bull+headed

(þrjár, þrjú), card. numb. three.

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þrjár, þrjú; gen. þriggja; dat. þrimr and þrim, later and mod. þremr, þrem; acc. þrjá, þrjár, þrjú: [Goth. þreis; A. S. þrî; Engl. three; O. H. G. drî; Germ. drei; Dan. tre; Lat.-Gr. tres, τρεις; etc.]:—three, Nj. 16, 23, 81, Grág. i. 82, ii. 392, Landn. 126, K. Þ. K. 164, Fms. v. 8, vii. 235, and passim; brjóta í þrjú (cp. í tvau), to break into three (mod. í þrennt), Hom. 141, Ísl. ii. 337.

B. COMPDS with þrí- = three-, thrice-: þrí-angaðr, adj. three-forked, Stj. 430, MS. 544. 15. þrí-boginn, part. thrice-bent, Bárð. 175. þrí-breiðr, adj. of triple breadth, of cloth, Rb. 120, D. N. i. 410. þrí-bryddr, part. with threefold mounting, Landn. 190. þrí-deila, u, f. the rule of three. þrí-deildr, part. divided into three parts, A.A. 283. þrí-deili, n. a third part (?), N. G. L. i. 356. þrí-delningr, m. a third part, B. K. 40. þrí-engdr, part. three-pronged, Stj. 430. þri-falda, að, to make threefold, Stj. 551. þrí-faldr, adj. threefold, = þrefaldr, Fb. i. 423. þrí-forn, adj. thrice-old, i. e. three years old; þrífornt smjör, Skíða R. 197. þrí-fættr, adj. three-legged, Vápn. 24; þrífættr piltr þrifinn ok vandstilltr, in a riddle of the distaff. þrí-gilda, d, to pay threefold, Fms. x. 172, Gþl. 359. þrí-gildr, part. of threefold value. þrí-greindr, part. three-branched, Stj. 57, 67. þrí-hendr, adj. a metrical term, each line having three rhyming syllables, Edda i. 648. þrí-heilagr, adj. lasting three days, of feasts, e. g. halda Jól þríheilagt, to keep Christmas three days. þrí-húsaðr, part. consisting of three houses, Stj. 57. þrí-hyrndr, part. [A. S. þryhyrned], three-horned, triangular, Fms. iii. 180. þrí-hyrningr, m. a triangle, Pr. 477, 478: a local name of a mountain, Landn., Nj. þrí-höfðaðr, adj. three-headed, Niðrst. 6, Skm. 31. þrí-kvíslaðr, part. three-branched, Stj. ch. 135, Al. 168, Karl. 299. þrí-liða, u, f. the rule of three, mathem. þrí-menningr, m. a third cousin, Fb. i. 287, Nj. 235, Gþl. 247; in K. Á. 140 even of a woman. þrí-merkingr, m. a ring weighing three ounces, Grág. ii. 171. þrí-mútaðr, thrice-moulted, of a falcon, Karl. 10. þrí-nættr, adj. three nights old, Edda 58; þing þrínætt, lasting three nights (days), Js. 37. þrí-skafinn, part. thrice-polished, Fas. ii. 326. þrí-skeptr, part. wadmal of three strands, cp. tvískeptr, Grág. (Kb.) ii. 246. þrí-skeyta, u, f. a triangle, Rb. (1812) 25. þrí-skipta, t, to divide into three parts, Stj. 451, N. G. L. i. 389. þrí-strendingr, m. a kind of shell, Eggert Itin. ch. 901. þrí-taka, tók, to repeat thrice. þrí-tíðungr, m. a bull three years old, N. G. L. i. 31, 99, Gþl. 111. þrí-tugandi, -undi (mod. þrí-tugasti), [A. S. þryttigoða], the thirtieth. Fms. x. 194, Rb. (1812) 3. þrítug-nátti, of thirty nights (days), of a month, Jb., Rb. 10, 56. þrí-tugr and þrí-tögr, adj. aged thirty, Fms. iv. 2, Hom. 55; þrítögr, Íb. 15: having thirty oars, þrítugt skip, Fms. vii. 234, N. G. L. i. 104: measuring thirty (fathoms, ells), Fas. i. 159, Landn. 51, Rb. 12 ( of thirty days). þrítugs-aldr, m. the age of thirty. þrítug-sessa, u, f. a thirty-oared ship, Nj. 42. þrítugs-morginn, m. the morning of the thirtieth day, N. G. L. i. 14. þrí-tugti, the thirtieth, D. N. iv. 343, 369. þrítög-náttr, adj. = þrítugnátti, of thirty nights, epithet of a month, Íb. 7. þrí-valdi, a, m. the name of a giant, Edda (in a verse). þrí-vegis, adv. thrice. þrí-vetr, adj. three winters old, = þrévetr, Eluc. 149, Stj. 111, O. H. L. ch. 77. þrí-vægr, adj. of triple weight, 732. 16. þrí-þættr, adj. three-twisted. þrí-æri, n. a period of three years, D. N. þrí-ærr, adj. three years old, Stj. 111.

1. past part vedere scoprire

2. adj pentola uncovered

a capo scoperto bareheaded

assegno m scoperto bad cheque, rubber cheque colloq

3. m finance overdraft

allo scoperto in the open

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scoperto agg.

1 uncovered: pentola scoperta, pot with no lid on; ha dormito scoperto, ( senza coperte) he slept without the bedclothes on // giocare a carte scoperte, (fig.) to put one's cards on the table

2 ( non vestito) bare: braccia scoperte, bare arms; non uscire così scoperto, è freddo, put some more clothes on, it's cold; i banditi erano a viso scoperto, the bandits were not wearing masks // a capo scoperto, bareheaded // a fronte scoperta, (fig.) openly

3 ( aperto) open: automobile, barca scoperta, open car, boat

4 ( non protetto) uncovered, unsheltered, exposed: luogo scoperto, unsheltered place; il fianco dell'esercito era scoperto, the flank of the army was uncovered

5 (banca) overdrawn, uncovered, unsecured, short: assegno scoperto, bouncer (o uncovered cheque o overdrawn cheque o rubber cheque); avere un conto scoperto, to be overdrawn // massimo scoperto, maximum overdraft

6 (comm.) ( non pagato) overdue, outstanding: debito scoperto, outstanding debt; fattura scoperta, overdue invoice

◆ s.m.

1 outdoor place: dormire, essere allo scoperto, to sleep, to be outdoors; agire allo scoperto, to act openly

2 (banca) overdraft: scoperto bancario, bank overdraft; scoperto di conto corrente, current account overdraft; scoperto per mancanza di fondi, ( su assegno) no funds (o no effects); credito, debito allo scoperto, unsecured credit, debt; emissione allo scoperto, uncovered issue; commissione di massimo scoperto, maximum overdraft charge // (Borsa): allo scoperto, short; vendita allo scoperto, short sale; acquisto allo scoperto, bull purchase; vendere, comprare allo scoperto, to sell, to buy short; essere allo scoperto, to be short; andare in scoperto, to overdraw.

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1. pp

scoprire

2. agg

1) (pentola) uncovered, with the lid off, (macchina) open, (spalle, braccia) bare, uncovered, Mil exposed, without cover

2) Banca

3. sm

1)

2) Banca

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participio passato scoprire

1) [spalle, gambe] bare

2) (non chiuso) [vagone, auto] open; (senza protezione) [ filo elettrico] exposed, naked; [ nervo] raw, exposed

3) (vacante) [ posto] open, empty

4) econ. [ conto] uncovered, overdrawn, unbacked

sostantivo maschile

1) econ. (anche scoperto di conto) overdraft

2) allo scoperto into the open; fig.

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scoperto

/sko'pεrto/

I participio passato

 →  scoprire

II aggettivo

 1 [spalle, gambe] bare; a viso scoperto [ bandito] unmasked; a capo scoperto bareheaded; dorme tutto scoperto he sleeps without bedclothes

 2 (non chiuso) [vagone, auto] open; (senza protezione) [ filo elettrico] exposed, naked; [ nervo] raw, exposed

 3 (vacante) [ posto] open, empty

 4 econ. [ conto] uncovered, overdrawn, unbacked; assegno scoperto bad cheque; sono scoperto di 500 euro I'm 500 euro overdrawn

III sostantivo m.

 1 econ. (anche scoperto di conto) overdraft

 2 allo scoperto into the open; fig. agire allo scoperto to act openly; uscire allo scoperto to break cover, to come out into the open; vendere allo scoperto to sell short.

наду̀я,

наду̀вам гл.

1. inflate; swell; fill out; bloat; distend; ( платна) fill (out), swell; \надуя бузи blow/puff out o.’s cheeks; \надуя устни pout; ще надуеш бузите от такава храна such food will fill your cheeks out;

2. (муз. инструмент) blow;

3. прен. ( цена) run up, inflate; bull; разг. bump up, boost, jack up, hike (up); ( факти) exaggerate; overstate; • надува ме на смях/плач feel like laughing/crying; \надуя гайдата ( заплаквам) tune up, turn on the waterworks; стига вече, наду ми главата stop it! you’ve given me a headache;

\надуя се 1. swell (up); fill out; become inflated/bloated; (за платно) swell (out);

2. ( важнича) be puffed up, be swell-headed, put on airs, give o.s. airs, be stuck up (about s.th.), mount the high horse; swank; \надуя се като пуяк, \надуя се като петел на бунище be proud/vain as a peacock; стига си се надувал come off your high horse, come off your perch;

3. ( сърдя се) sulk, be cross/sulky (на with), be in the sulks; • надува ми се главата от четене read o.s. stupid.

(1802-1866)

   The third son of King João VI and of Dona Carlota Joaquina, Miguel was barely five years of age when he went to Brazil with the fleeing royal family. In 1821, with his mother and father, he returned to Portugal. Whatever the explanation for his actions, Miguel always took Carlota Joaquina's part in the subsequent political struggles and soon became the supreme hope of the reactionary, clerical, absolutist party against the constitutionalists and opposed any compromise with liberal constitutionalism or its adherents. He became not only the symbol but the essence of a kind of reactionary messianism in Portugal during more than two decades, as his personal fortunes of power and privilege rose and fell. With his personality imbued with traits of wildness, adventurism, and violence, Miguel enjoyed a life largely consumed in horseback riding, love affairs, and bull- fighting.

   After the independence of Brazil (1822), Miguel became the principal candidate for power of the Traditionalist Party, which was determined to restore absolutist royal power, destroy the constitution, and rule without limitation. Miguel was involved in many political conspiracies and armed movements, beginning in 1822 and including the coups known to history as the "Vila Francada" (1823) and the "Abrilada" (1824), which were directed against his father King João VI, in order to restore absolutist royal power. These coup conspiracies failed due to foreign intervention, and the king ordered Miguel dismissed from his posts and sent into exile. He remained in exile for four years. The death of King João VI in 1826 presented new opportunities in the absolutist party, however, and the dashing Dom Miguel remained their great hope for power.

   His older brother King Pedro IV, then emperor of Brazil, inherited the throne and wrote his own constitution, the Charter of 1826, which was to become the law of the land in Portugal. However, his daughter Maria, only seven, was too young to rule, so Pedro, who abdicated, put together an unusual deal. Until Maria reached her majority age, a regency headed by Princess Isabel Maria would rule Portugal. Dom Miguel would return from his Austrian exile and, when Maria reached her majority, Maria would marry her uncle Miguel and they would reign under the 1826 Charter. Miguel returned to Portugal in 1828, but immediately broke the bargain. He proclaimed himself an absolutist King, acclaimed by the usual (and last) Cortes of 1828; dispensed with Pedro's Charter; and ruled as an absolutist. Pedro's response was to abdicate the emperorship of Brazil, return to Portugal, defeat Miguel, and place his young daughter on the throne. In the civil war called the War of the Brothers (1831-34), after a seesaw campaign on land and at sea, Miguel's forces were defeated and he went into exile, never to return to Portugal.

SUBJECT AREA: Medical technology, Photography, film and optics

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At the age of 19 Marey went to Paris to study medicine, becoming particularly interested in the problems of the circulation of the blood. In an early communication to the Académie des Sciences he described a much improved device for recording the pulse, the sphygmograph, in which the beats were recorded on a smoked plate. Most of his subsequent work was concerned with methods of recording movement: to study the movement of the horse, he used pneumatic sensors on each hoof to record traces on a smoked drum; this device became known as the Marey recording tambour. His attempts to study the wing movements of a bird in flight in the same way met with limited success since the recording system interfered with free movement. Reading in 1878 of Muybridge's work in America using sequence photography to study animal movement, Marey considered the use of photography himself. In 1882 he developed an idea first used by the astronomer Janssen: a camera in which a series of exposures could be made on a circular photographic plate. Marey's "photographic gun" was rifle shaped and could expose twelve pictures in approximately one second on a circular plate. With this device he was able to study wing movements of birds in free flight. The camera was limited in that it could record only a small number of images, and in the summer of 1882 he developed a new camera, when the French government gave him a grant to set up a physiological research station on land provided by the Parisian authorities near the Porte d'Auteuil. The new design used a fixed plate, on which a series of images were recorded through a rotating shutter. Looking rather like the results provided by a modern stroboscope flash device, the images were partially superimposed if the subject was slow moving, or separated if it was fast. His human subjects were dressed all in white and moved against a black background. An alternative was to dress the subject in black, with highly reflective strips and points along limbs and at joints, to produce a graphic record of the relationships of the parts of the body during action. A one-second-sweep timing clock was included in the scene to enable the precise interval between exposures to be assessed. The fixed-plate cameras were used with considerable success, but the number of individual records on each plate was still limited. With the appearance of Eastman's Kodak roll-film camera in France in September 1888, Marey designed a new camera to use the long rolls of paper film. He described the new apparatus to the Académie des Sciences on 8 October 1888, and three weeks later showed a band of images taken with it at the rate of 20 per second. This camera and its subsequent improvements were the first true cinematographic cameras. The arrival of Eastman's celluloid film late in 1889 made Marey's camera even more practical, and for over a decade the Physiological Research Station made hundreds of sequence studies of animals and humans in motion, at rates of up to 100 pictures per second. Marey pioneered the scientific study of movement using film cameras, introducing techniques of time-lapse, frame-by-frame and slow-motion analysis, macro-and micro-cinematography, superimposed timing clocks, studies of airflow using smoke streams, and other methods still in use in the 1990s. Appointed Professor of Natural History at the Collège de France in 1870, he headed the Institut Marey founded in 1898 to continue these studies. After Marey's death in 1904, the research continued under the direction of his associate Lucien Bull, who developed many new techniques, notably ultra-high-speed cinematography.

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See also: Demenÿ, Georges

BC / MG