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21 Ports and shipping
See also: INDEX BY SUBJECT AREA[br]Armstrong, Sir William GeorgeEgerton, FrancisLi GaoPeter the GreatShen GuaStanhope, Charles -
22 Newfield, Sam
1899-1964Nacido Samuel Neufeld, hermano de Sigmund Neufeld, futuro jefe de produccion de PRC, dirige cortometrajes desde 1926, y largometrajes desde 1933. Probablemente el mas prolifico realizador norteamericano de la era sonora, dirigio, sobre todo, westerns. Por sus manos paso una parte importante de los viejos heroes del genero, en peliculas de una hora de duracion y argumentos eternamente repetidos. Solo leer su filmografia produce cierto vertigo. Establecerla rigurosamente es una tarea ardua, especialmente en lo relativo al orden cronologico estricto, por lo que en esta ocasion mas que en ninguna otra hay que entender que ese orden es susceptible de correccion. Utiliza los seudonimos de Peter Stewart y Sherman Scott. Se ha prescindido de tres aparentes largometrajes, situados al final de su carrera y obtenidos, cada uno de ellos, por super posicion de dos episodios del serial televisivo “Hawkeye and the Last of the Mohicans”. Aunque el nivel medio de los filmes de Sam Newfeld es realmente bajo, hay que citar dos curiosidades: Harlem on the Prairie (1937) esta interpretado integramente por negros, y The Terror of Tiny Town (1938), por enanos, que se mueven en decorados de tamano normal.Undercover Men. 1935. 60 minutos. Blanco y Negro. Dominion. Charles Starrett, Adrienne Dore.Northern Frontier. 1935. 60 minutos. Blanco y Negro. Ambassador. Kermit Maynard, Eleanor Hunt, LeRoy Mason.Code of the Mounted (Fiel a su consigna). 1935. 60 minutos. Blanco y Negro. Ambassador. Kermit Maynard, Lilian Miles, Robert Warwick.Branded a Coward (El botin del rancho). 1935. 57 minutos. Blanco y Negro. Supreme. Johnny Mack Brown, Billie Seward, Syd Taylor.Trails of the Wild. 1935. 60 minutos. Blanco y Negro. Ambassador. Kermit Maynard, Billie Seward, Fuzzy Knight.Timber War. 1935. 60 minutos. Blanco y Negro. Ambassador. Kermit Maynard, Lucille Lund, Lawrence Gray.Bulldog Courage. 1935. 60 minutos. Blanco y Negro. Puritan. Tim McCoy, Joan Woodbury.Roarin’ Guns. 1936. 59 minutos. Blanco y Negro. Puritan. Tim McCoy, Rosalinda Rice, Rex Lease.Border Caballero. 1936. 59 minutos. Blanco y Negro. Puritan. Tim McCoy, Lois January, Ralph Byrd.Lightnin’ Bill Carson. 1936. 57 minutos. Blanco y Negro. Puritan. Tim McCoy, Lois January, Rex Lease.Aces and Eights. 1936. 62 minutos. Blanco y Negro. Puritan. Tim McCoy, Luana Walters, Rex Lease.The Lion’s Den. 1936. 59 minutos. Blanco y Negro. Puritan. Tim McCoy, Joan Woodbury, Don Barclay.Ghost Patrol. 1936. 60 minutos. Blanco y Negro. Puritan. Tim McCoy, Claudia Dell, Walter Miller.The Traitor. 1936. 56 minutos. Blanco y Negro. Puritan. Tim McCoy, Frances Grant, Wally Wales.Roarin’ Lead (co-d.: Mack V. Wright). 1936. 57 minutos. Blanco y Negro. Republic. Bob Livingston, Ray Corrigan, Max Terhune, Christine Maple.Stormy Trails. 1936. 58 minutos. Blanco y Negro. Colony (Grand National). Rex Bell, Lois Wilde, Lane Chandler.The Gambling Terror. 1937. 53 minutos. Blanco y Negro. Republic. Johnny Mack Brown, Iris Meredith, Horace Murphy.Lightnin’ Crandall. 1937. 60 minutos. Blanco y Negro. Republic. Bob Steele, Lois January, Frank LaRue.Trail of Vengeance. 1937. 58 minutos. Blanco y Negro. Republic. Johnny Mack Brown, Iris Meredith.Melody of the Plains. 1937. 55 minutos. Blanco y Negro. Spectrum. Fred Scott, Al St. John, Louise Small.Bar-Z Bad Men. 1937. 57 minutos. Blanco y Negro. Republic. Johnny Mack Brown, Lois January.Guns in the Dark. 1937. 56 minutos. Blanco y Negro. Republic. Johnny Mack Brown, Claire Rochelle, Syd Saylor.Gun Lords of Stirrup Basin. 1937. 53 minutos. Blanco y Negro. Republic. Bob Steele, Louise Stanley, Frank LaRue.A Lawman Is Born. 1937. 58 minutos. Blanco y Negro. Republic. Johnny Mack Brown, Iris Meredith, Al St. John.Doomed at Sundown. 1937. 53 minutos. Blanco y Negro. Republic. Bob Steele, Lorraine Randall.Boothill Brigade. 1937. 56 minutos. Blanco y Negro. Republic. Johnny Mack Brown, Claire Rochelle, Horace Murphy.Arizona Gunfighter. 1937. 58 minutos. Blanco y Negro. Republic. Bob Steele, Jean Carmen, Ted Adams.Ridin’ the Lone Trail. 1937. 56 minutos. Blanco y Negro. Republic. Bob Steele, Claire Rochelle, Charles King.Moonlight on the Range. 1937. 52 minutos. Blanco y Negro. Spectrum. Fred Scott, Al St. John, Lois January.The Fighting Deputy. 1937. 57 minutos. Blanco y Negro. Spectrum. Fred Scott, Al St. John, Marjorie Beebe.The Colorado Kid. 1937. 56 minutos. Blanco y Negro. Republic. Bob Steele, Marion Weldon, Karl Hackett.Harlem on the Prairie (co-d.: Jed Buell). 1937. 55 minutos. Blanco y Negro. Associated. Herbert Jeffries, Connie Harris.Paroled To Die. 1938. 55 minutos. Blanco y Negro. Republic. Bob Steele, Kathleen Eliot, Karl Hackett.The Ranger’s Roundup. 1938. 55 minutos. Blanco y Negro. Spectrum (Stan Laurel Prod.) Fred Scott, Al St. John, Christine McIntyre.Thunder in the Desert. 1938. 56 minutos. Blanco y Negro. Republic. Bob Steele, Louise Stanley, Don Barclay.Code of the Rangers. 1938. 56 minutos. Blanco y Negro. Concord (Monogram). Tim McCoy, Judith Ford, Rex Lease.The Feud Maker. 1938. 55 minutos. Blanco y Negro. Republic. Bob Steele, Marion Weldon, Karl Hackett.Knights of the Plains (Allende Rio Grande). 1938. 57 min. Blanco y Negro. Spectrum (Stan Laurel Prod.) Fred Scott, Al St. John, Marion Weldon.Songs and Bullets. 1938. 58 minutos. Blanco y Negro. Spectrum (Stan Laurel Prod.) Fred Scott, Al St. John, Alice Ardell.Gunsmoke Trail. 1938. 57 minutos. Blanco y Negro. Concord (Monogram). Jack Randall, Louise Stanley, Al St. John.Phantom Ranger. 1938. 54 minutos. Blanco y Negro. Concord (Mono gram). Tim McCoy, Suzanne Kaaren.Desert Patrol. 1938. 56 minutos. Blanco y Negro. Republic. Bob Steele, Marion Weldon, Rex Lease.Durango Valley Raiders. 1938. 55 minutos. Blanco y Negro. Republic. Bob Steele, Louise Stanley, Karl Hackett.Frontier Scout. 1938. 61 minutos. Blanco y Negro. Fine Arts (Grand Natio nal). George Houston, Al St. John, Beth Marion.Lightning Carson Rides Again. 1938. 58 minutos. Blanco y Negro. Victory. Tim McCoy, Joan Barclay, Ben Corbett.Six-Gun Trail. 1938. 59 minutos. Blanco y Negro. Victory. Tim McCoy, Nora Lane, Ben Corbett.The Terror of Tiny Town. 1938. 62 minutos. Blanco y Negro. Principal (Co lumbia). Billy Curtis, Little Billy Rhodes, Nita Krebs, Yvonne Moray.Trigger Pals. 1939. 60 minutos. Blanco y Negro. Cinemart (Grand Natio nal). Art Jarrett, Lee Powell, Dorothy Faye, Al St. John.Six-Gun Rhythm. 1939. 55 minutos. Blanco y Negro. Arcadia (Grand National). Tex Fletcher, Joan Barclay, Ralph Peters.Code of the Cactus. 1939. 56 minutos. Blanco y Negro. Victory. Tim McCoy, Dorothy Short, Ben Corbett.Texas Wildcats. 1939. 57 minutos. Blanco y Negro. Victory. Tim McCoy, Joan Barclay, Ben Corbett.Outlaw’s Paradise. 1939. 62 minutos. Blanco y Negro. Victory. Tim McCoy, Joan Barclay, Ben Corbett.Straight Shooter. 1939. 54 minutos. Blanco y Negro. Victory. Tim McCoy, Julie Sheldon, Ben Corbett.Fighting Renegade. 1939. 58 minutos. Blanco y Negro. Victory. Tim McCoy, Joyce Bryant, Ben Corbett.Trigger Fingers. 1939. 60 minutos. Blanco y Negro. Victory. Tim McCoy, Jill Martin (Harley Wood), Ben Corbett.Fighting Mad. 1939. 60 minutos. Blanco y Negro. Monogram. James Newill, Sally Blane, Benny Rubin, Dave O’Brien.Flaming Lead. 1939. 57 minutos. Blanco y Negro. Colony. Ken Maynard, Eleanor Stewart, Dave O’Brien.The Sagebrush Family Trails West (Peter Stewart). 1940. 60 minutos. Blanco y Negro. PRC. Bobby Clark, Nina Guilbert, Earle Hodgins.Texas Renegades (Peter Stewart). 1940. 59 minutos. Blanco y Negro. PRC. Tim McCoy, Nora Lane, Harry Harvey.Death Rides the Range. 1940. 58 minutos. Blanco y Negro. Colony. Ken Maynard, Fay McKenzie, Raph Peters.Frontier Crusader (Peter Stewart). 1940. 62 minutos. Blanco y Negro. PRC. Tim McCoy, Dorothy Short, Lou Fulton.Billy the Kid Outlawed (Peter Stewart). 1940. 52 minutos. Blanco y Negro. PRC. Bob Steele, Al St. John, Louise Currie.Gun Code (Peter Stewart). 1940. 54 minutos. Blanco y Negro. PRC. Tim McCoy, Inna Gest, Lou Fulton.Marked Men (Sherman Scott). 1940. 66 minutos. Blanco y Negro. PRC. Warren Hull, Isabel Jewell.Arizona Gang Busters (Peter Stewart). 1940. 57 minutos. Blanco y Negro. PRC. Tim McCoy, Pauline Haddon, Lou Fulton.Billy the Kid in Texas (Peter Stewart). 1940. 52 minutos. Blanco y Negro. PRC. Bob Steele, Terry Walker, Al St. John.Riders of Black Mountain (Peter Stewart). 1940. 57 minutos. Blanco y Negro. PRC. Tim McCoy, Pauline Haddon, Ralph Peters, Rex Lease.Billy the Kid’s Gun Justice (Peter Stewart). 1940. 57 minutos. Blanco y Negro. PRC. Bob Steele, Louise Currie, Al St. John.The Lone Rider Rides On. 1941. 61 minutos. Blanco y Negro. PRC. George Houston, Hillary Brooke, Al St. John.Billy the Kid’s Range War (Peter Stewart). 1941. 57 minutos. Blanco y Negro. PRC. Bob Steele, Joan Barclay, Al St. John.The Lone Rider Crosses the Rio/Across the Border. 1941. 63 minutos. Blanco y Negro. PRC. George Houston, Roquell Verrin, Al St. John.Outlaws of the Rio Grande (Peter Stewart). 1941. 63 minutos. Blanco y Negro. PRC. Tim McCoy, Virginia Carpenter, Ralph Peters.Billy the Kid’s Fighting Pals (Sherman Scott). 1941. 62 minutos. Blanco y Negro. PRC. Bob Steele, Phyllis Adair, Al St. John.The Lone Rider in Ghost Town. 1941. 64 minutos. Blanco y Negro. PRC. George Houston, Alaine Brandes, Al St. John.Billy the Kid in Santa Fe (Sherman Scott). 1941. 66 minutos. Blanco y Negro. PRC. Bob Steele, Al St. John, Rex Lease.The Texas Marshal (Paul Stewart). 1941. 58 minutos. Blanco y Negro. PRC. Tim McCoy, Kay Leslie, Art Davis, Dave O’Brien.The Lone Rider in Frontier Fury. 1941. 62 minutos. Blanco y Negro. PRC. George Houston, Hillary Brooke, Al St. John.The Lone Rider Ambushed. 1941. 67 minutos. Blanco y Negro. PRC. George Houston, Maxine Leslie, Al St. John.Billy the Kid Wanted (Sherman Scott). 1941. 64 minutos. Blanco y Negro. PRC. Buster Crabbe, Choti Sherwood, Al St. John.The Lone Rider Fights Back. 1941. 64 minutos. Blanco y Negro. PRC. George Houston, Dorothy Short, Al St. John.Billy the Kid’s Round-Up (Sherman Scott). 1941. 58 minutos. Blanco y Negro. PRC. Buster Crabbe, Joan Barclay, Al St. John.Texas Manhunt (Peter Stewart). 1942. 60 minutos. Blanco y Negro. PRC. Bill Boyd, Art Davis, Julie Duncan, Lee Powell.The Lone Rider and the Bandit. 1942. 54 minutos. Blanco y Negro. PRC. George Houston, Al St. John, Vickie Lester.Raiders of the West (Peter Stewart). 1942. 60 minutos. Blanco y Negro. PRC. Bill Boyd, Art Davis, Virginia Carroll, Lee Powell.Billy the Kid Trapped (Sherman Scott). 1942. 59 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Anne Jeffreys.The Lone Rider in Cheyenne. 1942. 59 minutos. Blanco y Negro. PRC. George Houston, Al St. John, Ella Neal.Rolling Down the Great Divide (Peter Stewart). 1942. 59 minutos. Blanco y Negro. PRC. Bill Boyd, Art Davis, Wanda McKay, Lee Powell.Billy the Kid’s Smoking Guns (Sherman Scott). 1942. 58 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Joan Barclay.Texas Justice. 1942. 58 minutos. Blanco y Negro. PRC. George Houston, Al St. John, Wanda McKay.Tumbleweed Trail (Peter Stewart). 1942. 57 minutos. Blanco y Negro. PRC. Bill Boyd, Art Davis, Marjorie Manners, Lee Powell.Law and Order (Sherman Scott). 1942. 56 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Wanda McKay.Prairie Pals (Peter Stewart). 1942. 60 minutos. Blanco y Negro. PRC. Bill Boyd, Art Davis, Esther Estrella, Lee Powell.Border Roundup. 1942. 57 minutos. Blanco y Negro. PRC. George Hous ton, Al St. John, Patricia Knox.Along the Sundown Trail (Peter Stewart). 1942. 57 minutos. Blanco y Negro. PRC. Bill Boyd, Art Davis, Julie Duncan, Lee Powell.Sheriff of Sage Valley (Sherman Scott). 1962. 60 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Maxine Leslie.The Mysterious Rider. 1942. 56 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Caroline Burke.Outlaws of Boulder Pass. 1942. 58 minutos. Blanco y Negro. PRC. George Houston, Al St. John, Marjorie Manners.Overland Stagecoach. 1942. 58 minutos. Blanco y Negro. PRC. Robert Livingston, Al St. John, Julie Duncan.The Kid Rides Again (Sherman Scott). 1943. 60 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Iris Meredith.Wild Horse Rustlers. 1943. 58 minutos. Blanco y Negro. PRC. Robert Livingston, Al St. John, Lane Chandler, Linda Johnson.Fugitive of the Plains. 1943. 57 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Maxine Leslie.Death Rides the Plains. 1943. 55 minutos. Blanco y Negro. PRC. Robert Livingston, Al St. John, Nica Doret.Western Cyclone. 1943. 56 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Marjorie Manners.Wolves of the Range. 1943. 60 minutos. Blanco y Negro. PRC. Robert Livingston, Al St. John, Frances Gladwyn.Cattle Stampede. 1943. 60 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Frances Gladwin.The Renegade. 1943. 58 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Lois Ranson.Blazing Frontier. 1943. 59 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Marjorie Manners.Raiders of Red Gap. 1943. 56 minutos. Blanco y Negro. PRC. Robert Livingston, Al St. John, Myrna Dell.The Devil Riders. 1943. 56 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Patti McCarthy.Frontier Outlaws. 1944. 56 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Frances Gladwin.Thundering Gunslingers. 1944. 59 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Frances Gladwin.Valley of Vengeance. 1944. 56 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Evelyn Finley.The Drifter. 1944. 62 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Carol Parker.Fuzzy Settles Down. 1944. 60 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Patti McCarthy.Rustler’s Hideout. 1944. 60 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Patti McCarthy.Wild Horse Phantom. 1944. 56 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Elaine Morley.Oath of Vengeance. 1944. 57 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Mady Lawrence.His Brother’s Ghost. 1945. 54 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John.Shadows of Death. 1945. 60 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Donna Dax.Gangster’s Den. 1945. 55 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Sydney Logan.Stagecoach Outlaws. 1945. 55 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Frances Gladwin.Border Badmen. 1945. 59 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Lorraine Miller.Fighting Bill Carson. 1945. 56 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Kay Hugues.Prairie Rustlers. 1945. 56 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Evelyn Finley.Ligthning Raiders. 1946. 61 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Mady Lawrence.Gentlemen with Guns. 1946. 52 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Patricia Knox.Terrors on Horseback. 1946. 55 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Patti McCarthy.Ghost of Hidden Valley. 1946. 56 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Jean Carlin.Prairie Badmen. 1946. 55 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Patricia Knox.Overland Riders. 1946. 54 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Patti McCarthy.Outlaws of the Plains. 1946. 56 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Patti McCarthy.Western Pacific Agent. 1950. 62 minutos. Blanco y Negro. Lippert. Kent Taylor, Sheila Ryan, Robert Lowery.Three Desperate Men. 1951. 69 minutos. Blanco y Negro. Lippert. Preston Foster, Virginia Grey, Jim Davis.Skipalong Rosenbloom. 1951. 72 minutos. Blanco y Negro. Eagle Lion Classics (UA). Max Rosenbloom, Jackie Coogan, Hillary Brooke.Outlaw Women (co-d.: Ron Ormond). 1952. 75 minutos. Cinecolor. Howco (Lippert). Marie Windsor, Richard Rober.Last of the Desperados. 1955. 71 minutos. Blanco y Negro. Associated. James Craig, Margia Dean, Jim Davis.The Wild Dakotas. 1956. 71 minutos. Blanco y Negro. Associated. Bill Williams, Coleen Gray, Jim Davis.The Three Outlaws. 1956. 74 minutos. Blanco y Negro. SuperScope. Asso ciated. Neville Brand, Alan Hale, Jr., Lillian Molieri, Jeanne Carmen.Frontier Gambler. 1956. 70 minutos. Blanco y Negro. Associated. John Bromfield, Coleen Gray, Jim Davis, Margia Dean.Wolf Dog. 1958. 69 minutos. Blanco y Negro. RegalScope. Regal (Fox). Jim Davis, Allison Hayes.Flaming Frontier. 1958. 70 minutos. Blanco y Negro. RegalScope. Regal (Fox). Bruce Bennett, Paisley Maxwell, Jim Davis. -
23 Selander, Lesley
1900-1979Sus origenes en el cine se situan dentro de la tarea de operador de camara y, despues, ayudante de direccion. Su carrera como director comienza realmente en 1936. Lesley Selander es uno de los grandes especialistas del western, con mas de cien peliculas a sus espaldas. Decir “uno de los grandes especialistas” no es lo mismo que decir “uno de los grandes nombres” y, en efecto, la trayectoria de Selander, en lo que a la calidad de sus peliculas se refiere, es irregular. Lo que, sin embargo, sorprende es que la valoracion media de sus westerns no es baja, lo que indica que el director poseia un especial instinto para el genero, que pone de manifiesto con una plastica mas que correcta y un buen manejo del tiempo de la narracion. Inabarcable por su extension, es dificil senalar los filmes que destacan en tan amplia muestra, pero si me veo en la obligacion de citar alguno, no dudaria en elegir las peliculas que hizo para Allied Artists a finales de los anos 40 y principios de los 50, y algunas otras de las ultimas que realizo, como Dakota Lil o The Broken Star.Ride’ Em Cowboy. 1936. 59 minutos. Blanco y Negro. Universal. Buck Jo nes, Luana Walters.The Boss Rider of Gun Creek. 1936. 65 minutos. Blanco y Negro. Univ er sal. Buck Jones, Muriel Evans.Empty Saddles. 1936. 67 minutos. Blanco y Negro. Universal. Buck Jones, Louise Brooks, Claire Rochelle.Sandflow. 1937. 58 minutos. Blanco y Negro. Universal. Buck Jones, Lita Chevret.Left Handed Law. 1937. 63 minutos. Blanco y Negro. Universal. Buck Jones, Noel Francis, Nina Quartero.Smoke Tree Range. 1937. 59 minutos. Blanco y Negro. Universal. Buck Jones, Muriel Evans.Hopalong Rides Again. 1937. 65 minutos. Blanco y Negro. Paramount. William Boyd, Lois Wilde, Russell Hayden, George Hayes.The Barrier. 1937. 90 minutos. Blanco y Negro. Paramount. Leo Carrillo, Jean Parker, James Ellison.Partners of the Plains. 1938. 68 minutos. Blanco y Negro. Paramount. William Boyd, Gwen Gaze, Russell Hayden, Harvey Clark.Cassidy on Bar 20. 1938. 56 minutos. Blanco y Negro. Paramount. William Boyd, Nora Lane, Russell Hayden, Frank Darien.Heart of Arizona. 1938. 68 minutos. Blanco y Negro. Paramount. William Boyd, Natalie Moorhead, Russell Hayden, George Hayes.Bar 20 Justice. 1938. 70 minutos. Blanco y Negro. Paramount. William Boyd, Gwen Gaze, Russell Hayden, George Hayes.Pride of the West. 1938. 56 minutos. Blanco y Negro. Paramount. William Boyd, Charlotte Field, Russell Hayden, George Hayes.The Mysterious Rider. 1938. 74 minutos. Blanco y Negro. Paramount. Douglas Drumbrille, Russell Hayden, Charlotte Field.The Frontiersman. 1938. 74 minutos. Blanco y Negro. Paramount. William Boyd, Evelyn Venable, Russell Hayden, George Hayes.Sunset Trail. 1939. 60 minutos. Blanco y Negro. Paramount. William Boyd, Charlotte Wynters, Jane Clayton, Russell Hayden, George Hayes.Heritage of the Desert. 1939. 74 minutos. Blanco y Negro. Paramount. Donald Woods, Russell Hayden, Evelyn Venable, Robert Barrat.Silver on the Sage (De cara a cara). 1939. 68 minutos. Blanco y Negro. Paramount. William Boyd, Ruth Rogers, Russell Hayden, George Hayes.The Renegade Trail. 1939. 61 minutos. Blanco y Negro. Paramount. William Boyd, Charlotte Wynters, Russell Hayden, George Hayes.Range War. 1939. 66 minutos. Blanco y Negro. Paramount. William Boyd, Betty Moran, Russell Hayden, Britt Wood.Santa Fe Marshal. 1940. 65 minutos. Blanco y Negro. Paramount. William Boyd, Bernadine Hayes, Russell Hayden, Britt Wood.Knights of the Range. 1940. 68 minutos. Blanco y Negro. Paramount. Russell Hayden, Jean Parker, Victor Jory.The Light of Western Stars. 1940. 67 minutos. Blanco y Negro. Para mount. Russell Hayden, Victor Jory, Jo Ann Sayers.Hidden Gold. 1940. 61 minutos. Blanco y Negro. Paramount. William Boyd, Ruth Rogers, Russell Hayden, Britt Wood.Stagecoach War. 1940. 63 minutos. Blanco y Negro. Paramount. William Boyd, Julie Carter, Russell Hayden, Eddy Waller.Cherokee Strip. 1940. 86 minutos. Blanco y Negro. Paramount. Richard Dix, Florence Rice, Victor Jory, Andy Clyde.Three Men from Texas (Hombres del Oeste). 1940. 70 minutos. Blanco y Negro. Paramount. William Boyd, Esther Estrella, Russell Hayden, Andy Clyde.Doomed Caravan. 1941. 62 minutos. Blanco y Negro. Paramount. William Boyd, Georgia Hawkins, Russell Hayden, Andy Clyde.The Roundup. 1941. 90 minutos. Blanco y Negro. Paramount. Richard Dix, Patricia Morison, Preston Foster.Pirates on Horseback. 1941. 69 minutos. Blanco y Negro. Paramount. Wi lliam Boyd, Eleanor Stewart, Russell Hayden, Andy Clyde.Wide Open Town (La ley del Oeste). 1941. 78 minutos. Blanco y Negro. Paramount. William Boyd, Evelyn Brent, Bernice Kay, Russell Hayden, Andy Clyde.Riders of the Timberline. 1941. 59 minutos. Blanco y Negro. Paramount. William Boyd, Eleanor Stewart, Brad King,Stick to Your Guns. 1941. 63 minutos. Blanco y Negro. Paramount. William Boyd, Jennifer Holt, Brad King, Andy Clyde.Thundering Hoofs. 1942. 61 minutos. Blanco y Negro. RKO. Tim Holt, Luana Walters, Lee White, Ray Whitley.Bandit Ranger. 1942. 58 minutos. Blanco y Negro. RKO. Tim Holt, Joan Barclay, Cliff Edwards.Undercover Man. 1942. 68 minutos. Blanco y Negro. UA. William Boyd, Nora Lane, Esther Estrella, Jay Kirby, Andy Clyde.Border Patrol. 1943. 66 minutos. Blanco y Negro. UA. William Boyd, Claudia Drake, Jay Kirby, Andy Clyde.Buckskin Frontier. 1943. 74 minutos. Blanco y Negro. UA. Richard Dix, Jane Wyatt, Lee J. Cobb, Albert Dekker.Colt Comrades. 1943. 67 minutos. Blanco y Negro. UA. William Boyd, Gayle Lord, Jay Kirby, Andy Clyde.Red River Robin Hood. 1942. 57 minutos. Blanco y Negro. RKO. Tim Holt, Barbara Moffett, Cliff Edwards.Bar 20. 1943. 54 minutos. Blanco y Negro. UA. William Boyd, Dustine Farnum, George Reeves, Andy Clyde.Riders of the Deadline. 1943. 70 minutos. Blanco y Negro. UA. William Boyd, Frances Woodward, Jimmy Rogers, Andy Clyde.Lost Canyon. 1942. 61 minutos. Blanco y Negro. UA. William Boyd, Nora Lane, Jay Kirby, Andy Clyde.Lumberjack. 1944. 65 minutos. Blanco y Negro. UA. William Boyd, Ellen Hall, Jimmy Rogers, Andy Clyde.Forty Thieves. 1944. 60 minutos. Blanco y Negro. UA. William Boyd, Louise Currie, Jimmy Rogers, Andy Clyde.Call of the Rockies. 1944. 56 minutos. Blanco y Negro. Republic. Sunset Carson, Smiley Burnette, Ellen Hall.Bordertown Trail. 1944. 55 minutos. Blanco y Negro. Republic. Sunset Carson, Smiley Burnette, Ellen Lowe.Stagecoach to Monterey. 1944. 55 minutos. Blanco y Negro. Republic. Allan Lane, Peggy Stewart, Roy Barcroft.Cheyenne Wildcat. 1944. 56 minutos. Blanco y Negro. Republic. Bill Elliott, Peggy Stewart, Bob Blake.Sheriff of Sundown. 1944. 55 minutos. Blanco y Negro. Republic. Allan Lane, Max Terhune, Linda Sterling.Firebrands of Arizona. 1944. 55 minutos. Blanco y Negro. Republic. Sunset Carson, Smiley Burnette, Peggy Stewart.Sheriff of Las Vegas. 1944. 55 minutos. Blanco y Negro. Republic. Bill Elliott, Peggy Stewart, Bob Blake.The Great Stagecoach Robbery. 1945. 56 minutos. Blanco y Negro. Republic. Bill Elliott, Bob Blake.Trail of Kit Carson. 1945. 57 minutos. Blanco y Negro. Republic. Allan Lane, Helen Talbot.Phantom of the Plains. 1945. 56 minutos. Blanco y Negro. Republic. Bill Elliott, Bob Blake.Out California Way. 1946. 67 minutos. Trucolor. Republic. Monte Hale, Adrian Booth, John Dehner, Bobby Blake.Last Frontier Uprising. 1947. 67 minutos. Trucolor. Republic. Monte Hale, Adrian Booth, Roy Barcroft.Saddle Pals. 1947. 72 minutos. Blanco y Negro. Republic. Gene Autry, Lynne Roberts, Sterling Holloway.Robin Hood of Texas. 1947. 71 minutos. Blanco y Negro. Republic. Gene Autry, Lynne Roberts, Sterling Holloway.The Red Stallion. 1947. 81 minutos. Cinecolor. Eagle Lion. Robert Paige, Noreen Nash.Belle Star’s Daughter. 1947. 85 minutos. Blanco y Negro. Alson (Fox). George Montgomery, Rod Cameron, Ruth Roman.Panhandle (Imperio del crimen). 1948. 85 minutos. Blanco y Negro. Allied. Rod Cameron, Cathy Downs, Reed Hadley, Anne Gwynne.Guns of Hate. 1948. 62 minutos. Blanco y Negro. RKO. Tim Holt, Nan Leslie, Richard Martin.Indian Agent. 1948. 63 minutos. Blanco y Negro. RKO. Tim Holt, Nan Leslie, Richard Martin, Lee “Lasses” White.Brothers in the Saddle. 1949. 60 minutos. Blanco y Negro. RKO. Tim Holt, Virginia Cox, Richard Martin.Rustlers. 1949. 61 minutos. Blanco y Negro. RKO. Tim Holt, Martha Hyer, Richard Martin.Stampede. 1949. 78 minutos. Blanco y Negro. Allied. Rod Cameron, Johnny Mack Brown, Gale Storm.Masked Raiders. 1949. 60 minutos. Blanco y Negro. RKO. Tim Holt, Marjorie Lord, Richard Martin.The Mysterious Desperado. 1949. 61 minutos. Blanco y Negro. RKO. Tim Holt, Movita, Richard Martin.Dakota Lil. 1950. 88 minutos. Cinecolor. Fox. George Montgomery, Marie Windsor, Rod Cameron.Riders of the Range. 1950. 60 minutos. Blanco y Negro. RKO. Tim Holt, Jacqueline White, Richard Martin.Storm Over Wyoming. 1950. 60 minutos. Blanco y Negro. RKO. Tim Holt, Noreen Nash, Betty Underwood, Richard Martin.Rider from Tucson. 1950. 60 minutos. Blanco y Negro. RKO. Tim Holt, Elaine Riley, Veda Ann Borg, Richard Martin.Rio Grande Patrol (Patrulla de Rio Grande). 1950. 60 minutos. Blanco y Negro. RKO. Tim Holt, Jane Nigh, Richard Martin.The Kangaroo Kid. 1950. 72 minutos. Blanco y Negro. Allied Australian. Jock Mahoney, Veda Ann Borg, Douglass Dumbrille, Martha Hyer.Short Grass. 1950. 82 minutos. Blanco y Negro. Allied. Rod Cameron, Johnny Mack Brown, Cathy Downs.Law of the Badlands. 1951. 60 minutos. Blanco y Negro. RKO. Tim Holt, Joan Dixon, Richard MartinSaddle Legion. 1951. 61 minutos. Blanco y Negro. RKO. Tim Holt, Dorothy Malone, Richard Martin.Cavalry Scout. 1951. 78 minutos. Cinecolor. Monogram. Rod Cameron, Audrey Long, Jim Davis.Gunplay. 1951. 69 minutos. Blanco y Negro. RKO. Tim Holt, Joan Dixon, Richard Martin.Pistol Harvest. 1951. 60 minutos. Blanco y Negro. RKO. Tim Holt, Joan Dixon, Richard Martin.Overland Telegraph. 1951. 60 minutos. Blanco y Negro. RKO. Tim Holt, Gail Davis, Richard Martin.Fort Osage. 1952. 72 minutos. Cinecolor. Monogram. Rod Cameron, Jane Nigh.Trail Guide (Rastro oculto). 1952. 60 minutos. Blanco y Negro. RKO. Tim Holt, Linda Douglas (Mary Jo Tarola), Richard Martin.Road Agent. 1952. 60 minutos. Blanco y Negro. RKO. Tim Holt, Noreen Nash, Richard Martin.Desert Passage. 1952. 60 minutos. Blanco y Negro. RKO. Tim Holt, Joan Dixon, Richard Martin.The Raiders. 1952. 80 minutos. Technicolor. Universal. Richard Conte, Viveca Lindfords, Richard Martin, Barbara Britton.Fort Vengeance (Fort Venganza). 1953. 75 minutos. Cinecolor. Allied. James Craig, Rita Moreno, Keith Larsen.Cow Country. 1953. 82 minutos. Blanco y Negro. Allied. Edmond O’Brien, Peggie Castle, Robert Barrat, Helen Westcott.War Paint. 1953. 89 minutos. Pathecolor. K-B Productions (UA). Robert Stack, Joan Taylor, Charles McGraw.Arrow in the Dust (Flechas incendiarias). 1954. 80 minutos. Technicolor. Allied. Sterling Hayden, Coleen Gray, Keith Larsen.The Yellow Tomahawk. 1954. 82 minutos. Color Corp. Of America. Bel-Air (UA). Rory Calhoun, Peggie Castle, Peter Graves.Shotgun (La pradera sangrienta). 1955. 81 minutos. Technicolor. Allied. Sterling Hayden, Yvonne De Carlo, Zachary Scott.Fort Yuma. 1955. 78 minutos. Technicolor. Bel-Air (UA). Peter Graves, Jean Vohs, John Hudson, Joan Taylor.Tall Man Riding. 1955. 83 minutos. Warnercolor. WB. Randolph Scott, Dorothy Malone, Robert Barrat, Peggie Castle.The Broken Star. 1956. 82 minutos. Blanco y Negro. Bel-Air (UA). Howard Duff, Lita Baron, Bill Williams.Quincannon - Frontier Scout. 1956. 83 minutos. Color DeLuxe. Bel-Air (UA). Tony Martin, Peggie Castle, John Bromfield.Tomahawk Trail. 1957. 60 minutos. Blanco y Negro. Bel-Air (UA). Chuck Connors, Susan Cummings, John Smith.Revolt at Fort Laramie. 1957. 73 minutos. Color DeLuxe. Bel-Air (UA). John Dehner, Gregg Palmer, Frances Helm.Outlaw’s Son. 1957. 87 minutos. Blanco y Negro. Bel-Air (UA). Dane Clark, Ben Cooper, Lori Nelson.The Lone Ranger and the Lost City of Gold. 1958. 80 minutos. East man color. UA. Clayton Moore, Jay Silverheels, Noreen Nash.Convict Stage. 1965. 71 minutos. Blanco y Negro. Fox. Harry Lauter, Do nald Barry, Jodi Mitchell.War Party. 1965. 72 minutos. Blanco y Negro. Fox. Michael T. Mikler, Do nald Barry, Laurie Mack.Fort Courageous. 1965. 72 minutos. Blanco y Negro. Fox. Fred Beir, Do nald Barry, Hanna Landy.Town Tamer. 1965. 89 minutos. Technicolor. Techniscope. A.C. Lyles (Para mount). Dana Andrews, Terry Moore, Pat O’Brien, Coleen Gray.The Texican/Texas Kid (Texas Kid). 1966. 86 minutos. Eastmancolor. Techniscope. M.C.R./Balcazar (Columbia). Audie Murphy, Broderick Craw ford, Diana LorysFort Utah. 1967. 83 minutos. Technicolor. Techniscope. A.C. Lyles (Para mount). John Ireland, Virginia Mayo, Scott Brady.Arizona Bushwhackers. 1968. 86 minutos. Technicolor. Techniscope. A.C. Lyles (Paramount). Howard Keel, Yvonne De Carlo, John Ireland.English-Spanish dictionary of western films > Selander, Lesley
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24 Witney, William N.
1915-2002En sus inicios profesionales, a mediados de los anos 30, Witney hizo un poco de todo: fue montador, ayudante de direccion e, incluso, guionista, pero a partir de 1937 se dedico a la realizacion, convirtiendose en uno de los directores prolificos de Hollywood, en este caso para la productora Republic. En sus primeros anos como realizador, se especializo en seriales realizados en colaboracion, en particular con John English. La division del trabajo era sencilla: este rodaba las escenas de dialogo y los interiores, y Witney las escenas de accion. De este modo, fue adquiriendo justa fama como director de peliculas de accion, con grandes peleas y largas cabalgadas. Aunque la parte mas extensa de su filmografia la ocupan los westerns, es justo reconocer su labor en otros filmes de accion como Aventuras del capitan Maravillas (Adventures of Captain Marvel, 1941), se rial realizado con el ya citado John English. Como al gunos otros de sus companeros, sirvio extensamente a estrellas del western, en este caso Roy Rogers y Rex Allen. En sus peliculas hay de todo, pero no seria malo revisarlas con alguna atencion porque encontraremos en ellas no pocos detalles interesantes de personal estilo cinematografico.The Painted Stallion (co-d.: Alan James, Ray Taylor). 1937. 212 minutos. 12 capitulos. Blanco y Negro. Republic. Ray Corrigan, Hoot Gibson, LeRoy Mason, Duncan Renaldo, Julia Thayer.The Trigger Trio. 1937. 60 minutos. Blanco y Negro. Republic. Ray Corrigan, Max Terhune, Sandra Corday, Hal Taliaferro.Zorro Rides Again (co-d.: John English). 1937. 212 minutos. 12 capitulos. Blanco y Negro. Republic. John Caroll, Helen Christian.The Painted Stallion (co-d.: Alan James, Ray Taylor). 1938. 67 minutos. Blanco y Negro. Ray Corrigan, Hoot Gibson, Jean Carmen.The Lone Ranger (co-d.: John English). 1938. 264 minutos. 15 capitulos. Blanco y Negro. Republic. Lee Powell, Lynne Roberts, Bruce Bennett.The Lone Ranger Rides Again (co-d.: John English). 1939. 263 minutos. 15 capitulos. Blanco y Negro. Republic. Robert Livingston, Duncan Renaldo.Zorro’s Fighting Legion (co-d.: John English). 1939. 212 minutos. Blanco y Negro. Republic. Reed Hadley, Sheila Darcey.Heroes of the Saddle. 1940. 59 minutos. Blanco y Negro. Republic. Robert Livingston, Raymond Hatton, Duncan Renaldo, Loretta Weaver, Patsy Lee Parsons.Hi-Yo Silver (co-d.: John English). 1940. 69 minutos. Blanco y Negro. Re public. Lee Powell, Lynne Roberts, Bruce Bennett.Adventures of Red Ryder (co-d.: John English). 1940. 205 minutos. 12 capitulos. Blanco y Negro. Republic. Don Barry, Noah Berry, Vivian Coe.King of the Royal Mounted (El rey de la policia montada) (co-d.: John English). 1940. 211 minutos. 12 capitulos. Blanco y Negro. Republic. Allan Lane, Robert Strange, Lita Conway.King of the Texas Rangers (co-d.: John English). 1941. 215 minutos. 12 ca pitulos. Blanco y Negro. Republic. Sammy Baugh, Pauine Moore, Duncan Renaldo.King of the Mounties. 1942. 196 minutos. 12 capitulos. Blanco y Negro. Republic. Allan Lane, Gilbert Emery, Peggy Drake.Outlaws of Pine Ridge. 1942. 56 minutos. Blanco y Negro. Republic. Don Barry, Lynn Merrick, Noah Beery.Yukon Patrol (co-d.: John English). 1942. 68 minutos. Blanco y Negro. Republic. Allan Lane, Robert Strange, Lita Conway.Roll on, Texas Moon. 1946. 67 minutos. Blanco y Negro. Republic. Roy Rogers, Dale Evans, George Hayes.Home in Oklahoma. 1946. 72 minutos. Blanco y Negro. Republic. Roy Rogers, Dale Evans, George Hayes.Heldorado. 1946. 70 minutos. Blanco y Negro. Republic. Roy Rogers, Dale Evans, George Hayes.Apache Rose. 1947. 75 minutos. Trucolor. Republic. Roy Rogers, Dale Evans, Olin Howlin.Bells of San Angelo. 1947. 78 minutos. Trucolor. Republic. Roy Rogers, Dale Evans, Andy Devine.Springtime in the Sierras. 1947. 75 minutos. Trucolor. Republic. Roy Rogers, Jane Frazee, Andy Devine.On the Old Spanish Trail. 1947. 75 minutos. Trucolor. Republic. Roy Ro gers, Jane Frazee, Andy Devine.The Gay Ranchero. 1948. 72 minutos. Trucolor. Republic. Roy Rogers, Jane Frazee, Andy Devine.Under California Stars. 1948. 70 minutos. Trucolor. Republic. Roy Rogers, Jane Frazee, Andy Devine.Eyes of Texas. 1948. 70 minutos. Trucolor. Republic. Roy Rogers, Lynne Roberts, Andy Devine.Nightime in Nevada. 1948. 67 minutos. Trucolor. Republic. Roy Rogers, Adele Mara, Andy Devine.Grand Canyon Trail. 1948. 67 minutos. Trucolor. Republic. Roy Rogers, Jane Frazee, Andy Devine.The Far Frontier. 1948. 67 minutos. Trucolor. Republic. Roy Rogers, Gail Davis, Andy Devine.Susanna Pass. 1949. 67 minutos. Trucolor. Republic. Roy Rogers, Dale Evans, Estelita Rodriguez.Down Dakota Way. 1949. 67 minutos. Trucolor. Republic. Roy Rogers, Dale Evans, Pat Brady.The Golden Stallion. 1949. 67 minutos. Trucolor. Republic. Roy Rogers, Dale Evans, Pat Brady.Bells of Coronado. 1950. 67 minutos. Trucolor. Republic. Roy Rogers, Dale Evans, Pat Brady.Twilight in the Sierras. 1950. 67 minutos. Trucolor. Republic. Roy Rogers, Dale Evans, Pat Brady.Trigger, Jr. 1950. 68 minutos. Trucolor. Republic. Roy Rogers, Dale Evans, Pat Brady, Gordon Jones.Sunset in the West. 1950. 67 minutos. Trucolor. Republic. Roy Rogers, Penny Edwards, Gordon Jones, Estelita Rodriguez.North of the Great Divide. 1950. 67 minutos. Trucolor. Republic. Roy Rogers, Penny Edwards, Gordon Jones.Trail of Robin Hood. 1950. 67 minutos. Trucolor. Republic. Roy Rogers, Penny Edwards, Gordon Jones.Spoilers of the Plains. 1951. 68 minutos. Blanco y Negro. Republic. Roy Rogers, Penny Edwards, Gordon Jones.Heart of the Rockies. 1951. 67 minutos. Blanco y Negro. Republic. Roy Rogers, Penny Edwards, Gordon Jones.In Old Amarillo. 1951. 67 minutos. Blanco y Negro. Republic. Roy Rogers, Penny Edwards, Pinky Lee, Estelita Rodriguez.South of Caliente. 1951. 67 minutos. Blanco y Negro. Republic. Roy Rogers, Dale Evans, Pinky Lee.Pals of the Golden West. 1951. 68 minutos. Blanco y Negro. Republic. Roy Rogers, Dale Evans, Pinky Lee, Estelita Rodriguez.Colorado Sundown. 1952. 67 minutos. Blanco y Negro. Republic. Rex Allen, June Vincent, Mary Ellen Kay, Slim Pickens.The Last Musketeer. 1952. 67 minutos. Blanco y Negro. Republic. Rex Allen, Mary Ellen Kay, Slim Pickens.Border Saddlemates. 1952. 67 minutos. Blanco y Negro. Republic. Rex Allen, Mary Ellen Kay, Slim Pickens.Old Oklahoma Plains. 1952. 60 minutos. Blanco y Negro. Republic. Rex Allen, Elaine Edwards, Slim Pickens.South Pacific Trail. 1952. 60 minutos. Blanco y Negro. Republic. Rex Allen, Estelita Rodriguez, Slim Pickens.Old Overland Trail. 1953. 60 minutos. Blanco y Negro. Republic. Rex Allen, Virginia Hall, Slim Pickens.Iron Mountain Trail. 1953. 54 minutos. Blanco y Negro. Republic. Rex Allen, Nan Leslie, Slim Pickens.Down Laredo Way. 1953. 54 minutos. Blanco y Negro. Republic. Rex Allen, Dona Drake, Marjorie Lord, Slim Pickens.Shadows of Tomsbtone. 1953. 54 minutos. Blanco y Negro. Republic. Rex Allen, Jeanne Cooper, Slim Pickens.The Outcast. 1954. 90 minutos. Trucolor. Republic. John Derek, Joan Evans, Jim Davis, Catherine McLeod.Santa Fe Passage (Senderos de violencia). 1955. 90 minutos. Trucolor. Republic. John Payne, Faith Domergue, Rod Cameron, Slim Pickens.Stranger at My Door (Un extrano a mi puerta). 1956. 85 minutos. Blanco y Negro. Republic. MacDonald Carey, Patricia Medina, Skip Homeier.Zorro Rides Again (co-d.: John English). 1959. 68 minutos. Blanco y Negro. Republic. John Carroll, Helen Christian, Duncan Renaldo.The Long Rope. 1961. 61 minutos. Blanco y Negro. CinemaScope. Fox. Hugh Marlowe, Lisa Montell, Alan Hale, Jr.Apache Rifles. 1964. 93 minutos. Color DeLuxe. Fox. Audie Murphy, Michael Dante, Linda Lawson.Arizona Raiders (El renegado de Arizona). 1965. 88 minutos. Technicolor. Techniscope. Admiral (Columbia). Audie Murphy, Michael Dante, Gloria Talbott, Ben Cooper.40 Guns to Apache Pass. 1967. 95 minutos. Eastmancolor. Admiral (Columbia). Audie Murphy, Laraine Stephens, Michael Burns.English-Spanish dictionary of western films > Witney, William N.
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25 Dexter, Maury
1927La carrera de Dexter se inicia produciendo y dirigiendo algunos filmes de bajo presupuesto para la Fox, a comienzos de los anos 60. No es merecedor de figurar en ninguna antologia del cine de genero, pese a sus evidentes esfuerzos por parecerse a Roger Corman, del que lo separa nada mas y nada menos que el talento. En su haber, entre otras fechorias, un innecesario spaguetti-western.Walk Tall. 1960. 60 minutos. Color DeLuxe. CinemaScope. Fox. Willard Parker, Joyce Meadows, Kent Taylor.The Purple Hills. 1961. 60 minutos. Color DeLuxe. CinemaScope. Fox. Gene Nelson, Kent Taylor, Joanna Barnes.The Firebrand. 1962. 63 minutos. Blanco y Negro. CinemaScope.Fox. Kent Taylor, Chubby Johnson, Barbara Mansell, Lisa Montell, Valentin de Vargas.Young Guns of Texas. 1963. 78 minutos. Color DeLuxe. CinemaScope. Fox. James Mitchum, Jody McCrea, Alana Ladd.El Proscrito del rio Colorado. 1965. 98 minutos. Eastmancolor. Fenix Films. George Montgomery, Elisa Montes -
26 Medical technology
See also: INDEX BY SUBJECT AREA[br]Chamberlen, Peter (the elder)Fabricius, HieronymusLister, JosephMarton, Ladislaus -
27 Sherman, George
1908-1991Nacido en Nueva York. Ayudante de direccion desde 1932 y director de mas de cien peliculas desde 1937, primero para Republic hasta 1944, mas tarde para Columbia hasta 1948, y despues hasta 1956 para Universal. A medida que pasaba de una productora a otra los presupuestos de sus peliculas iban siendo mas holgados, por lo que no es de extranar que su ultimo western, que es tambien su ultima pelicula, El gran Jack, sea la de presupuesto mas amplio y, dicho sea de paso, la mejor. Sherman es, sin lugar a dudas, uno de los grandes especialistas del western. Una ojeada a su filmografia hace innecesarias otras explicaciones; entre 1937 y 1943 trabaja a un ritmo frenetico para satisfacer las necesidades de algunas de las estrellas del genero, destacando, en particular, su dedicacion a la serie The Three Mes quiteers. A partir de 1946 realiza sus obras mas personales, que, sin pasar de discretas, cumplen sobradamente su cometido.Wild Horse Rodeo. 1937. 55 minutos. Blanco y Negro. Republic. Robert Livingston, Ray Corrigan, Max Terhune, June Martel.The Purple Vigilantes. 1938. 58 minutos. Blanco y Negro. Republic. Robert Livingston, Ray Corrigan, Max Terhune, Joan Barclay.Outlaws of Sonora. 1938. 55 minutos. Blanco y Negro. Republic. Robert Livingston, Ray Corrigan, Max Terhune, Jean Joyce.Riders of the Black Hills. 1938. 55 minutos. Blanco y Negro. Republic. Robert Livingston, Ray Corrigan, Max Terhune, Ann Evers.Heroes of the Hills. 1938. 56 minutos. Blanco y Negro. Republic. Robert Livingston, Ray Corrigan, Max Terhune, Priscilla Lawson.Pals of the Saddle. 1938. 55 minutos. Blanco y Negro. Republic. John Wayne, Ray Corrigan, Max Terhune, Doreen McKay.Overland Stage Raiders. 1938. 58 minutos. Blanco y Negro. Republic. John Wayne, Ray Corrigan, Max Terhune, Louise Brooks.Rhythm of the Saddle. 1938. 58 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, Peggy Moran.Santa Fe Stampede. 1938. 58 minutos. Blanco y Negro. Republic. John Wayne, Ray Corrigan, Max Terhune, June Martel.Red River Range. 1938. 56 minutos. Blanco y Negro. Republic. John Wayne, Ray Corrigan, Max Terhune, Polly Moran, Lorna Gray.Mexicali Rose. 1939. 58 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, Luana Walters.The Night Riders. 1939. 58 minutos. Blanco y Negro. Republic. John Way ne, Ray Corrigan, Max Terhune, Doreen McKay, Ruth Rogers.Three Texas Steers. 1939. 59 minutos. Blanco y Negro. Republic. John Wayne, Ray Corrigan, Max Terhune, Carole Landis.Wyoming Outlaw. 1939. 62 minutos. Blanco y Negro. Republic. John Wayne, Ray Corrigan, Raymond Hatton, Adele Pearce.Colorado Sunset. 1939. 61 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, June Storey.New Frontier. 1939. 57 minutos. Blanco y Negro. Republic. John Wayne, Ray Corrigan, Raymond Hatton, Phyllis Isley (Jennifer Jones).The Kansas Terrors. 1939. 57 minutos. Blanco y Negro. Republic. Robert Livingston, Raymond Hatton, Duncan Renaldo, Jacqueline Wells (Julie Bishop).Rovin’ Tumbleweeds. 1939. 62 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, Mary Carlisle.The Cowboys from Texas. 1939. 57 minutos. Blanco y Negro. Republic. Robert Livingston, Raymond Hatton, Duncan Renaldo, Carole Landis.South of the Border. 1939. 71 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, June Storey, Lupita Tovar.Ghost Valley Raiders. 1940. 57 minutos. Blanco y Negro. Republic. Don Barry, Lona Andre, LeRoy Mason.Covered Wagon Days. 1940. 56 minutos. Blanco y Negro. Republic. Robert Livingston, Raymond Hatton, Duncan Renaldo, Kay Griffith, Ruth Robinson.Rocky Mountain Rangers. 1940. 58 minutos. Blanco y Negro. Republic. Robert Livingston, Raymond Hatton, Duncan Renaldo, Rosella Towne.One Man’s Law. 1940. 57 minutos. Blanco y Negro. Republic. Don Barry, Janet Waldo, Dub Taylor.The Tulsa Kid. 1940. 57 minutos. Blanco y Negro. Republic. Don Barry, Luana Walters, Jimmy Wakely.Under Texas Skies. 1940. 57 minutos. Blanco y Negro. Republic. Robert Livingston, Bob Steele, Rufe Davis, Lois Ranson.Frontier Vengeance (co-d.: Nate Watt). 1940. 57 minutos. Blanco y Negro. Republic. Don Barry, Betty Moran.The Trail Blazers. 1940. 58 minutos. Blanco y Negro. Republic. Robert Livingston, Bob Steele, Rufe Davis, Pauline Moore.Texas Terrors. 1940. 57 minutos. Blanco y Negro. Republic. Don Barry, Julie Duncan, Al St. John.Lone Star Raiders. 1940. 57 minutos. Blanco y Negro. Republic. Robert Livingston, Bob Steele, Rufe Davis, June Johnson, Sarah Padden.Wyoming Wildcat. 1941. 56 minutos. Blanco y Negro. Republic. Don Barry, Julie Duncan, Syd Taylor.The Phantom Cowboy. 1941. 56 minutos. Blanco y Negro. Republic. Don Barry, Virginia Carroll, Rex Lease.Two Gun Sheriff. 1941. 56 minutos. Blanco y Negro. Republic. Don Barry, Lynn Merrick.Desert Bandit. 1941. 56 minutos. Blanco y Negro. Republic. Don Barry, Lynn Merrick.Kansas Cyclone. 1941. 58 minutos. Blanco y Negro. Republic. Don Barry, Lynn Merrick.The Apache Kid. 1941. 56 minutos. Blanco y Negro. Republic. Don Barry, Lynn Merrick, Al St.John.Death Valley Outlaws. 1941. 56 minutos. Blanco y Negro. Republic. Don Barry, Lynn Merrick.A Missouri Outlaw. 1941. 58 minutos. Blanco y Negro. Republic. Don Barry, Lynn Merrick.Arizona Terror. 1942. 56 minutos. Blanco y Negro. Republic. Don Barry, Lynn Merrick, Al St.John.Stagecoach Express. 1942. 57 minutos. Blanco y Negro. Republic. Don Barry, Lynn Merrick, Al St.John.Jesse James, Jr. 1942. 56 minutos. Blanco y Negro. Republic. Don Barry, Lynn Merrick, Al St. John.Cyclone Kid. 1942. 57 minutos. Blanco y Negro. Republic. Don Barry, Lynn Merrick, Lloyd Andrews.The Sombrero Kid. 1942. 56 minutos. Blanco y Negro. Republic. Don Barry, Lynn Merrick, Lloyd Andrews.The West Side Kid. 1943. 58 minutos. Blanco y Negro. Republic. Don Ba rry, Dale Evans, Henry Hull.Renegades (Renegados). 1946. 88 minutos. Technicolor. Columbia. Eve lyn Keyes, Willard Parker, Larry Parks.Last of the Redmen. 1947. 77 minutos. Cinecolor. Key Pictures (Columbia). Jon Hall, Julie Bishop, Evelyn Ankers, Michael O’Shea.Relentless. 1948. 93 minutos. Technicolor. Cavalier Productions (Colum bia). Robert Young, Marguerite Chapman, Willard Parker, Akim Tamiroff.Black Bart (El enmascarado). 1948. 80 minutos. Technicolor. Universal. Yvonne De Carlo, Dan Duryea, Jeffrey Lynn.River Lady (Rio abajo). 1948. 78 minutos. Universal. Yvonne De Carlo, Dan Duryea, Rod Cameron, Helena Carter.Red Canyon (Huracan). 1949. 82 minutos. Technicolor. Universal. Ann Blyth, Howard Duff, George Brent.Calamity Jane and Sam Bass. 1949. 85 minutos. Technicolor. Universal. Yvonne De Carlo, Howard Duff, Dorothy Hart, Willard Parker.Comanche Territory (Orgullo de comanche). 1950. 76 minutos. Techni color. Universal. Maureen O’Hara, MacDonald Carey, Will Geer.Tomahawk (El piel roja). 1951. 82 minutos. Technicolor. Universal. Yvo n ne De Carlo, Van Heflin, Preston Foster, Rock Hudson.The Battle at Apache Pass. 1951. 85 minutos. Technicolor. Universal. John Lund, Jeff Chandler, Beverly Tyler, Susan Cabot.The Lone Hand. 1953. 80 minutos. Technicolor. Universal. Joel McCrea, Barbara Hale, Alex Nicol.War Arrow (Asalto al Fuerte Clark). 1954. 78 minutos. Technicolor. Uni versal. Jeff Chandler, Maureen O’Hara, John McIntire, Suzan Ball.Border River. 1954. 81 minutos. Technicolor. Universal. Joel McCrea, Yvon ne De Carlo, Pedro Armendariz.Dawn at Socorro. 1954. 80 minutos. Technicolor. Universal. Rory Calhoun, Piper Laurie, David Brian, Kathleen Hugues.Chief Crazy Horse (El gran jefe). 1955. 86 minutos. Technicolor. Cinema - Scope. Universal. Victor Mature, Suzan Ball, John Lund, Ray Danton.Count Three and Pray. 1955. 102 minutos. Technicolor. CinemaScope. Co pa Productions (Columbia). Van Heflin, Joanne Woodward, Phil Carey.The Treasure of Pancho Villa (El tesoro de Pancho Villa). 1955. 96 min. Technicolor. Superscope. RKO. Rory Calhoun, S. Winters, Gilbert Roland.Comanche (Duelo de razas). 1956. 87 minutos. Color DeLuxe. Cinema Sco pe. UA. Dana Andrews, Kent Smith, John Litel, Linda Cristal.Reprisal! 1956. 74 minutos. Technicolor. Lewis J. Rachmil (Columbia). Guy Madison, Felicia Farr, Kathryn Grant.The Hard Man. 1957. 80 minutos. Technicolor. Romson (Columbia). Guy Madison, Valerie French, Lorne Greene.The Last of the Fast Guns. 1958. 82 minutos. Eastmancolor. CinemaScope. Universal. Jock Mahoney, Eduard Franz, Gilbert Roland, Linda Cristal.Ten Days to Tulara. 1958. 77 minutos. Blanco y Negro. UA. Sterling Hay den, Grace Raynor.Hell Bent for Leather. 1960. 82 minutos. Eastmancolor. Panavision. Uni versal. Audie Murphy, Stephen McNally, Felicia Farr.For the Love of Mike. 1960. 87 minutos. Color DeLuxe. CinemaScope. Fox. Richard Basehart, Stuart Edwin, Elsa Cardenas.Joaquin Murrieta. 1965. 108 minutos. Eastmancolor. Pro-Artis Iberica. Jeffrey Hunter, Arthur Kennedy, Sara Lezana, Diana Lorys.Smoky. 1966. 103 minutos. Color DeLuxe. Fox. Fess Parker, Katy Jurado, Diana Hyland.Big Jake (El gran Jack). 1971. 110 minutos. Technicolor. Panavision. Natio nal General. John Wayne, Richard Boone, Maureen O’Hara.English-Spanish dictionary of western films > Sherman, George
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28 Electronics and information technology
See also: INDEX BY SUBJECT AREA[br]Byron, Ada AugustaNapier, JohnRiche, Gaspard-Clair-François-MarieSchickhard, WilhelmBiographical history of technology > Electronics and information technology
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29 Mother of Presidents
Официальное прозвище [ official nickname] штата Вирджиния, в котором родились восемь президентов США: Дж. Вашингтон [ Washington, George], Т. Джефферсон [ Jefferson, Thomas], Дж. Мэдисон [ Madison, James], Дж. Монро [ Monroe, James], З. Тейлор [ Taylor, Zachary], В. Вильсон [ Wilson, (Thomas) Woodrow], Дж. Тайлер [ Tyler, John] и У. Харрисон [ Harrison, William Henry].English-Russian dictionary of regional studies > Mother of Presidents
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30 Virginia
I [vǝrˊdʒɪnjǝ] Виргиния, штат на Атлантическом побережье США, к югу от Вашингтона <от Elizabeth I, the Virgin Queen (1533—1603) Елизавета I, «королева-девственница»>. Сокращение: *VA. Полное назв.: the Commonwealth of Virginia. Прозвища: «старый доминион» [*Old Dominion], «родина штатов» [*Mother of States], «родина государственных мужей» [*Mother of Statesmen], «там, где начинается Юг» [*Down Where the South Begins]. Житель штата: виргинец [Virginian]. Столица: г. Ричмонд [*Richmond I]. Девиз: «Так навсегда покончено с тиранами» (лат. ‘Sic Semper Tyrannis’ — ‘Thus always to tyrants’). Песня: «Верни меня снова в старую Виргинию» [*‘Carry Me Back to Old Virginia’]. Цветок: американский кизил [*American dogwood]. Птица: кардинал [*cardinal]. Дерево: кизил [dogwood]. Площадь: 102558 кв. км (39,598 sq. mi.) — 37- е место. Население (1992): 6,5 млн. — 12- е место. Крупнейшие города: Норфолк [Norfolk], Вирджиния-Бич [Virginia Beach], Ричмонд [*Richmond I], Ньюпорт-Ньюс [Newport News], Хамптон [Hampton]. Экономика. Основные отрасли: сервис, торговля, обслуживание государственных объектов, машиностроение, туризм, сельское хозяйство. Основная продукция: текстиль, транспортное оборудование, продукция пищевой и химической промышленности, печатная продукция. Сельское хозяйство. Основные культуры: соя, табак, арахис, кукуруза. Животноводство (1991): скота — 1,73 млн.; свиней — 430 тыс.; овец — 157 тыс.; бройлеров — 1,96 млн.; индеек — 1,7 млн. Лесное хозяйство: сосна и твердодревесные породы. Минералы: уголь, строительный камень. Рыболовство (1992): на 416 млн. долл. История. Здесь была основана первая английская колония в Северной Америке [*Jamestown, 1607]. С началом Американской революции виргинцы взяли власть в свои руки в 1775, заставив губернатора Данмора [Dunmore] бежать из колонии. Под командованием Джорджа Кларка [Clark, George Rogers] виргинцы очистили от английских войск район Огайо-Индиана-Иллинойс. Переметнувшийся на сторону англичан Бенедикт Арнольд [*Arnold, Benedict] сжёг в 1781 Ричмонд и Петерсбург. В том же году английский ген. Корнуоллис [*Cornwallis] попал в ловушку в районе Йорктауна и сдался в плен. Виргиния знаменита политическими деятелями колониального периода и времён Войны за независимость, среди которых Джордж Вашингтон [*Washington, George], главнокомандующий американскими войсками и первый президент США, Томас Джефферсон [*Jefferson, Thomas], автор текста Декларации независимости, 3-й президент США, Ричард Г. Ли [*Lee, Richard Henry], внёсший предложение об отделении североамериканских колоний от Англии (7 июня 1776). Избрание президентами США в первый период их истории политических деятелей из Виргинии дало основание говорить о «виргинской династии» [*‘Virginia dynasty’]. Территория штата была ареной боёв во время Гражданской войны [*Bull Run, *Fredericksburg, *Chancelorsville, *Wilderness, *Richmond]. У Аппоматтокса [*Appomattox] произошла капитуляция армии южан (9 апреля 1865). Достопримечательности: колониальный Уильямсбург [*Williamsburg], сады Буша [Busch Gardens], ферма Вулф-Трэп [Wolf Trap Farm] возле Фоллс-Чёрч [Falls Church], Арлингтонское национальное кладбище [*Arlington National Cemetery], усадьба Джона Вашингтона «Маунт-Вернон» [*Mount Vernon] и Томаса Джефферсона «Монтиселло» [*Monticello], родина ген. Ли г. Стратфорд [Stratford], комплекс мостов и тоннелей через залив Чесапик [Chesapeake Bay Bridge-Tunnel], Национальный парк Шенандоа [*Shenandoah National Park], военные мемориалы Фредериксбурга и Спотсильвании [Fredericksburg and Spotsylvania National Military Park], мемориал ген. Роберта Ли — Арлингтон-Хаус [Arlington House], живописный автомобильный маршрут по гористой местности Скайлайн-драйв [Skyline Drive], автострада вдоль хребта Блу-Ридж [Blue Ridge National Parkway], Вирджиния-Бич [Virginia Beach], Джеймстаунский фестивальный парк [Jamestown Festival Park], Йорктаун [*Yorktown], Аппоматтокс [*Appomattox]. Знаменитые виргинцы: Бёрд, Ричард [Byrd, Richard Evelyn], полярный исследователь; Гаррисон, Уильям [*Harrison, William Henry], 9-й президент США; Генри, Патрик [*Henry, Patrick], патриот-оратор, призывавший к независимости североамериканских колоний; Джефферсон, Томас [*Jefferson, Thomas], 3-й президент США; Джонстон, Джозеф [Johnston, Joseph E.], генерал в армии конфедератов; Ли, Роберт [*Lee, Robert E.], главнокомандующий войсками Конфедерации южных штатов во время Гражданской войны; Льюис, Мериуэйзер [*Lewis, Meriwether] и Кларк, Уильям [*Clark, William], руководители экспедиции по исследованию Дальнего Запада; Медисон, Джеймс [*Madison, James], 4-й президент США; Маршалл, Джон [Harlan, John Marshall], 1-й Верховный судья США; Монро, Джеймс [*Monroe, James], 5-й президент США; По, Эдгар Аллан [*Poe, Edgar Allan], поэт и писатель; Рид, Уолтер [Reed, Walter], военный врач и бактериолог, покончил с жёлтой лихорадкой; Тэйлор, Захария [*Taylor, Zachary], 12-й президент США; Тайлер, Джон [*Tyler, John], 10-й президент США; Вашингтон, Букер [*Washington, Booker T.], негритянский просветитель XIX в.; Вашингтон, Джордж [*Washington, George], главнокомандующий американскими войсками в Войне за независимость, 1-й президент США; Вильсон, Вудро [*Wilson, Woodrow], 28- й президент США. Ассоциации: первая английская колония в Северной Америке [*Old Dominion], основанная «джентльменами», считавшими ниже своего достоинства заниматься физическим трудом ( в отличие от пуритан Новой Англии), вотчина рабовладельцев-плантаторов, родина первых президентов [Presidential State], в том числе Джорджа Вашингтона [*Mount Vernon] и Томаса Джефферсона [Jefferson Country]; центр образования и культуры ( Университет Уильяма и Мэри — старейший университет США); оплот южан во время Гражданской войны ( Ричмонд [*Richmond I] был столицей Конфедерации) и место ожесточённых сражений [*Bull Run, *Fredericksburg, *Chancelorsville, *Wilderness, *Richmond I]; Аппоматтокс [*Appomattox] — место капитуляции армии ген. Ли; Виргиния была повержена и разграблена янки-«саквояжниками» [*carpetbaggers] во время Реконструкции Юга [*Reconstruction]; до сих пор Виргиния — поставщик знаменитых виргинских табаков; западные и южные пригороды Вашингтона — Арлингтон [*Arlington] и Александрия [*Alexandria] находятся в штате Виргиния, соответственно и расположенные в них некоторые правительственные учреждения ( Пентагон в Арлингтоне и штаб-квартира ЦРУ в Лэнгли [Langley]); побережье Виргинии, славящееся устрицами, является тж. вотчиной ВМС США, здесь находятся крупнейшие в мире военно-морские базы; Виргиния ассоциируется со «старым Югом» [*Old South] и ностальгией по давно прошедшим временам; каждому в США знакома фраза *‘Carry Me Back to Old Virginia’, ставшая назв. официальной песни штата II [vǝrˊdʒɪnɪǝ] виргинский табак, сорт табака, первоначально выращиваемого в штате Виргиния -
31 Kennedy, Burt
1922-2001Empezo como guionista de radio despues de la Se gunda Guerra Mundial. A partir de 1956 lo en contramos escribiendo modelicos guiones para algunos de los memorables westerns de Budd Boetticher. En 1961 debuta como director con The Canadians, pe ro ni en esa ni en los restantes westerns de su filmografia brilla a la misma altura que en sus guiones previos. Continuo no obstante reali zandolos (la mayor parte de su filmografia esta formada por westerns), hasta que la perdida de popularidad del genero le hizo girar la vista a la television, donde encontro acomodo. Kennedy adorna algunos de sus westerns con toques de comedia no siempre afortunados.The Canadians. 1961. 85 minutos. Color DeLuxe. CinemaScope. Fox. Robert Ryan, John Dehner, Torin Thatcher.Mail Order Bride. 1964. 85 minutos. Metrocolor. Panavision. MGM. Buddy Ebson, Keir Dullea, Lois Nettleton.The Rounders (Los desbravadores). 1965. 85 minutos. Metrocolor. Panavision. MGM. Glenn Ford, Henry Fonda, Sue Ann Langdon.Return of the Seven (El regreso de los siete magnificos). 1966. 95 minutos. Color DeLuxe. Panavision. Mirisch (UA). Yul Brynner, Robert Fuller, Julian Mateos.Welcome to Hard Times. 1967. 103 minutos. Metrocolor. Max E. Youngstein-David Karr Productions (MGM). Henry Fonda, Janice Rule, Aldo Ray.The War Wagon (Ataque al carro blindado). 1967. 101 minutos. Technicolor. Panavision. Batjac Productions (Universal). John Wayne, Kirk Douglas, Howard Keel.Support Your Local Sheriff (Tambien un sheriff necesita ayuda). 1969. 93 minutos. Color DeLuxe. Cherokee Productions. James Garner, Joan Hackett, Walter Brennan.Young Billy Young (Pistolero). 1969. 89 minutos. Color DeLuxe. Talbol- Youngstein (UA). Robert Mitchum, Angie Dickinson.The Good Guys and the Bad Guys (Un hombre impone la ley). 1969. 90 minutos. Technicolor. Panavision. WB-Seven Arts/Ronden Productions. Robert Mitchum, George Kennedy, Tina Louise.Dirty Dingus Magee (Duelo de pillos). 1970. 91 minutos. Metrocolor. Panavision. MGM. Frank Sinatra, George Kennedy, Anne Jackson.La spina dorsale del diavolo (La quebrada del diablo). 1971. 99 minutos. Technicolor. Panavision. Dino De Laurentiis Cinematografica/Jadran Film/Heritage. Bekim Fehmiu, John Huston, Richard Crenna.Support Your Local Gunfighter (Latigo). 1971. 92 minutos. Color DeLuxe. Cherokee/Brigade. James Garner, Suzanne Pleshette.Hannie Caulder (Anna Coulder). 1971. 85 minutos. Technicolor. Panavi sion. Tigon British/Curtwel (Paramount). Raquel Welch, Robert Culp, Ernest Borgnine.The Train Robbers (Ladrones de trenes). 1973. 92 minutos. Technicolor. Panavision. Batjac (WB). John Wayne, Anne-Margret, Rod Taylor. -
32 Bibliography
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Cambridge: Cambridge University Press.Historical dictionary of quotations in cognitive science > Bibliography
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33 Abilene
1) Город на востоке центральной части штата Канзас, административный центр [ county seat] графства Дикинсон [Dickinson County], на р. Смоуки-Хилл [ Smoky Hill River]. 6,5 тыс. жителей (2000). Основан 1858, статус города с 1869; стал первым северным железнодорожным узлом дороги "Юнион Пасифик" [ Union Pacific Railroad], к которому подходила Чизхолмская тропа [ Chisholm Trail] из Техаса (1867-71), и город быстро вырос как скотоводческий центр торговли. Через Абилин также проходила на запад тропа "Смоуки-Хилл" [Smoky Hill Trail]. В 1871 начальником городской полиции [ marshal] стал "Дикий" Билл Хикок [ Hickok, James Butler], очистивший город от преступников. Город продолжает оставаться крупным транспортным узлом. В Абилине разводят гончих собак; проводятся собачьи бега. Развит туризм. Среди достопримечательностей - воссозданная старинная часть города - музей под открытым небом; дом, где провел детство Д. Эйзенхауэр [ Eisenhower, Dwight David (Ike)], президентская библиотека [ Dwight D. Eisenhower Presidential Library], могила президента.2) Город на севере центральной части штата Техас, на р. Элм-Крик [Elm Creek] (приток р. Бразос [Clear Fork of the Brazos River (Brazos River)]). 115,9 тыс. жителей (2000), с пригородами 126,5 тыс. Административный центр графства Тэйлор [Taylor County], частично расположен в графстве Джонс [Jones County]. Торговый центр сельскохозяйственного района (хлопок, арахис, пшеница, комбикорма, пеканы, мясное животноводство). Центр района добычи нефти и природного газа; здесь находятся офисы многих нефтяных компаний. Производство одежды, авиакосмического оборудования и ракетных компонентов, цемента, стали, электроприборов, музыкальных инструментов. Первыми поселенцами были охотники на бизонов [ buffalo]; в 1881 создан железнодорожный узел Техасско-Тихоокеанской дороги [Texas and Pacific Railroad]; статус города с 1882. Назван в честь Абилина, шт. Канзас, ранее выполнявшего подобную роль. Место проведения Ярмарки Западного Техаса [West Texas Fair], скотоводческих выставок и родео [ rodeo]. Университет Хардин-Симмонс [Hardin-Simmons University] (1891), Христианский университет Абилина [Abilene Christian University] (1906), Колледж Мак-Мёрри [McMurry College] (1923). В западном пригороде - Авиабаза Дайесс [Dyess Air Force Base]. Среди достопримечательностей - реконструкция времен Фронтира [ Frontier] "Старый Абилин" [Old Abilene Town], поселок Баффало-Гэп [Buffalo Gap] в пригороде, парк штата Абилин [Abilene State Park], водохранилище Абилин [ Abilene, Lake] (в городской черте). -
34 department store
универсальный магазин, универмагВпервые универмаги появились в США в конце XIX в. До их возникновения дорогие товары хранились в подсобках и демонстрировались преимущественно богатым покупателям. Универмаги завоевывали популярность широким развитием услуг: бесплатной доставкой товаров, правом возвращать купленный товар и т.п. В универмагах впервые появилась открытая выкладка товаров, ярко оформленные витрины и, главное, твердая цена товара, указанная на этикетке (до этого цена определялась по соглашению покупателя и продавца). Пионерами создания универмагов были Р. Мейси [Macy, Rowland Hussey] в г. Нью-Йорке, М. Филд [ Field, Marshall] в г. Чикаго и Дж. Уонамейкер [ Wanamaker, John] в Филадельфии. В конце 80-х годов XX в. многие из классических городских универмагов общенациональных фирм начали разоряться и закрываться.English-Russian dictionary of regional studies > department store
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35 heartbeat away from the Presidency
полит жарг"на волосок от президентства"Фраза, использовавшаяся в качестве характеристики вице-президентского поста в США рядом политических деятелей; эвфемизм, означающий, что в случае смерти президента его пост занимает вице-президент. В истории США таким образом президентами становились восемь вице-президентов: Дж. Тайлер [ Tyler, John] после смерти У. Г. Гаррисона [ Harrison, William Henry], М. Филмор [ Fillmore, Millard] после смерти З. Тейлора [ Taylor, Zachary], Э. Джонсон [ Johnson, Andrew] после убийства А. Линкольна [ Lincoln, Abraham], Ч. А. Артур [ Arthur, Chester Alan] после убийства Дж. А. Гарфилда [ Garfield, James Abram], Т. Рузвельт [ Roosevelt, Theodore (Teddy)] после убийства У. Маккинли [ McKinley, William], К. Кулидж [ Coolidge, (John) Calvin] после смерти У. Г. Гардинга [ Harding, Warren Gamaliel], Г. Трумэн [ Truman, Harry S.] после смерти Ф. Д. Рузвельта [ Roosevelt, Franklin Delano (FDR)] и Л. Б. Джонсон [ Johnson, Lyndon Baines (LBJ)] после убийства Дж. Ф. Кеннеди [ Kennedy, John Fitzgerald (JFK)]English-Russian dictionary of regional studies > heartbeat away from the Presidency
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36 Mexican War
Война началась в 1846 из-за спорной техасской территории, ставшей местом восстания местных жителей против диктатуры мексиканского генерала Санта-Ана. После победы восстания эта территория провозгласила себя независимой республикой и в феврале 1845 была аннексирована США. Мексика объявила, что граница Техаса проходит по р. Нуэсес [ Nueces River], а США, в свою очередь, провозгласили пограничной рекой Рио-Гранде [ Rio Grande River]. Поскольку переговоры о границе и о покупке Нью-Мексико и Калифорнии закончились неудачей, в марте 1846 президент Полк [ Polk, James Knox] отдал приказ генералу З. Тейлору [ Taylor, Zachary] выйти к берегам Рио-Гранде, где и произошло первое столкновение с мексиканской армией. 27 марта 1847 американские войска захватили Веракрус. В мае Конгресс официально объявил войну, а 14 сентября американцы взяли город Мехико. По договору, подписанному в Гуадалупе-Идальго [ Treaty of Guadalupe Hidalgo] в феврале 1848, Мексика уступила США почти половину своей территории: нынешние штаты Техас, Калифорнию, Аризону, Нью-Мексико, Неваду, Юту и часть Колорадо. США выплатили Мексике 15 млн. долларов. Результаты войны вызвали раскол в американском обществе по вопросу о распространении рабства на западные территории.English-Russian dictionary of regional studies > Mexican War
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37 Ringling Brothers
Пятеро братьев из городка Барабу, шт. Висконсин, создатели крупнейшего в мире цирка во главе с Дж. Ринглингом [Ringling, John] (1866-1936). Начали свою карьеру, основав странствующий цирк-шапито, который вскоре стал конкурировать с цирками Барнума [ Barnum, Phineas Taylor (P. T.)] и Бейли [Bailey, James A.]. В 1907 выкупили Цирк Барнума и Бейли [Barnum and Bailey Circus]. К 1930 объединенная фирма "Цирк Братьев Ринглинг, Барнума и Бейли" [Ringling Bros., Barnum and Bailey Circus], владевшая цирком, известным как "Большой" ["The Big One"], занимала ведущие позиции в цирковом бизнесе. Оставалась в руках семьи Ринглингов до 1967English-Russian dictionary of regional studies > Ringling Brothers
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38 Indiana
[ɪndɪˊænǝ] Индиана, штат на Среднем Западе США <букв. страна индейцев>. Сокращение: IN. Прозвища: «штат мужланов» [*Hoosier State], «перекрёсток Америки» [*Crossroads of America], «штат ивняка» [*Hoop-Pole State]. Житель штата: индианец [Indianan]. Столица: г. Индианаполис [*Indianapolis]. Девиз: «Перекрёсток Америки» [*‘Crossroads of America']. Песня: «На берегах Уобаша, там вдали» [*‘On the Banks of the Wabash, Far Away']. Цветок: пион [peony]. Дерево: тюльпанное дерево [tulip tree]. Птица: кардинал [cardinal]. Площадь: 93491 кв. км (36,185 sq. mi.) (38- е место). Население (1992): св. 5,5 млн. (14- е место). Крупнейшие города: Индианаполис [*Indianapolis], Форт- Уэйн [Fort Wayne], Гэри [Gary], Эвансвилл [Evansville], Саут- Бенд [South Bend], Хаммонд [Hammond]. Экономика. Основные отрасли: обрабатывающая промышленность, услуги, оптовая и розничная торговля, сельское хозяйство, обслуживание государственных объектов, транспорт, коммунальное обслуживание. Основная продукция: металл и металлоизделия, транспортное оборудование, автомобили и автодетали, продукция машиностроения, продукция химической и фармацевтической промышленности, мебель. Сельское хозяйство. Основная продукция: кукуруза, сорго, овёс, пшеница, рожь, соя-бобы, сено. Животноводство (1987): скота — 1,2 млн.; свиней — 4,4 млн.; овец — 82,5 тыс.; кур и цыплят — 28 млн. Лесное хозяйство: дуб, тюльпанное дерево, бук, платан. Полезные ископаемые: уголь, нефть, природный газ, известняк, песок и гравий. Рыболовство (1992): на 2,55 млн. долл. История. Первыми людьми, живущими здесь примерно 1000 лет назад, были строители курганов [Mound Builders]. Первая французская фактория появилась в 1731—32 гг. в районе Венсенна [Vincennes]. Ла Саль [*La Salle] посещал район, называемый сейчас Южной Излучиной [South Bend] в 1679 и 1681 гг. Франция уступила этот район Англии в 1763. Во время Войны за независимость американский ген. Джордж Кларк [Clark, George] захватил Венсенн (1778) и разгромил английские войска в 1779. В конце войны Англия уступила эту территорию США. Индейцы майя дважды наносили поражение американским войскам в 1790, но в 1794 в районе Упавших Деревьев [Fallen Timbers] были разгромлены ген. Энтони Уэйном [Wayne, Anthony]. В 1811 в районе Типпеканое [Tippecanoe] ген. Уильям Харрисон [*Harrison, William H.] разгромил союз индейских племён, возглавляемых Текумсе. Достопримечательности: Национальный мемориал, посвящённый детским годам А. Линкольна [Lincoln Boyhood National Memorial]; Национальный парк-мемориал Джорджа Р. Кларка [George Rogers Clark National Historical Park]; пещера Уайендотт [Wyandotte Cave]; песчаные дюны вдоль побережья оз. Мичиган [Indiana Dunes National Lakeshore]; Национальный лес Хужер [Hoosier Nat'l Forest]; дом Бенджамина Харрисона [Benjamin Harrison Home]; Зал баскетбольной славы [Basketball Hall of Fame] в Нью-Хармони; автотрек «500» с музеем в Индианаполисе. Знаменитые индианцы: Бёрд, Лэрри [*Bird, Larry], баскетболист; Бёрнсайд, Эмброуз [*Burnside, Ambrose], генерал; Кармайкл, Хоаги [*Carmichael, Hoagland Howard (‘Hoagy’)], композитор; Дин, Джеймс [*Dean, James], киноактёр; Дебс, Юджин [*Debs, Eugene V.], профсоюзный деятель; Драйзер, Теодор [*Dreiser, Theodore], писатель; Дрессер, Пол [*Dresser, Paul], композитор; Портер, Коул [*Porter, Cole], композитор; Пайл, Эрни [*Pyle, Ernest Taylor (‘Ernie’)], журналист; Таркингтон, Бот [*Tarkington, Booth], писатель; Уилки, Уэнделл [*Wilkie, Wendel L.], политический деятель; Райт, Уилбур [*Wright, Wilbur], авиаконструктор, изобретатель аэроплана. Ассоциации: «штат-мужлан» со сталеплавильными заводами в Гэри; тяжёлый труд; воспринимается как младший брат штата Иллинойс ( хотя между этими штатами отношения далеко не тёплые); Индианаполис — место проведения ежегодных автомобильных гонок [*Indy-500]; штаб- квартира Американского легиона и Ку- клукс- клана; г. Гэри, первый крупный город США, избравший мэром негра -
39 Kentucky
[kǝnˊtʌki:] Кентукки, штат на Юге США <инд. Ke-tah-ten земля завтрашнего дня>. Сокращение: KY. Прозвища: «штат голубой травы» [*Bluegrass State], «штат табака» [*Tobacco State], «штат лущильщиков кукурузы» [*Corn-cracker State], «медвежий штат» [*Bear State], «штат конопли» [*Hemp State], «земля раздоров» [*Dark and Bloody Ground]. Житель: кентуккец [Kentuckian]. Столица: г. Франкфорт [Frankfort]. Девиз: «Объединённые мы выстоим, разделённые падём» [‘United we stand, divided we fall’]. Песня: «Мой старый дом в Кентукки» [*‘My Old Kentucky Home’]. Цветок: золотарник [goldenrod]. Птица: кентуккский кардинал [Kentucky cardinal]. Дерево: кофейное дерево [coffeetree]. Площадь: 102694 кв. км. (40,410 sq. mi.) (37- е место). Население (1992): св. 3,7 млн. (24- е место). Крупнейшие города: Луисвилл [*Louisville], Лексингтон [*Lexington]. Экономика. Основные отрасли: обрабатывающая промышленность, банковское дело, страховой бизнес и операции с недвижимостью, сервис, розничная торговля. Основная продукция: машины, электрооборудование и электроника, одежда, транспортное оборудование, печатная продукция. Сельское хозяйство. Основные культуры: табак, соя, кукуруза. Животноводство (1991): скота — 2,5 млн., свиней — 920 тыс., овец — 35 тыс., цыплят и кур — 2,2 млн. В 1990 от продажи лошадей и мулов было получено 490 млн. долларов. Лесное хозяйство: твердодревесные породы, сосна. Полезные ископаемые: нефть, уголь, природный газ, плавиковый шпат, известняк. История: Кентукки был первой территорией к западу от Аллеганских гор, заселённой американскими первопроходцами. Первое поселение — Харродсбёрг [Harrodsburg] было основано в 1774. Дэниэл Бун [*Boone, Daniel] проложил путь через Камберлендский проход [*Cumberland Gap] и в 1775 заложил форт Бунсборо [Boonesborough]. Нападения индейцев, которых натравливали на поселенцев англичане, не прекращались до тех пор, пока ген. Джордж Кларк не захватил английские форты в Индиане и Иллинойсе. В 1792 Виргиния отказалась от претензий на этот район, и Кентукки стал 15- м штатом. Достопримечательности: крупнейший город штата Луисвилл знаменит скачками в районе Чёрчилл-Даунс [*Churchill Downs], заводами по производству виски и табачными фабриками; район «голубой травы» [*Bluegrass country] вокруг Лексингтона известен как центр коневодства, где выращиваются скаковые лошади. Среди других достопримечательностей: Мамонтова пещера [Mommoth Cave], Музей генерала Паттона [George S. Patton, Jr. Military Museum] в Форт-Ноксе [*Fort Knox], парк Форт-Харрод [Old Harrod State Park], родина А. Линкольна г. Ходженвилл [Hodgenville], Национальный парк Камберленд-Гэп [*Cumberland Gap]. Знаменитые кентуккцы: Али, Мухаммед [*Ali, Muhammad], боксёр; Одюбон, Джон [*Audubon, John James], натуралист и художник; Бун, Дэниэл [*Boone, Daniel], первопроходец; Карсон, Кит [*Carson, Kit], первопроходец в освоении Дальнего Запада; Дэвис, Джефферсон [Davis, Jefferson], президент Конфедерации южных штатов; Линкольн, Авраам [*Lincoln, Abraham], 16-й президент США; Морган, Томас [*Morgan, Thomas Hunt], основоположник генетики; Стивенсон, Эдлай [*Stevenson, Adlai], государственный деятель; Тэйлор, Захария [*Taylor, Zachary], 12-й президент США; Уоррен, Роберт Пенн [*Warren, Robert Penn], писатель. Ассоциации: страна Дэниэла Буна [*Boone, Daniel], проложившего сюда путь [‘blazed the trail’]; район «голубой травы» [Bluegrass Country] и народных песен в стиле «кантри» [*bluegrass music]; место проведения знаменитых скачек [*Kentucky derby]; центр производства кукурузного виски «бурбон» [*Bourbon whiskey] и прославившийся на всю страну центр самогоноварения [Kentucky moonshine whiskey] -
40 БИБЛИОГРАФИЯ
Мы приняли следующие сокращения для наиболее часто упоминаемых книг и журналов:IJP - International Journal of Psycho-analysisJAPA - Journal of the American Psychoanalytic AssociationSE - Standard Edition of the Complete Psychological Works of Sigmund Freud, ed. James Strachey (London: Hogarth Press and the Institute of Psycho-Analysis, 1953—74.)PSOC - Psychoanalytic Study of the Child (New Haven: Yale University Press)PQ - Psychoanalytic QuarterlyWAF - The Writings of Anna Freud, ed. Anna Freud (New York: International Universities Press, 1966—74)PMC - Psychoanalysis The Major Concepts ed. Burness E. Moore and Bernard D. Fine (New Haven: Yale University Press)\О словаре: _about - Psychoanalytic Terms and Concepts\1. Abend, S. M. Identity. PMC. Forthcoming.2. Abend, S. M. (1974) Problems of identity. PQ, 43.3. Abend, S. M., Porder, M. S. & Willick, M. S. (1983) Borderline Patients. New York: Int. Univ. Press.4. Abraham, K. (1916) The first pregenital stage of libido. Selected Papers. London, Hogarth Press, 1948.5. Abraham, K. (1917) Ejaculatio praecox. In: selected Papers. New York Basic Books.6. Abraham, K. (1921) Contributions to the theory of the anal character. Selected Papers. New York: Basic Books, 1953.7. Abraham, K. (1924) A Short study of the development of the libido, viewed in the light of mental disorders. In: Selected Papers. London: Hogarth Press, 1927.8. Abraham, K. (1924) Manic-depressive states and the pre-genital levels of the libido. In: Selected Papers. London: Hogarth Press, 1949.9. Abraham, K. (1924) Selected Papers. London: Hogarth Press, 1948.10. Abraham, K. (1924) The influence of oral erotism on character formation. Ibid.11. Abraham, K. (1925) The history of an impostor in the light of psychoanalytic knowledge. In: Clinical Papers and Essays on Psychoanalysis. New York: Basic Books, 1955, vol. 2.12. Abrams, S. (1971) The psychoanalytic unconsciousness. In: The Unconscious Today, ed. M. Kanzer. New York: Int. Univ. Press.13. Abrams, S. (1981) Insight. PSOC, 36.14. Abse, D W. (1985) The depressive character In Depressive States and their Treatment, ed. V. Volkan New York: Jason Aronson.15. Abse, D. W. (1985) Hysteria and Related Mental Disorders. Bristol: John Wright.16. Ackner, B. (1954) Depersonalization. J. Ment. Sci., 100.17. Adler, A. (1924) Individual Psychology. New York: Harcourt, Brace.18. Akhtar, S. (1984) The syndrome of identity diffusion. Amer. J. Psychiat., 141.19. Alexander, F. (1950) Psychosomatic Medicine. New York: Norton.20. Allen, D. W. (1974) The Feat- of Looking. Charlottesvill, Va: Univ. Press of Virginia.21. Allen, D. W. (1980) Psychoanalytic treatment of the exhibitionist. In: Exhibitionist, Description, Assessment, and Treatment, ed. D. Cox. New York: Garland STPM Press.22. Allport, G. (1937) Personality. New York: Henry Holt.23. Almansi, R. J. (1960) The face-breast equation. JAPA, 6.24. Almansi, R. J. (1979) Scopophilia and object loss. PQ, 47.25. Altman, L. Z. (1969) The Dream in Psychoanalysis. New York: Int. Univ. Press.26. Altman, L. Z. (1977) Some vicissitudes of love. JAPA, 25.27. American Psychiatric Association. (1987) Diagnostic and Statistical Manual of Mental Disorders, 3d ed. revised. Washington, D. C.28. Ansbacher, Z. & Ansbacher, R. (1956) The Individual Psychology of Alfred Adler. New York: Basic Books.29. Anthony, E. J. (1981) Shame, guilt, and the feminine self in psychoanalysis. In: Object and Self, ed. S. Tuttman, C. Kaye & M. Zimmerman. New York: Int. Univ. Press.30. Arlow. J. A. (1953) Masturbation and symptom formation. JAPA, 1.31. Arlow. J. A. (1959) The structure of the deja vu experience. JAPA, 7.32. Arlow. J. A. (1961) Ego psychology and the study of mythology. JAPA, 9.33. Arlow. J. A. (1963) Conflict, regression and symptom formation. IJP, 44.34. Arlow. J. A. (1966) Depersonalization and derealization. In: Psychoanalysis: A General Psychology, ed. R. M. Loewenstein, L. M. Newman, M. Schur & A. J. Solnit. New York: Int. Univ. Press.35. Arlow. J. A. (1969) Fantasy, memory and reality testing. PQ, 38.36. Arlow. J. A. (1969) Unconscious fantasy and disturbances of mental experience. PQ, 38.37. Arlow. J. A. (1970) The psychopathology of the psychoses. IJP, 51.38. Arlow. J. A. (1975) The structural hypothesis. PQ, 44.39. Arlow. J. A. (1977) Affects and the psychoanalytic situation. IJP, 58.40. Arlow. J. A. (1979) Metaphor and the psychoanalytic situation. PQ, 48.41. Arlow. J. A. (1979) The genesis of interpretation. JAPA, 27 (suppl.).42. Arlow. J. A. (1982) Problems of the superego concept. PSOC, 37.43. Arlow. J. A. (1984) Disturbances of the sense of time. PQ, 53.44. Arlow. J. A. (1985) Some technical problems of countertransference. PQ, 54.45. Arlow, J. A. & Brenner, C. (1963) Psychoanalytic Concepts and the Structural Theory, New York: Int. Univ. Press.46. Arlow, J. A. & Brenner, C. (1969) The psychopathology of the psychoses. IJP, 50.47. Asch, S. S. (1966) Depression. PSOC, 21.48. Asch, S. S. (1976) Varieties of negative therapeutic reactions and problems of technique. JAPA, 24.49. Atkins, N. (1970) The Oedipus myth. Adolescence, and the succession of generations. JAPA, 18.50. Atkinson, J. W. & Birch, D. (1970) The Dynamics of Action. New York: Wiley.51. Bachrach, H. M. & Leaff, L. A. (1978) Analyzability. JAPA, 26.52. Bacon, C. (1956) A developmental theory of female homosexuality. In: Perversions,ed, S. Lorand & M. Balint. New York: Gramercy.53. Bak, R. C. (1953) Fetishism. JAPA. 1.54. Bak, R. C. (1968) The phallic woman. PSOC, 23.55. Bak, R. C. & Stewart, W. A. (1974) Fetishism, transvestism, and voyeurism. An American Handbook of Psychiatry, ed. S. Arieti. New York: Basic Books, vol. 3.56. Balint, A. (1949) Love for mother and mother-love. IJP, 30.57. Balter, L., Lothane, Z. & Spencer, J. H. (1980) On the analyzing instrument, PQ, 49.58. Basch, M. F. (1973) Psychoanalysis and theory formation. Ann. Psychoanal., 1.59. Basch, M. F. (1976) The concept of affect. JAPA, 24.60. Basch, M. F. (1981) Selfobject disorders and psychoanalytic theory. JAPA, 29.61. Basch, M. F. (1983) Emphatic understanding. JAPA. 31.62. Balldry, F. Character. PMC. Forthcoming.63. Balldry, F. (1983) The evolution of the concept of character in Freud's writings. JAPA. 31.64. Begelman, D. A. (1971) Misnaming, metaphors, the medical model and some muddles. Psychiatry, 34.65. Behrends, R. S. & Blatt, E. J. (1985) Internalization and psychological development throughout the life cycle. PSOC, 40.66. Bell, A. (1961) Some observations on the role of the scrotal sac and testicles JAPA, 9.67. Benedeck, T. (1949) The psychosomatic implications of the primary unit. Amer. J. Orthopsychiat., 19.68. Beres, C. (1958) Vicissitudes of superego functions and superego precursors in childhood. FSOC, 13.69. Beres, D. Conflict. PMC. Forthcoming.70. Beres, D. (1956) Ego deviation and the concept of schizophrenia. PSOC, 11.71. Beres, D. (1960) Perception, imagination and reality. IJP, 41.72. Beres, D. (1960) The psychoanalytic psychology of imagination. JAPA, 8.73. Beres, D. & Joseph, E. D. (1965) Structure and function in psychoanalysis. IJP, 46.74. Beres, D. (1970) The concept of mental representation in psychoanalysis. IJP, 51.75. Berg, M D. (1977) The externalizing transference. IJP, 58.76. Bergeret, J. (1985) Reflection on the scientific responsi bilities of the International Psychoanalytical Association. Memorandum distributed at 34th IPA Congress, Humburg.77. Bergman, A. (1978) From mother to the world outside. In: Grolnick et. al. (1978).78. Bergmann, M. S. (1980) On the intrapsychic function of falling in love. PQ, 49.79. Berliner, B. (1966) Psychodynamics of the depressive character. Psychoanal. Forum, 1.80. Bernfeld, S. (1931) Zur Sublimierungslehre. Imago, 17.81. Bibring, E. (1937) On the theory of the therapeutic results of psychoanalysis. IJP, 18.82. Bibring, E. (1941) The conception of the repetition compulsion. PQ, 12.83. Bibring, E. (1953) The mechanism of depression. In: Affective Disorders, ed. P. Greenacre. New York: Int. Univ. Press.84. Bibring, E. (1954) Psychoanalysis and the dynamic psychotherapies. JAPA, 2.85. Binswanger, H. (1963) Positive aspects of the animus. Zьrich: Spring.86. Bion Francesca Abingdon: Fleetwood Press.87. Bion, W. R. (1952) Croup dynamics. IJP, 33.88. Bion, W. R. (1961) Experiences in Groups. London: Tavistock.89. Bion, W. R. (1962) A theory of thinking. IJP, 40.90. Bion, W. R. (1962) Learning from Experience. London: William Heinemann.91. Bion, W. R. (1963) Elements of Psychoanalysis. London: William Heinemann.92. Bion, W. R. (1965) Transformations. London: William Heinemann.93. Bion, W. R. (1970) Attention and Interpretation. London: Tavistock.94. Bion, W. R. (1985) All My Sins Remembered, ed. Francesca Bion. Adingdon: Fleetwood Press.95. Bird, B. (1972) Notes on transference. JAPA, 20.96. Blanck, G. & Blanck, R. (1974) Ego Psychology. New York: Columbia Univ. Press.97. Blatt, S. J. (1974) Levels of object representation in anaclitic and introjective depression. PSOC, 29.98. Blau, A. (1955) A unitary hypothesis of emotion. PQ, 24.99. Bleuler, E. (1911) Dementia Praecox or the Group of Schizophrenias. New York: Int. Univ. Press, 1951.100. Blos, P. (1954) Prolonged adolescence. Amer. J. Orthopsychiat., 24.101. Blos, P. (1962) On Adolescence. New York: Free Press.102. Blos, P. (1972) The epigenesia of the adult neurosis. 27.103. Blos, P. (1979) Modification in the traditional psychoanalytic theory of adolescent development. Adolescent Psychiat., 8.104. Blos, P. (1984) Son and father. JAPA_. 32.105. Blum, G. S. (1963) Prepuberty and adolescence, In Studies ed. R. E. Grinder. New York: McMillan.106. Blum, H. P. Symbolism. FMC. Forthcoming.107. Blum, H. P. (1976) Female Psychology. JAPA, 24 (suppl.).108. Blum, H. P. (1976) Masochism, the ego ideal and the psychology of women. JAPA, 24 (suppl.).109. Blum, H. P. (1980) The value of reconstruction in adult psychoanalysis. IJP, 61.110. Blum, H. P. (1981) Forbidden quest and the analytic ideal. PQ, 50.111. Blum, H. P. (1983) Defense and resistance. Foreword. JAFA, 31.112. Blum, H. P., Kramer, Y., Richards, A. K. & Richards, A. D., eds. (1988) Fantasy, Myth and Reality: Essays in Honor of Jacob A. Arlow. Madison, Conn.: Int. Univ. Press.113. Boehm, F. (1930) The femininity-complex In men. IJP,11.114. Boesky, D. Structural theory. PMC. Forthcoming.115. Boesky, D. (1973) Deja raconte as a screen defense. PQ, 42.116. Boesky, D. (1982) Acting out. IJP, 63.117. Boesky, D. (1986) Questions about Sublimation In Psychoanalysis the Science of Mental Conflict, ed. A. D. Richards & M. S. Willick. Hillsdale, N. J.: Analytic Press.118. Bornstein, B. (1935) Phobia in a 2 1/2-year-old child. PQ, 4.119. Bornstein, B. (1951) On latency. PSOC, 6.120. Bornstein, M., ed. (1983) Values and neutrality in psychoanalysis. Psychoanal. Inquiry, 3.121. Bowlby, J. (1960) Grief and morning in infancy and early childhood. PSOC. 15.122. Bowlby, J. (1961) Process of mourning. IJP. 42.123. Bowlby, J. (1980) Attachment and Loss, vol. 3. New York: Basic Books.124. Bradlow, P. A. (1973) Depersonalization, ego splitting, non-human fantasy and shame. IJP, 54.125. Brazelton, T. B., Kozlowsky, B. & Main, M. (1974) The early motherinfant interaction. In: The Effect of the Infant on Its Caregiver, ed. M. Lewis & L. Rosenblum New York Wiley.126. Brenner, C. (1957) The nature and development of the concept of repression in Freud's writings. PSOC, 12.127. Brenner, C. (1959) The masochistic character. JAPA, 7.128. Brenner, C. (1973) An Elementary Textbook of Psycho-analysis. New York Int. Univ. Press.129. Brenner, C. (1974) On the nature and development of affects PQ, 43.130. Brenner, C. (1976) Psychoanalytic Technique and Psychic Conflict. New York: Int. Univ. Press.131. Brenner, C. (1979) The Mind in Conflict. New York: Int. Univ. Press.132. Brenner, C. (1979) Working alliance, therapeutic alliance and transference. JAPA, 27.133. Brenner, C. (1981) Defense and defense mechanisms. PQ, 50.134. Brenner, C. (1983) Defense. In: the Mind in Conflict. New York Int. Univ. Press.135. Bressler, B. (1965) The concept of the self. Psychoanalytic Review, 52.136. Breuer, J. & Freud, S. (1983—95) Studies on Hysteria. SE, 3.137. Breznitz, S., ed. (1983) The Denial of Stress. New York: Int. Univ. Press.138. Brody, S. (1964) Passivity. New York: Int. Univ. Press.139. Brown, H. (1970) Psycholinquistics. New York: Free Press.140. Bruner, J. S. (1964) The course of cognitive growth. Amer. Psychologist. 19.141. Bruner, J., Jolly, A. & Sylva, K. (1976) Play. New York Basic Books.142. Bruner, J. E., Olver, R. R. &Greenfield, P. M. (1966) Studies in Cognitive Growth. New York: Wiley.143. Buie, D H. (1981) Empathy. JAPA, 29.144. Burgner, M. & Edgeumble, R. (1972) Some problems in the conceptualization of early object relationships. 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James Taylor — 1999 James Vernon Taylor (* 12. März 1948 in Boston) ist ein US amerikanischer Folk/Pop Künstler. Taylors Karriere begann Mitte der 1960er Jahre in den USA. 1968 ging er nach Großbritannien, wo er einen Vertrag bei Apple Records, der Plattenfirma … Deutsch Wikipedia
James Taylor — en 1999 Datos generales Nacimiento 12 de Marzo, 1948 (62 años) … Wikipedia Español
James Taylor, Jr. — James Taylor, Jr. may refer to:*James Taylor, Jr. (Exclusive Brethren) (1899–1970), American leader of the Exclusive Brethren *James Taylor, Jr. (Kentucky) (1769–1848), American banker and early settler of Kentucky … Wikipedia
James Taylor — Infobox musical artist Name = James Taylor Img capt = James Taylor in 1999 (Arm unknown) Img size = Landscape = Background = solo singer Birth name = James Vernon Taylor Alias = Born = birth date and age|1948|3|12 Boston, Massachusetts, U.S. Died … Wikipedia
James Taylor — Pour les articles homonymes, voir Taylor. Cette page d’homonymie répertorie différentes personnes partageant un même nom. James Vernon Taylor (né en 1948), auteur compositeur interprète américain de folk rock. James Taylor (quartet) (né en… … Wikipédia en Français
James Taylor (disambiguation) — James Taylor may refer to:Musicians* James Taylor (born 1948), American singer songwriter and guitarist * James Taylor Quartet, led by the British acid jazz musician James Taylor * James J.T. Taylor, a lead singer with the band Kool the Gang *… … Wikipedia
James Taylor, Jr. (Kentucky) — James Taylor, Jr. (1769–1848) was an American banker, Quartermaster general, and one of the wealthiest early settlers of Kentucky. He was a founder of the city of Newport, Kentucky. He was the fifth child born to James Taylor Sr. and his wife,… … Wikipedia
James Taylor jun. — James Taylor junior (* 15. April 1899 in New York, USA; † 14. Oktober 1970 ebenda) war ein US amerikanischer Geschäftsmann und von 1960 bis zu seinem Tod Leiter der Raven Brüder. Leben James Taylor jun. war das fünfte Kind und der jüngste Sohn… … Deutsch Wikipedia
James Taylor sen. — James Taylor senior (* 6. Januar 1870 in Coolaney, County Sligo, Irland; † 29. März 1953 in New York, New York, USA) war ein irisch amerikanischer Geschäftsmann und von ca. 1903 bis zu seinem Tod Leiter der Raven Brüder. Leben Als Jugendlicher… … Deutsch Wikipedia
James Taylor (Ceylon) — James Taylor (March 29, 1835 May 2, 1892) was a British citizen who introduced the tea plantation in Sri Lanka (Ceylon). He arrived to Sri Lanka in 1852 and settled down in Loolecondera estate in Kandy. He lived in Sri Lanka more than half of his … Wikipedia
James Taylor senior — (* 6. Januar 1870 in Coolaney, County Sligo, Irland; † 29. März 1953 in New York, New York, USA) war ein irisch amerikanischer Geschäftsmann und von ca. 1903 bis zu seinem Tod Leiter der Raven Brüder. Leben Als Jugendlicher ging Taylor nach… … Deutsch Wikipedia
