origenes en el cine se situan dentro de la tarea de operador de camara y, despues, ayudante de direccion. Su carrera como director comienza realmente en 1936. Lesley Selander es uno de los grandes especialistas del western, con mas de cien peliculas a sus espaldas. Decir “uno de los grandes especialistas” no es lo mismo que decir “uno de los grandes nombres” y, en efecto, la trayectoria de Selander, en lo que a la calidad de sus peliculas se refiere, es irregular. Lo que, sin embargo, sorprende es que la valoracion media de sus westerns no es baja, lo que indica que el director poseia un especial instinto para el genero, que pone de manifiesto con una plastica mas que correcta y un buen manejo del tiempo de la narracion. Inabarcable por su extension, es dificil senalar los filmes que destacan en tan amplia muestra, pero si me veo en la obligacion de citar alguno, no dudaria en elegir las peliculas que hizo para Allied Artists a finales de los anos 40 y principios de los 50, y algunas otras de las ultimas que realizo, como Dakota Lil o The Broken Star.
        Ride’ Em Cowboy. 1936. 59 minutos. Blanco y Negro. Universal. Buck Jo nes, Luana Walters.
        The Boss Rider of Gun Creek. 1936. 65 minutos. Blanco y Negro. Univ er sal. Buck Jones, Muriel Evans.
        Empty Saddles. 1936. 67 minutos. Blanco y Negro. Universal. Buck Jones, Louise Brooks, Claire Rochelle.
        Sandflow. 1937. 58 minutos. Blanco y Negro. Universal. Buck Jones, Lita Chevret.
        Left Handed Law. 1937. 63 minutos. Blanco y Negro. Universal. Buck Jones, Noel Francis, Nina Quartero.
        Smoke Tree Range. 1937. 59 minutos. Blanco y Negro. Universal. Buck Jones, Muriel Evans.
        Hopalong Rides Again. 1937. 65 minutos. Blanco y Negro. Paramount. William Boyd, Lois Wilde, Russell Hayden, George Hayes.
        The Barrier. 1937. 90 minutos. Blanco y Negro. Paramount. Leo Carrillo, Jean Parker, James Ellison.
        Partners of the Plains. 1938. 68 minutos. Blanco y Negro. Paramount. William Boyd, Gwen Gaze, Russell Hayden, Harvey Clark.
        Cassidy on Bar 20. 1938. 56 minutos. Blanco y Negro. Paramount. William Boyd, Nora Lane, Russell Hayden, Frank Darien.
        Heart of Arizona. 1938. 68 minutos. Blanco y Negro. Paramount. William Boyd, Natalie Moorhead, Russell Hayden, George Hayes.
        Bar 20 Justice. 1938. 70 minutos. Blanco y Negro. Paramount. William Boyd, Gwen Gaze, Russell Hayden, George Hayes.
        Pride of the West. 1938. 56 minutos. Blanco y Negro. Paramount. William Boyd, Charlotte Field, Russell Hayden, George Hayes.
        The Mysterious Rider. 1938. 74 minutos. Blanco y Negro. Paramount. Douglas Drumbrille, Russell Hayden, Charlotte Field.
        The Frontiersman. 1938. 74 minutos. Blanco y Negro. Paramount. William Boyd, Evelyn Venable, Russell Hayden, George Hayes.
        Sunset Trail. 1939. 60 minutos. Blanco y Negro. Paramount. William Boyd, Charlotte Wynters, Jane Clayton, Russell Hayden, George Hayes.
        Heritage of the Desert. 1939. 74 minutos. Blanco y Negro. Paramount. Donald Woods, Russell Hayden, Evelyn Venable, Robert Barrat.
        Silver on the Sage (De cara a cara). 1939. 68 minutos. Blanco y Negro. Paramount. William Boyd, Ruth Rogers, Russell Hayden, George Hayes.
        The Renegade Trail. 1939. 61 minutos. Blanco y Negro. Paramount. William Boyd, Charlotte Wynters, Russell Hayden, George Hayes.
        Range War. 1939. 66 minutos. Blanco y Negro. Paramount. William Boyd, Betty Moran, Russell Hayden, Britt Wood.
        Santa Fe Marshal. 1940. 65 minutos. Blanco y Negro. Paramount. William Boyd, Bernadine Hayes, Russell Hayden, Britt Wood.
        Knights of the Range. 1940. 68 minutos. Blanco y Negro. Paramount. Russell Hayden, Jean Parker, Victor Jory.
        The Light of Western Stars. 1940. 67 minutos. Blanco y Negro. Para mount. Russell Hayden, Victor Jory, Jo Ann Sayers.
        Hidden Gold. 1940. 61 minutos. Blanco y Negro. Paramount. William Boyd, Ruth Rogers, Russell Hayden, Britt Wood.
        Stagecoach War. 1940. 63 minutos. Blanco y Negro. Paramount. William Boyd, Julie Carter, Russell Hayden, Eddy Waller.
        Cherokee Strip. 1940. 86 minutos. Blanco y Negro. Paramount. Richard Dix, Florence Rice, Victor Jory, Andy Clyde.
        Three Men from Texas (Hombres del Oeste). 1940. 70 minutos. Blanco y Negro. Paramount. William Boyd, Esther Estrella, Russell Hayden, Andy Clyde.
        Doomed Caravan. 1941. 62 minutos. Blanco y Negro. Paramount. William Boyd, Georgia Hawkins, Russell Hayden, Andy Clyde.
        The Roundup. 1941. 90 minutos. Blanco y Negro. Paramount. Richard Dix, Patricia Morison, Preston Foster.
        Pirates on Horseback. 1941. 69 minutos. Blanco y Negro. Paramount. Wi lliam Boyd, Eleanor Stewart, Russell Hayden, Andy Clyde.
        Wide Open Town (La ley del Oeste). 1941. 78 minutos. Blanco y Negro. Paramount. William Boyd, Evelyn Brent, Bernice Kay, Russell Hayden, Andy Clyde.
        Riders of the Timberline. 1941. 59 minutos. Blanco y Negro. Paramount. William Boyd, Eleanor Stewart, Brad King,
        Stick to Your Guns. 1941. 63 minutos. Blanco y Negro. Paramount. William Boyd, Jennifer Holt, Brad King, Andy Clyde.
        Thundering Hoofs. 1942. 61 minutos. Blanco y Negro. RKO. Tim Holt, Luana Walters, Lee White, Ray Whitley.
        Bandit Ranger. 1942. 58 minutos. Blanco y Negro. RKO. Tim Holt, Joan Barclay, Cliff Edwards.
        Undercover Man. 1942. 68 minutos. Blanco y Negro. UA. William Boyd, Nora Lane, Esther Estrella, Jay Kirby, Andy Clyde.
        Border Patrol. 1943. 66 minutos. Blanco y Negro. UA. William Boyd, Claudia Drake, Jay Kirby, Andy Clyde.
        Buckskin Frontier. 1943. 74 minutos. Blanco y Negro. UA. Richard Dix, Jane Wyatt, Lee J. Cobb, Albert Dekker.
        Colt Comrades. 1943. 67 minutos. Blanco y Negro. UA. William Boyd, Gayle Lord, Jay Kirby, Andy Clyde.
        Red River Robin Hood. 1942. 57 minutos. Blanco y Negro. RKO. Tim Holt, Barbara Moffett, Cliff Edwards.
        Bar 20. 1943. 54 minutos. Blanco y Negro. UA. William Boyd, Dustine Farnum, George Reeves, Andy Clyde.
        Riders of the Deadline. 1943. 70 minutos. Blanco y Negro. UA. William Boyd, Frances Woodward, Jimmy Rogers, Andy Clyde.
        Lost Canyon. 1942. 61 minutos. Blanco y Negro. UA. William Boyd, Nora Lane, Jay Kirby, Andy Clyde.
        Lumberjack. 1944. 65 minutos. Blanco y Negro. UA. William Boyd, Ellen Hall, Jimmy Rogers, Andy Clyde.
        Forty Thieves. 1944. 60 minutos. Blanco y Negro. UA. William Boyd, Louise Currie, Jimmy Rogers, Andy Clyde.
        Call of the Rockies. 1944. 56 minutos. Blanco y Negro. Republic. Sunset Carson, Smiley Burnette, Ellen Hall.
        Bordertown Trail. 1944. 55 minutos. Blanco y Negro. Republic. Sunset Carson, Smiley Burnette, Ellen Lowe.
        Stagecoach to Monterey. 1944. 55 minutos. Blanco y Negro. Republic. Allan Lane, Peggy Stewart, Roy Barcroft.
        Cheyenne Wildcat. 1944. 56 minutos. Blanco y Negro. Republic. Bill Elliott, Peggy Stewart, Bob Blake.
        Sheriff of Sundown. 1944. 55 minutos. Blanco y Negro. Republic. Allan Lane, Max Terhune, Linda Sterling.
        Firebrands of Arizona. 1944. 55 minutos. Blanco y Negro. Republic. Sunset Carson, Smiley Burnette, Peggy Stewart.
        Sheriff of Las Vegas. 1944. 55 minutos. Blanco y Negro. Republic. Bill Elliott, Peggy Stewart, Bob Blake.
        The Great Stagecoach Robbery. 1945. 56 minutos. Blanco y Negro. Republic. Bill Elliott, Bob Blake.
        Trail of Kit Carson. 1945. 57 minutos. Blanco y Negro. Republic. Allan Lane, Helen Talbot.
        Phantom of the Plains. 1945. 56 minutos. Blanco y Negro. Republic. Bill Elliott, Bob Blake.
        Out California Way. 1946. 67 minutos. Trucolor. Republic. Monte Hale, Adrian Booth, John Dehner, Bobby Blake.
        Last Frontier Uprising. 1947. 67 minutos. Trucolor. Republic. Monte Hale, Adrian Booth, Roy Barcroft.
        Saddle Pals. 1947. 72 minutos. Blanco y Negro. Republic. Gene Autry, Lynne Roberts, Sterling Holloway.
        Robin Hood of Texas. 1947. 71 minutos. Blanco y Negro. Republic. Gene Autry, Lynne Roberts, Sterling Holloway.
        The Red Stallion. 1947. 81 minutos. Cinecolor. Eagle Lion. Robert Paige, Noreen Nash.
        Belle Star’s Daughter. 1947. 85 minutos. Blanco y Negro. Alson (Fox). George Montgomery, Rod Cameron, Ruth Roman.
        Panhandle (Imperio del crimen). 1948. 85 minutos. Blanco y Negro. Allied. Rod Cameron, Cathy Downs, Reed Hadley, Anne Gwynne.
        Guns of Hate. 1948. 62 minutos. Blanco y Negro. RKO. Tim Holt, Nan Leslie, Richard Martin.
        Indian Agent. 1948. 63 minutos. Blanco y Negro. RKO. Tim Holt, Nan Leslie, Richard Martin, Lee “Lasses” White.
        Brothers in the Saddle. 1949. 60 minutos. Blanco y Negro. RKO. Tim Holt, Virginia Cox, Richard Martin.
        Rustlers. 1949. 61 minutos. Blanco y Negro. RKO. Tim Holt, Martha Hyer, Richard Martin.
        Stampede. 1949. 78 minutos. Blanco y Negro. Allied. Rod Cameron, Johnny Mack Brown, Gale Storm.
        Masked Raiders. 1949. 60 minutos. Blanco y Negro. RKO. Tim Holt, Marjorie Lord, Richard Martin.
        The Mysterious Desperado. 1949. 61 minutos. Blanco y Negro. RKO. Tim Holt, Movita, Richard Martin.
        Dakota Lil. 1950. 88 minutos. Cinecolor. Fox. George Montgomery, Marie Windsor, Rod Cameron.
        Riders of the Range. 1950. 60 minutos. Blanco y Negro. RKO. Tim Holt, Jacqueline White, Richard Martin.
        Storm Over Wyoming. 1950. 60 minutos. Blanco y Negro. RKO. Tim Holt, Noreen Nash, Betty Underwood, Richard Martin.
        Rider from Tucson. 1950. 60 minutos. Blanco y Negro. RKO. Tim Holt, Elaine Riley, Veda Ann Borg, Richard Martin.
        Rio Grande Patrol (Patrulla de Rio Grande). 1950. 60 minutos. Blanco y Negro. RKO. Tim Holt, Jane Nigh, Richard Martin.
        The Kangaroo Kid. 1950. 72 minutos. Blanco y Negro. Allied Australian. Jock Mahoney, Veda Ann Borg, Douglass Dumbrille, Martha Hyer.
        Short Grass. 1950. 82 minutos. Blanco y Negro. Allied. Rod Cameron, Johnny Mack Brown, Cathy Downs.
        Law of the Badlands. 1951. 60 minutos. Blanco y Negro. RKO. Tim Holt, Joan Dixon, Richard Martin
        Saddle Legion. 1951. 61 minutos. Blanco y Negro. RKO. Tim Holt, Dorothy Malone, Richard Martin.
        Cavalry Scout. 1951. 78 minutos. Cinecolor. Monogram. Rod Cameron, Audrey Long, Jim Davis.
        Gunplay. 1951. 69 minutos. Blanco y Negro. RKO. Tim Holt, Joan Dixon, Richard Martin.
        Pistol Harvest. 1951. 60 minutos. Blanco y Negro. RKO. Tim Holt, Joan Dixon, Richard Martin.
        Overland Telegraph. 1951. 60 minutos. Blanco y Negro. RKO. Tim Holt, Gail Davis, Richard Martin.
        Fort Osage. 1952. 72 minutos. Cinecolor. Monogram. Rod Cameron, Jane Nigh.
        Trail Guide (Rastro oculto). 1952. 60 minutos. Blanco y Negro. RKO. Tim Holt, Linda Douglas (Mary Jo Tarola), Richard Martin.
        Road Agent. 1952. 60 minutos. Blanco y Negro. RKO. Tim Holt, Noreen Nash, Richard Martin.
        Desert Passage. 1952. 60 minutos. Blanco y Negro. RKO. Tim Holt, Joan Dixon, Richard Martin.
        The Raiders. 1952. 80 minutos. Technicolor. Universal. Richard Conte, Viveca Lindfords, Richard Martin, Barbara Britton.
        Fort Vengeance (Fort Venganza). 1953. 75 minutos. Cinecolor. Allied. James Craig, Rita Moreno, Keith Larsen.
        Cow Country. 1953. 82 minutos. Blanco y Negro. Allied. Edmond O’Brien, Peggie Castle, Robert Barrat, Helen Westcott.
        War Paint. 1953. 89 minutos. Pathecolor. K-B Productions (UA). Robert Stack, Joan Taylor, Charles McGraw.
        Arrow in the Dust (Flechas incendiarias). 1954. 80 minutos. Technicolor. Allied. Sterling Hayden, Coleen Gray, Keith Larsen.
        The Yellow Tomahawk. 1954. 82 minutos. Color Corp. Of America. Bel-Air (UA). Rory Calhoun, Peggie Castle, Peter Graves.
        Shotgun (La pradera sangrienta). 1955. 81 minutos. Technicolor. Allied. Sterling Hayden, Yvonne De Carlo, Zachary Scott.
        Fort Yuma. 1955. 78 minutos. Technicolor. Bel-Air (UA). Peter Graves, Jean Vohs, John Hudson, Joan Taylor.
        Tall Man Riding. 1955. 83 minutos. Warnercolor. WB. Randolph Scott, Dorothy Malone, Robert Barrat, Peggie Castle.
        The Broken Star. 1956. 82 minutos. Blanco y Negro. Bel-Air (UA). Howard Duff, Lita Baron, Bill Williams.
        Quincannon - Frontier Scout. 1956. 83 minutos. Color DeLuxe. Bel-Air (UA). Tony Martin, Peggie Castle, John Bromfield.
        Tomahawk Trail. 1957. 60 minutos. Blanco y Negro. Bel-Air (UA). Chuck Connors, Susan Cummings, John Smith.
        Revolt at Fort Laramie. 1957. 73 minutos. Color DeLuxe. Bel-Air (UA). John Dehner, Gregg Palmer, Frances Helm.
        Outlaw’s Son. 1957. 87 minutos. Blanco y Negro. Bel-Air (UA). Dane Clark, Ben Cooper, Lori Nelson.
        The Lone Ranger and the Lost City of Gold. 1958. 80 minutos. East man color. UA. Clayton Moore, Jay Silverheels, Noreen Nash.
        Convict Stage. 1965. 71 minutos. Blanco y Negro. Fox. Harry Lauter, Do nald Barry, Jodi Mitchell.
        War Party. 1965. 72 minutos. Blanco y Negro. Fox. Michael T. Mikler, Do nald Barry, Laurie Mack.
        Fort Courageous. 1965. 72 minutos. Blanco y Negro. Fox. Fred Beir, Do nald Barry, Hanna Landy.
        Town Tamer. 1965. 89 minutos. Technicolor. Techniscope. A.C. Lyles (Para mount). Dana Andrews, Terry Moore, Pat O’Brien, Coleen Gray.
        The Texican/Texas Kid (Texas Kid). 1966. 86 minutos. Eastmancolor. Techniscope. M.C.R./Balcazar (Columbia). Audie Murphy, Broderick Craw ford, Diana Lorys
        Fort Utah. 1967. 83 minutos. Technicolor. Techniscope. A.C. Lyles (Para mount). John Ireland, Virginia Mayo, Scott Brady.
        Arizona Bushwhackers. 1968. 86 minutos. Technicolor. Techniscope. A.C. Lyles (Paramount). Howard Keel, Yvonne De Carlo, John Ireland.

    English-Spanish dictionary of western films > Selander, Lesley

  • 84 cue

    1. n театр. реплика
    2. n театр. сигнал
    3. n театр. пример

    his comrades kept behind him, taking their cue from his conduct — его товарищи стояли за ним и по его поведению решали, что надо делать

    4. n театр. намёк
    5. n театр. тел. радио сигнал
    6. n театр. арх. настроение
    7. n театр. ключевая, опорная информация
    8. v театр. подавать реплики или сигналы
    9. n кий
    10. n косичка
    11. n шутл. хвост
    12. n очередь
    13. v заплетать в косичку
    14. n кью, название буквы Q
    Синонимический ряд:
    evidence (noun) clue; evidence; hint; indication; inkling; innuendo; intimation; lead; mark; notion; prompt; sign; signal; suggestion; telltale; trace; wind

    English-Russian base dictionary > cue

  • 85 file

    1. n напильник, слесарная пила

    file hardness — твердость, определяемая напильником

    2. n пилочка
    3. n шлифовка, отделка
    4. n разг. хитрец, пройдоха
    5. v пилить, подпиливать; шлифовать напильником
    6. v отделывать, дорабатывать
    7. n скоросшиватель, регистратор

    file clerk — канцелярский служащий; делопроизводитель; регистратор

    8. n шпилька
    9. n подшитые документы, бумаги

    spindle file — наколка, штырь или игла для накалывания бумаг

    10. n подшивка
    11. n дело, досье

    file number — номер дела; регистрационный номер

    on file — имеющийся в деле, приобщённый к делу

    12. n вчт. информ. файл, массив

    inverted file — инвертированный файл, файл с инверсной организацией

    13. v хранить, подшивать в определённом порядке
    14. v подшивать
    15. v сдавать в архив

    back file — архив; периодические издания

    16. v регистрировать
    17. v амер. подавать, представлять документы
    18. v амер. обращаться с заявлением, просьбой
    19. v амер. передавать по телефону, телеграфу
    20. v амер. принять к исполнению
    21. n ряд, шеренга; колонна

    in single file — гуськом, змейкой

    Indian file — колонна по одному, «змейка»

    22. n очередь, хвост
    23. n шахм. вертикаль
    24. n заячий след
    25. v идти гуськом; передвигаться колонной

    to march in single file — идти гуськом; идти в затылок

    26. v дефилировать, торжественно проходить
    Синонимический ряд:
    1. archives (noun) archives; data; records
    2. computer item (noun) batch file; computer item; contents of disk; data base; document; program; software component; spreadsheet; text file
    3. dossier (noun) dossier; drawer; folder
    4. filing system (noun) card file; card index; classified index; filing cabinet; filing system; ready reference list; register; repository
    5. line (noun) column; echelon; line; queue; rank; row; straight line; string; tier
    6. metal tool (noun) bastard file; metal tool; nail file; rasp; rat tail file; sharpener
    7. apply (verb) apply; deposit; open a file; petition; request; submit; submit an application
    8. march (verb) march; step; walk
    9. put on file (verb) arrange; arrange in order; catalog; catalogue; categorise; categorize; classify; index; pigeonhole; put on file; record; register
    10. scrape with a file (verb) abrade; grind; level off; rasp; sand; scrape; scrape with a file; sharpen; smooth

    English-Russian base dictionary > file

  • 86 reds

    the Reds — революционные элементы, коммунисты; «красные»

    Синонимический ряд:
    communists (noun) Bolsheviks; communists; comrades

    English-Russian base dictionary > reds

  • 87 comrade

    ['komrid, ]( American[) -ræd]
    (a close companion: his comrades in battle.) camarade

    English-French dictionary > comrade

  • 88 comrade

    ['komrid, ]( American[) -ræd]
    (a close companion: his comrades in battle.) camarada

    English-Portuguese (Brazil) dictionary > comrade

  • 89 Gomes da Costa, Manuel de Oliveira

    (1863-1929)
       Marshal of the Portuguese Army, commander of Portugal's forces in Flanders in World War I, and leader of the military coup that overthrew the First Republic in May 1926. Trained at the Military College, Gomes da Costa rose from the rank of private to general during the period 1883-1917. His career began with important colonial service in Portuguese India and Mozambique in suppressing insurgencies in the 1890s. He served with Mousinho de Albuquerque in the Gaza campaigns (1896-97), in Mozambique, and later in Angola and São Tomé. His most notable service was in Portugal's intervention in World War I as he helped organize the first brigade and commanded the first division of Portugal's Expeditionary Corps (CEP), which entered combat on the western front in May 1917. For his role in the battle of Lys, in April 1918, when German forces badly mauled the Portuguese sector, Gomes da Costa was decorated by Portugal with the Tower and Sword medal. During the latter part of the First Republic, he was dispatched to the colonies on missions to divert him from domestic politics, since he had joined the Reformist Party (PR).
       As the most senior and best-known career army officer, Gomes da Costa was invited by former CEP comrades to join in military conspiracies to overthrow the democrat-dominated First Republic. On 28 May 1926, in Braga, he launched the military coup with the pronouncement "To Arms, Portugal!" The general's famous name and forceful personality gave the military movement the necessary prestige and won public opinion's confidence for the political moment. Gomes da Costa, however, was not suited for political maneuvering and administrative efficiency and, on 9 July 1926, he was dismissed as minister of war by other generals, including future president Óscar Carmona, and then exiled to the Azores. For political effect and as a consolation prize to the leader whose individual daring had helped create the abertura (opening) that allowed the coup to succeed, the military dictatorship honored Gomes da Costa, even in exile, with promotion to marshal of the army. In ill health on his return from the isolated Azores in late 1927, he died less than two years later in Lisbon. There is a statue of Gomes da Costa in a square in Braga, designed by Barata Feyo, which honors the general of the Twenty- eighth of May coup d'etat.

    Historical dictionary of Portugal > Gomes da Costa, Manuel de Oliveira

  • 90 COMRADE

    [N]
    AMICUS (-I) (M)
    COMES (-MITIS) (MF)
    SOCIUS (-I) (M)
    SODALIS (-IS) (M)
    COMPAR (-ARIS) (MF)
    CONPAR (-ARIS) (MF)
    COLLEGA (-AE) (M)
    CONLEGA (-AE) (M)
    SOCIENNUS (-I) (M)
    FRATER (-TRIS) (M)
    MANIPLARIS (-IS) (M)
    MANIPULARIS (-IS) (M)
    CONCORPORAL (-ALIS) (M)
    - COMRADES

    English-Latin dictionary > COMRADE

  • 91 Visit

    subs.
    P. and V. εἴσοδος, ἡ.
    ——————
    v. trans.
    P. and V. ἐπέρχεσθαι (acc.) (Thuc. 8, 54), φοιτᾶν (παρά, acc. or πρός, acc.), προσέρχεσθαι πρός (acc.), P. ἐπιφοιτᾶν (εἰς, acc.), Ar. and V. εἰσφοιτᾶν (acc.).
    Come and see: P. and V. ἐπισκοπεῖν (acc.).
    Go around: Ar. and P. περιέρχεσθαι (acc.).
    Haunt: P. and V. φοιτᾶν (εἰς, acc. or ἐπί, acc.), V. ἐνστρέφειν (Eur., Ion, 300).
    Visit a patient: P. εἰσέρχεσθαι (dat.) (Dem. 307).
    Visit with punishment: P. and V. μετέρχεσθαι, V. ἐπεξέρχεσθαι, ἐπέρχεσθαι; see Punish.
    The anger of the goddess hath visited you: V. ὀργαὶ δʼ ἔς σʼ ἀπέσκηψαν θεᾶς (Eur., Hipp. 438).
    Had I not visited my comrades' murder on you: V. εἰ μή σʼ ἑταίρων φόνον ἐτιμωρησάμην (Eur., Cycl. 695).
    How soon the goddesses have visited your mother's blood upon you: V. ὡς ταχὺ μετῆλθόν σʼ αἷμα μητέρος θεαί (Eur., Or. 423).
    Visit anger on the city: V. ἐπιρρέπειν μῆνιν πόλει (Æsch., Eum. 888); see Vent.
    I will visit this land with my wrath: V. βαρεῖα χώρᾳ τῇδʼ ὁμιλήσω (Æsch., Eum. 720).
    Be visited with, haunted by: P. and V. συνεῖναι (dat.), συνέχεσθαι (dat.).
    A couch not visited by dreams: V. εὐνὴ ὀνείροις οὐκ ἐπισκοπουμένη (Æsch., Ag. 13).

    Woodhouse English-Greek dictionary. A vocabulary of the Attic language > Visit

  • 92 not trust smb. an inch

       paзг.
       coвepшeннo нe дoвepять кoму-л., нe иcпытывaть ни мaлeйшeгo дoвepия к кoму-л. Of course I meant no harm, but now she won't trust me an inch (J. Murdoch). He seemed to Mr. Smeeth quite obviously a silly boaster, a liar, and a man not to be trusted a yard (J. B. Priestley). 'No offence, Steve?' And Steve laughed. 'Not between old comrades in arms,' he said, and backed out... away from a tyke you couldn't trust as far as you could throw him (G. W. Target)

    Concise English-Russian phrasebook > not trust smb. an inch

  • 93 comradeinarms

    comradeinarms (pl comrades) соратник, товарищ пооружию, боевой товарищ

    English-Russian short dictionary > comradeinarms

  • 94 comrade

    kb. kawan, sahabat, saudara. They were comrades in battle Mereka kawan seperjuangan.

    English-Malay dictionary > comrade

  • 95 combatant

    /'kɔmbətənt/ * tính từ - chiến đấu, tham chiến =combatant comrades+ bạn chiến đấu =combatant forces+ lực lượng chiến đấu =combatant arms+ (từ Mỹ,nghĩa Mỹ), (quân sự) những đơn vị tham chiến =combatant officers+ những sĩ quan trực tiếp tham chiến * danh từ - chiến sĩ, người chiến đấu

    English-Vietnamese dictionary > combatant

Страницы

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