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121 mechanics
1) (the science of the action of forces on objects: He is studying mechanics.) mecânica2) (the art of building machines: He applied his knowledge of mechanics to designing a new wheelchair.) mecânica -
122 Bessemer, Sir Henry
SUBJECT AREA: Metallurgy[br]b. 19 January 1813 Charlton (near Hitchin), Hertfordshire, Englandd. 15 January 1898 Denmark Hill, London, England[br]English inventor of the Bessemer steelmaking process.[br]The most valuable part of Bessemer's education took place in the workshop of his inventor father. At the age of only 17 he went to London to seek his fortune and set himself up in the trade of casting art works in white metal. He went on to the embossing of metals and other materials and this led to his first major invention, whereby a date was incorporated in the die for embossing seals, thus preventing the wholesale forgeries that had previously been committed. For this, a grateful Government promised Bessemer a paid position, a promise that was never kept; recognition came only in 1879 with a belated knighthood. Bessemer turned to other inventions, mainly in metalworking, including a process for making bronze powder and gold paint. After he had overcome technical problems, the process became highly profitable, earning him a considerable income during the forty years it was in use.The Crimean War presented inventors such as Bessemer with a challenge when weaknesses in the iron used to make the cannon became apparent. In 1856, at his Baxter House premises in St Paneras, London, he tried fusing cast iron with steel. Noticing the effect of an air current on the molten mixture, he constructed a reaction vessel or converter in which air was blown through molten cast iron. There was a vigorous reaction which nearly burned the house down, and Bessemer found the iron to be almost completely decarburized, without the slag threads always present in wrought iron. Bessemer had in fact invented not only a new process but a new material, mild steel. His paper "On the manufacture of malleable iron and steel without fuel" at the British Association meeting in Cheltenham later that year created a stir. Bessemer was courted by ironmasters to license the process. However, success was short-lived, for they found that phosphorus in the original iron ore passed into the metal and rendered it useless. By chance, Bessemer had used in his trials pig-iron, derived from haematite, a phosphorus-free ore. Bessemer tried hard to overcome the problem, but lacking chemical knowledge he resigned himself to limiting his process to this kind of pig-iron. This limitation was removed in 1879 by Sidney Gilchrist Thomas, who substituted a chemically basic lining in the converter in place of the acid lining used by Bessemer. This reacted with the phosphorus to form a substance that could be tapped off with the slag, leaving the steel free from this harmful element. Even so, the new material had begun to be applied in engineering, especially for railways. The open-hearth process developed by Siemens and the Martin brothers complemented rather than competed with Bessemer steel. The widespread use of the two processes had a revolutionary effect on mechanical and structural engineering and earned Bessemer around £1 million in royalties before the patents expired.[br]Principal Honours and DistinctionsKnighted 1879. FRS 1879. Royal Society of Arts Albert Gold Medal 1872.Bibliography1905, Sir Henry Bessemer FRS: An Autobiography, London.LRD -
123 Breuer, Marcel Lajos
[br]b. 22 May 1902 Pécs, Hungaryd. 1 July 1981 New York (?), USA[br]Hungarian member of the European Bauhaus generation in the 1920s, who went on to become a leader in the modern school of architectural and furniture design in Europe and the United States.[br]Breuer began his student days following an art course in Vienna, but joined the Bauhaus at Weimar, where he later graduated, in 1920. When Gropius re-established the school in purpose-built structures at Dessau, Breuer became a member of the teaching staff in charge of the carpentry and furniture workshops. Much of his time there was spent in design and research into new materials being applied to furniture and interior decoration. The essence of his contribution was to relate the design of furniture to industrial production; in this field he developed the tubular-steel structure, especially in chair design, and experimented with aluminium as a furniture material as well as pieces of furniture made up from modular units. His furniture style was characterized by an elegance of line and a careful avoidance of superfluous detail. By 1926 he had furnished the Bauhaus with such furniture in chromium-plated steel, and two years later had developed a cantilevered chair.Breuer left the Bauhaus in 1928 and set up an architectural practice in Berlin. In the early 1930s he also spent some time in Switzerland. Notable from these years was his Harnischmacher Haus in Wiesbaden and his apartment buildings in the Dolderthal area of Zurich. His architectural work was at first influenced by constructivism, and then by that of Le Corbusier (see Charles-Edouard Jeanneret). In 1935 he moved to England, where in partnership with F.R.S. Yorke he built some houses and continued to practise furniture design. The Isokon Furniture Co. commissioned him to develop ideas that took advantage of the new bending and moulding processes in laminated wood, one result being his much-copied reclining chair.In 1937, like so many of the European architectural refugees from Nazism, he found himself under-occupied due to the reluctance of English clients to embrace the modern architectural movement. He went to the United States at Gropius's invitation to join him as a professor at Harvard. Breuer and Gropius were influential in training a new generation of American architects, and in particular they built a number of houses. This partnership ended in 1941 and Breuer set up practice in New York. His style of work from this time on was still modern, but became more varied. In housing, he adapted his style to American needs and used local materials in a functional manner. In the Whitney Museum (1966) he worked in a sculptural, granite-clad style. Often he utilized a bold reinforced-concrete form, as in his collaboration with Pier Luigi Nervi and Bernard Zehrfuss in the Paris UNESCO Building (1953–8) and the US Embassy in the Hague (1954–8). He displayed his masterly handling of poured concrete used in a strikingly expressionistic, sculptural manner in his St John's Abbey (1953–61) in Collegeville, Minnesota, and in 1973 his Church of St Francis de Sale in Michigan won him the top award of the American Institute of Architects.[br]Principal Honours and DistinctionsAmerican Institute of Architects Medal of Honour 1964, Gold Medal 1968. Jefferson Foundation Medal 1968.Bibliography1955, Sun and Shadow, the Philosophy of an Architect, New York: Dodd Read (autobiography).Further ReadingC.Jones (ed.), 1963, Marcel Breuer: Buildings and Projects 1921–1961, New York: Praeger.T.Papachristou (ed.), 1970, Marcel Breuer: New Buildings and Projects 1960–1970, New York: Praeger.DY -
124 Gropius, Walter Adolf
SUBJECT AREA: Architecture and building[br]b. 18 May 1883 Berlin, Germanyd. 5 July 1969 Boston, USA[br]German co-founder of the modern movement of architecture.[br]A year after he began practice as an architect, Gropius was responsible for the pace-setting Fagus shoe-last factory at Alfeld-an-der-Leine in Germany, one of the few of his buildings to survive the Second World War. Today the building does not appear unusual, but in 1911 it was a revolutionary prototype, heralding the glass curtain walled method of non-load-bearing cladding that later became ubiquitous. Made from glass, steel and reinforced concrete, this factory initiated a new concept, that of the International school of modern architecture.In 1919 Gropius was appointed to head the new School of Art and Design at Weimar, the Staatliches Bauhaus. The school had been formed by an amalgamation of the Grand Ducal schools of fine and applied arts founded in 1906. Here Gropius put into practice his strongly held views and he was so successful that this small college, which trained only a few hundred students in the limited years of its existence, became world famous, attracting artists, architects and students of quality from all over Europe.Gropius's idea was to set up an institution where students of all the arts and crafts could work together and learn from one another. He abhorred the artificial barriers that had come to exist between artists and craftsmen and saw them all as interdependent. He felt that manual dexterity was as essential as creative design. Every Bauhaus student, whatever the individual's field of work or talent, took the same original workshop training. When qualified they were able to understand and supervise all the aesthetic and constructional processes that made up the scope of their work.In 1924, because of political changes, the Weimar Bauhaus was closed, but Gropius was invited to go to Dessau to re-establish it in a new purpose-built school which he designed. This group of buildings became a prototype that designers of the new architectural form emulated. Gropius left the Bauhaus in 1928, only a few years before it was finally closed due to the growth of National Socialism. He moved to England in 1934, but because of a lack of architectural opportunities and encouragement he continued on his way to the USA, where he headed the Department of Architecture at Harvard University's Graduate School of Design from 1937 to 1952. After his retirement from there Gropius formed the Architect's Collaborative and, working with other architects such as Marcel Breuer and Pietro Belluschi, designed a number of buildings (for example, the US Embassy in Athens (1960) and the Pan Am Building in New York (1963)).[br]Bibliography1984, Scope of Total Architecture, Allen \& Unwin.Further ReadingN.Pevsner, 1936, Pioneers of the Modern Movement: From William Morris to Walter Gropius, Penguin.C.Jenck, 1973, Modern Movements in Architecture, Penguin.H.Probst and C.Shädlich, 1988, Walter Gropius, Berlin: Ernst \& Son.DY -
125 Seguin, Marc
[br]b. 20 April 1786 Annonay, Ardèche, Franced. 24 February 1875 Annonay, Ardèche, France[br]French engineer, inventor of multi-tubular firetube boiler.[br]Seguin trained under Joseph Montgolfier, one of the inventors of the hot-air balloon, and became a pioneer of suspension bridges. In 1825 he was involved in an attempt to introduce steam navigation to the River Rhône using a tug fitted with a winding drum to wind itself upstream along a cable attached to a point on the bank, with a separate boat to transfer the cable from point to point. The attempt proved unsuccessful and was short-lived, but in 1825 Seguin had decided also to seek a government concession for a railway from Saint-Etienne to Lyons as a feeder of traffic to the river. He inspected the Stockton \& Darlington Railway and met George Stephenson; the concession was granted in 1826 to Seguin Frères \& Ed. Biot and two steam locomotives were built to their order by Robert Stephenson \& Co. The locomotives were shipped to France in the spring of 1828 for evaluation prior to construction of others there; each had two vertical cylinders, one each side between front and rear wheels, and a boiler with a single large-diameter furnace tube, with a watertube grate. Meanwhile, in 1827 Seguin, who was still attempting to produce a steamboat powerful enough to navigate the fast-flowing Rhône, had conceived the idea of increasing the heating surface of a boiler by causing the hot gases from combustion to pass through a series of tubes immersed in the water. He was soon considering application of this type of boiler to a locomotive. He applied for a patent for a multi-tubular boiler on 12 December 1827 and carried out numerous experiments with various means of producing a forced draught to overcome the perceived obstruction caused by the small tubes. By May 1829 the steam-navigation venture had collapsed, but Seguin had a locomotive under construction in the workshops of the Lyons-Sain t- Etienne Railway: he retained the cylinder layout of its Stephenson locomotives, but incorporated a boiler of his own design. The fire was beneath the barrel, surrounded by a water-jacket: a single large flue ran towards the front of the boiler, whence hot gases returned via many small tubes through the boiler barrel to a chimney above the firedoor. Draught was provided by axle-driven fans on the tender.Seguin was not aware of the contemporary construction of Rocket, with a multi-tubular boiler, by Robert Stephenson; Rocket had its first trial run on 5 September 1829, but the precise date on which Seguin's locomotive first ran appears to be unknown, although by 20 October many experiments had been carried out upon it. Seguin's concept of a multi-tubular locomotive boiler therefore considerably antedated that of Henry Booth, and his first locomotive was completed about the same date as Rocket. It was from Rocket's boiler, however, rather than from that of Seguin's locomotive, that the conventional locomotive boiler was descended.[br]BibliographyFebruary 1828, French patent no. 3,744 (multi-tubular boiler).1839, De l'Influence des chemins de fer et de l'art de les tracer et de les construire, Paris.Further ReadingF.Achard and L.Seguin, 1928, "Marc Seguin and the invention of the tubular boiler", Transactions of the Newcomen Society 7 (traces the chronology of Seguin's boilers).——1928, "British railways of 1825 as seen by Marc Seguin", Transactions of the Newcomen Society 7.J.B.Snell, 1964, Early Railways, London: Weidenfeld \& Nicolson.J.-M.Combe and B.Escudié, 1991, Vapeurs sur le Rhône, Lyons: Presses Universitaires de Lyon.PJGR -
126 Varian, Russell Harrison
[br]b. 24 April 1898 Washington, DC, USAd. 28 July 1959 Juneau, Alaska, USA[br]American physicist who, with his brother Sigurd Varian and others, developed the klystron.[br]After attending schools in Palo Alto and Halcyon, Russell Varian went to Stanford University, gaining his BA in 1925 and his MA in 1927 despite illness and being dyslexic. His family being in need of financial help, he first worked for six months for Bush Electric in San Francisco and then for an oil company in Texas, returning to San Francisco in 1930 to join Farnsworth's Television Laboratory. After a move to Philadelphia, in 1933 the laboratory closed and Russell tried to take up a PhD course at Stanford but was rejected, so he trained as a teacher. However, although he did some teaching at Stanford it was not to be his career, for in 1935 he joined his brothers Sigurd and Eric in the setting up of a home laboratory.There, with William Hansen, a former colleague of Russell's at Stanford, they worked on the development of microwave oscillators, based on some of the latter's ideas. By 1937 they had made sufficient progress on an electron velocity-bunching tube, which they called the klystron, to obtain an agreement with the university to provide laboratory facilities in return for a share of any proceeds. By August that year they were able to produce continuous power at a wavelength of 13 cm. Clearly needing greater resources to develop and manufacture the tube, and with a possible war looming, a deal was struck with the Sperry Gyroscope Company to finance the work, which was transferred to the East Coast.In 1946, after the death of his first wife, Russell returned to Palo Alto, and in 1948 the brothers and Hansen founded Varian Associates to make microwave tubes for transmitters and linear accelerators and nuclear magnetic-resonance detectors. Subsequent research also resulted in the development of a satellite-borne magnetometer for measuring the earth's magnetic field.[br]Principal Honours and DistinctionsHonorary DSc Brooklyn Polytechnic Institute 1943. Franklin Institute Medal.Bibliography1939, with S.F.Varian, "High frequency oscillator and amplifier", Journal of Applied Physics 10:321 (describes the klystron).Further ReadingJ.R.Pierce, 1962, "History of the microwave tube art", Proceedings of the Institute of Radio Engineers 979 (provides background to development of the klystron).D.Varian, 1983, The Inventor and the Pilot (biographies of the brothers).See also: Varian, Sigurd FergusKFBiographical history of technology > Varian, Russell Harrison
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127 Varian, Sigurd Fergus
[br]b. 4 May 1901 Syracuse, New York, USAd. 18 October 1961 Puerto Vallarta, Mexico[br]American electrical engineer who, with his brother Russell, developed the klystron microwave tube.[br]Sigurd Varian left school in 1920 and entered California Polytechnic to study engineering, but he soon dropped out and trained as an electrician, taking up employment with the Southern Californian Edison Company. As a result of working on an airfield he developed an interest in flying. He took lessons and in 1924 bought a First World War biplane and became a "barnstorming" pilot, giving flying displays and joy-rides, etc., to earn his living. Beset by several prolonged bouts of tuberculosis, he used his periods of recuperation to study aerial navigation and to devise navigation instruments. In 1929 he took a permanent job as a pilot for Pan American in Mexico, but in 1935 he went to California to work on electron tubes with his younger brother, Eric. They were soon joined by Russell, and with William Hansen they developed the klystron. For details of this part of his life and the founding of Varian Associates, see under Russell Varian. In later years, his health increasingly poor, he lived in semi-retirement in Mexico, where he died in a plane crash while flying himself home.[br]Principal Honours and DistinctionsFranklin Institute Medal.Bibliography1939, with R.S.Varian, "High frequency oscillator and amplifier", Journal of Applied Physics 10:321 (describes the klystron).Further ReadingJ.R.Pierce, 1962, "History of the microwave tube art", Proceedings of the Institute of Radio Engineers 979 (provides background to development of the klystron).D.Varian, 1983, The Inventor and the Pilot (biographies of the brothers).KF
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