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1 Alaska
A dress fabric made 2 X 2 twill weave from mixed yarns, 56-in. finished, 48 X 48 per inch, 2/30's worsted counts warp and weft. The yarns arc cotton and wool mixed, about 30 to 40 per cent wool. A cheap fabric. Fig. 1 shows the weave. In Fig. 2, C is shown the design, and A in Fig. 1 is an enlarged plan of the 8-ends and 4 picks in C. B gives a section view of the first pick
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2 Alaska Yarn
This term is given to the yarn spun from a mixture of wool and cotton. The wool is combed. Used for Alaska dress fabrics. -
3 Chilkaht Blanket
Woven by the Chilkaht Indians in Alaska from the hair of the mountain goat. The colours are yellow, black, white, blue and red, usually with a black border around. The blanket has a deep fringe at the bottom and a narrow one at the sides. The designs usually consist of eyes and faces. They are among the most beautiful fabrics woven by the Indians and are so gorgeous that they are used for ceremonial purposes. -
4 Thlinket Blanket
Blanket made by the Alaska Indians of the hair of the white mountain goat, the warp is a mixture of wool and fibres from the cedar tree bark twisted together. -
5 Morse, Samuel Finley Breeze
SUBJECT AREA: Telecommunications[br]b. 27 April 1791 Charlestown, Massachusetts, USAd. 2 April 1872 New York City, New York, USA[br]American portrait painter and inventor, b est known for his invention of the telegraph and so-called Morse code.[br]Following early education at Phillips Academy, Andover, at the age of 14 years Morse went to Yale College, where he developed interests in painting and electricity. Upon graduating in 1810 he became a clerk to a Washington publisher and a pupil of Washington Allston, a well-known American painter. The following year he travelled to Europe and entered the London studio of another American artist, Benjamin West, successfully exhibiting at the Royal Academy as well as winning a prize and medal for his sculpture. Returning to Boston and finding little success as a "historical-style" painter, he built up a thriving portrait business, moving in 1818 to Charleston, South Carolina, where three years later he established the (now defunct) South Carolina Academy of Fine Arts. In 1825 he was back in New York, but following the death of his wife and both of his parents that year, he embarked on an extended tour of European art galleries. In 1832, on the boat back to America, he met Charles T.Jackson, who told him of the discovery of the electromagnet and fired his interest in telegraphy to the extent that Morse immediately began to make suggestions for electrical communications and, apparently, devised a form of printing telegraph. Although he returned to his painting and in 1835 was appointed the first Professor of the Literature of Art and Design at the University of New York City, he began to spend more and more time experimenting in telegraphy. In 1836 he invented a relay as a means of extending the cable distance over which telegraph signals could be sent. At this time he became acquainted with Alfred Vail, and the following year, when the US government published the requirements for a national telegraph service, they set out to produce a workable system, with finance provided by Vail's father (who, usefully, owned an ironworks). A patent was filed on 6 October 1837 and a successful demonstration using the so-called Morse code was given on 6 January 1838; the work was, in fact, almost certainly largely that of Vail. As a result of the demonstration a Bill was put forward to Congress for $30,000 for an experimental line between Washington and Baltimore. This was eventually passed and the line was completed, and on 24 May 1844 the first message, "What hath God wrought", was sent between the two cities. In the meantime Morse also worked on the insulation of submarine cables by means of pitch tar and indiarubber.With success achieved, Morse offered his invention to the Government for $100,000, but this was declined, so the invention remained in private hands. To exploit it, Morse founded the Magnetic Telephone Company in 1845, amalgamating the following year with the telegraph company of a Henry O'Reilly to form Western Union. Having failed to obtain patents in Europe, he now found himself in litigation with others in the USA, but eventually, in 1854, the US Supreme Court decided in his favour and he soon became very wealthy. In 1857 a proposal was made for a telegraph service across the whole of the USA; this was completed in just over four months in 1861. Four years later work began on a link to Europe via Canada, Alaska, the Aleutian Islands and Russia, but it was abandoned with the completion of the transatlantic cable, a venture in which he also had some involvement. Showered with honours, Morse became a generous philanthropist in his later years. By 1883 the company he had created was worth $80 million and had a virtual monopoly in the USA.[br]Principal Honours and DistinctionsLLD, Yale 1846. Fellow of the Academy of Arts and Sciences 1849. Celebratory Banquet, New York, 1869. Statue in New York Central Park 1871. Austrian Gold Medal of Scientific Merit. Danish Knight of the Danneborg. French Légion d'honneur. Italian Knight of St Lazaro and Mauritio. Portuguese Knight of the Tower and Sword. Turkish Order of Glory.BibliographyE.L.Morse (ed.), 1975, Letters and Journals, New York: Da Capo Press (facsimile of a 1914 edition).Further ReadingJ.Munro, 1891, Heroes of the Telegraph (discusses his telegraphic work and its context).C.Mabee, 1943, The American Leonardo: A Life of Samuel Morse; reprinted 1969 (a detailed biography).KFBiographical history of technology > Morse, Samuel Finley Breeze
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6 Muybridge, Eadweard
SUBJECT AREA: Photography, film and optics[br]b. 9 April 1830 Kingston upon Thames, Englandd. 8 May 1904 Kingston upon Thames, England[br]English photographer and pioneer of sequence photography of movement.[br]He was born Edward Muggeridge, but later changed his name, taking the Saxon spelling of his first name and altering his surname, first to Muygridge and then to Muybridge. He emigrated to America in 1851, working in New York in bookbinding and selling as a commission agent for the London Printing and Publishing Company. Through contact with a New York daguerreotypist, Silas T.Selleck, he acquired an interest in photography that developed after his move to California in 1855. On a visit to England in 1860 he learned the wet-collodion process from a friend, Arthur Brown, and acquired the best photographic equipment available in London before returning to America. In 1867, under his trade pseudonym "Helios", he set out to record the scenery of the Far West with his mobile dark-room, christened "The Flying Studio".His reputation as a photographer of the first rank spread, and he was commissioned to record the survey visit of Major-General Henry W.Halleck to Alaska and also to record the territory through which the Central Pacific Railroad was being constructed. Perhaps because of this latter project, he was approached by the President of the Central Pacific, Leland Stanford, to attempt to photograph a horse trotting at speed. There was a long-standing controversy among racing men as to whether a trotting horse had all four hooves off the ground at any point; Stanford felt that it did, and hoped than an "instantaneous" photograph would settle the matter once and for all. In May 1872 Muybridge photographed the horse "Occident", but without any great success because the current wet-collodion process normally required many seconds, even in a good light, for a good result. In April 1873 he managed to produce some better negatives, in which a recognizable silhouette of the horse showed all four feet above the ground at the same time.Soon after, Muybridge left his young wife, Flora, in San Francisco to go with the army sent to put down the revolt of the Modoc Indians. While he was busy photographing the scenery and the combatants, his wife had an affair with a Major Harry Larkyns. On his return, finding his wife pregnant, he had several confrontations with Larkyns, which culminated in his shooting him dead. At his trial for murder, in February 1875, Muybridge was acquitted by the jury on the grounds of justifiable homicide; he left soon after on a long trip to South America.He again took up his photographic work when he returned to North America and Stanford asked him to take up the action-photography project once more. Using a new shutter design he had developed while on his trip south, and which would operate in as little as 1/1,000 of a second, he obtained more detailed pictures of "Occident" in July 1877. He then devised a new scheme, which Stanford sponsored at his farm at Palo Alto. A 50 ft (15 m) long shed was constructed, containing twelve cameras side by side, and a white background marked off with vertical, numbered lines was set up. Each camera was fitted with Muybridge's highspeed shutter, which was released by an electromagnetic catch. Thin threads stretched across the track were broken by the horse as it moved along, closing spring electrical contacts which released each shutter in turn. Thus, in about half a second, twelve photographs were obtained that showed all the phases of the movement.Although the pictures were still little more than silhouettes, they were very sharp, and sequences published in scientific and photographic journals throughout the world excited considerable attention. By replacing the threads with an electrical commutator device, which allowed the release of the shutters at precise intervals, Muybridge was able to take series of actions by other animals and humans. From 1880 he lectured in America and Europe, projecting his results in motion on the screen with his Zoopraxiscope projector. In August 1883 he received a grant of $40,000 from the University of Pennsylvania to carry on his work there. Using the vastly improved gelatine dry-plate process and new, improved multiple-camera apparatus, during 1884 and 1885 he produced over 100,000 photographs, of which 20,000 were reproduced in Animal Locomotion in 1887. The subjects were animals of all kinds, and human figures, mostly nude, in a wide range of activities. The quality of the photographs was extremely good, and the publication attracted considerable attention and praise.Muybridge returned to England in 1894; his last publications were Animals in Motion (1899) and The Human Figure in Motion (1901). His influence on the world of art was enormous, over-turning the conventional representations of action hitherto used by artists. His work in pioneering the use of sequence photography led to the science of chronophotography developed by Marey and others, and stimulated many inventors, notably Thomas Edison to work which led to the introduction of cinematography in the 1890s.[br]Bibliography1887, Animal Locomotion, Philadelphia.1893, Descriptive Zoopraxography, Pennsylvania. 1899, Animals in Motion, London.1901, The Human Figure in Motion, London.Further Reading1973, Eadweard Muybridge: The Stanford Years, Stanford.G.Hendricks, 1975, Muybridge: The Father of the Motion Picture, New York. R.Haas, 1976, Muybridge: Man in Motion, California.B.Coe, 1992, Muybridge and the Chromophoto-graphers, London.BC -
7 Treadgold, Arthur Newton Christian
SUBJECT AREA: Mining and extraction technology[br]b. August 1863 Woolsthorpe, Grantham, Lincolnshire, Englandd. 23 March 1951 London, England[br]English organizer of the Yukon gold fields in Canada, who introduced hydraulic mining.[br]A direct descendant of Sir Isaac Newton, Treadgold worked as a schoolmaster, mostly at Bath College, for eleven years after completing his studies at Oxford University. He gained a reputation as an energetic teacher who devoted much of his work to sport, but he resigned his post and returned to Oxford; here, in 1897, he learned of the gold rush in the Klondike in the Canadian northwest. With a view to making his own fortune, he took a course in geology at the London Geological College and in 1898 set off for Dawson City, in the Yukon Territory. Working as a correspondent for two English newspapers, he studied thoroughly the situation there; he decided to join the stampede, but as a rather sophisticated gold hustler.As there were limited water resources for sluicing or dredging, and underground mining methods were too expensive, Treadgold conceived the idea of hydraulic mining. He designed a ditch-and-siphon system for bringing large amounts of water down from the mountains; in 1901, after three years of negotiation with the Canadian government in Ottawa, he obtained permission to set up the Treadgold Concession to cover the water supply to the Klondike mining claims. This enabled him to supply giant water cannons which battered the hillsides, breaking up the gravel which was then sluiced. Massive protests by the individual miners in the Dawson City region, which he had overrun with his system, led to the concession being rescinded in 1904. Two years later, however, Treadgold began again, forming the Yukon Gold Company, initially in partnership with Solomon Guggenheim; he started work on a channel, completed in 1910, to carry water over a distance of 115 km (70 miles) down to Bonanza Creek. In 1919 he founded the Granville Mining Company, which was to give him control of all the gold-mining operations in the southern Klondike region. When he returned to London in the following year, the company began to fail, and in 1920 he went bankrupt with liabilities totalling more than $2 million. After the Yukon Consolidated Gold Corporation had been formed in 1923, Treadgold returned to the Klondike in 1925 in order to acquire the assets of the operating companies; he gained control and personally supervised the operations. But the company drifted towards disaster, and in 1930 he was dismissed from active management and his shares were cancelled by the courts; he fought for their reinstatement right up until his death.[br]Further ReadingL.Green, 1977, The Gold Hustlers, Anchorage, Alaska (describes this outstanding character and his unusual gold-prospecting career).WKBiographical history of technology > Treadgold, Arthur Newton Christian
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8 Varian, Russell Harrison
[br]b. 24 April 1898 Washington, DC, USAd. 28 July 1959 Juneau, Alaska, USA[br]American physicist who, with his brother Sigurd Varian and others, developed the klystron.[br]After attending schools in Palo Alto and Halcyon, Russell Varian went to Stanford University, gaining his BA in 1925 and his MA in 1927 despite illness and being dyslexic. His family being in need of financial help, he first worked for six months for Bush Electric in San Francisco and then for an oil company in Texas, returning to San Francisco in 1930 to join Farnsworth's Television Laboratory. After a move to Philadelphia, in 1933 the laboratory closed and Russell tried to take up a PhD course at Stanford but was rejected, so he trained as a teacher. However, although he did some teaching at Stanford it was not to be his career, for in 1935 he joined his brothers Sigurd and Eric in the setting up of a home laboratory.There, with William Hansen, a former colleague of Russell's at Stanford, they worked on the development of microwave oscillators, based on some of the latter's ideas. By 1937 they had made sufficient progress on an electron velocity-bunching tube, which they called the klystron, to obtain an agreement with the university to provide laboratory facilities in return for a share of any proceeds. By August that year they were able to produce continuous power at a wavelength of 13 cm. Clearly needing greater resources to develop and manufacture the tube, and with a possible war looming, a deal was struck with the Sperry Gyroscope Company to finance the work, which was transferred to the East Coast.In 1946, after the death of his first wife, Russell returned to Palo Alto, and in 1948 the brothers and Hansen founded Varian Associates to make microwave tubes for transmitters and linear accelerators and nuclear magnetic-resonance detectors. Subsequent research also resulted in the development of a satellite-borne magnetometer for measuring the earth's magnetic field.[br]Principal Honours and DistinctionsHonorary DSc Brooklyn Polytechnic Institute 1943. Franklin Institute Medal.Bibliography1939, with S.F.Varian, "High frequency oscillator and amplifier", Journal of Applied Physics 10:321 (describes the klystron).Further ReadingJ.R.Pierce, 1962, "History of the microwave tube art", Proceedings of the Institute of Radio Engineers 979 (provides background to development of the klystron).D.Varian, 1983, The Inventor and the Pilot (biographies of the brothers).See also: Varian, Sigurd FergusKFBiographical history of technology > Varian, Russell Harrison
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