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anglo-ˈgerman

  • 101 spang

    thin plate of metal, spangle; from Norse spo$$'ng, g. spangar, a spangle, Middle English spang, now spangle, Anglo-Saxon spange, a clasp, German spange, buckle.

    Etymological dictionary of the Gaelic language > spang

  • 102 stòl

    a stool, settle, Irish stól, Welsh ystôl; from Anglo-Saxon stól, now stool, Norse stóll, German stuhl. Hence vb. stòl, settle.

    Etymological dictionary of the Gaelic language > stòl

  • 103 strì

    strife, contention; from Norse stríð, Anglo-Saxon stríð, German streit.

    Etymological dictionary of the Gaelic language > strì

  • 104 tìde

    time; from Icel. tíð, Scottish, English tide, Anglo-Saxon tíd, German zeit.

    Etymological dictionary of the Gaelic language > tìde

  • 105 tolm

    a hillock of round form; from Norse hólmr, a holm, islet, "inch", Scottish holm, English holm, Anglo-Saxon holm, mound, billow, German holm, hill.

    Etymological dictionary of the Gaelic language > tolm

  • 106 tunna

    a tun, ton, Irish, Early Irish tunna; Anglo-Saxon tunne, Middle English tonne, Norse tunna, German tonne; all from Latin tunna, a cask. Stokes (Bez.Beit.$$+18), suggests borrowing from the Norse; Kluge regards the words as of Celtic origin. On this See ++tonn.

    Etymological dictionary of the Gaelic language > tunna

  • 107 D

    D, d (n. indecl., sometimes f. sc. littera), the flat dental mute, corresponding in character and sound to the English d and the Greek D, was the fourth letter of the Latin alphabet, and was called de: Ter. Maur. p. 2385 P., Auson. Idyll. 12, de Litt. Monos. 14. But at the end of a syllable, or after another consonant, its sound was sharpened, so that the grammarians often discuss the question whether d or t should be written, especially in conjunctions and prepositions. Illa quoque servata est a multis differentia, ut ad cum esset praepositio, d litteram, cum autem conjunctio, t acciperet (Quint. 1, 7, 5; cf. id. 1, 4, 16). Hence we may infer that some disputed this distinction, and that the sounds of ad and at must at least have been very similar (cf. also Terent. Scaur. p. 2250, Vel. Long. p. 2230 sq., Cassiod. p. 2287, 2291). Thus also aput, it, quit, quot, aliut, set, haut are found for apud, id, quid, quod, aliud, sed, haud. It would appear from the remarks of these authors that the last two words in particular, having a proclitic character, while they distinctly retained the d sound before an initial vowel in the following word, were pronounced before a consonant almost as set, haut (Mar. Vict. p. 2462 P., Vel. Long. l. l. v. Corss. Ausspr. 1, 191 sq.). The use of t for d in the middle of a word, as Alexenter for Alexander, atnato for adnato, is very rare (cf. Wordsworth, Fragm. p. 486 sq.). On the other hand, the use of d for t, which sometimes appears in MSS. and inscrr., as ed, capud, essed, inquid (all of which occur in the Cod. palimps. of Cic. Rep.), adque, quodannis, sicud, etc., fecid, reliquid, etc. (all in inscriptions after the Augustan period), is to be ascribed to a later phonetic softening (cf. Corss. Ausspr. 1, 191 sq.).
    II.
    As an initial, the letter d, in pure Latin words, suffers only a vowel after it; the single consonantal compound dr being found only in borrowed words, such as drama, Drusus, Druidae, etc., and in the two onomatopees drenso and drindio. Accordingly, the d of the initial dv, from du, was rejected, and the remaining v either retained unaltered (as in v iginti for du iginti; cf. triginta) or changed into b (as in b ellum, b is, b onus, for du ellum, du is, du onus; v. those words and the letter B). So too in and after the 4th century A.D., di before vowels was pronounced like j (cf. J ovis for Dj ovis, and J anus for Di anus); and hence, as the Greek di ( di) passed into dz, i. e. z (as in z a for d ia, and z eta for di aeta), we sometimes find the same name written in two or three ways, as Diabolenus, Jabolenus, Zabolenus; Jadera, Diadora, Zara. In many Greek words, however, which originally began with a y sound, d was prefixed by an instinctive effort to avoid a disagreeable utterance, just as in English the initial j has regularly assumed the sound of dj: thus Gr. zugon, i. e. diugon = L. jugum; and in such cases the d sound has been prefixed in Greek, not lost in Latin and other languages (v. Curt. Griech. Etym. p. 608 sq.).b. As a medial, d before most consonants undergoes assimilation; v. ad, no. II.; assum, init., and cf. iccirco, quippiam, quicquam, for idcirco, quidpiam, quidquam; and in contractions like cette from cedite, pelluviae from pediluviae, sella from sedela. In contractions, however, the d is sometimes dropped and a compensation effected by lengthening the preceding vowel, as scāla for scand-la. D before endings which begin with s was suppressed, as pes from ped-s, lapis from lapid-s, frons from frond-s, rasi from radsi, risi from rid-si, lusi from lud-si, clausi from claud-si; but in the second and third roots of cedo, and in the third roots of some other verbs, d is assimilated, as cessi, cessum, fossum, etc. D is also omitted before s in composition when another consonant follows the s, as ascendo, aspicio, asto, astringo, and so also before the nasal gn in agnatus, agnitus, and agnosco, from gnatus, etc.: but in other combinations it is assimilated, as assentio, acclamo, accresco; affligo, affrico; agglomero, aggrego; applico, approbo, etc. In tentum, from tendo, d is dropped to avoid the combination ndt or ntt, since euphony forbids a consonant to be doubled after another.g. Final d stood only in ad, apud, sed, and in the neuter pronouns quid, quod, illud, istud, and aliud, anciently alid. Otherwise, the ending d was considered barbarous, Prisc. p. 686 P.
    III.
    The letter d represents regularly an original Indo-Germanic d, in Greek d, but which in German becomes z, in Gothic t, and in Anglo-Saxon t: cf. Gr. hêdomai, Sanscr. svad, Germ. süss, Angl.-Sax. svēte (sweet), with Lat. suadeo; domare with Gr. damaô, Germ. zähmen, Eng. tame; domus with demô, timber, O. H. Germ. zimber; duo with duô, zwei, two. But it is also interchanged with other sounds, and thus sometimes represents—
    1.
    An original t: mendax from mentior; quadraginta, quadra, etc., from quatuor.—
    2.
    An original r: ar and ad; apur or apor and apud; meridies and medidies, audio and auris; cf. arbiter, from ad-beto; arcesso for ad-cesso.—
    3.
    An original l: adeps, Gr. aleipha; dacrima and lacrima, dingua and lingua; cf. on the contrary, olere for odere, consilium and considere, Ulixes from Odusseus (v. Corss. Ausspr. 1, 223).—
    4.
    An original s: Claudius, from the Sabine Clausus, medius and misos; and, on the contrary, rosa and rhodon. —
    5.
    A Greek th: fides, pistis; gaudere, gêtheô; vad-i-monium (from va-d-s, vadis), aethlon.
    IV.
    In the oldest period of the language d was the ending of the ablat. sing. and of the adverbs which were originally ablatives (cf. Ritschl, Neue Plaut. Excur. I.; Brix ad Plaut. Trin. Prol. 10): pu CNANDO, MARID, DICTATORED, IN ALTOD MARID, NAVALED PRAEDAD on the Col. Rostr.; DE SENATVOS SENTENTIAD (thrice) IN OQVOLTOD, IN POPLICOD, IN PREIVATOD, IN COVENTIONID, and the adverbs SVPRAD SCRIPTVM EST (thrice), EXSTRAD QVAM SEI, and even EXSTRAD VRBEM, in S. C. de Bacch. So intra-d, ultra-d, citra-d, contra-d, infra-d, supra-d; contro-d, intro-d, etc.; and probably interea-d, postea-d. Here too belongs, no doubt, the adverb FACILVMED, found in the last-mentioned inscription. But this use of the d became antiquated during the 3d century B.C., and is not found at all in any inscription after 186 B. C. Plautus seems to have used or omitted it at will (Ritschl, Neue Plaut. Excurs. p. 18: Corss. Ausspr. 1, 197; 2, 1008).
    2.
    D final was also anciently found—
    a.
    In the accus. sing. of the personal pronouns med, ted, sed: INTER SED CONIOVRASE and INTER SED DEDISE, for inter se conjuravisse and inter se dedisse, in the S. C. de Bacch. This usage was retained, at least as a license of verse, when the next word began with a vowel, even in the time of Plautus. But in the classic period this d no longer appears. —
    b.
    In the imperative mood;

    as estod,

    Fest. p. 230. The Oscan language retained this ending (v. Corss. Ausspr. 1, 206).—
    c.
    In the preposition se-, originally identical with the conjunction sed (it is retained in the compound seditio); also in red-, prod-, antid-, postid-, etc. ( redire, prodire, etc.); and in these words, too, it is a remnant of the ancient characteristic of the ablative (v. Corss. Ausspr. 1, 200 sq.; Roby, Lat. Gr. 1, 49).
    V.
    As an abbreviation, D usually stands for the praenomen Decimus; also for Deus, Divus, Dominus, Decurio, etc.; over epitaphs, D. M. = Diis Manibus; over temple inscriptions, D. O. M. = Deo Optimo Maxumo; in the titles of the later emperors, D. N. = Dominus Noster, and DD. NN. = Domini Nostri. Before dates of letters, D signified dabam, and also dies; hence, a. d. = ante diem; in offerings to the gods, D. D. = dono or donum dedit; D. D. D. = dat, dicat, dedicat, etc. Cf. Orell. Inscr. II. p. 457 sq.
    The Romans denoted the number 500 by D; but the character was then regarded, not as a letter, but as half of the original Tuscan numeral (or CI[C ]) for 1000.

    Lewis & Short latin dictionary > D

  • 108 d

    D, d (n. indecl., sometimes f. sc. littera), the flat dental mute, corresponding in character and sound to the English d and the Greek D, was the fourth letter of the Latin alphabet, and was called de: Ter. Maur. p. 2385 P., Auson. Idyll. 12, de Litt. Monos. 14. But at the end of a syllable, or after another consonant, its sound was sharpened, so that the grammarians often discuss the question whether d or t should be written, especially in conjunctions and prepositions. Illa quoque servata est a multis differentia, ut ad cum esset praepositio, d litteram, cum autem conjunctio, t acciperet (Quint. 1, 7, 5; cf. id. 1, 4, 16). Hence we may infer that some disputed this distinction, and that the sounds of ad and at must at least have been very similar (cf. also Terent. Scaur. p. 2250, Vel. Long. p. 2230 sq., Cassiod. p. 2287, 2291). Thus also aput, it, quit, quot, aliut, set, haut are found for apud, id, quid, quod, aliud, sed, haud. It would appear from the remarks of these authors that the last two words in particular, having a proclitic character, while they distinctly retained the d sound before an initial vowel in the following word, were pronounced before a consonant almost as set, haut (Mar. Vict. p. 2462 P., Vel. Long. l. l. v. Corss. Ausspr. 1, 191 sq.). The use of t for d in the middle of a word, as Alexenter for Alexander, atnato for adnato, is very rare (cf. Wordsworth, Fragm. p. 486 sq.). On the other hand, the use of d for t, which sometimes appears in MSS. and inscrr., as ed, capud, essed, inquid (all of which occur in the Cod. palimps. of Cic. Rep.), adque, quodannis, sicud, etc., fecid, reliquid, etc. (all in inscriptions after the Augustan period), is to be ascribed to a later phonetic softening (cf. Corss. Ausspr. 1, 191 sq.).
    II.
    As an initial, the letter d, in pure Latin words, suffers only a vowel after it; the single consonantal compound dr being found only in borrowed words, such as drama, Drusus, Druidae, etc., and in the two onomatopees drenso and drindio. Accordingly, the d of the initial dv, from du, was rejected, and the remaining v either retained unaltered (as in v iginti for du iginti; cf. triginta) or changed into b (as in b ellum, b is, b onus, for du ellum, du is, du onus; v. those words and the letter B). So too in and after the 4th century A.D., di before vowels was pronounced like j (cf. J ovis for Dj ovis, and J anus for Di anus); and hence, as the Greek di ( di) passed into dz, i. e. z (as in z a for d ia, and z eta for di aeta), we sometimes find the same name written in two or three ways, as Diabolenus, Jabolenus, Zabolenus; Jadera, Diadora, Zara. In many Greek words, however, which originally began with a y sound, d was prefixed by an instinctive effort to avoid a disagreeable utterance, just as in English the initial j has regularly assumed the sound of dj: thus Gr. zugon, i. e. diugon = L. jugum; and in such cases the d sound has been prefixed in Greek, not lost in Latin and other languages (v. Curt. Griech. Etym. p. 608 sq.).b. As a medial, d before most consonants undergoes assimilation; v. ad, no. II.; assum, init., and cf. iccirco, quippiam, quicquam, for idcirco, quidpiam, quidquam; and in contractions like cette from cedite, pelluviae from pediluviae, sella from sedela. In contractions, however, the d is sometimes dropped and a compensation effected by lengthening the preceding vowel, as scāla for scand-la. D before endings which begin with s was suppressed, as pes from ped-s, lapis from lapid-s, frons from frond-s, rasi from radsi, risi from rid-si, lusi from lud-si, clausi from claud-si; but in the second and third roots of cedo, and in the third roots of some other verbs, d is assimilated, as cessi, cessum, fossum, etc. D is also omitted before s in composition when another consonant follows the s, as ascendo, aspicio, asto, astringo, and so also before the nasal gn in agnatus, agnitus, and agnosco, from gnatus, etc.: but in other combinations it is assimilated, as assentio, acclamo, accresco; affligo, affrico; agglomero, aggrego; applico, approbo, etc. In tentum, from tendo, d is dropped to avoid the combination ndt or ntt, since euphony forbids a consonant to be doubled after another.g. Final d stood only in ad, apud, sed, and in the neuter pronouns quid, quod, illud, istud, and aliud, anciently alid. Otherwise, the ending d was considered barbarous, Prisc. p. 686 P.
    III.
    The letter d represents regularly an original Indo-Germanic d, in Greek d, but which in German becomes z, in Gothic t, and in Anglo-Saxon t: cf. Gr. hêdomai, Sanscr. svad, Germ. süss, Angl.-Sax. svēte (sweet), with Lat. suadeo; domare with Gr. damaô, Germ. zähmen, Eng. tame; domus with demô, timber, O. H. Germ. zimber; duo with duô, zwei, two. But it is also interchanged with other sounds, and thus sometimes represents—
    1.
    An original t: mendax from mentior; quadraginta, quadra, etc., from quatuor.—
    2.
    An original r: ar and ad; apur or apor and apud; meridies and medidies, audio and auris; cf. arbiter, from ad-beto; arcesso for ad-cesso.—
    3.
    An original l: adeps, Gr. aleipha; dacrima and lacrima, dingua and lingua; cf. on the contrary, olere for odere, consilium and considere, Ulixes from Odusseus (v. Corss. Ausspr. 1, 223).—
    4.
    An original s: Claudius, from the Sabine Clausus, medius and misos; and, on the contrary, rosa and rhodon. —
    5.
    A Greek th: fides, pistis; gaudere, gêtheô; vad-i-monium (from va-d-s, vadis), aethlon.
    IV.
    In the oldest period of the language d was the ending of the ablat. sing. and of the adverbs which were originally ablatives (cf. Ritschl, Neue Plaut. Excur. I.; Brix ad Plaut. Trin. Prol. 10): pu CNANDO, MARID, DICTATORED, IN ALTOD MARID, NAVALED PRAEDAD on the Col. Rostr.; DE SENATVOS SENTENTIAD (thrice) IN OQVOLTOD, IN POPLICOD, IN PREIVATOD, IN COVENTIONID, and the adverbs SVPRAD SCRIPTVM EST (thrice), EXSTRAD QVAM SEI, and even EXSTRAD VRBEM, in S. C. de Bacch. So intra-d, ultra-d, citra-d, contra-d, infra-d, supra-d; contro-d, intro-d, etc.; and probably interea-d, postea-d. Here too belongs, no doubt, the adverb FACILVMED, found in the last-mentioned inscription. But this use of the d became antiquated during the 3d century B.C., and is not found at all in any inscription after 186 B. C. Plautus seems to have used or omitted it at will (Ritschl, Neue Plaut. Excurs. p. 18: Corss. Ausspr. 1, 197; 2, 1008).
    2.
    D final was also anciently found—
    a.
    In the accus. sing. of the personal pronouns med, ted, sed: INTER SED CONIOVRASE and INTER SED DEDISE, for inter se conjuravisse and inter se dedisse, in the S. C. de Bacch. This usage was retained, at least as a license of verse, when the next word began with a vowel, even in the time of Plautus. But in the classic period this d no longer appears. —
    b.
    In the imperative mood;

    as estod,

    Fest. p. 230. The Oscan language retained this ending (v. Corss. Ausspr. 1, 206).—
    c.
    In the preposition se-, originally identical with the conjunction sed (it is retained in the compound seditio); also in red-, prod-, antid-, postid-, etc. ( redire, prodire, etc.); and in these words, too, it is a remnant of the ancient characteristic of the ablative (v. Corss. Ausspr. 1, 200 sq.; Roby, Lat. Gr. 1, 49).
    V.
    As an abbreviation, D usually stands for the praenomen Decimus; also for Deus, Divus, Dominus, Decurio, etc.; over epitaphs, D. M. = Diis Manibus; over temple inscriptions, D. O. M. = Deo Optimo Maxumo; in the titles of the later emperors, D. N. = Dominus Noster, and DD. NN. = Domini Nostri. Before dates of letters, D signified dabam, and also dies; hence, a. d. = ante diem; in offerings to the gods, D. D. = dono or donum dedit; D. D. D. = dat, dicat, dedicat, etc. Cf. Orell. Inscr. II. p. 457 sq.
    The Romans denoted the number 500 by D; but the character was then regarded, not as a letter, but as half of the original Tuscan numeral (or CI[C ]) for 1000.

    Lewis & Short latin dictionary > d

  • 109 A Portuguesa

       The official Portuguese national anthem since 1911. A Portuguesa, which means "The Portuguese Woman," refers to the historical symbolic female figure or "Lady Republic," a Portuguese woman who wears republican garb, including a republican banner or flag and a Phrygian bonnet. The concept and name were modeled on the similar figure from the French Revolution of 1789, and the name of the French national anthem, "The Woman from Marseilles," and republican symbols from France's Third Republic. Under the constitutional monarchy, the national anthem was called "The Hymn of the Charter," referring to the 1826 Charter or constitution drafted by Emperor Pedro I of Brazil or Pedro IV of Portugal to replace the controversial 1822 Constitution.
        A Portuguesa was composed during the popular frenzy and outcry generated by the English Ultimatum crisis of January 1890. Portugal capitulated to an English ultimatum presented to Lisbon by London during an Anglo-Portuguese conflict over possession of territory in central-east Africa. Intense feelings of patriotism, nationalism, and xenophobia were generated in the wake of the Lisbon government's capitulation and its subsequent resignation from office. Inspired by the popular reaction to this incident, Alfredo Keil, a Portuguese musician and opera composer of German descent, wrote the music for A Portuguesa, whose melody bears a slight resemblance to that of the stirring Internationale. The sentimental, bellicose lyrics were written by Keil's friend, Lopes de Mendonça.
       During the remaining years of the waning monarchy, A Portuguesa was sung as a rallying cry by republican partisans who wished to abolish the monarchy. The song's spirit is not only nationalistic, but is imbued with an imperative of Portuguese national revival in order to remind the people of their greatness of centuries ago. After the First Republic replaced the monarchy, the republic's Constituent Assembly adopted A Portuguesa as the country's national anthem in June 1911, and it has remained so ever since. The first verse with chorus imparts the spirit of the entire patriotic message of the anthem:
       Heroes of the sea, noble race
       valiant and immortal nation,
       now is the hour to raise up on high once more
       Portugal's splendor.
       From out of the mists of memory,
       of Homeland, we hear the voices
       of your great forefathers
       that shall lead you on to victory!
        Chorus:
       To arms, to arms
       on land and sea!
       To arms, to arms
       to fight for our Homeland!
       To march against the enemy guns!

    Historical dictionary of Portugal > A Portuguesa

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